Alexander, Catherine M. S. and Wells, Stanley, Shakespeare and Race (Cambridge University Press 2000)
Bevington DM, English Renaissance Drama: A Norton Anthology (W W Norton and Company 2002)
Braunmuller, A. R. and Hattaway, Michael, The Cambridge Companion to English Renaissance Drama, vol Cambridge companions to literature (2nd ed, Cambridge University Press 2003)
Bruster, Douglas, Drama and the Market in the Age of Shakespeare (2005)
Cheney, Patrick, The Cambridge Companion to Christopher Marlowe, vol Cambridge companions to literature (Cambridge University Press 2004) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=862360>
——, The Cambridge Companion to Christopher Marlowe, vol Cambridge companions to literature and classics (Cambridge University Press 2006) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=862360>
Cox, John D. and Kastan, David Scott, A New History of Early English Drama (Columbia University Press 1997)
De Grazia, Margreta and Wells, Stanley, The New Cambridge Companion to Shakespeare, vol Cambridge companions to literature (2nd ed, Cambridge University Press 2010) <http://ezproxy.lib.le.ac.uk/login?url=https://www.cambridge.org/core/books/new-cambridge-companion-to-shakespeare/95900CAA1B085D13428F2DEBF9573AA2>
——, The New Cambridge Companion to Shakespeare, vol Cambridge companions to literature and classics (2nd ed, Cambridge University Press 2011) <http://ezproxy.lib.le.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL9780521886321>
Deats, Sara Munson and Logan, Robert A., Placing the Plays of Christopher Marlowe: Fresh Cultural Contexts (Ashgate Pub 2008) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662273160002746&institutionId=2746&customerId=2745>
Deats SM and Logan RA, Placing the Plays of Christopher Marlowe: Fresh Cultural Contexts (Ashgate Pub 2008) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=438438>
Dutton, Richard, The Oxford Handbook of Early Modern Theatre, vol Oxford handbooks (Oxford University Press 2009)
Dutton, Richard, Findlay, Alison, and Wilson, Richard, Theatre and Religion: Lancastrian Shakespeare (Manchester University Press 2003)
‘Early English Books Online - EEBO’ <http://eebo.chadwyck.com/home>
‘ELH: A Journal of English Literary History’
‘English Literary Renaissance’
Hatchuel, Sarah, Shakespeare: From Stage to Screen (Cambridge University Press 2004) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=266618>
——, Shakespeare: From Stage to Screen (Cambridge University Press 2004) <http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10131718>
Hodgdon, Barbara, The End Crowns All: Closure and Contradiction in Shakespeare’s History (Princeton University Press 1991)
Howard, Jean E. and Rackin, Phyllis, Engendering a Nation: A Feminist Account of Shakespeare’s English Histories, vol Feminist readings of Shakespeare (Routledge 1997) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=168810>
——, Engendering a Nation: A Feminist Account of Shakespeare’s English Histories, vol Feminist readings of Shakespeare (Routledge 1997) <http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10057214>
Jackson, Russell, The Cambridge Companion to Shakespeare on Film, vol Cambridge companions to literature (2nd ed, Cambridge University Press 2007) <http://ezproxy.lib.le.ac.uk/login?url=http://www.cambridge.org/core/product/identifier/9781139001434/type/BOOK>
——, The Cambridge Companion to Shakespeare on Film, vol Cambridge companions to literature and classics (2nd ed, Cambridge University Press 2007) <http://ezproxy.lib.le.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521866006>
Jones, Emrys, Scenic Form in Shakespeare (Clarendon 1971)
——, The Origins of Shakespeare (Clarendon Press 1977)
Kahn, Coppélia, Man’s Estate: Masculine Identity in Shakespeare (University of California Press 1981)
Kastan, David Scott and Stallybrass, Peter, Staging the Renaissance: Reinterpretations of Elizabethan and Jacobean Drama (Routledge 1991)
Kelly, Henry Ansgar, Divine Providence in the England of Shakespeare’s Histories (Harvard University Press 1970)
Kinney AF and Kinney AF, The Oxford Handbook of Shakespeare, vol Oxford Handbooks of Literature (Oxford University Press 2012) <http://ezproxy.lib.le.ac.uk/login?url=http://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199566105.001.0001/oxfordhb-9780199566105>
Leggatt, Alexander, Shakespeare’s Comedy of Love (Methuen 1974)
——, Introduction to English Renaissance Comedy (Manchester University Press 1999)
‘Leicester eLink - English Literary History’ <http://gl9sn3dh2u.search.serialssolutions.com/?V=1.0&N=50&L=GL9SN3DH2U&S=A_T_B&C=English Literary History &=Go>
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Lesser, Zachary, Renaissance Drama and the Politics of Publication: Readings in the English Book Trade (Cambridge University Press 2004)
Logan, Robert A., Shakespeare’s Marlowe: The Influence of Christopher Marlowe on Shakespeare’s Artistry (Ashgate 2007) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=438794>
——, Shakespeare’s Marlowe: The Influence of Christopher Marlowe on Shakespeare’s Artistry (Ashgate 2007) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664314140002746&institutionId=2746&customerId=2745>
Loomba, Ania, Gender, Race, Renaissance Drama, vol Cultural politics (Manchester University Press 1989)
——, Shakespeare, Race, and Colonialism, vol Oxford Shakespeare topics (Oxford University Press 2002)
Marlowe, Christopher and Forker, Charles R., Edward the Second, vol The Revels plays (Manchester University Press 1994)
Marlowe, Christopher, Rasmussen, Eric, and Bevington, David M., Doctor Faustus: A- and B-Texts (1604, 1616), vol The Revels plays (New ed, Manchester University Press 1993)
Marlowe, Christopher and Siemon, James R., The Jew of Malta, vol The new mermaids (2nd ed, A & C Black 1994)
Mazzio, Carla and Trevor, Douglas, Historicism, Psychoanalysis, and the Making of Early Modern Culture (Routledge 2000)
Middleton T and others, Thomas Middleton: The Collected Works, vol The Oxford Middleton (Clarendon Press 2007) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=430500>
Miola, Robert S., Shakespeare and Classical Tragedy: The Influence of Seneca (Clarendon Press 1992)
Orgel, Stephen, Impersonations: The Performance of Gender in Shakespeare’s England (Cambridge University Press 1996)
Parker, Patricia, Shakespeare from the Margins: Language, Culture, Context (University of Chicago Press 1996)
Ravelhofer, B., The Early Stuart Masque: Dance, Costume, and Music (Oxford University Press 2006) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=431208>
——, The Early Stuart Masque: Dance, Costume, and Music (Oxford University Press 2006) <http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10271748>
Rothwell, Kenneth S., A History of Shakespeare on Screen: A Century of Film and Television (2nd ed, Cambridge University Press 2004)
Rutter, Carol Chillington, Enter the Body: Women and Representation on Shakespeare’s Stage (Routledge 2001) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=170106>
——, Enter the Body: Women and Representation on Shakespeare’s Stage (Routledge 2001) <http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10053850>
Shakespeare Association of America, ‘Shakespeare Quarterly’
‘Shakespeare Survey: An Annual Survey of Shakespearian Study and Production’
Shakespeare W and Foakes RA, King Lear, vol The Arden Shakespeare ([3rd ed], Thomas Nelson and Sons 1997)
Shakespeare W and Greenblatt S, The Norton Shakespeare (3rd international student edn, W W Norton & Company 2015)
Shakespeare, William and Gibbons, Brian, Measure for Measure, vol The new Cambridge Shakespeare (Updated ed, Cambridge University Press 2006)
Shakespeare, William and Halio, Jay L, The Merchant of Venice, vol The Oxford Shakespeare (Oxford University Press 1993)
Shakespeare, William and Siemon, James R., King Richard III, vol The Arden Shakespeare. Third series (Methuen Drama 2009)
Shakespeare, William, Vaughan, Virginia Mason, and Vaughan, Alden T., The Tempest, vol The Arden Shakespeare (Rev ed, Arden Shakespeare 2011)
——, The Tempest, vol The Arden Shakespeare. Third series (Arden Shakespeare 2011) <http://site.ebrary.com/lib/leicester/Doc?id=10490815>
Shapiro, James S., Shakespeare and the Jews (Columbia University Press 1996)
Steggle, Matthew, Laughing and Weeping in Early Modern Theatres, vol Studies in performance and early modern drama (Ashgate 2007)
Taylor G and Henley TT, The Oxford Handbook of Thomas Middleton (Oxford University Press 2012) <http://ezproxy.lib.le.ac.uk/login?url=https://academic.oup.com/edited-volume/28181>
Webster, John and Marcus, Leah S., The Duchess of Malfi, vol Arden early modern drama (Methuen Drama 2009)
Weimann, Robert, Higbee, Helen, and West, William, Author’s Pen and Actor’s Voice: Playing and Writing in Shakespeare’s Theatre, vol Cambridge studies in Renaissance literature and culture (Cambridge University Press 2000) <http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10014943>
Weimann, Robert, Higbee, Helen, and West, William N., Author’s Pen and Actor’s Voice: Playing and Writing in Shakespeare’s Theatre, vol Cambridge studies in Renaissance literature and culture (Cambridge University Press 2000) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=201363>
Wells, Stanley and Orlin, Lena Cowen, Shakespeare: An Oxford Guide (Oxford University Press 2003)
Yachnin, Paul Edward and Badir, Patricia, Shakespeare and the Cultures of Performance, vol Studies in performance and early modern drama (Ashgate 2008)
Yaffe, Martin D., Shylock and the Jewish Question, vol Johns Hopkins Jewish studies (Johns Hopkins University Press 1997)