Bibliography for EN1050 Renaissance Drama: Shakespeare and his Contemporaries BETA

Alexander, Catherine M. S. and Wells, Stanley. Shakespeare and Race. Cambridge: Cambridge University Press, 2000. Print.

Bevington, David M. English Renaissance Drama: A Norton Anthology. New York: W. W. Norton and Company, 2002. Print.

Braunmuller, A. R. and Hattaway, Michael. The Cambridge Companion to English Renaissance Drama. 2nd ed. Cambridge companions to literature. Cambridge: Cambridge University Press, 2003. Print.

Bruster, Douglas. Drama and the Market in the Age of Shakespeare. Cambridge University Press: N.p., 2005. Print.

Cheney, Patrick. The Cambridge Companion to Christopher Marlowe. Cambridge companions to literature and classics. Cambridge: Cambridge University Press, 2006. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=862360>.

---. The Cambridge Companion to Christopher Marlowe. Cambridge companions to literature. Cambridge: Cambridge University Press, 2004. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=862360>.

Cox, John D. and Kastan, David Scott. A New History of Early English Drama. New York: Columbia University Press, 1997. Print.

De Grazia, Margreta and Wells, Stanley. The New Cambridge Companion to Shakespeare. 2nd ed. Cambridge companions to literature and classics. Cambridge: Cambridge University Press, 2011. Web. <http://ezproxy.lib.le.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL9780521886321>.

---. The New Cambridge Companion to Shakespeare. 2nd ed. Cambridge companions to literature. New York: Cambridge University Press, 2010. Web. <http://ezproxy.lib.le.ac.uk/login?url=https://www.cambridge.org/core/books/new-cambridge-companion-to-shakespeare/95900CAA1B085D13428F2DEBF9573AA2>.

Deats, Sara Munson, and Robert A. Logan. Placing the Plays of Christopher Marlowe: Fresh Cultural Contexts. Aldershot, England: Ashgate Pub, 2008. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=438438>.

Deats, Sara Munson and Logan, Robert A. Placing the Plays of Christopher Marlowe: Fresh Cultural Contexts. Aldershot: Ashgate Pub, 2008. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662273160002746&institutionId=2746&customerId=2745>.

Dutton, Richard. The Oxford Handbook of Early Modern Theatre. Oxford handbooks. Oxford: Oxford University Press, 2009. Print.

Dutton, Richard, Findlay, Alison, and Wilson, Richard. Theatre and Religion: Lancastrian Shakespeare. Manchester: Manchester University Press, 2003. Print.

‘Early English Books Online - EEBO’. N.p., n.d. Web. <http://eebo.chadwyck.com/home>.

‘ELH: A Journal of English Literary History’. n. pag. Print.

‘English Literary Renaissance’. n. pag. Print.

Hatchuel, Sarah. Shakespeare: From Stage to Screen. Cambridge: Cambridge University Press, 2004. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=266618>.

---. Shakespeare: From Stage to Screen. Cambridge: Cambridge University Press, 2004. Web. <http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10131718>.

Hodgdon, Barbara. The End Crowns All: Closure and Contradiction in Shakespeare’s History. Princeton, N.J.: Princeton University Press, 1991. Print.

Howard, Jean E. and Rackin, Phyllis. Engendering a Nation: A Feminist Account of Shakespeare’s English Histories. Feminist readings of Shakespeare. London: Routledge, 1997. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=168810>.

---. Engendering a Nation: A Feminist Account of Shakespeare’s English Histories. Feminist readings of Shakespeare. London [England]: Routledge, 1997. Web. <http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10057214>.

Jackson, Russell. The Cambridge Companion to Shakespeare on Film. 2nd ed. Cambridge companions to literature. Cambridge: Cambridge University Press, 2007. Web. <http://ezproxy.lib.le.ac.uk/login?url=http://www.cambridge.org/core/product/identifier/9781139001434/type/BOOK>.

---. The Cambridge Companion to Shakespeare on Film. 2nd ed. Cambridge companions to literature and classics. Cambridge: Cambridge University Press, 2007. Web. <http://ezproxy.lib.le.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521866006>.

Jones, Emrys. Scenic Form in Shakespeare. Oxford: Clarendon, 1971. Print.

---. The Origins of Shakespeare. Oxford: Clarendon Press, 1977. Print.

Kahn, Coppélia. Man’s Estate: Masculine Identity in Shakespeare. Berkeley: University of California Press, 1981. Print.

Kastan, David Scott and Stallybrass, Peter. Staging the Renaissance: Reinterpretations of Elizabethan and Jacobean Drama. London: Routledge, 1991. Print.

Kelly, Henry Ansgar. Divine Providence in the England of Shakespeare’s Histories. Cambridge, Mass: Harvard University Press, 1970. Print.

Kinney, Arthur F., and Arthur F Kinney. The Oxford Handbook of Shakespeare. Oxford Handbooks of Literature. Oxford: Oxford University Press, 2012. Web. <http://ezproxy.lib.le.ac.uk/login?url=http://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199566105.001.0001/oxfordhb-9780199566105>.

Leggatt, Alexander. Introduction to English Renaissance Comedy. Manchester: Manchester University Press, 1999. Print.

---. Shakespeare’s Comedy of Love. London: Methuen, 1974. Print.

‘Leicester eLink - English Literary History’. n. pag. Web. <http://gl9sn3dh2u.search.serialssolutions.com/?V=1.0&N=50&L=GL9SN3DH2U&S=A_T_B&C=English Literary History &=Go>.

‘Leicester eLink - English Literary Renaissance’. n. pag. Web. <http://gl9sn3dh2u.search.serialssolutions.com/?V=1.0&N=50&L=GL9SN3DH2U&S=A_T_B&C=English Literary Renaissance &=Go>.

‘Leicester eLink - Shakespeare Quarterly’. n. pag. Web. <http://gl9sn3dh2u.search.serialssolutions.com/?V=1.0&N=50&L=GL9SN3DH2U&S=A_T_B&C=Shakespeare Quarterly&=Go>.

Lesser, Zachary. Renaissance Drama and the Politics of Publication: Readings in the English Book Trade. Cambridge: Cambridge University Press, 2004. Print.

Logan, Robert A. Shakespeare’s Marlowe: The Influence of Christopher Marlowe on Shakespeare’s Artistry. Aldershot: Ashgate, 2007. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=438794>.

---. Shakespeare’s Marlowe: The Influence of Christopher Marlowe on Shakespeare’s Artistry. Aldershot, England: Ashgate, 2007. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664314140002746&institutionId=2746&customerId=2745>.

Loomba, Ania. Gender, Race, Renaissance Drama. Cultural politics. Manchester: Manchester University Press, 1989. Print.

---. Shakespeare, Race, and Colonialism. Oxford Shakespeare topics. Oxford: Oxford University Press, 2002. Print.

Marlowe, Christopher and Forker, Charles R. Edward the Second. The Revels plays. Manchester: Manchester University Press, 1994. Print.

Marlowe, Christopher, Rasmussen, Eric, and Bevington, David M. Doctor Faustus: A- and B-Texts (1604, 1616). New ed. The Revels plays. Manchester: Manchester University Press, 1993. Print.

Marlowe, Christopher and Siemon, James R. The Jew of Malta. 2nd ed. The new mermaids. London: A & C Black, 1994. Print.

Mazzio, Carla and Trevor, Douglas. Historicism, Psychoanalysis, and the Making of Early Modern Culture. New York: Routledge, 2000. Print.

Middleton, Thomas et al. Thomas Middleton: The Collected Works. The Oxford Middleton. Oxford: Clarendon Press, 2007. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=430500>.

Miola, Robert S. Shakespeare and Classical Tragedy: The Influence of Seneca. Oxford: Clarendon Press, 1992. Print.

Orgel, Stephen. Impersonations: The Performance of Gender in Shakespeare’s England. Cambridge: Cambridge University Press, 1996. Print.

Parker, Patricia. Shakespeare from the Margins: Language, Culture, Context. Chicago: University of Chicago Press, 1996. Print.

Ravelhofer, B. The Early Stuart Masque: Dance, Costume, and Music. Oxford: Oxford University Press, 2006. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=431208>.

---. The Early Stuart Masque: Dance, Costume, and Music. Oxford: Oxford University Press, 2006. Web. <http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10271748>.

Rothwell, Kenneth S. A History of Shakespeare on Screen: A Century of Film and Television. 2nd ed. Cambridge: Cambridge University Press, 2004. Print.

Rutter, Carol Chillington. Enter the Body: Women and Representation on Shakespeare’s Stage. London: Routledge, 2001. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=170106>.

---. Enter the Body: Women and Representation on Shakespeare’s Stage. London: Routledge, 2001. Web. <http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10053850>.

Shakespeare Association of America. ‘Shakespeare Quarterly’. n. pag. Print.

‘Shakespeare Survey: An Annual Survey of Shakespearian Study and Production’. n. pag. Print.

Shakespeare, William, and R. A. Foakes. King Lear. [3rd ed.]. The Arden Shakespeare. London: Thomas Nelson and Sons, 1997. Print.

Shakespeare, William and Gibbons, Brian. Measure for Measure. Updated ed. The new Cambridge Shakespeare. Cambridge: Cambridge University Press, 2006. Print.

Shakespeare, William, and Stephen Greenblatt. The Norton Shakespeare. 3rd international student edn. W. W. Norton & Company, 2015. Print.

Shakespeare, William and Halio, Jay L. The Merchant of Venice. The Oxford Shakespeare. Oxford: Oxford University Press, 1993. Print.

Shakespeare, William and Siemon, James R. King Richard III. The Arden Shakespeare. Third series. London: Methuen Drama, 2009. Print.

Shakespeare, William, Vaughan, Virginia Mason, and Vaughan, Alden T. The Tempest. Rev. ed. The Arden Shakespeare. London: Arden Shakespeare, 2011. Print.

---. The Tempest. The Arden Shakespeare. Third series. London: Arden Shakespeare, 2011. Web. <http://site.ebrary.com/lib/leicester/Doc?id=10490815>.

Shapiro, James S. Shakespeare and the Jews. New York: Columbia University Press, 1996. Print.

Steggle, Matthew. Laughing and Weeping in Early Modern Theatres. Studies in performance and early modern drama. Aldershot: Ashgate, 2007. Print.

Taylor, Gary, and Trish Thomas Henley. The Oxford Handbook of Thomas Middleton. Oxford: Oxford University Press, 2012. Web. <http://ezproxy.lib.le.ac.uk/login?url=https://academic.oup.com/edited-volume/28181>.

Webster, John and Marcus, Leah S. The Duchess of Malfi. Arden early modern drama. London: Methuen Drama, 2009. Print.

Weimann, Robert, Higbee, Helen, and West, William. Author’s Pen and Actor’s Voice: Playing and Writing in Shakespeare’s Theatre. Cambridge studies in Renaissance literature and culture. Cambridge: Cambridge University Press, 2000. Web. <http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10014943>.

Weimann, Robert, Higbee, Helen, and West, William N. Author’s Pen and Actor’s Voice: Playing and Writing in Shakespeare’s Theatre. Cambridge studies in Renaissance literature and culture. Cambridge: Cambridge University Press, 2000. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=201363>.

Wells, Stanley and Orlin, Lena Cowen. Shakespeare: An Oxford Guide. Oxford: Oxford University Press, 2003. Print.

Yachnin, Paul Edward and Badir, Patricia. Shakespeare and the Cultures of Performance. Studies in performance and early modern drama. Aldershot: Ashgate, 2008. Print.

Yaffe, Martin D. Shylock and the Jewish Question. Johns Hopkins Jewish studies. Baltimore: Johns Hopkins University Press, 1997. Print.