Alexander, Catherine M. S. and Wells, Stanley, Shakespeare and Race (Cambridge: Cambridge University Press, 2000)
Bevington, David M., English Renaissance Drama: A Norton Anthology (New York: W. W. Norton and Company, 2002)
Braunmuller, A. R. and Hattaway, Michael, The Cambridge Companion to English Renaissance Drama, 2nd ed (Cambridge: Cambridge University Press, 2003), Cambridge companions to literature
Bruster, Douglas, Drama and the Market in the Age of Shakespeare (Cambridge University Press, 2005)
Cheney, Patrick, The Cambridge Companion to Christopher Marlowe (Cambridge: Cambridge University Press, 2006), Cambridge companions to literature and classics <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=862360>
———, The Cambridge Companion to Christopher Marlowe (Cambridge: Cambridge University Press, 2004), Cambridge companions to literature <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=862360>
Cox, John D. and Kastan, David Scott, A New History of Early English Drama (New York: Columbia University Press, 1997)
De Grazia, Margreta and Wells, Stanley, The New Cambridge Companion to Shakespeare, 2nd ed (Cambridge: Cambridge University Press, 2011), Cambridge companions to literature and classics <http://ezproxy.lib.le.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL9780521886321>
———, The New Cambridge Companion to Shakespeare, 2nd ed (New York: Cambridge University Press, 2010), Cambridge companions to literature <http://ezproxy.lib.le.ac.uk/login?url=https://www.cambridge.org/core/books/new-cambridge-companion-to-shakespeare/95900CAA1B085D13428F2DEBF9573AA2>
Deats, Sara Munson, and Robert A. Logan, Placing the Plays of Christopher Marlowe: Fresh Cultural Contexts (Aldershot, England: Ashgate Pub, 2008) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=438438>
Deats, Sara Munson and Logan, Robert A., Placing the Plays of Christopher Marlowe: Fresh Cultural Contexts (Aldershot: Ashgate Pub, 2008) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662273160002746&institutionId=2746&customerId=2745>
Dutton, Richard, The Oxford Handbook of Early Modern Theatre (Oxford: Oxford University Press, 2009), Oxford handbooks
Dutton, Richard, Findlay, Alison, and Wilson, Richard, Theatre and Religion: Lancastrian Shakespeare (Manchester: Manchester University Press, 2003)
‘Early English Books Online - EEBO’ <http://eebo.chadwyck.com/home>
‘ELH: A Journal of English Literary History’
‘English Literary Renaissance’
Hatchuel, Sarah, Shakespeare: From Stage to Screen (Cambridge: Cambridge University Press, 2004) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=266618>
———, Shakespeare: From Stage to Screen (Cambridge: Cambridge University Press, 2004) <http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10131718>
Hodgdon, Barbara, The End Crowns All: Closure and Contradiction in Shakespeare’s History (Princeton, N.J.: Princeton University Press, 1991)
Howard, Jean E. and Rackin, Phyllis, Engendering a Nation: A Feminist Account of Shakespeare’s English Histories (London: Routledge, 1997), Feminist readings of Shakespeare <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=168810>
———, Engendering a Nation: A Feminist Account of Shakespeare’s English Histories (London [England]: Routledge, 1997), Feminist readings of Shakespeare <http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10057214>
Jackson, Russell, The Cambridge Companion to Shakespeare on Film, 2nd ed (Cambridge: Cambridge University Press, 2007), Cambridge companions to literature <http://ezproxy.lib.le.ac.uk/login?url=http://www.cambridge.org/core/product/identifier/9781139001434/type/BOOK>
———, The Cambridge Companion to Shakespeare on Film, 2nd ed (Cambridge: Cambridge University Press, 2007), Cambridge companions to literature and classics <http://ezproxy.lib.le.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521866006>
Jones, Emrys, Scenic Form in Shakespeare (Oxford: Clarendon, 1971)
———, The Origins of Shakespeare (Oxford: Clarendon Press, 1977)
Kahn, Coppélia, Man’s Estate: Masculine Identity in Shakespeare (Berkeley: University of California Press, 1981)
Kastan, David Scott and Stallybrass, Peter, Staging the Renaissance: Reinterpretations of Elizabethan and Jacobean Drama (London: Routledge, 1991)
Kelly, Henry Ansgar, Divine Providence in the England of Shakespeare’s Histories (Cambridge, Mass: Harvard University Press, 1970)
Kinney, Arthur F., and Arthur F Kinney, The Oxford Handbook of Shakespeare (Oxford: Oxford University Press, 2012), Oxford Handbooks of Literature <http://ezproxy.lib.le.ac.uk/login?url=http://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199566105.001.0001/oxfordhb-9780199566105>
Leggatt, Alexander, Introduction to English Renaissance Comedy (Manchester: Manchester University Press, 1999)
———, Shakespeare’s Comedy of Love (London: Methuen, 1974)
‘Leicester eLink - English Literary History’ <http://gl9sn3dh2u.search.serialssolutions.com/?V=1.0&N=50&L=GL9SN3DH2U&S=A_T_B&C=English Literary History &=Go>
‘Leicester eLink - English Literary Renaissance’ <http://gl9sn3dh2u.search.serialssolutions.com/?V=1.0&N=50&L=GL9SN3DH2U&S=A_T_B&C=English Literary Renaissance &=Go>
‘Leicester eLink - Shakespeare Quarterly’ <http://gl9sn3dh2u.search.serialssolutions.com/?V=1.0&N=50&L=GL9SN3DH2U&S=A_T_B&C=Shakespeare Quarterly&=Go>
Lesser, Zachary, Renaissance Drama and the Politics of Publication: Readings in the English Book Trade (Cambridge: Cambridge University Press, 2004)
Logan, Robert A., Shakespeare’s Marlowe: The Influence of Christopher Marlowe on Shakespeare’s Artistry (Aldershot: Ashgate, 2007) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=438794>
———, Shakespeare’s Marlowe: The Influence of Christopher Marlowe on Shakespeare’s Artistry (Aldershot, England: Ashgate, 2007) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664314140002746&institutionId=2746&customerId=2745>
Loomba, Ania, Gender, Race, Renaissance Drama (Manchester: Manchester University Press, 1989), Cultural politics
———, Shakespeare, Race, and Colonialism (Oxford: Oxford University Press, 2002), Oxford Shakespeare topics
Marlowe, Christopher and Forker, Charles R., Edward the Second (Manchester: Manchester University Press, 1994), The Revels plays
Marlowe, Christopher, Rasmussen, Eric, and Bevington, David M., Doctor Faustus: A- and B-Texts (1604, 1616), New ed (Manchester: Manchester University Press, 1993), The Revels plays
Marlowe, Christopher and Siemon, James R., The Jew of Malta, 2nd ed (London: A & C Black, 1994), The new mermaids
Mazzio, Carla and Trevor, Douglas, Historicism, Psychoanalysis, and the Making of Early Modern Culture (New York: Routledge, 2000)
Middleton, Thomas, Gary Taylor, John Lavagnino, and MacDonald P. Jackson, Thomas Middleton: The Collected Works (Oxford: Clarendon Press, 2007), The Oxford Middleton <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=430500>
Miola, Robert S., Shakespeare and Classical Tragedy: The Influence of Seneca (Oxford: Clarendon Press, 1992)
Orgel, Stephen, Impersonations: The Performance of Gender in Shakespeare’s England (Cambridge: Cambridge University Press, 1996)
Parker, Patricia, Shakespeare from the Margins: Language, Culture, Context (Chicago: University of Chicago Press, 1996)
Ravelhofer, B., The Early Stuart Masque: Dance, Costume, and Music (Oxford: Oxford University Press, 2006) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=431208>
———, The Early Stuart Masque: Dance, Costume, and Music (Oxford: Oxford University Press, 2006) <http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10271748>
Rothwell, Kenneth S., A History of Shakespeare on Screen: A Century of Film and Television, 2nd ed (Cambridge: Cambridge University Press, 2004)
Rutter, Carol Chillington, Enter the Body: Women and Representation on Shakespeare’s Stage (London: Routledge, 2001) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=170106>
———, Enter the Body: Women and Representation on Shakespeare’s Stage (London: Routledge, 2001) <http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10053850>
Shakespeare Association of America, ‘Shakespeare Quarterly’
‘Shakespeare Survey: An Annual Survey of Shakespearian Study and Production’
Shakespeare, William, and R. A. Foakes, King Lear, [3rd ed.] (London: Thomas Nelson and Sons, 1997), The Arden Shakespeare
Shakespeare, William and Gibbons, Brian, Measure for Measure, Updated ed (Cambridge: Cambridge University Press, 2006), The new Cambridge Shakespeare
Shakespeare, William, and Stephen Greenblatt, The Norton Shakespeare, 3rd international student edn (W. W. Norton & Company, 2015)
Shakespeare, William and Halio, Jay L, The Merchant of Venice (Oxford: Oxford University Press, 1993), The Oxford Shakespeare
Shakespeare, William and Siemon, James R., King Richard III (London: Methuen Drama, 2009), The Arden Shakespeare. Third series
Shakespeare, William, Vaughan, Virginia Mason, and Vaughan, Alden T., The Tempest, Rev. ed (London: Arden Shakespeare, 2011), The Arden Shakespeare
———, The Tempest (London: Arden Shakespeare, 2011), The Arden Shakespeare. Third series <http://site.ebrary.com/lib/leicester/Doc?id=10490815>
Shapiro, James S., Shakespeare and the Jews (New York: Columbia University Press, 1996)
Steggle, Matthew, Laughing and Weeping in Early Modern Theatres (Aldershot: Ashgate, 2007), Studies in performance and early modern drama
Taylor, Gary, and Trish Thomas Henley, The Oxford Handbook of Thomas Middleton (Oxford: Oxford University Press, 2012) <http://ezproxy.lib.le.ac.uk/login?url=https://academic.oup.com/edited-volume/28181>
Webster, John and Marcus, Leah S., The Duchess of Malfi (London: Methuen Drama, 2009), Arden early modern drama
Weimann, Robert, Higbee, Helen, and West, William, Author’s Pen and Actor’s Voice: Playing and Writing in Shakespeare’s Theatre (Cambridge: Cambridge University Press, 2000), Cambridge studies in Renaissance literature and culture <http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10014943>
Weimann, Robert, Higbee, Helen, and West, William N., Author’s Pen and Actor’s Voice: Playing and Writing in Shakespeare’s Theatre (Cambridge: Cambridge University Press, 2000), Cambridge studies in Renaissance literature and culture <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=201363>
Wells, Stanley and Orlin, Lena Cowen, Shakespeare: An Oxford Guide (Oxford: Oxford University Press, 2003)
Yachnin, Paul Edward and Badir, Patricia, Shakespeare and the Cultures of Performance (Aldershot: Ashgate, 2008), Studies in performance and early modern drama
Yaffe, Martin D., Shylock and the Jewish Question (Baltimore: Johns Hopkins University Press, 1997), Johns Hopkins Jewish studies