1.
Bevington, D. M. English Renaissance drama: a Norton anthology. (W. W. Norton and Company, 2002).
2.
Shakespeare, W. & Greenblatt, S. The Norton Shakespeare. (W. W. Norton & Company, 2015).
3.
Shakespeare, W. & Foakes, R. A. King Lear. vol. The Arden Shakespeare (Thomas Nelson and Sons, 1997).
4.
Marlowe, Christopher & Siemon, James R. The Jew of Malta. vol. The new mermaids (A & C Black, 1994).
5.
Shakespeare, William & Halio, Jay L. The merchant of Venice. vol. The Oxford Shakespeare (Oxford University Press, 1993).
6.
Marlowe, Christopher & Forker, Charles R. Edward the Second. vol. The Revels plays (Manchester University Press, 1994).
7.
Shakespeare, William & Siemon, James R. King Richard III. vol. The Arden Shakespeare. Third series (Methuen Drama, 2009).
8.
Marlowe, Christopher, Rasmussen, Eric, & Bevington, David M. Doctor Faustus: A- and B-texts (1604, 1616). vol. The Revels plays (Manchester University Press, 1993).
9.
Shakespeare, William, Vaughan, Virginia Mason, & Vaughan, Alden T. The tempest. vol. The Arden Shakespeare (Arden Shakespeare, 2011).
10.
Shakespeare, William, Vaughan, Virginia Mason, & Vaughan, Alden T. The tempest. vol. The Arden Shakespeare. Third series (Arden Shakespeare, 2011).
11.
Webster, John & Marcus, Leah S. The Duchess of Malfi. vol. Arden early modern drama (Methuen Drama, 2009).
12.
Shakespeare, William & Gibbons, Brian. Measure for measure. vol. The new Cambridge Shakespeare (Cambridge University Press, 2006).
13.
Alexander, Catherine M. S. & Wells, Stanley. Shakespeare and race. (Cambridge University Press, 2000).
14.
Braunmuller, A. R. & Hattaway, Michael. The Cambridge companion to English Renaissance drama. vol. Cambridge companions to literature (Cambridge University Press, 2003).
15.
Bruster, Douglas. Drama and the market in the age of Shakespeare. (2005).
16.
Cheney, Patrick. The Cambridge companion to Christopher Marlowe. vol. Cambridge companions to literature and classics (Cambridge University Press, 2006).
17.
Cheney, Patrick. The Cambridge companion to Christopher Marlowe. vol. Cambridge companions to literature (Cambridge University Press, 2004).
18.
Cox, John D. & Kastan, David Scott. A new history of early English drama. (Columbia University Press, 1997).
19.
Dutton, Richard, Findlay, Alison, & Wilson, Richard. Theatre and religion: Lancastrian Shakespeare. (Manchester University Press, 2003).
20.
Dutton, Richard. The Oxford handbook of early modern theatre. vol. Oxford handbooks (Oxford University Press, 2009).
21.
De Grazia, Margreta & Wells, Stanley. The new Cambridge companion to Shakespeare. vol. Cambridge companions to literature and classics (Cambridge University Press, 2011).
22.
De Grazia, Margreta & Wells, Stanley. The new Cambridge companion to Shakespeare. vol. Cambridge companions to literature (Cambridge University Press, 2010).
23.
Hatchuel, Sarah. Shakespeare: from stage to screen. (Cambridge University Press, 2004).
24.
Hatchuel, Sarah. Shakespeare: from stage to screen. (Cambridge University Press, 2004).
25.
Hodgdon, Barbara. The end crowns all: closure and contradiction in Shakespeare’s history. (Princeton University Press, 1991).
26.
Howard, Jean E. & Rackin, Phyllis. Engendering a nation: a feminist account of Shakespeare’s English histories. vol. Feminist readings of Shakespeare (Routledge, 1997).
27.
Howard, Jean E. & Rackin, Phyllis. Engendering a nation: a feminist account of Shakespeare’s English histories. vol. Feminist readings of Shakespeare (Routledge, 1997).
28.
Jackson, Russell. The Cambridge companion to Shakespeare on film. vol. Cambridge companions to literature (Cambridge University Press, 2007).
29.
Jackson, Russell. The Cambridge companion to Shakespeare on film. vol. Cambridge companions to literature and classics (Cambridge University Press, 2007).
30.
Jones, Emrys. Scenic form in Shakespeare. (Clarendon, 1971).
31.
Jones, Emrys. The origins of Shakespeare. (Clarendon Press, 1977).
32.
Kahn, Coppélia. Man’s estate: masculine identity in Shakespeare. (University of California Press, 1981).
33.
Kastan, David Scott & Stallybrass, Peter. Staging the Renaissance: reinterpretations of Elizabethan and Jacobean drama. (Routledge, 1991).
34.
Kelly, Henry Ansgar. Divine providence in the England of Shakespeare’s histories. (Harvard University Press, 1970).
35.
Leggatt, Alexander. Shakespeare’s comedy of love. (Methuen, 1974).
36.
Leggatt, Alexander. Introduction to English Renaissance comedy. (Manchester University Press, 1999).
37.
Lesser, Zachary. Renaissance drama and the politics of publication: readings in the English book trade. (Cambridge University Press, 2004).
38.
Logan, Robert A. Shakespeare’s Marlowe: the influence of Christopher Marlowe on Shakespeare’s artistry. (Ashgate, 2007).
39.
Logan, Robert A. Shakespeare’s Marlowe: the influence of Christopher Marlowe on Shakespeare’s artistry. (Ashgate, 2007).
40.
Loomba, Ania. Gender, race, Renaissance drama. vol. Cultural politics (Manchester University Press, 1989).
41.
Loomba, Ania. Shakespeare, race, and colonialism. vol. Oxford Shakespeare topics (Oxford University Press, 2002).
42.
Mazzio, Carla & Trevor, Douglas. Historicism, psychoanalysis, and the making of early modern culture. (Routledge, 2000).
43.
Miola, Robert S. Shakespeare and classical tragedy: the influence of Seneca. (Clarendon Press, 1992).
44.
Deats, S. M. & Logan, R. A. Placing the plays of Christopher Marlowe: fresh cultural contexts. (Ashgate Pub, 2008).
45.
Deats, Sara Munson & Logan, Robert A. Placing the plays of Christopher Marlowe: fresh cultural contexts. (Ashgate Pub, 2008).
46.
Orgel, Stephen. Impersonations: the performance of gender in Shakespeare’s England. (Cambridge University Press, 1996).
47.
Parker, Patricia. Shakespeare from the margins: language, culture, context. (University of Chicago Press, 1996).
48.
Ravelhofer, B. The early Stuart masque: dance, costume, and music. (Oxford University Press, 2006).
49.
Ravelhofer, B. The early Stuart masque: dance, costume, and music. (Oxford University Press, 2006).
50.
Rothwell, Kenneth S. A history of Shakespeare on screen: a century of film and television. (Cambridge University Press, 2004).
51.
Rutter, Carol Chillington. Enter the body: women and representation on Shakespeare’s stage. (Routledge, 2001).
52.
Rutter, Carol Chillington. Enter the body: women and representation on Shakespeare’s stage. (Routledge, 2001).
53.
Shapiro, James S. Shakespeare and the Jews. (Columbia University Press, 1996).
54.
Steggle, Matthew. Laughing and weeping in early modern theatres. vol. Studies in performance and early modern drama (Ashgate, 2007).
55.
Weimann, Robert, Higbee, Helen, & West, William N. Author’s pen and actor’s voice: playing and writing in Shakespeare’s theatre. vol. Cambridge studies in Renaissance literature and culture (Cambridge University Press, 2000).
56.
Weimann, Robert, Higbee, Helen, & West, William. Author’s pen and actor’s voice: playing and writing in Shakespeare’s theatre. vol. Cambridge studies in Renaissance literature and culture (Cambridge University Press, 2000).
57.
Wells, Stanley & Orlin, Lena Cowen. Shakespeare: an Oxford guide. (Oxford University Press, 2003).
58.
Yachnin, Paul Edward & Badir, Patricia. Shakespeare and the cultures of performance. vol. Studies in performance and early modern drama (Ashgate, 2008).
59.
Yaffe, Martin D. Shylock and the Jewish question. vol. Johns Hopkins Jewish studies (Johns Hopkins University Press, 1997).
60.
Kinney, A. F. & Kinney, A. F. The Oxford Handbook of Shakespeare. vol. Oxford Handbooks of Literature (Oxford University Press, 2012).
61.
Taylor, G. & Henley, T. T. The Oxford handbook of Thomas Middleton. (Oxford University Press, 2012).
62.
Middleton, T., Taylor, G., Lavagnino, J. & Jackson, M. P. Thomas Middleton: the collected works. vol. The Oxford Middleton (Clarendon Press, 2007).
63.
Shakespeare Association of America. Shakespeare quarterly.
64.
Leicester eLink - Shakespeare Quarterly.
65.
Shakespeare survey: an annual survey of Shakespearian study and production.
66.
ELH: a journal of English literary history.
67.
Leicester eLink - English Literary History.
68.
English literary Renaissance.
69.
Leicester eLink - English Literary Renaissance.
70.
Early English Books Online - EEBO. http://eebo.chadwyck.com/home.