[1]
D. M. Bevington, English Renaissance drama: a Norton anthology. New York: W. W. Norton and Company, 2002.
[2]
W. Shakespeare and S. Greenblatt, The Norton Shakespeare, 3rd international student edn. W. W. Norton & Company, 2015.
[3]
W. Shakespeare and R. A. Foakes, King Lear, [3rd ed.]., vol. The Arden Shakespeare. London: Thomas Nelson and Sons, 1997.
[4]
Marlowe, Christopher and Siemon, James R., The Jew of Malta, 2nd ed., vol. The new mermaids. London: A & C Black, 1994.
[5]
Shakespeare, William and Halio, Jay L, The merchant of Venice, vol. The Oxford Shakespeare. Oxford: Oxford University Press, 1993.
[6]
Marlowe, Christopher and Forker, Charles R., Edward the Second, vol. The Revels plays. Manchester: Manchester University Press, 1994.
[7]
Shakespeare, William and Siemon, James R., King Richard III, vol. The Arden Shakespeare. Third series. London: Methuen Drama, 2009.
[8]
Marlowe, Christopher, Rasmussen, Eric, and Bevington, David M., Doctor Faustus: A- and B-texts (1604, 1616), New ed., vol. The Revels plays. Manchester: Manchester University Press, 1993.
[9]
Shakespeare, William, Vaughan, Virginia Mason, and Vaughan, Alden T., The tempest, Rev. ed., vol. The Arden Shakespeare. London: Arden Shakespeare, 2011.
[10]
Shakespeare, William, Vaughan, Virginia Mason, and Vaughan, Alden T., The tempest, vol. The Arden Shakespeare. Third series. London: Arden Shakespeare, 2011 [Online]. Available: http://site.ebrary.com/lib/leicester/Doc?id=10490815
[11]
Webster, John and Marcus, Leah S., The Duchess of Malfi, vol. Arden early modern drama. London: Methuen Drama, 2009.
[12]
Shakespeare, William and Gibbons, Brian, Measure for measure, Updated ed., vol. The new Cambridge Shakespeare. Cambridge: Cambridge University Press, 2006.
[13]
Alexander, Catherine M. S. and Wells, Stanley, Shakespeare and race. Cambridge: Cambridge University Press, 2000.
[14]
Braunmuller, A. R. and Hattaway, Michael, The Cambridge companion to English Renaissance drama, 2nd ed., vol. Cambridge companions to literature. Cambridge: Cambridge University Press, 2003.
[15]
Bruster, Douglas, Drama and the market in the age of Shakespeare. Cambridge University Press, 2005.
[16]
Cheney, Patrick, The Cambridge companion to Christopher Marlowe, vol. Cambridge companions to literature and classics. Cambridge: Cambridge University Press, 2006 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=862360
[17]
Cheney, Patrick, The Cambridge companion to Christopher Marlowe, vol. Cambridge companions to literature. Cambridge: Cambridge University Press, 2004 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=862360
[18]
Cox, John D. and Kastan, David Scott, A new history of early English drama. New York: Columbia University Press, 1997.
[19]
Dutton, Richard, Findlay, Alison, and Wilson, Richard, Theatre and religion: Lancastrian Shakespeare. Manchester: Manchester University Press, 2003.
[20]
Dutton, Richard, The Oxford handbook of early modern theatre, vol. Oxford handbooks. Oxford: Oxford University Press, 2009.
[21]
De Grazia, Margreta and Wells, Stanley, The new Cambridge companion to Shakespeare, 2nd ed., vol. Cambridge companions to literature and classics. Cambridge: Cambridge University Press, 2011 [Online]. Available: http://ezproxy.lib.le.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL9780521886321
[22]
De Grazia, Margreta and Wells, Stanley, The new Cambridge companion to Shakespeare, 2nd ed., vol. Cambridge companions to literature. New York: Cambridge University Press, 2010 [Online]. Available: http://ezproxy.lib.le.ac.uk/login?url=https://www.cambridge.org/core/books/new-cambridge-companion-to-shakespeare/95900CAA1B085D13428F2DEBF9573AA2
[23]
Hatchuel, Sarah, Shakespeare: from stage to screen. Cambridge: Cambridge University Press, 2004 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=266618
[24]
Hatchuel, Sarah, Shakespeare: from stage to screen. Cambridge: Cambridge University Press, 2004 [Online]. Available: http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10131718
[25]
Hodgdon, Barbara, The end crowns all: closure and contradiction in Shakespeare’s history. Princeton, N.J.: Princeton University Press, 1991.
[26]
Howard, Jean E. and Rackin, Phyllis, Engendering a nation: a feminist account of Shakespeare’s English histories, vol. Feminist readings of Shakespeare. London: Routledge, 1997 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=168810
[27]
Howard, Jean E. and Rackin, Phyllis, Engendering a nation: a feminist account of Shakespeare’s English histories, vol. Feminist readings of Shakespeare. London [England]: Routledge, 1997 [Online]. Available: http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10057214
[28]
Jackson, Russell, The Cambridge companion to Shakespeare on film, 2nd ed., vol. Cambridge companions to literature. Cambridge: Cambridge University Press, 2007 [Online]. Available: http://ezproxy.lib.le.ac.uk/login?url=http://www.cambridge.org/core/product/identifier/9781139001434/type/BOOK
[29]
Jackson, Russell, The Cambridge companion to Shakespeare on film, 2nd ed., vol. Cambridge companions to literature and classics. Cambridge: Cambridge University Press, 2007 [Online]. Available: http://ezproxy.lib.le.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521866006
[30]
Jones, Emrys, Scenic form in Shakespeare. Oxford: Clarendon, 1971.
[31]
Jones, Emrys, The origins of Shakespeare. Oxford: Clarendon Press, 1977.
[32]
Kahn, Coppélia, Man’s estate: masculine identity in Shakespeare. Berkeley: University of California Press, 1981.
[33]
Kastan, David Scott and Stallybrass, Peter, Staging the Renaissance: reinterpretations of Elizabethan and Jacobean drama. London: Routledge, 1991.
[34]
Kelly, Henry Ansgar, Divine providence in the England of Shakespeare’s histories. Cambridge, Mass: Harvard University Press, 1970.
[35]
Leggatt, Alexander, Shakespeare’s comedy of love. London: Methuen, 1974.
[36]
Leggatt, Alexander, Introduction to English Renaissance comedy. Manchester: Manchester University Press, 1999.
[37]
Lesser, Zachary, Renaissance drama and the politics of publication: readings in the English book trade. Cambridge: Cambridge University Press, 2004.
[38]
Logan, Robert A., Shakespeare’s Marlowe: the influence of Christopher Marlowe on Shakespeare’s artistry. Aldershot: Ashgate, 2007 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=438794
[39]
Logan, Robert A., Shakespeare’s Marlowe: the influence of Christopher Marlowe on Shakespeare’s artistry. Aldershot, England: Ashgate, 2007 [Online]. Available: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664314140002746&institutionId=2746&customerId=2745
[40]
Loomba, Ania, Gender, race, Renaissance drama, vol. Cultural politics. Manchester: Manchester University Press, 1989.
[41]
Loomba, Ania, Shakespeare, race, and colonialism, vol. Oxford Shakespeare topics. Oxford: Oxford University Press, 2002.
[42]
Mazzio, Carla and Trevor, Douglas, Historicism, psychoanalysis, and the making of early modern culture. New York: Routledge, 2000.
[43]
Miola, Robert S., Shakespeare and classical tragedy: the influence of Seneca. Oxford: Clarendon Press, 1992.
[44]
S. M. Deats and R. A. Logan, Placing the plays of Christopher Marlowe: fresh cultural contexts. Aldershot, England: Ashgate Pub, 2008 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=438438
[45]
Deats, Sara Munson and Logan, Robert A., Placing the plays of Christopher Marlowe: fresh cultural contexts. Aldershot: Ashgate Pub, 2008 [Online]. Available: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662273160002746&institutionId=2746&customerId=2745
[46]
Orgel, Stephen, Impersonations: the performance of gender in Shakespeare’s England. Cambridge: Cambridge University Press, 1996.
[47]
Parker, Patricia, Shakespeare from the margins: language, culture, context. Chicago: University of Chicago Press, 1996.
[48]
Ravelhofer, B., The early Stuart masque: dance, costume, and music. Oxford: Oxford University Press, 2006 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=431208
[49]
Ravelhofer, B., The early Stuart masque: dance, costume, and music. Oxford: Oxford University Press, 2006 [Online]. Available: http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10271748
[50]
Rothwell, Kenneth S., A history of Shakespeare on screen: a century of film and television, 2nd ed. Cambridge: Cambridge University Press, 2004.
[51]
Rutter, Carol Chillington, Enter the body: women and representation on Shakespeare’s stage. London: Routledge, 2001 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=170106
[52]
Rutter, Carol Chillington, Enter the body: women and representation on Shakespeare’s stage. London: Routledge, 2001 [Online]. Available: http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10053850
[53]
Shapiro, James S., Shakespeare and the Jews. New York: Columbia University Press, 1996.
[54]
Steggle, Matthew, Laughing and weeping in early modern theatres, vol. Studies in performance and early modern drama. Aldershot: Ashgate, 2007.
[55]
Weimann, Robert, Higbee, Helen, and West, William N., Author’s pen and actor’s voice: playing and writing in Shakespeare’s theatre, vol. Cambridge studies in Renaissance literature and culture. Cambridge: Cambridge University Press, 2000 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=201363
[56]
Weimann, Robert, Higbee, Helen, and West, William, Author’s pen and actor’s voice: playing and writing in Shakespeare’s theatre, vol. Cambridge studies in Renaissance literature and culture. Cambridge: Cambridge University Press, 2000 [Online]. Available: http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10014943
[57]
Wells, Stanley and Orlin, Lena Cowen, Shakespeare: an Oxford guide. Oxford: Oxford University Press, 2003.
[58]
Yachnin, Paul Edward and Badir, Patricia, Shakespeare and the cultures of performance, vol. Studies in performance and early modern drama. Aldershot: Ashgate, 2008.
[59]
Yaffe, Martin D., Shylock and the Jewish question, vol. Johns Hopkins Jewish studies. Baltimore: Johns Hopkins University Press, 1997.
[60]
A. F. Kinney and A. F. Kinney, The Oxford Handbook of Shakespeare, vol. Oxford Handbooks of Literature. Oxford: Oxford University Press, 2012 [Online]. Available: http://ezproxy.lib.le.ac.uk/login?url=http://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199566105.001.0001/oxfordhb-9780199566105
[61]
G. Taylor and T. T. Henley, The Oxford handbook of Thomas Middleton. Oxford: Oxford University Press, 2012 [Online]. Available: http://ezproxy.lib.le.ac.uk/login?url=https://academic.oup.com/edited-volume/28181
[62]
T. Middleton, G. Taylor, J. Lavagnino, and M. P. Jackson, Thomas Middleton: the collected works, vol. The Oxford Middleton. Oxford: Clarendon Press, 2007 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=430500
[63]
Shakespeare Association of America, ‘Shakespeare quarterly’.
[64]
‘Leicester eLink - Shakespeare Quarterly’ [Online]. Available: http://gl9sn3dh2u.search.serialssolutions.com/?V=1.0&N=50&L=GL9SN3DH2U&S=A_T_B&C=Shakespeare Quarterly&=Go
[65]
‘Shakespeare survey: an annual survey of Shakespearian study and production’.
[66]
‘ELH: a journal of English literary history’.
[67]
‘Leicester eLink - English Literary History’ [Online]. Available: http://gl9sn3dh2u.search.serialssolutions.com/?V=1.0&N=50&L=GL9SN3DH2U&S=A_T_B&C=English Literary History &=Go
[68]
‘English literary Renaissance’.
[69]
‘Leicester eLink - English Literary Renaissance’ [Online]. Available: http://gl9sn3dh2u.search.serialssolutions.com/?V=1.0&N=50&L=GL9SN3DH2U&S=A_T_B&C=English Literary Renaissance &=Go
[70]
‘Early English Books Online - EEBO’. [Online]. Available: http://eebo.chadwyck.com/home