1.
Bevington DM. English Renaissance drama: a Norton anthology. New York: W. W. Norton and Company; 2002.
2.
Shakespeare W, Greenblatt S. The Norton Shakespeare. 3rd international student edn. W. W. Norton & Company; 2015.
3.
Shakespeare W, Foakes RA. King Lear. [3rd ed.]. Vol. The Arden Shakespeare. London: Thomas Nelson and Sons; 1997.
4.
Marlowe, Christopher, Siemon, James R. The Jew of Malta. 2nd ed. Vol. The new mermaids. London: A & C Black; 1994.
5.
Shakespeare, William, Halio, Jay L. The merchant of Venice. Vol. The Oxford Shakespeare. Oxford: Oxford University Press; 1993.
6.
Marlowe, Christopher, Forker, Charles R. Edward the Second. Vol. The Revels plays. Manchester: Manchester University Press; 1994.
7.
Shakespeare, William, Siemon, James R. King Richard III. Vol. The Arden Shakespeare. Third series. London: Methuen Drama; 2009.
8.
Marlowe, Christopher, Rasmussen, Eric, Bevington, David M. Doctor Faustus: A- and B-texts (1604, 1616). New ed. Vol. The Revels plays. Manchester: Manchester University Press; 1993.
9.
Shakespeare, William, Vaughan, Virginia Mason, Vaughan, Alden T. The tempest. Rev. ed. Vol. The Arden Shakespeare. London: Arden Shakespeare; 2011.
10.
Shakespeare, William, Vaughan, Virginia Mason, Vaughan, Alden T. The tempest [Internet]. Vol. The Arden Shakespeare. Third series. London: Arden Shakespeare; 2011. Available from: http://site.ebrary.com/lib/leicester/Doc?id=10490815
11.
Webster, John, Marcus, Leah S. The Duchess of Malfi. Vol. Arden early modern drama. London: Methuen Drama; 2009.
12.
Shakespeare, William, Gibbons, Brian. Measure for measure. Updated ed. Vol. The new Cambridge Shakespeare. Cambridge: Cambridge University Press; 2006.
13.
Alexander, Catherine M. S., Wells, Stanley. Shakespeare and race. Cambridge: Cambridge University Press; 2000.
14.
Braunmuller, A. R., Hattaway, Michael. The Cambridge companion to English Renaissance drama. 2nd ed. Vol. Cambridge companions to literature. Cambridge: Cambridge University Press; 2003.
15.
Bruster, Douglas. Drama and the market in the age of Shakespeare. Cambridge University Press; 2005.
16.
Cheney, Patrick. The Cambridge companion to Christopher Marlowe [Internet]. Vol. Cambridge companions to literature and classics. Cambridge: Cambridge University Press; 2006. Available from: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=862360
17.
Cheney, Patrick. The Cambridge companion to Christopher Marlowe [Internet]. Vol. Cambridge companions to literature. Cambridge: Cambridge University Press; 2004. Available from: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=862360
18.
Cox, John D., Kastan, David Scott. A new history of early English drama. New York: Columbia University Press; 1997.
19.
Dutton, Richard, Findlay, Alison, Wilson, Richard. Theatre and religion: Lancastrian Shakespeare. Manchester: Manchester University Press; 2003.
20.
Dutton, Richard. The Oxford handbook of early modern theatre. Vol. Oxford handbooks. Oxford: Oxford University Press; 2009.
21.
De Grazia, Margreta, Wells, Stanley. The new Cambridge companion to Shakespeare [Internet]. 2nd ed. Vol. Cambridge companions to literature and classics. Cambridge: Cambridge University Press; 2011. Available from: http://ezproxy.lib.le.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL9780521886321
22.
De Grazia, Margreta, Wells, Stanley. The new Cambridge companion to Shakespeare [Internet]. 2nd ed. Vol. Cambridge companions to literature. New York: Cambridge University Press; 2010. Available from: http://ezproxy.lib.le.ac.uk/login?url=https://www.cambridge.org/core/books/new-cambridge-companion-to-shakespeare/95900CAA1B085D13428F2DEBF9573AA2
23.
Hatchuel, Sarah. Shakespeare: from stage to screen [Internet]. Cambridge: Cambridge University Press; 2004. Available from: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=266618
24.
Hatchuel, Sarah. Shakespeare: from stage to screen [Internet]. Cambridge: Cambridge University Press; 2004. Available from: http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10131718
25.
Hodgdon, Barbara. The end crowns all: closure and contradiction in Shakespeare’s history. Princeton, N.J.: Princeton University Press; 1991.
26.
Howard, Jean E., Rackin, Phyllis. Engendering a nation: a feminist account of Shakespeare’s English histories [Internet]. Vol. Feminist readings of Shakespeare. London: Routledge; 1997. Available from: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=168810
27.
Howard, Jean E., Rackin, Phyllis. Engendering a nation: a feminist account of Shakespeare’s English histories [Internet]. Vol. Feminist readings of Shakespeare. London [England]: Routledge; 1997. Available from: http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10057214
28.
Jackson, Russell. The Cambridge companion to Shakespeare on film [Internet]. 2nd ed. Vol. Cambridge companions to literature. Cambridge: Cambridge University Press; 2007. Available from: http://ezproxy.lib.le.ac.uk/login?url=http://www.cambridge.org/core/product/identifier/9781139001434/type/BOOK
29.
Jackson, Russell. The Cambridge companion to Shakespeare on film [Internet]. 2nd ed. Vol. Cambridge companions to literature and classics. Cambridge: Cambridge University Press; 2007. Available from: http://ezproxy.lib.le.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521866006
30.
Jones, Emrys. Scenic form in Shakespeare. Oxford: Clarendon; 1971.
31.
Jones, Emrys. The origins of Shakespeare. Oxford: Clarendon Press; 1977.
32.
Kahn, Coppélia. Man’s estate: masculine identity in Shakespeare. Berkeley: University of California Press; 1981.
33.
Kastan, David Scott, Stallybrass, Peter. Staging the Renaissance: reinterpretations of Elizabethan and Jacobean drama. London: Routledge; 1991.
34.
Kelly, Henry Ansgar. Divine providence in the England of Shakespeare’s histories. Cambridge, Mass: Harvard University Press; 1970.
35.
Leggatt, Alexander. Shakespeare’s comedy of love. London: Methuen; 1974.
36.
Leggatt, Alexander. Introduction to English Renaissance comedy. Manchester: Manchester University Press; 1999.
37.
Lesser, Zachary. Renaissance drama and the politics of publication: readings in the English book trade. Cambridge: Cambridge University Press; 2004.
38.
Logan, Robert A. Shakespeare’s Marlowe: the influence of Christopher Marlowe on Shakespeare’s artistry [Internet]. Aldershot: Ashgate; 2007. Available from: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=438794
39.
Logan, Robert A. Shakespeare’s Marlowe: the influence of Christopher Marlowe on Shakespeare’s artistry [Internet]. Aldershot, England: Ashgate; 2007. Available from: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664314140002746&institutionId=2746&customerId=2745
40.
Loomba, Ania. Gender, race, Renaissance drama. Vol. Cultural politics. Manchester: Manchester University Press; 1989.
41.
Loomba, Ania. Shakespeare, race, and colonialism. Vol. Oxford Shakespeare topics. Oxford: Oxford University Press; 2002.
42.
Mazzio, Carla, Trevor, Douglas. Historicism, psychoanalysis, and the making of early modern culture. New York: Routledge; 2000.
43.
Miola, Robert S. Shakespeare and classical tragedy: the influence of Seneca. Oxford: Clarendon Press; 1992.
44.
Deats SM, Logan RA. Placing the plays of Christopher Marlowe: fresh cultural contexts [Internet]. Aldershot, England: Ashgate Pub; 2008. Available from: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=438438
45.
Deats, Sara Munson, Logan, Robert A. Placing the plays of Christopher Marlowe: fresh cultural contexts [Internet]. Aldershot: Ashgate Pub; 2008. Available from: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662273160002746&institutionId=2746&customerId=2745
46.
Orgel, Stephen. Impersonations: the performance of gender in Shakespeare’s England. Cambridge: Cambridge University Press; 1996.
47.
Parker, Patricia. Shakespeare from the margins: language, culture, context. Chicago: University of Chicago Press; 1996.
48.
Ravelhofer, B. The early Stuart masque: dance, costume, and music [Internet]. Oxford: Oxford University Press; 2006. Available from: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=431208
49.
Ravelhofer, B. The early Stuart masque: dance, costume, and music [Internet]. Oxford: Oxford University Press; 2006. Available from: http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10271748
50.
Rothwell, Kenneth S. A history of Shakespeare on screen: a century of film and television. 2nd ed. Cambridge: Cambridge University Press; 2004.
51.
Rutter, Carol Chillington. Enter the body: women and representation on Shakespeare’s stage [Internet]. London: Routledge; 2001. Available from: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=170106
52.
Rutter, Carol Chillington. Enter the body: women and representation on Shakespeare’s stage [Internet]. London: Routledge; 2001. Available from: http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10053850
53.
Shapiro, James S. Shakespeare and the Jews. New York: Columbia University Press; 1996.
54.
Steggle, Matthew. Laughing and weeping in early modern theatres. Vol. Studies in performance and early modern drama. Aldershot: Ashgate; 2007.
55.
Weimann, Robert, Higbee, Helen, West, William N. Author’s pen and actor’s voice: playing and writing in Shakespeare’s theatre [Internet]. Vol. Cambridge studies in Renaissance literature and culture. Cambridge: Cambridge University Press; 2000. Available from: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=201363
56.
Weimann, Robert, Higbee, Helen, West, William. Author’s pen and actor’s voice: playing and writing in Shakespeare’s theatre [Internet]. Vol. Cambridge studies in Renaissance literature and culture. Cambridge: Cambridge University Press; 2000. Available from: http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10014943
57.
Wells, Stanley, Orlin, Lena Cowen. Shakespeare: an Oxford guide. Oxford: Oxford University Press; 2003.
58.
Yachnin, Paul Edward, Badir, Patricia. Shakespeare and the cultures of performance. Vol. Studies in performance and early modern drama. Aldershot: Ashgate; 2008.
59.
Yaffe, Martin D. Shylock and the Jewish question. Vol. Johns Hopkins Jewish studies. Baltimore: Johns Hopkins University Press; 1997.
60.
Kinney AF, Kinney AF. The Oxford Handbook of Shakespeare [Internet]. Vol. Oxford Handbooks of Literature. Oxford: Oxford University Press; 2012. Available from: http://ezproxy.lib.le.ac.uk/login?url=http://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199566105.001.0001/oxfordhb-9780199566105
61.
Taylor G, Henley TT. The Oxford handbook of Thomas Middleton [Internet]. Oxford: Oxford University Press; 2012. Available from: http://ezproxy.lib.le.ac.uk/login?url=https://academic.oup.com/edited-volume/28181
62.
Middleton T, Taylor G, Lavagnino J, Jackson MP. Thomas Middleton: the collected works [Internet]. Vol. The Oxford Middleton. Oxford: Clarendon Press; 2007. Available from: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=430500
63.
Shakespeare Association of America. Shakespeare quarterly.
64.
Leicester eLink - Shakespeare Quarterly. Available from: http://gl9sn3dh2u.search.serialssolutions.com/?V=1.0&N=50&L=GL9SN3DH2U&S=A_T_B&C=Shakespeare Quarterly&=Go
65.
Shakespeare survey: an annual survey of Shakespearian study and production.
66.
ELH: a journal of English literary history.
67.
Leicester eLink - English Literary History. Available from: http://gl9sn3dh2u.search.serialssolutions.com/?V=1.0&N=50&L=GL9SN3DH2U&S=A_T_B&C=English Literary History &=Go
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English literary Renaissance.
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Leicester eLink - English Literary Renaissance. Available from: http://gl9sn3dh2u.search.serialssolutions.com/?V=1.0&N=50&L=GL9SN3DH2U&S=A_T_B&C=English Literary Renaissance &=Go
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Early English Books Online - EEBO [Internet]. Available from: http://eebo.chadwyck.com/home