Bibliography for EN1050 Renaissance Drama: Shakespeare and his Contemporaries BETA

Alexander, Catherine M. S. and Wells, Stanley (2000) Shakespeare and race. Cambridge: Cambridge University Press.

Bevington, D.M. (2002) English Renaissance drama: a Norton anthology. New York: W. W. Norton and Company.

Braunmuller, A. R. and Hattaway, Michael (2003) The Cambridge companion to English Renaissance drama. 2nd ed. Cambridge: Cambridge University Press.

Bruster, Douglas (2005) Drama and the market in the age of Shakespeare. Cambridge University Press.

Cheney, Patrick (2004) The Cambridge companion to Christopher Marlowe. Cambridge: Cambridge University Press. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=862360.

Cheney, Patrick (2006) The Cambridge companion to Christopher Marlowe. Cambridge: Cambridge University Press. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=862360.

Cox, John D. and Kastan, David Scott (1997) A new history of early English drama. New York: Columbia University Press.

De Grazia, Margreta and Wells, Stanley (2010) The new Cambridge companion to Shakespeare. 2nd ed. New York: Cambridge University Press. Available at: http://ezproxy.lib.le.ac.uk/login?url=https://www.cambridge.org/core/books/new-cambridge-companion-to-shakespeare/95900CAA1B085D13428F2DEBF9573AA2.

De Grazia, Margreta and Wells, Stanley (2011) The new Cambridge companion to Shakespeare. 2nd ed. Cambridge: Cambridge University Press. Available at: http://ezproxy.lib.le.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL9780521886321.

Deats, Sara Munson and Logan, Robert A. (2008) Placing the plays of Christopher Marlowe: fresh cultural contexts. Aldershot: Ashgate Pub. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662273160002746&institutionId=2746&customerId=2745.

Deats, S.M. and Logan, R.A. (2008) Placing the plays of Christopher Marlowe: fresh cultural contexts. Aldershot, England: Ashgate Pub. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=438438.

Dutton, Richard (2009) The Oxford handbook of early modern theatre. Oxford: Oxford University Press.

Dutton, Richard, Findlay, Alison, and Wilson, Richard (2003) Theatre and religion: Lancastrian Shakespeare. Manchester: Manchester University Press.

Early English Books Online - EEBO (no date). Available at: http://eebo.chadwyck.com/home.

‘ELH: a journal of English literary history’ (no date).

‘English literary Renaissance’ (no date).

Hatchuel, Sarah (2004a) Shakespeare: from stage to screen. Cambridge: Cambridge University Press. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=266618.

Hatchuel, Sarah (2004b) Shakespeare: from stage to screen. Cambridge: Cambridge University Press. Available at: http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10131718.

Hodgdon, Barbara (1991) The end crowns all: closure and contradiction in Shakespeare’s history. Princeton, N.J.: Princeton University Press.

Howard, Jean E. and Rackin, Phyllis (1997a) Engendering a nation: a feminist account of Shakespeare’s English histories. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=168810.

Howard, Jean E. and Rackin, Phyllis (1997b) Engendering a nation: a feminist account of Shakespeare’s English histories. London [England]: Routledge. Available at: http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10057214.

Jackson, Russell (2007a) The Cambridge companion to Shakespeare on film. 2nd ed. Cambridge: Cambridge University Press. Available at: http://ezproxy.lib.le.ac.uk/login?url=http://www.cambridge.org/core/product/identifier/9781139001434/type/BOOK.

Jackson, Russell (2007b) The Cambridge companion to Shakespeare on film. 2nd ed. Cambridge: Cambridge University Press. Available at: http://ezproxy.lib.le.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521866006.

Jones, Emrys (1971) Scenic form in Shakespeare. Oxford: Clarendon.

Jones, Emrys (1977) The origins of Shakespeare. Oxford: Clarendon Press.

Kahn, Coppélia (1981) Man’s estate: masculine identity in Shakespeare. Berkeley: University of California Press.

Kastan, David Scott and Stallybrass, Peter (1991) Staging the Renaissance: reinterpretations of Elizabethan and Jacobean drama. London: Routledge.

Kelly, Henry Ansgar (1970) Divine providence in the England of Shakespeare’s histories. Cambridge, Mass: Harvard University Press.

Kinney, A.F. and Kinney, A.F. (2012) The Oxford Handbook of Shakespeare [electronic resource]. Oxford: Oxford University Press. Available at: http://ezproxy.lib.le.ac.uk/login?url=http://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199566105.001.0001/oxfordhb-9780199566105.

Leggatt, Alexander (1974) Shakespeare’s comedy of love. London: Methuen.

Leggatt, Alexander (1999) Introduction to English Renaissance comedy. Manchester: Manchester University Press.

‘Leicester eLink - English Literary History’ (no date). Available at: http://gl9sn3dh2u.search.serialssolutions.com/?V=1.0&N=50&L=GL9SN3DH2U&S=A_T_B&C=English Literary History &=Go.

‘Leicester eLink - English Literary Renaissance’ (no date). Available at: http://gl9sn3dh2u.search.serialssolutions.com/?V=1.0&N=50&L=GL9SN3DH2U&S=A_T_B&C=English Literary Renaissance &=Go.

‘Leicester eLink - Shakespeare Quarterly’ (no date). Available at: http://gl9sn3dh2u.search.serialssolutions.com/?V=1.0&N=50&L=GL9SN3DH2U&S=A_T_B&C=Shakespeare Quarterly&=Go.

Lesser, Zachary (2004) Renaissance drama and the politics of publication: readings in the English book trade. Cambridge: Cambridge University Press.

Logan, Robert A. (2007a) Shakespeare’s Marlowe: the influence of Christopher Marlowe on Shakespeare’s artistry. Aldershot: Ashgate. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=438794.

Logan, Robert A. (2007b) Shakespeare’s Marlowe: the influence of Christopher Marlowe on Shakespeare’s artistry. Aldershot, England: Ashgate. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664314140002746&institutionId=2746&customerId=2745.

Loomba, Ania (1989) Gender, race, Renaissance drama. Manchester: Manchester University Press.

Loomba, Ania (2002) Shakespeare, race, and colonialism. Oxford: Oxford University Press.

Marlowe, Christopher and Forker, Charles R. (1994) Edward the Second. Manchester: Manchester University Press.

Marlowe, Christopher, Rasmussen, Eric, and Bevington, David M. (1993) Doctor Faustus: A- and B-texts (1604, 1616). New ed. Manchester: Manchester University Press.

Marlowe, Christopher and Siemon, James R. (1994) The Jew of Malta. 2nd ed. London: A & C Black.

Mazzio, Carla and Trevor, Douglas (2000) Historicism, psychoanalysis, and the making of early modern culture. New York: Routledge.

Middleton, T. et al. (2007) Thomas Middleton: the collected works. Oxford: Clarendon Press. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=430500.

Miola, Robert S. (1992) Shakespeare and classical tragedy: the influence of Seneca. Oxford: Clarendon Press.

Orgel, Stephen (1996) Impersonations: the performance of gender in Shakespeare’s England. Cambridge: Cambridge University Press.

Parker, Patricia (1996) Shakespeare from the margins: language, culture, context. Chicago: University of Chicago Press.

Ravelhofer, B. (2006a) The early Stuart masque: dance, costume, and music. Oxford: Oxford University Press. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=431208.

Ravelhofer, B. (2006b) The early Stuart masque: dance, costume, and music. Oxford: Oxford University Press. Available at: http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10271748.

Rothwell, Kenneth S. (2004) A history of Shakespeare on screen: a century of film and television. 2nd ed. Cambridge: Cambridge University Press.

Rutter, Carol Chillington (2001a) Enter the body: women and representation on Shakespeare’s stage. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=170106.

Rutter, Carol Chillington (2001b) Enter the body: women and representation on Shakespeare’s stage. London: Routledge. Available at: http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10053850.

Shakespeare Association of America (no date) ‘Shakespeare quarterly’.

‘Shakespeare survey: an annual survey of Shakespearian study and production’ (no date).

Shakespeare, W. and Foakes, R.A. (1997) King Lear. [3rd ed.]. London: Thomas Nelson and Sons.

Shakespeare, W. and Greenblatt, S. (2015) The Norton Shakespeare. 3rd international student edn. W. W. Norton & Company.

Shakespeare, William and Gibbons, Brian (2006) Measure for measure. Updated ed. Cambridge: Cambridge University Press.

Shakespeare, William and Halio, Jay L (1993) The merchant of Venice. Oxford: Oxford University Press.

Shakespeare, William and Siemon, James R. (2009) King Richard III. London: Methuen Drama.

Shakespeare, William, Vaughan, Virginia Mason, and Vaughan, Alden T. (2011a) The tempest. Rev. ed. London: Arden Shakespeare.

Shakespeare, William, Vaughan, Virginia Mason, and Vaughan, Alden T. (2011b) The tempest. London: Arden Shakespeare. Available at: http://site.ebrary.com/lib/leicester/Doc?id=10490815.

Shapiro, James S. (1996) Shakespeare and the Jews. New York: Columbia University Press.

Steggle, Matthew (2007) Laughing and weeping in early modern theatres. Aldershot: Ashgate.

Taylor, G. and Henley, T.T. (2012) The Oxford handbook of Thomas Middleton. Oxford: Oxford University Press. Available at: http://ezproxy.lib.le.ac.uk/login?url=https://academic.oup.com/edited-volume/28181.

Webster, John and Marcus, Leah S. (2009) The Duchess of Malfi. London: Methuen Drama.

Weimann, Robert, Higbee, Helen, and West, William (2000) Author’s pen and actor’s voice: playing and writing in Shakespeare’s theatre. Cambridge: Cambridge University Press. Available at: http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10014943.

Weimann, Robert, Higbee, Helen, and West, William N. (2000) Author’s pen and actor’s voice: playing and writing in Shakespeare’s theatre. Cambridge: Cambridge University Press. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=201363.

Wells, Stanley and Orlin, Lena Cowen (2003) Shakespeare: an Oxford guide. Oxford: Oxford University Press.

Yachnin, Paul Edward and Badir, Patricia (2008) Shakespeare and the cultures of performance. Aldershot: Ashgate.

Yaffe, Martin D. (1997) Shylock and the Jewish question. Baltimore: Johns Hopkins University Press.