Bibliography for EN1050 Renaissance Drama: Shakespeare and his Contemporaries BETA

Alexander, Catherine M. S. & Wells, Stanley. (2000). Shakespeare and race. Cambridge University Press.

Bevington, D. M. (2002). English Renaissance drama: a Norton anthology. W. W. Norton and Company.

Braunmuller, A. R. & Hattaway, Michael. (2003). The Cambridge companion to English Renaissance drama: Vol. Cambridge companions to literature (2nd ed). Cambridge University Press.

Bruster, Douglas. (2005). Drama and the market in the age of Shakespeare.

Cheney, Patrick. (2004). The Cambridge companion to Christopher Marlowe: Vol. Cambridge companions to literature. Cambridge University Press. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=862360

Cheney, Patrick. (2006). The Cambridge companion to Christopher Marlowe: Vol. Cambridge companions to literature and classics. Cambridge University Press. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=862360

Cox, John D. & Kastan, David Scott. (1997). A new history of early English drama. Columbia University Press.

De Grazia, Margreta & Wells, Stanley. (2010). The new Cambridge companion to Shakespeare: Vol. Cambridge companions to literature (2nd ed). Cambridge University Press. http://ezproxy.lib.le.ac.uk/login?url=https://www.cambridge.org/core/books/new-cambridge-companion-to-shakespeare/95900CAA1B085D13428F2DEBF9573AA2

De Grazia, Margreta & Wells, Stanley. (2011). The new Cambridge companion to Shakespeare: Vol. Cambridge companions to literature and classics (2nd ed). Cambridge University Press. http://ezproxy.lib.le.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL9780521886321

Deats, S. M., & Logan, R. A. (2008). Placing the plays of Christopher Marlowe: fresh cultural contexts. Ashgate Pub. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=438438

Deats, Sara Munson & Logan, Robert A. (2008). Placing the plays of Christopher Marlowe: fresh cultural contexts. Ashgate Pub. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662273160002746&institutionId=2746&customerId=2745

Dutton, Richard. (2009). The Oxford handbook of early modern theatre: Vol. Oxford handbooks. Oxford University Press.

Dutton, Richard, Findlay, Alison, & Wilson, Richard. (2003). Theatre and religion: Lancastrian Shakespeare. Manchester University Press.

Early English Books Online - EEBO. (n.d.). http://eebo.chadwyck.com/home

ELH: a journal of English literary history. (n.d.).

English literary Renaissance. (n.d.).

Hatchuel, Sarah. (2004a). Shakespeare: from stage to screen. Cambridge University Press. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=266618

Hatchuel, Sarah. (2004b). Shakespeare: from stage to screen. Cambridge University Press. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10131718

Hodgdon, Barbara. (1991). The end crowns all: closure and contradiction in Shakespeare’s history. Princeton University Press.

Howard, Jean E. & Rackin, Phyllis. (1997a). Engendering a nation: a feminist account of Shakespeare’s English histories: Vol. Feminist readings of Shakespeare. Routledge. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=168810

Howard, Jean E. & Rackin, Phyllis. (1997b). Engendering a nation: a feminist account of Shakespeare’s English histories: Vol. Feminist readings of Shakespeare. Routledge. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10057214

Jackson, Russell. (2007a). The Cambridge companion to Shakespeare on film: Vol. Cambridge companions to literature (2nd ed). Cambridge University Press. http://ezproxy.lib.le.ac.uk/login?url=http://www.cambridge.org/core/product/identifier/9781139001434/type/BOOK

Jackson, Russell. (2007b). The Cambridge companion to Shakespeare on film: Vol. Cambridge companions to literature and classics (2nd ed). Cambridge University Press. http://ezproxy.lib.le.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521866006

Jones, Emrys. (1971). Scenic form in Shakespeare. Clarendon.

Jones, Emrys. (1977). The origins of Shakespeare. Clarendon Press.

Kahn, Coppélia. (1981). Man’s estate: masculine identity in Shakespeare. University of California Press.

Kastan, David Scott & Stallybrass, Peter. (1991). Staging the Renaissance: reinterpretations of Elizabethan and Jacobean drama. Routledge.

Kelly, Henry Ansgar. (1970). Divine providence in the England of Shakespeare’s histories. Harvard University Press.

Kinney, A. F., & Kinney, A. F. (2012). The Oxford Handbook of Shakespeare: Vol. Oxford Handbooks of Literature [Electronic resource]. Oxford University Press. http://ezproxy.lib.le.ac.uk/login?url=http://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199566105.001.0001/oxfordhb-9780199566105

Leggatt, Alexander. (1974). Shakespeare’s comedy of love. Methuen.

Leggatt, Alexander. (1999). Introduction to English Renaissance comedy. Manchester University Press.

Leicester eLink - English Literary History. (n.d.). http://gl9sn3dh2u.search.serialssolutions.com/?V=1.0&N=50&L=GL9SN3DH2U&S=A_T_B&C=English Literary History &=Go

Leicester eLink - English Literary Renaissance. (n.d.). http://gl9sn3dh2u.search.serialssolutions.com/?V=1.0&N=50&L=GL9SN3DH2U&S=A_T_B&C=English Literary Renaissance &=Go

Leicester eLink - Shakespeare Quarterly. (n.d.). http://gl9sn3dh2u.search.serialssolutions.com/?V=1.0&N=50&L=GL9SN3DH2U&S=A_T_B&C=Shakespeare Quarterly&=Go

Lesser, Zachary. (2004). Renaissance drama and the politics of publication: readings in the English book trade. Cambridge University Press.

Logan, Robert A. (2007a). Shakespeare’s Marlowe: the influence of Christopher Marlowe on Shakespeare’s artistry. Ashgate. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=438794

Logan, Robert A. (2007b). Shakespeare’s Marlowe: the influence of Christopher Marlowe on Shakespeare’s artistry. Ashgate. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664314140002746&institutionId=2746&customerId=2745

Loomba, Ania. (1989). Gender, race, Renaissance drama: Vol. Cultural politics. Manchester University Press.

Loomba, Ania. (2002). Shakespeare, race, and colonialism: Vol. Oxford Shakespeare topics. Oxford University Press.

Marlowe, Christopher & Forker, Charles R. (1994). Edward the Second: Vol. The Revels plays. Manchester University Press.

Marlowe, Christopher, Rasmussen, Eric, & Bevington, David M. (1993). Doctor Faustus: A- and B-texts (1604, 1616): Vol. The Revels plays (New ed). Manchester University Press.

Marlowe, Christopher & Siemon, James R. (1994). The Jew of Malta: Vol. The new mermaids (2nd ed). A & C Black.

Mazzio, Carla & Trevor, Douglas. (2000). Historicism, psychoanalysis, and the making of early modern culture. Routledge.

Middleton, T., Taylor, G., Lavagnino, J., & Jackson, M. P. (2007). Thomas Middleton: the collected works: Vol. The Oxford Middleton. Clarendon Press. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=430500

Miola, Robert S. (1992). Shakespeare and classical tragedy: the influence of Seneca. Clarendon Press.

Orgel, Stephen. (1996). Impersonations: the performance of gender in Shakespeare’s England. Cambridge University Press.

Parker, Patricia. (1996). Shakespeare from the margins: language, culture, context. University of Chicago Press.

Ravelhofer, B. (2006a). The early Stuart masque: dance, costume, and music. Oxford University Press. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=431208

Ravelhofer, B. (2006b). The early Stuart masque: dance, costume, and music. Oxford University Press. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10271748

Rothwell, Kenneth S. (2004). A history of Shakespeare on screen: a century of film and television (2nd ed). Cambridge University Press.

Rutter, Carol Chillington. (2001a). Enter the body: women and representation on Shakespeare’s stage. Routledge. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=170106

Rutter, Carol Chillington. (2001b). Enter the body: women and representation on Shakespeare’s stage. Routledge. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10053850

Shakespeare Association of America. (n.d.). Shakespeare quarterly.

Shakespeare survey: an annual survey of Shakespearian study and production. (n.d.).

Shakespeare, W., & Foakes, R. A. (1997). King Lear: Vol. The Arden Shakespeare ([3rd ed.]). Thomas Nelson and Sons.

Shakespeare, W., & Greenblatt, S. (2015). The Norton Shakespeare (3rd international student edn). W. W. Norton & Company.

Shakespeare, William & Gibbons, Brian. (2006). Measure for measure: Vol. The new Cambridge Shakespeare (Updated ed). Cambridge University Press.

Shakespeare, William & Halio, Jay L. (1993). The merchant of Venice: Vol. The Oxford Shakespeare. Oxford University Press.

Shakespeare, William & Siemon, James R. (2009). King Richard III: Vol. The Arden Shakespeare. Third series. Methuen Drama.

Shakespeare, William, Vaughan, Virginia Mason, & Vaughan, Alden T. (2011a). The tempest: Vol. The Arden Shakespeare (Rev. ed). Arden Shakespeare.

Shakespeare, William, Vaughan, Virginia Mason, & Vaughan, Alden T. (2011b). The tempest: Vol. The Arden Shakespeare. Third series. Arden Shakespeare. http://site.ebrary.com/lib/leicester/Doc?id=10490815

Shapiro, James S. (1996). Shakespeare and the Jews. Columbia University Press.

Steggle, Matthew. (2007). Laughing and weeping in early modern theatres: Vol. Studies in performance and early modern drama. Ashgate.

Taylor, G., & Henley, T. T. (2012). The Oxford handbook of Thomas Middleton. Oxford University Press. http://ezproxy.lib.le.ac.uk/login?url=https://academic.oup.com/edited-volume/28181

Webster, John & Marcus, Leah S. (2009). The Duchess of Malfi: Vol. Arden early modern drama. Methuen Drama.

Weimann, Robert, Higbee, Helen, & West, William. (2000). Author’s pen and actor’s voice: playing and writing in Shakespeare’s theatre: Vol. Cambridge studies in Renaissance literature and culture. Cambridge University Press. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10014943

Weimann, Robert, Higbee, Helen, & West, William N. (2000). Author’s pen and actor’s voice: playing and writing in Shakespeare’s theatre: Vol. Cambridge studies in Renaissance literature and culture. Cambridge University Press. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=201363

Wells, Stanley & Orlin, Lena Cowen. (2003). Shakespeare: an Oxford guide. Oxford University Press.

Yachnin, Paul Edward & Badir, Patricia. (2008). Shakespeare and the cultures of performance: Vol. Studies in performance and early modern drama. Ashgate.

Yaffe, Martin D. (1997). Shylock and the Jewish question: Vol. Johns Hopkins Jewish studies. Johns Hopkins University Press.