1.
Belton, John: American cinema/American culture. McGraw-Hill Higher Education, London (2013).
2.
Barsam, Richard Meran, Monahan, Dave, Gocsik, Karen M.: Looking at movies: an introduction to film. W.W. Norton, New York, N.Y. (2010).
3.
Benshoff, Harry M., Griffin, Sean: America on film: representing race, class, gender, and sexuality at the movies. Wiley-Blackwell, Oxford (2009).
4.
Hill, John, Gibson, Pamela Church: American cinema and Hollywood: critical approaches. Oxford University Press, Oxford (2000).
5.
Lewis, Jon: American film: a history. W.W. Norton, New York (2008).
6.
Lucia, C.A.B., Grundmann, R., Simon, A. eds: American film history: selected readings. 1960 to the present. John Wiley & Sons, Hoboken, New Jersey (2015).
7.
Lucia, C., Grundmann, R., Simon, A.: American Film History: Selected Readings, Origins To 1960. John Wiley & Sons, Incorporated, Hoboken (2015).
8.
Maltby, Richard: Hollywood cinema: an introduction. Blackwell Publishers, Oxford (2003).
9.
Sklar, Robert: Movie-made America: a cultural history of American movies. Chappell, London (1978).
10.
Lewis, J., Smoodin, E.L. eds: The American film history reader. Routledge, Abingdon, Oxon (2015).
11.
Bordwell, D., Thompson, K., Smith, J.: Film art: an introduction. McGraw-Hill Education, New York, NY (2017).
12.
Edgerton, G.R.: The Columbia history of American television. Columbia University Press, New York, N.Y. (2007).
13.
McCarey, L., Roach, H., Chase, C., Grant, K., Hardy, O., Parrott, J.: His Wooden Wedding, The Charley Chase collection: Vol. 2, (2005).
14.
Keaton, B.: Buster Keaton: the complete short films 1917-1923, Accompanying book, (2006).
15.
Keaton, B., Blystone, J.G., Talmadge, N., McGuire, K.: Our hospitality; directed by Buster Keaton and John G. Blystone. Sherlock Jnr.; directed by Buster Keaton, (2007).
16.
Crafton, D.: Pie and Chase: Gag, Spectacle and Narrative in Slapstick Comedy: Chapter of Cinema of Attractions Reloaded. In: The Cinema of Attractions Reloaded. pp. 285–293. Amsterdam University Press, Amsterdam (2006).
17.
Belton, J.: American Comedy: Chapter. In: American cinema/American culture. pp. 163–194. McGraw-Hill Higher Education, New York, N.Y. (2013).
18.
Belton, J.: The Emergence of Cinema as an Institution in American cinema/American culture. In: American cinema/American culture. McGraw-Hill [distributor], London (2013).
19.
Koszarski, Richard: An evening’s entertainment: the age of the silent feature picture, 1915-1928. Charles Scribner’s Sons, New York (1990).
20.
May, Lary: Screening out the past: the birth of mass culture and the motion picture industry. Oxford University Press, New York (1980).
21.
Bilton, A.: Silent film comedy and American culture. Palgrave Macmillan, Basingstoke (2013).
22.
Paulus, T., King, R.: Slapstick Comedy. Taylor and Francis, Hoboken (2010).
23.
Keaton, B., Dwyer, R., Cline, E.: Seven chances, (2005).
24.
McCarey, L., Ceder, R., Chase, C., Sleeper, M., Hardy, O.: The Charley Chase collection: [Vol. 1], (2004).
25.
Brownlow, K., Gill, D., Keaton, B., Anderson, L.: Buster Keaton, a hard act to follow, (1987).
26.
Keaton, B., McGuire, K., Talmadge, N., Blystone, J.G.: Our hospitality, (2009).
27.
Mack, M., Keaton, B., Cline, E., Bruckman, C.: The General, (2005).
28.
Newmeyer, F., Taylor, S., Roach, H., Lloyd, H., Davis, M.B., Young, N., Ralston, J.: Harold Lloyd: the definitive collection, Disc 1, (2007).
29.
Kennedy, M., Chaplin, C.: The circus, (2003).
30.
Hawks, H., Grant, C., Russell, R., Lederer, C.: His girl Friday, (2011).
31.
Bordwell, D.: An Excessively Obvious Cinema in The classical Hollywood cinema: film style & mode of production to 1960. In: The classical Hollywood cinema: film style & mode of production to 1960. pp. 3–12. Routledge & Kegan Paul, London (1985).
32.
Bordwell, D., Thompson, K.: The Development of the Classical Hollywood Cinema: Chapter. In: Film art: an introduction. pp. 466–469. McGraw-Hill, New York, N.Y. (2013).
33.
Belton, J.: Classical Hollywood Cinema: Narration in American cinema/American culture. In: American cinema/American culture. McGraw-Hill [distributor], London (2013).
34.
Bordwell, D., Thompson, K.: Narrative as a Formal System in Film art: an introduction. In: Film art: an introduction. McGraw-Hill, Boston, Mass (2004).
35.
Bordwell, D.: Classical Narration: the Hollywood example: Chapter. In: Narration in the fiction film. pp. 156–166. Methuen, London (1985).
36.
Cowie, E.: Storytelling: Classical Hollywood Cinema and Classical Narrative: Contemporary Hollywood cinema. In: Contemporary Hollywood cinema. pp. 178–190. Routledge, London (1998).
37.
Kuhn, A.: Classical Hollywood Narrative in The cinema book. In: The cinema book. pp. 45–48. British Film Institute, London (2007).
38.
Maltby, R.: Narrative in Hollywood cinema: an introduction. In: Hollywood cinema: an introduction. Blackwell Publishers, Oxford (1995).
39.
Neale, Stephen: The classical Hollywood reader. Routledge, London (2012).
40.
Ray, R.: A Certain Tendency of the American Cinema: Hollywood’s Formal and Thematic Paradigms in A certain tendency of the Hollywood cinema, 1930-1980. In: A certain tendency of the Hollywood cinema, 1930-1980. pp. 25–69. Princeton University Press, Chichester (1985).
41.
Thompson, K.: Modern Classicism in Storytelling in the new Hollywood: understanding classical narrative technique. In: Storytelling in the new Hollywood: understanding classical narrative technique. pp. 1–49. Harvard University Press, Cambridge, Mass (1999).
42.
Gehring, W.D.: Romantic vs. screwball comedy: charting the difference. Scarecrow Press, Lanham (2002).
43.
Shumway, D.R.: Screwball Comedies: Constructing Romance, Mystifying Marriage: Chapter. In: Film Genre Reader IV. University of Texas Press, Austin (2014).
44.
Grindon, L.: His Girl Friday (1940): Jailbreak!: Chapter. In: The Hollywood Romantic Comedy: Conventions, History and Controversies. pp. 96–105. Wiley, Hoboken (2011).
45.
Hillier, J., Wollen, P., British Film Institute: Howard Hawks, American artist. British Film Institute, London (1996).
46.
McDonald, T.J.: Romantic comedy: boy meets girl meets genre. Wallflower, London (2007).
47.
Wood, R.: Howard Hawks. Wayne State University Press, Detroit, Mich (2006).
48.
A Proper Dash of Spice: Screwball Comedy and the Production Code. Journal of Film and Video. 63, (2011). https://doi.org/10.5406/jfilmvideo.63.3.0045.
49.
Maltby, R.: Hollywood cinema: an introduction. Blackwell Publishers, Oxford (2003).
50.
Capra, Frank, Adams, Samuel Hopkins, Gable, Clark, Colbert, Claudette: It happened one night, (1934).
51.
La Cava, Gregory, Powell, William, Lombard, Carole, Hatch, Eric: My man Godfrey, (1936).
52.
Cukor, G., Grant, C., Hepburn, K., Stewart, J.: The Philadelphia story, (2005).
53.
Hawks, H.: Twentieth Century (1934) - Columbia Essential Classics Region 2 PAL, https://www.amazon.co.uk/d/fi1/Twentieth-Century-Columbia-Essential-Classics-Region-PAL/B005ZCFD8M/ref=sr_1_1?s=dvd&ie=UTF8&qid=1481732184&sr=1-1&keywords=twentieth+century.
54.
McCarey, L., Dunne, I., Grant, C.: The awful truth, (2003).
55.
Sturges, P., Stanwyck, B., Fonda, H., Coburn, C., Hoffe, M.: The lady Eve, (2005).
56.
Sturges, P., McCrea, J., Lake, V.: Sullivan’s travels, (2005).
57.
Hawks, H., Hepburn, K., Grant, C., Wilde, H.: Bringing up Baby, (2007).
58.
Curtiz, M., Cain, J.M., MacDougall, R., Crawford, J., Carson, J., Scott, Z., Steiner, M.: Mildred Pierce [1945], (2005).
59.
Spicer, A.: Noir Style: Chapter. In: Film noir. pp. 45–63. Longman, Harlow (2002).
60.
Biesen, Sheri Chinen: Blackout: World War II and the origins of film noir. Johns Hopkins University Press, Baltimore, Md (2005).
61.
Dixon, Wheeler Winston: American cinema of the 1940’s: themes and variations. Berg, Oxford (2006).
62.
Foertsch, Jacqueline, EBSCO ebook: American culture in the 1940s. Edinburgh University Press, Edinburgh (2008).
63.
Cook, P.: ‘Duplicity in Mildred Pierce’: Chapter. In: Women in film noir. pp. 69–80. British Film Institute, London (1998).
64.
Richard Maltby: ‘Film Noir’: The Politics of the Maladjusted Text. Journal of American Studies. 18, 49–71.
65.
Naremore, James: More than night: film noir in its contexts. University of California Press, Berkeley, Calif (2008).
66.
Place, J.A., Peterson, L.: Some Visual Motifs in Film Noir in Movies and methods: an anthology. In: Movies and methods: an anthology. pp. 325–338. University of California Press, Berkeley, Calif (1976).
67.
Polan, Dana B.: Power and paranoia: history, narrative and the American cinema, 1940-1950. Columbia University Press, New York, N.Y. (1986).
68.
Schatz, Thomas: Boom and bust: American cinema in the 1940s. University of California Press, Berkeley, Calif (1997).
69.
Silver, Alain, Ursini, James: Film noir reader 4: the crucial films and themes. Limelight Editions, New York (2004).
70.
Telotte, J. P.: Voices in the dark: the narrative patterns of film noir. University of Illinois Press, Urbana, Ill (1989).
71.
Bergfelder, T., Street, S.: Introduction: Mildred Pierce, pedagogy and the canon. Screen. 54, 371–377 (2013). https://doi.org/10.1093/screen/hjt030.
72.
Williams, L.: Feminist Film Theory: Mildred Pierce and the Second World War: Chapter. In: Female spectators: looking at film and television. pp. 12–30. Verso, London (1988).
73.
Hawks, Howard, Chandler, Raymond, Faulkner, William, Brackett, Leigh, Furthman, Jules, Bogart, Humphrey, Bacall, Lauren: The big sleep.
74.
Ulmer, E.G., Goldsmith, M., Neal, T., Savage, A., Drake, C.: Detour, (2003).
75.
Wilder, Billy, Cain, James M., MacMurray, Fred, Stanwyck, Barbara, Robinson, Edward G., Chandler, Raymond: Double indemnity, (2005).
76.
Hayworth, Rita, King, Sherwood, Welles, Orson, Sloane, Everett, Bogdanovich, Peter: The lady from Shanghai, (1948).
77.
Powell, Dick, Trevor, Claire, Dmytryk, Edward, Chandler, Raymond: Murder my sweet, (2008).
78.
Tourneur, Jacques, Homes, Geoffrey, Mitchum, Robert, Douglas, Kirk, Greer, Jane, Fleming, Rhonda: Out of the past, (2007).
79.
Lang, Fritz, Robinson, Edward G., Bennett, Joan, Massey, Raymond: The woman in the window, (2008).
80.
Siodmak, R., Hemingway, E., Lancaster, B., Gardner, A.: The killers, (2008).
81.
Ray, N., Dean, J., Wood, N.: Rebel without a cause, (2005).
82.
Barr, C.: CinemaScope: Before and After. Film Quarterly. 16, 4–24 (1963). https://doi.org/10.2307/3185949.
83.
Belton, J.: Glorious Technicolor, Breathtaking CinemaScope and Stereophonic Sound: Hollywood in the age of television. In: Hollywood in the age of television. pp. 185–211. Unwin Hyman, Boston, Mass (1990).
84.
Belton, John: Widescreen cinema. Harvard University Press, Cambridge, Mass (1992).
85.
Biskind, Peter: Seeing is believing: how Hollywood taught us to stop worrying and love the fifties. Pluto Press, London (1984).
86.
Halliwell, M.: American culture in the 1950s. Edinburgh University Press, Edinburgh (2007).
87.
Lev, Peter: Transforming the screen, 1950-1959. University of California Press, Berkeley, Calif (2003).
88.
Pomerance, Murray: American cinema of the 1950s: themes and variations. Berg, Oxford (2005).
89.
Slocum, J.D.: Rebel without a cause: approaches to a maverick masterwork. State University of New York Press, New York, N.Y. (2005).
90.
Eisenschitz, B.: Nicholas Ray: an American journey. University of Minnesota Press, Minneapolis, Minn (2011).
91.
Andrew, G.: The films of Nicholas Ray: the poet of nightfall. BFI, London (2004).
92.
Doherty, T.P.: Teenagers and teenpics: the juvenilization of American movies in the 1950s. Temple University Press, Philadelphia, Pa (2002).
93.
Ray, N., Hume, C., Maibaum, R., Mason, J., Rush, B., Matthau, W.: Bigger than life, (2007).
94.
Steinbeck, J., Kazan, E., Dean, J., Massey, R.: East of Eden, (2005).
95.
Stevens, G., Hudson, R., Taylor, E., Dean, J., Ferber, E.: Giant, (2003).
96.
Hathaway, H., Ford, J., Marshall, G., Stewart, J., Baker, C., Cobb, L.J., Fonda, H., Wayne, J.: How the West was won, (2008).
97.
Koster, H., Douglas, L.C., Burton, R., Simmons, J., Mature, V., Rennie, M.: The robe, (2002).
98.
DeMille, C.B., Heston, C., Brynner, Y., Baxter, A., Robinson, E.G.: The ten commandments, (2001).
99.
Minnelli, V., Sinatra, F., Martin, D., MacLaine, S., Jones, J.: Some came running. Warner Home Video, [S.l.] (2008).
100.
Sirk, D., Zuckerman, G., Wilder, R., Hudson, R., Bacall, L., Stack, R., Malone, D.: Written on the wind, (2007).
101.
Scorsese, M., Schrader, P., De Niro, R., Foster, J., Brooks, A., Keitel, H.: Taxi driver, (2007).
102.
Ray, R.: ‘The Godfather and Taxi Driver’: Chapter. In: A certain tendency of the Hollywood cinema, 1930-1980. pp. 326–360. Princeton University Press, Princeton, N.J. (1985).
103.
Bordwell, D.: Since 1960: the Persistence of a Mode of Film Practice: Chapter. In: The classical Hollywood cinema: film style & mode of production to 1960. pp. 367–377. Routledge & Kegan Paul, London (1985).
104.
Biskind, Peter: Easy riders, raging bulls: how the sex ‘n’ drugs ‘n’ rock ‘n’ roll generation saved Hollywood. Bloomsbury, London (1998).
105.
Braunstein, Peter, Doyle, Michael W.: Imagine nation: the American counterculture of the 1960s and ’70s. Routledge, New York (2002).
106.
Elsaesser, T.: The Pathos of Failure: American Film in the 1970s: Notes on the Unmotivated Hero’. In: The last great American picture show: new Hollywood cinema in the 1970s. pp. 279–292. Amsterdam University Press, Amsterdam (2004).
107.
Cagin, Seth, Dray, Philip, Cagin, Seth: Born to be wild: Hollywood and the sixties generation. Coyote Books, Boca Raton, Fla (1994).
108.
Casper, Drew: Hollywood film 1963-1976: years of revolution and reaction. Wiley-Blackwell, Oxford (2011).
109.
Cook, David A.: Lost illusions: American cinema in the shadow of Watergate and Vietnam, 1970-1979. University of California Press, Berkeley, Calif (2002).
110.
Friedman, Lester D.: American cinema of the 1970s: themes and variations. Rutgers University Press, New Brunswick, N.J. (2007).
111.
Gair, Christopher: The American counterculture. Edinburgh University Press, Edinburgh (2007).
112.
Kaufman, Will: American culture in the 1970s. Edinburgh University Press, Edinburgh (2009).
113.
King, N.: New Hollywood in The cinema book. In: The cinema book. British Film Institute, London (2007).
114.
Krämer, Peter: New Hollywood: from Bonnie and Clyde to Star Wars. Wallflower, London (2005).
115.
Mann, Glenn: Radical visions : American film renaissance, 1967-1976: No. 41. Greenwood Pr, Westport (1994).
116.
Neale, S.: ”The Last Good Time We Ever Had?” Revising the Hollywood Renaissance in Contemporary American cinema. In: Contemporary American cinema. Open University Press, Boston (2006).
117.
Shiel, M.: American Cinema, 1970-75 in Contemporary American cinema. In: Contemporary American cinema. Open University Press, Boston (2006).
118.
Sklar, Robert: Hollywood’s Collapse in Movie-made America: a cultural history of American movies. In: Movie-made America: a cultural history of American movies. Chappell, London (1978).
119.
Swingrover, E. A.: The counterculture reader. Pearson/Longman, New York (2004).
120.
Tasker, Y.: Approaches to the New Hollywood in Cultural studies and communications. In: Cultural studies and communications. Arnold, London (1996).
121.
Taubin, A., British Film Institute: Taxi driver. Palgrave Macmillan on behalf of the British Film Institute, London (2012).
122.
Stern, L.: The Scorsese connection. Indiana University Press, Bloomington, Ind (1995).
123.
Grist, L.: The films of Martin Scorsese, 1978-99: authorship and context II. Palgrave Macmillan, Basingstoke (2013).
124.
Penn, Arthur, Guthrie, Arlo, Quinn, Patricia, Broderick, James: Alice’s Restaurant, (2004).
125.
Lucas, G., Coppola, F.F., Dreyfuss, R., Howard, R.: American graffiti, (1973).
126.
Rafelson, B., Nicholson, J., Black, K.: Five easy pieces, https://learningonscreen.ac.uk/ondemand/index.php/prog/0000B5A7?bcast=31133366, (1970).
127.
Mazursky, Paul, Wood, Natalie, Culp, Robert, Gould, Elliott, Cannon, Dyan: Bob and Carol and Ted and Alice, (2006).
128.
Penn, A., Beatty, W., Dunaway, F., Pollard, M.J., Hackman, G., Parsons, E.: Bonnie and Clyde, (1967).
129.
Fonda, Peter, Hopper, Dennis, Southern, Terry, Nicholson, Jack: Easy rider, (1999).
130.
Ashby, H., Towne, R., Nicholson, J., Young, O., Quaid, R.: The last detail, (1973).
131.
Altman, Robert, Naughton, Edmund, Foster, David: McCabe and Mrs. Miller, (2003).
132.
Fonda, Peter, Strasberg, Susan, Dern, Bruce, Hopper, Dennis, Nicholson, Jack, Corman, Roger: The trip, (2004).
133.
Scorsese, M., De Niro, R., Keitel, H.: Mean streets, (2001).
134.
Hellman, M.: Two-Lane Blacktop (1971), (1971).
135.
Demme, Ted, LaGravenese, Richard: A decade under the influence: the 70’s films that changed everything, (2004).
136.
Bowser, Kenneth, Biskind, Peter, Macy, William H.: Easy riders, raging bulls: how the sex ‘n’ drugs ‘n’ rock ‘n’ roll generation saved Hollywood, (2006).
137.
Morgen, Brett, Burstein, Nanette, Evans, Robert: The kid stays in the picture, (2003).
138.
Back to the Future Trilogy [DVD] [1985], https://learningonscreen.ac.uk/ondemand/playlists/301806.
139.
Jeffords, S.: Hard bodies: Hollywood masculinity in the Reagan era. Presented at the (1994).
140.
Shail, A., Stoate, R., British Film Institute: Back to the future. BFI, London (2010).
141.
Thomas, S.: The New Hollywood. In: Film theory goes to the movies. pp. 8–36. Routledge, New York (1993).
142.
Britton, A., Grant, B.K.: Britton on film: the complete film criticism of Andrew Britton. Presented at the (2008).
143.
Singleton, J.: Boyz n the Hood, https://learningonscreen.ac.uk/ondemand/index.php/prog/00088E32?bcast=129101099, (2004).
144.
Walcott, R.: Keeping the Black Phallus Erect. Cineaction. 68–74.
145.
Denzin, N.K.: The Cinematic Racial Order: Reading race: Hollywood and the cinema of racial violence. In: Reading race: Hollywood and the cinema of racial violence. pp. 17–45. SAGE, London (2002).
146.
Hammond, M.: New Black Cinema. In: Contemporary American Cinema. pp. 389–397. McGraw-Hill Education (2006).
147.
Benshoff, Harry M., Griffin, Sean: America on film: representing race, class, gender, and sexuality at the movies. Wiley-Blackwell, Oxford (2009).
148.
Bernardi, Daniel: The persistence of whiteness: race and contemporary Hollywood cinema. Routledge, London (2008).
149.
Lorence, J.J.: Unfinished Business: Do the Right Thing (1989) and the Escalation of Social Tension in Screening America: United States history through film since 1900. In: Screening America: United States history through film since 1900. pp. 182–194. Pearson Longman, New York (2006).
150.
Growing Pains: Season 1 [1985].
151.
Growing Pains: Season 7.
152.
The OC - The Complete Season 1 [DVD] [2004], http://www.amazon.co.uk/OC-Complete-Season-DVD/dp/B004WBSZYG/ref=tmm_dvd_title_0?_encoding=UTF8&qid=1438870685&sr=8-3.
153.
Wee, V.: Selling Teen Culture: How American Multimedia Conglomeration Shaped Teen Television in the 1990s. In: Teen TV: genre, consumption and identity. pp. 87–98. British Film Institute, London (2004).
154.
Sharon Marie Ross , and Louisa Ellen Stein: ‘Watching Teen TV’. In: Teen Television : Essays on Programming and Fandom. pp. 3–26. McFarland & Company, Incorporated Publishers (2014).
155.
Hills, M.: Quality Teen TV’ and ‘Mainstream Cult. In: Teen TV: genre, consumption and identity. pp. 54–70. British Film Institute, London (2004).
156.
Moseley, R.: Glamorous witchcraft: gender and magic in teen film and television. Screen. 43, 403–422 (2002). https://doi.org/10.1093/screen/43.4.403.
157.
Jonze, S., Kaufman, C., Malkovich, J., Cusack, J., Diaz, C.: Being John Malkovich, (2003).
158.
King, G.: Being Charlie Kaufman. In: Indiewood, USA: where Hollywood meets independent cinema. pp. 47–92. I.B. Tauris, London (2009).
159.
King, Geoff: Narrative. In: American Independent Cinema. pp. 59–104. I.B. Tauris (2005).
160.
Tzioumakis, Yannis: The Institutionalisation of American Independent Cinema. In: American Independent Cinema : An Introduction. pp. 246–280. Edinburgh University Press (2006).
161.
Westworld - Season 1 [includes Ultraviolet Digital Download] [DVD] [2016].
162.
True Detective - Season 1 [DVD] [2014], http://www.amazon.co.uk/True-Detective-Season-1-DVD/dp/B00HYCNVKI/ref=sr_1_1_twi_1_dvd?ie=UTF8&qid=1438867893&sr=8-1&keywords=true+detective.
163.
Mittell, J.: Narrative Complexity in Contemporary American Television. The Velvet Light Trap. 58, 29–40 (2006). https://doi.org/10.1353/vlt.2006.0032.
164.
Johnson, C.: It’s Not TV, It’s HBO!” Branding US Pay TV in Branding television. In: Branding television. Routledge, London (2012).
165.
Edgerton, Gary R., Jones, Jeffrey P.: The essential HBO reader. University Press of Kentucky, Lexington, KY. (2008).
166.
Gripsrud, Jostein: Lavik, Erlend Forward to the Past: The Strange Case of The Wire in Relocating television: television in the digital context. In: Relocating television: television in the digital context. Routledge, London (2010).
