1.
Bevington DM. English Renaissance Drama: A Norton Anthology. W. W. Norton and Company; 2002.
2.
Shakespeare W, Greenblatt S. The Norton Shakespeare. 3rd international student edn. W. W. Norton & Company; 2015.
3.
Shakespeare W, Foakes RA. King Lear. Vol The Arden Shakespeare. [3rd ed.]. Thomas Nelson and Sons; 1997.
4.
Marlowe, Christopher, Siemon, James R. The Jew of Malta. Vol The new mermaids. 2nd ed. A & C Black; 1994.
5.
Shakespeare, William, Halio, Jay L. The Merchant of Venice. Vol The Oxford Shakespeare. Oxford University Press; 1993.
6.
Marlowe, Christopher, Forker, Charles R. Edward the Second. Vol The Revels plays. Manchester University Press; 1994.
7.
Shakespeare, William, Siemon, James R. King Richard III. Vol The Arden Shakespeare. Third series. Methuen Drama; 2009.
8.
Marlowe, Christopher, Rasmussen, Eric, Bevington, David M. Doctor Faustus: A- and B-Texts (1604, 1616). Vol The Revels plays. New ed. Manchester University Press; 1993.
9.
Shakespeare, William, Vaughan, Virginia Mason, Vaughan, Alden T. The Tempest. Vol The Arden Shakespeare. Rev. ed. Arden Shakespeare; 2011.
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Shakespeare, William, Vaughan, Virginia Mason, Vaughan, Alden T. The Tempest. Vol The Arden Shakespeare. Third series. Arden Shakespeare; 2011. http://site.ebrary.com/lib/leicester/Doc?id=10490815
11.
Webster, John, Marcus, Leah S. The Duchess of Malfi. Vol Arden early modern drama. Methuen Drama; 2009.
12.
Shakespeare, William, Gibbons, Brian. Measure for Measure. Vol The new Cambridge Shakespeare. Updated ed. Cambridge University Press; 2006.
13.
Alexander, Catherine M. S., Wells, Stanley. Shakespeare and Race. Cambridge University Press; 2000.
14.
Braunmuller, A. R., Hattaway, Michael. The Cambridge Companion to English Renaissance Drama. Vol Cambridge companions to literature. 2nd ed. Cambridge University Press; 2003.
15.
Bruster, Douglas. Drama and the Market in the Age of Shakespeare.; 2005.
16.
Cheney, Patrick. The Cambridge Companion to Christopher Marlowe. Vol Cambridge companions to literature and classics. Cambridge University Press; 2006. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=862360
17.
Cheney, Patrick. The Cambridge Companion to Christopher Marlowe. Vol Cambridge companions to literature. Cambridge University Press; 2004. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=862360
18.
Cox, John D., Kastan, David Scott. A New History of Early English Drama. Columbia University Press; 1997.
19.
Dutton, Richard, Findlay, Alison, Wilson, Richard. Theatre and Religion: Lancastrian Shakespeare. Manchester University Press; 2003.
20.
Dutton, Richard. The Oxford Handbook of Early Modern Theatre. Vol Oxford handbooks. Oxford University Press; 2009.
21.
De Grazia, Margreta, Wells, Stanley. The New Cambridge Companion to Shakespeare. Vol Cambridge companions to literature and classics. 2nd ed. Cambridge University Press; 2011. http://ezproxy.lib.le.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL9780521886321
22.
De Grazia, Margreta, Wells, Stanley. The New Cambridge Companion to Shakespeare. Vol Cambridge companions to literature. 2nd ed. Cambridge University Press; 2010. http://ezproxy.lib.le.ac.uk/login?url=https://www.cambridge.org/core/books/new-cambridge-companion-to-shakespeare/95900CAA1B085D13428F2DEBF9573AA2
23.
Hatchuel, Sarah. Shakespeare: From Stage to Screen. Cambridge University Press; 2004. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=266618
24.
Hatchuel, Sarah. Shakespeare: From Stage to Screen. Cambridge University Press; 2004. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10131718
25.
Hodgdon, Barbara. The End Crowns All: Closure and Contradiction in Shakespeare’s History. Princeton University Press; 1991.
26.
Howard, Jean E., Rackin, Phyllis. Engendering a Nation: A Feminist Account of Shakespeare’s English Histories. Vol Feminist readings of Shakespeare. Routledge; 1997. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=168810
27.
Howard, Jean E., Rackin, Phyllis. Engendering a Nation: A Feminist Account of Shakespeare’s English Histories. Vol Feminist readings of Shakespeare. Routledge; 1997. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10057214
28.
Jackson, Russell. The Cambridge Companion to Shakespeare on Film. Vol Cambridge companions to literature. 2nd ed. Cambridge University Press; 2007. http://ezproxy.lib.le.ac.uk/login?url=http://www.cambridge.org/core/product/identifier/9781139001434/type/BOOK
29.
Jackson, Russell. The Cambridge Companion to Shakespeare on Film. Vol Cambridge companions to literature and classics. 2nd ed. Cambridge University Press; 2007. http://ezproxy.lib.le.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521866006
30.
Jones, Emrys. Scenic Form in Shakespeare. Clarendon; 1971.
31.
Jones, Emrys. The Origins of Shakespeare. Clarendon Press; 1977.
32.
Kahn, Coppélia. Man’s Estate: Masculine Identity in Shakespeare. University of California Press; 1981.
33.
Kastan, David Scott, Stallybrass, Peter. Staging the Renaissance: Reinterpretations of Elizabethan and Jacobean Drama. Routledge; 1991.
34.
Kelly, Henry Ansgar. Divine Providence in the England of Shakespeare’s Histories. Harvard University Press; 1970.
35.
Leggatt, Alexander. Shakespeare’s Comedy of Love. Methuen; 1974.
36.
Leggatt, Alexander. Introduction to English Renaissance Comedy. Manchester University Press; 1999.
37.
Lesser, Zachary. Renaissance Drama and the Politics of Publication: Readings in the English Book Trade. Cambridge University Press; 2004.
38.
Logan, Robert A. Shakespeare’s Marlowe: The Influence of Christopher Marlowe on Shakespeare’s Artistry. Ashgate; 2007. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=438794
39.
Logan, Robert A. Shakespeare’s Marlowe: The Influence of Christopher Marlowe on Shakespeare’s Artistry. Ashgate; 2007. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664314140002746&institutionId=2746&customerId=2745
40.
Loomba, Ania. Gender, Race, Renaissance Drama. Vol Cultural politics. Manchester University Press; 1989.
41.
Loomba, Ania. Shakespeare, Race, and Colonialism. Vol Oxford Shakespeare topics. Oxford University Press; 2002.
42.
Mazzio, Carla, Trevor, Douglas. Historicism, Psychoanalysis, and the Making of Early Modern Culture. Routledge; 2000.
43.
Miola, Robert S. Shakespeare and Classical Tragedy: The Influence of Seneca. Clarendon Press; 1992.
44.
Deats SM, Logan RA. Placing the Plays of Christopher Marlowe: Fresh Cultural Contexts. Ashgate Pub; 2008. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=438438
45.
Deats, Sara Munson, Logan, Robert A. Placing the Plays of Christopher Marlowe: Fresh Cultural Contexts. Ashgate Pub; 2008. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662273160002746&institutionId=2746&customerId=2745
46.
Orgel, Stephen. Impersonations: The Performance of Gender in Shakespeare’s England. Cambridge University Press; 1996.
47.
Parker, Patricia. Shakespeare from the Margins: Language, Culture, Context. University of Chicago Press; 1996.
48.
Ravelhofer, B. The Early Stuart Masque: Dance, Costume, and Music. Oxford University Press; 2006. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=431208
49.
Ravelhofer, B. The Early Stuart Masque: Dance, Costume, and Music. Oxford University Press; 2006. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10271748
50.
Rothwell, Kenneth S. A History of Shakespeare on Screen: A Century of Film and Television. 2nd ed. Cambridge University Press; 2004.
51.
Rutter, Carol Chillington. Enter the Body: Women and Representation on Shakespeare’s Stage. Routledge; 2001. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=170106
52.
Rutter, Carol Chillington. Enter the Body: Women and Representation on Shakespeare’s Stage. Routledge; 2001. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10053850
53.
Shapiro, James S. Shakespeare and the Jews. Columbia University Press; 1996.
54.
Steggle, Matthew. Laughing and Weeping in Early Modern Theatres. Vol Studies in performance and early modern drama. Ashgate; 2007.
55.
Weimann, Robert, Higbee, Helen, West, William N. Author’s Pen and Actor’s Voice: Playing and Writing in Shakespeare’s Theatre. Vol Cambridge studies in Renaissance literature and culture. Cambridge University Press; 2000. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=201363
56.
Weimann, Robert, Higbee, Helen, West, William. Author’s Pen and Actor’s Voice: Playing and Writing in Shakespeare’s Theatre. Vol Cambridge studies in Renaissance literature and culture. Cambridge University Press; 2000. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10014943
57.
Wells, Stanley, Orlin, Lena Cowen. Shakespeare: An Oxford Guide. Oxford University Press; 2003.
58.
Yachnin, Paul Edward, Badir, Patricia. Shakespeare and the Cultures of Performance. Vol Studies in performance and early modern drama. Ashgate; 2008.
59.
Yaffe, Martin D. Shylock and the Jewish Question. Vol Johns Hopkins Jewish studies. Johns Hopkins University Press; 1997.
60.
Kinney AF, Kinney AF. The Oxford Handbook of Shakespeare. Vol Oxford Handbooks of Literature. Oxford University Press; 2012. http://ezproxy.lib.le.ac.uk/login?url=http://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199566105.001.0001/oxfordhb-9780199566105
61.
Taylor G, Henley TT. The Oxford Handbook of Thomas Middleton. Oxford University Press; 2012. http://ezproxy.lib.le.ac.uk/login?url=https://academic.oup.com/edited-volume/28181
62.
Middleton T, Taylor G, Lavagnino J, Jackson MP. Thomas Middleton: The Collected Works. Vol The Oxford Middleton. Clarendon Press; 2007. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=430500
63.
Shakespeare Association of America. Shakespeare quarterly.
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Leicester eLink - Shakespeare Quarterly. http://gl9sn3dh2u.search.serialssolutions.com/?V=1.0&N=50&L=GL9SN3DH2U&S=A_T_B&C=Shakespeare Quarterly&=Go
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Shakespeare survey: an annual survey of Shakespearian study and production.
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ELH: a journal of English literary history.
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Leicester eLink - English Literary History. http://gl9sn3dh2u.search.serialssolutions.com/?V=1.0&N=50&L=GL9SN3DH2U&S=A_T_B&C=English Literary History &=Go
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English literary Renaissance.
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Leicester eLink - English Literary Renaissance. http://gl9sn3dh2u.search.serialssolutions.com/?V=1.0&N=50&L=GL9SN3DH2U&S=A_T_B&C=English Literary Renaissance &=Go
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Early English Books Online - EEBO. http://eebo.chadwyck.com/home