‘A Proper Dash of Spice: Screwball Comedy and the Production Code’, Journal of Film and Video, 63.3 (2011) <https://doi.org/10.5406/jfilmvideo.63.3.0045>
Altman, Robert, Naughton, Edmund, and Foster, David, ‘McCabe and Mrs. Miller’ ([S.l.]: Warner Home Video, 2003)
Andrew, Geoff, The Films of Nicholas Ray: The Poet of Nightfall, [2nd ed.] (London: BFI, 2004)
Ashby, Hal, Robert Towne, Jack Nicholson, Otis Young, and Randy Quaid, ‘The Last Detail’ ([S.l.]: Columbia Tri-Star Home Entertainment, 1973)
‘Back to the Future Trilogy [DVD] [1985]’ <https://learningonscreen.ac.uk/ondemand/playlists/301806>
Barr, Charles, ‘CinemaScope: Before and After’, Film Quarterly, 16.4 (1963), 4–24 <https://doi.org/10.2307/3185949>
Barsam, Richard Meran, Monahan, Dave, and Gocsik, Karen M., Looking at Movies: An Introduction to Film, 3rd ed (New York, N.Y.: W.W. Norton, 2010)
Belton, John, American Cinema/American Culture, 4th ed. International edition (London: McGraw-Hill Higher Education, 2013)
Belton, John, ‘American Comedy: Chapter’, in American Cinema/American Culture, 4th ed. International edition (New York, N.Y.: McGraw-Hill Higher Education, 2013), pp. 163–94
———, ‘Classical Hollywood Cinema: Narration in American Cinema/American Culture’, in American Cinema/American Culture, 4th ed. International edition (London: McGraw-Hill [distributor], 2013)
———, ‘Glorious Technicolor, Breathtaking CinemaScope and Stereophonic Sound: Hollywood in the Age of Television’, in Hollywood in the Age of Television (Boston, Mass: Unwin Hyman, 1990), pp. 185–211
———, ‘The Emergence of Cinema as an Institution in American Cinema/American Culture’, in American Cinema/American Culture, 4th ed. International edition (London: McGraw-Hill [distributor], 2013)
Belton, John, Widescreen Cinema (Cambridge, Mass: Harvard University Press, 1992)
Benshoff, Harry M. and Griffin, Sean, America on Film: Representing Race, Class, Gender, and Sexuality at the Movies, 2nd ed (Oxford: Wiley-Blackwell, 2009)
———, America on Film: Representing Race, Class, Gender, and Sexuality at the Movies, 2nd ed (Oxford: Wiley-Blackwell, 2009)
Bergfelder, T., and S. Street, ‘Introduction: Mildred Pierce, Pedagogy and the Canon’, Screen, 54.3 (2013), 371–77 <https://doi.org/10.1093/screen/hjt030>
Bernardi, Daniel, The Persistence of Whiteness: Race and Contemporary Hollywood Cinema (London: Routledge, 2008)
Biesen, Sheri Chinen, Blackout: World War II and the Origins of Film Noir (Baltimore, Md: Johns Hopkins University Press, 2005)
Bilton, Alan, Silent Film Comedy and American Culture (Basingstoke: Palgrave Macmillan, 2013) <https://login.ezproxy3.lib.le.ac.uk/login?qurl=http://www.palgraveconnect.com/doifinder/10.1057/9781137020253>
Biskind, Peter, Easy Riders, Raging Bulls: How the Sex ‘n’ Drugs ‘n’ Rock ‘n’ Roll Generation Saved Hollywood (London: Bloomsbury, 1998)
———, Seeing Is Believing: How Hollywood Taught Us to Stop Worrying and Love the Fifties (London: Pluto Press, 1984)
Bordwell, David, ‘An Excessively Obvious Cinema in The Classical Hollywood Cinema: Film Style & Mode of Production to 1960’, in The Classical Hollywood Cinema: Film Style & Mode of Production to 1960 (London: Routledge & Kegan Paul, 1985), pp. 3–12 <https://blackboard.le.ac.uk/bbcswebdav/pid-522062-dt-content-rid-641026_5/library/eReserves/HA2224/HA2224%20-%20Doc%2013.pdf>
———, ‘Classical Narration: The Hollywood Example: Chapter’, in Narration in the Fiction Film (London: Methuen, 1985), pp. 156–66 <http://site.ebrary.com/lib/leicester/Doc?id=10769162>
———, ‘Since 1960: The Persistence of a Mode of Film Practice: Chapter’, in The Classical Hollywood Cinema: Film Style & Mode of Production to 1960 (London: Routledge & Kegan Paul, 1985), pp. 367–77
Bordwell, David, and Kristin Thompson, ‘Narrative as a Formal System in Film Art: An Introduction’, in Film Art: An Introduction, 7th ed (Boston, Mass: McGraw-Hill, 2004)
———, ‘The Development of the Classical Hollywood Cinema: Chapter’, in Film Art: An Introduction, 10th ed., international ed (New York, N.Y.: McGraw-Hill, 2013), pp. 466–69
Bordwell, David, Kristin Thompson, and Jeff Smith, Film Art: An Introduction, Eleventh edition (New York, NY: McGraw-Hill Education, 2017) <https://www.vlebooks.com/vleweb/product/openreader?id=LeicesterU&isbn=9780077188917>
Bowser, Kenneth, Biskind, Peter, and Macy, William H., ‘Easy Riders, Raging Bulls: How the Sex “n” Drugs “n” Rock “n” Roll Generation Saved Hollywood’ ([S.l.]: in2film, 2006)
Braunstein, Peter and Doyle, Michael W., Imagine Nation: The American Counterculture of the 1960s and ’70s (New York: Routledge, 2002)
Britton, Andrew, and Barry Keith Grant, ‘Britton on Film: The Complete Film Criticism of Andrew Britton’ (Detroit, Mich: Wayne State University Press, 2008), Contemporary approaches to film and television series <http://ezproxy.lib.le.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=698602>
Brownlow, Kevin, David Gill, Buster Keaton, and Lindsay Anderson, ‘Buster Keaton, a Hard Act to Follow’ ([London]: An Academy Video release from the British Film Institute, 1987)
Cagin, Seth, Dray, Philip, and Cagin, Seth, Born to Be Wild: Hollywood and the Sixties Generation, 2nd ed (Boca Raton, Fla: Coyote Books, 1994)
Capra, Frank, Adams, Samuel Hopkins, Gable, Clark, and Colbert, Claudette, ‘It Happened One Night’ ([S.l.]: Columbia Tristar Home Video, 1934)
Casper, Drew, Hollywood Film 1963-1976: Years of Revolution and Reaction (Oxford: Wiley-Blackwell, 2011) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=675252>
Cook, David A., Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970-1979 (Berkeley, Calif: University of California Press, 2002), History of the American cinema
Cook, Pam, ‘“Duplicity in Mildred Pierce”: Chapter’, in Women in Film Noir, Rev. and expanded ed (London: British Film Institute, 1998), pp. 69–80
Cowie, Elizabeth, ‘Storytelling: Classical Hollywood Cinema and Classical Narrative: Contemporary Hollywood Cinema’, in Contemporary Hollywood Cinema (London: Routledge, 1998), pp. 178–90 <http://site.ebrary.com/lib/leicester/Doc?id=10688216>
Crafton, Donald, ‘Pie and Chase: Gag, Spectacle and Narrative in Slapstick Comedy: Chapter of Cinema of Attractions Reloaded’, in The Cinema of Attractions Reloaded (Amsterdam: Amsterdam University Press, 2006), Film Culture in Transition, 285–93 <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665909210002746&institutionId=2746&customerId=2745>
Cukor, George, Cary Grant, Katharine Hepburn, and James Stewart, ‘The Philadelphia Story’ ([S.l.]: Warner Home Video, 2005)
Curtiz, Michael, James M. Cain, Ranald MacDougall, Joan Crawford, Jack Carson, Zachary Scott, and others, ‘Mildred Pierce [1945]’ ([S.l.]: Warner Home Video, 2005)
DeMille, Cecil B., Charlton Heston, Yul Brynner, Anne Baxter, and Edward G. Robinson, ‘The Ten Commandments’ ([S.l.]: Paramount, 2001)
Demme, Ted and LaGravenese, Richard, ‘A Decade under the Influence: The 70’s Films That Changed Everything’ (London: Video Collection International, 2004)
Denzin, Norman K., ‘The Cinematic Racial Order: Reading Race: Hollywood and the Cinema of Racial Violence’, in Reading Race: Hollywood and the Cinema of Racial Violence (London: SAGE, 2002), Theory, culture&society (Unnumbered), 17–45 <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665911760002746&institutionId=2746&customerId=2745>
Dixon, Wheeler Winston, American Cinema of the 1940’s: Themes and Variations (Oxford: Berg, 2006), Screen decades: American culture / American cinema
Doherty, Thomas Patrick, Teenagers and Teenpics: The Juvenilization of American Movies in the 1950s, Rev. and expanded ed (Philadelphia, Pa: Temple University Press, 2002) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3042497730002746&institutionId=2746&customerId=2745>
Edgerton, Gary R., The Columbia History of American Television (New York, N.Y.: Columbia University Press, 2007)
Edgerton, Gary R. and Jones, Jeffrey P., The Essential HBO Reader (Lexington, KY.: University Press of Kentucky, 2008), Essential readers in contemporary media and culture <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1250652>
Eisenschitz, Bernard, Nicholas Ray: An American Journey (Minneapolis, Minn: University of Minnesota Press, 2011)
Elsaesser, Thomas, ‘The Pathos of Failure: American Film in the 1970s: Notes on the Unmotivated Hero’’, in The Last Great American Picture Show: New Hollywood Cinema in the 1970s (Amsterdam: Amsterdam University Press, 2004), pp. 279–92 <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665206790002746&institutionId=2746&customerId=2745>
Foertsch, Jacqueline and EBSCO ebook, American Culture in the 1940s (Edinburgh: Edinburgh University Press, 2008), Twentieth-century American culture
Fonda, Peter, Hopper, Dennis, Southern, Terry, and Nicholson, Jack, ‘Easy Rider’ ([S.l.]: Columbia Tristar Home Video, 1999)
Fonda, Peter, Strasberg, Susan, Dern, Bruce, Hopper, Dennis, Nicholson, Jack, and Corman, Roger, ‘The Trip’ ([S.l.]: MGM Home Entertainment, 2004)
Friedman, Lester D., American Cinema of the 1970s: Themes and Variations (New Brunswick, N.J.: Rutgers University Press, 2007), Screen decades
Gair, Christopher, The American Counterculture (Edinburgh: Edinburgh University Press, 2007) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=286991>
Gehring, Wes D., Romantic vs. Screwball Comedy: Charting the Difference (Lanham: Scarecrow Press, 2002), Studies in film genres
Grindon, Leger, ‘His Girl Friday (1940): Jailbreak!: Chapter’, in The Hollywood Romantic Comedy: Conventions, History and Controversies (Hoboken: Wiley, 2011), New approaches to film genre The Hollywood romantic comedy, 96–105 <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665208880002746&institutionId=2746&customerId=2745>
Gripsrud, Jostein, ‘Lavik, Erlend Forward to the Past: The Strange Case of The Wire in Relocating Television: Television in the Digital Context’, in Relocating Television: Television in the Digital Context (London: Routledge, 2010), Comedia
Grist, Leighton, The Films of Martin Scorsese, 1978-99: Authorship and Context II (Basingstoke: Palgrave Macmillan, 2013)
‘Growing Pains: Season 1 [1985]’
‘Growing Pains: Season 7’
Halliwell, Martin, American Culture in the 1950s (Edinburgh: Edinburgh University Press, 2007) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=292360>
Hammond, Michael, ‘New Black Cinema’, in Contemporary American Cinema (McGraw-Hill Education, 2006), pp. 389–97 <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665573360002746&institutionId=2746&customerId=2745>
Hathaway, Henry, John Ford, George Marshall, James Stewart, Carroll Baker, Lee J. Cobb, and others, ‘How the West Was Won’ ([S.l.]: Warner Home Video, 2008)
Hawks, Howard, ‘Twentieth Century (1934) - Columbia Essential Classics Region 2 PAL’ <https://www.amazon.co.uk/d/fi1/Twentieth-Century-Columbia-Essential-Classics-Region-PAL/B005ZCFD8M/ref=sr_1_1?s=dvd&ie=UTF8&qid=1481732184&sr=1-1&keywords=twentieth+century>
Hawks, Howard, Chandler, Raymond, Faulkner, William, Brackett, Leigh, Furthman, Jules, Bogart, Humphrey, and others, ‘The Big Sleep’ (S.l.]: Warner Home Video)
Hawks, Howard, Cary Grant, Rosalind Russell, and Charles Lederer, ‘His Girl Friday’ ([S.l.]: UCA, 2011)
Hawks, Howard, Katharine Hepburn, Cary Grant, and Hagar Wilde, ‘Bringing up Baby’ ([S.l.]: Universal, 2007)
Hayworth, Rita, King, Sherwood, Welles, Orson, Sloane, Everett, and Bogdanovich, Peter, ‘The Lady from Shanghai’ (S.l.]: Tristar Home Entertainment, 1948)
Hellman, Monte, ‘Two-Lane Blacktop (1971)’ (Criterion, 1971)
Hill, John and Gibson, Pamela Church, American Cinema and Hollywood: Critical Approaches (Oxford: Oxford University Press, 2000)
Hillier, Jim, Peter Wollen, and British Film Institute, Howard Hawks, American Artist (London: British Film Institute, 1996)
Hills, Matt, ‘Quality Teen TV’ and ‘Mainstream Cult’, in Teen TV: Genre, Consumption and Identity (London: British Film Institute, 2004), pp. 54–70
Jeffords, Susan, ‘Hard Bodies: Hollywood Masculinity in the Reagan Era’ (New Brunswick, N.J.: Rutgers University Press, 1994)
Johnson, Catherine, ‘It’s Not TV, It’s HBO!” Branding US Pay TV in Branding Television’, in Branding Television (London: Routledge, 2012), Comedia
Jonze, Spike, Charlie Kaufman, John Malkovich, John Cusack, and Cameron Diaz, ‘Being John Malkovich’ ([S.l.]: Universal, 2003)
Kaufman, Will, American Culture in the 1970s (Edinburgh: Edinburgh University Press, 2009), Twentieth-century American culture
Keaton, Buster, ‘Buster Keaton: The Complete Short Films 1917-1923, Accompanying Book’, One Week ([S.l.]: Eureka Video, 2006)
Keaton, Buster, John G. Blystone, Natalie Talmadge, and Kathryn McGuire, ‘Our Hospitality; Directed by Buster Keaton and John G. Blystone. Sherlock Jnr.; Directed by Buster Keaton’ (Ipswich: signature, 2007)
Keaton, Buster, Ruth Dwyer, and Eddie Cline, ‘Seven Chances’ ([S.l.]: Kino Video, 2005)
Keaton, Buster, Kathryn McGuire, Natalie Talmadge, and John G. Blystone, ‘Our Hospitality’ ([S.l.]: Starlite digital, 2009)
Kennedy, Merna, and Charlie Chaplin, ‘The Circus’ ([S.l.]: mk2/Warner Brothers Home Video, 2003)
King, Geoff, ‘Being Charlie Kaufman’, in Indiewood, USA: Where Hollywood Meets Independent Cinema (London: I.B. Tauris, 2009), International library of cultural studies, 47–92
King, Geoff, ‘Narrative’, in American Independent Cinema (I.B. Tauris, 2005), pp. 59–104 <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665221280002746&institutionId=2746&customerId=2745>
King, Noel, ‘New Hollywood in The Cinema Book’, in The Cinema Book, 3rd ed (London: British Film Institute, 2007)
Koster, Henry, Lloyd C. Douglas, Richard Burton, Jean Simmons, Victor Mature, and Michael Rennie, ‘The Robe’ ([S.l.]: 20th Century Fox Home Entertainment, 2002)
Koszarski, Richard, An Evening’s Entertainment: The Age of the Silent Feature Picture, 1915-1928 (New York: Charles Scribner’s Sons, 1990), History of the American cinema <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5661323260002746&institutionId=2746&customerId=2745>
Krämer, Peter, New Hollywood: From Bonnie and Clyde to Star Wars (London: Wallflower, 2005), Short cuts <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1763952>
Kuhn, Annette, ‘Classical Hollywood Narrative in The Cinema Book’, in The Cinema Book, 3rd ed (London: British Film Institute, 2007), pp. 45–48
La Cava, Gregory, Powell, William, Lombard, Carole, and Hatch, Eric, ‘My Man Godfrey’ ([S.l.]: Elstree Hill Entertainment, 1936)
Lang, Fritz, Robinson, Edward G., Bennett, Joan, and Massey, Raymond, ‘The Woman in the Window’ ([S.l.]: Optimum Classic, 2008)
Lev, Peter, Transforming the Screen, 1950-1959 (Berkeley, Calif: University of California Press, 2003), History of the American cinema
Lewis, Jon, American Film: A History (New York: W.W. Norton, 2008)
Lewis, Jon, and Eric Loren Smoodin, eds., The American Film History Reader (Abingdon, Oxon: Routledge, 2015)
Lorence, James J., ‘Unfinished Business: Do the Right Thing (1989) and the Escalation of Social Tension in Screening America: United States History through Film since 1900’, in Screening America: United States History through Film since 1900 (New York: Pearson Longman, 2006), pp. 182–94
Lucas, George, Francis Ford Coppola, Richard Dreyfuss, and Ron Howard, ‘American Graffiti’ ([S.l.]: Columbia Tri-Star Home Video, 1973)
Lucia, Cynthia A. Barto, Roy Grundmann, and Arthur Simon, eds., American Film History: Selected Readings. 1960 to the Present (Hoboken, New Jersey: John Wiley & Sons, 2015) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4180234>
Lucia, Cynthia, Roy Grundmann, and Art Simon, American Film History: Selected Readings, Origins To 1960, 1st ed (Hoboken: John Wiley & Sons, Incorporated, 2015) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=2072524>
Mack, Marion, Buster Keaton, Eddie Cline, and Clyde Bruckman, ‘The General’ ([S.l.]: Kino Video, 2005)
Maltby, Richard, Hollywood Cinema: An Introduction, 2nd ed (Oxford: Blackwell Publishers, 2003)
Maltby, Richard, Hollywood Cinema: An Introduction, 2nd ed (Oxford: Blackwell Publishers, 2003)
———, ‘Narrative in Hollywood Cinema: An Introduction’, in Hollywood Cinema: An Introduction (Oxford: Blackwell Publishers, 1995)
Mann, Glenn, Radical Visions : American Film Renaissance, 1967-1976: No. 41 (Westport: Greenwood Pr, 1994)
May, Lary, Screening out the Past: The Birth of Mass Culture and the Motion Picture Industry (New York: Oxford University Press, 1980)
Mazursky, Paul, Wood, Natalie, Culp, Robert, Gould, Elliott, and Cannon, Dyan, ‘Bob and Carol and Ted and Alice’ ([S.l.]: Sony Pictures Home Entertainment, 2006)
McCarey, Leo, Ralph Ceder, Charley Chase, Martha Sleeper, and Oliver Hardy, ‘The Charley Chase Collection: [Vol. 1]’ (New York: Kino on Video, 2004)
McCarey, Leo, Irene Dunne, and Cary Grant, ‘The Awful Truth’ ([S.l.]: Columbia Tristar Home Entertainment, 2003)
McCarey, Leo, Hal Roach, Charley Chase, Katherine Grant, Oliver Hardy, and James Parrott, ‘His Wooden Wedding, The Charley Chase Collection: Vol. 2’, The Charley Chase Collection: Vol. 2 (New York: Kino on Video, 2005)
McDonald, Tamar Jeffers, Romantic Comedy: Boy Meets Girl Meets Genre (London: Wallflower, 2007), Short cuts <http://ezproxy.lib.le.ac.uk/login?url=http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=927990>
Minnelli, Vincente, Frank Sinatra, Dean Martin, Shirley MacLaine, and James Jones, Some Came Running ([S.l.]: Warner Home Video, 2008), Frank Sinatra collection
Mittell, Jason, ‘Narrative Complexity in Contemporary American Television’, The Velvet Light Trap, 58.1 (2006), 29–40 <https://doi.org/10.1353/vlt.2006.0032>
Morgen, Brett, Burstein, Nanette, and Evans, Robert, ‘The Kid Stays in the Picture’ ([S.l.]: Momentum Pictures, 2003)
Moseley, R., ‘Glamorous Witchcraft: Gender and Magic in Teen Film and Television’, Screen, 43.4 (2002), 403–22 <https://doi.org/10.1093/screen/43.4.403>
Naremore, James, More than Night: Film Noir in Its Contexts, Updated and expanded ed (Berkeley, Calif: University of California Press, 2008) <http://ezproxy.lib.le.ac.uk/login?url=http://www.myilibrary.com?id=235939>
Neale, Stephen, The Classical Hollywood Reader (London: Routledge, 2012)
Neale, Steve, ‘”The Last Good Time We Ever Had?” Revising the Hollywood Renaissance in Contemporary American Cinema’, in Contemporary American Cinema (Boston: Open University Press, 2006)
Newmeyer, Fred, Sam Taylor, Hal Roach, Harold Lloyd, Mildred B. Davis, Noah Young, and others, ‘Harold Lloyd: The Definitive Collection, Disc 1’ ([S.l.]: Optimum, 2007)
Paulus, Tom, and Rob King, Slapstick Comedy (Hoboken: Taylor and Francis, 2010), AFI Film Readers
Penn, Arthur, Warren Beatty, Faye Dunaway, Michael J. Pollard, Gene Hackman, and Estelle Parsons, ‘Bonnie and Clyde’ ([S.l.]: Warner Bros. Home Video, 1967)
Penn, Arthur, Guthrie, Arlo, Quinn, Patricia, and Broderick, James, ‘Alice’s Restaurant’ ([S.l.]: MGM, 2004)
Place, J.A., and L. Peterson, ‘Some Visual Motifs in Film Noir in Movies and Methods: An Anthology’, in Movies and Methods: An Anthology (Berkeley, Calif: University of California Press, 1976), pp. 325–38 <https://blackboard.le.ac.uk/bbcswebdav/pid-672713-dt-content-rid-870973_5/library/eReserves/HA2224/HA2224%20-%20Doc%2020456.pdf>
Polan, Dana B., Power and Paranoia: History, Narrative and the American Cinema, 1940-1950 (New York, N.Y.: Columbia University Press, 1986)
Pomerance, Murray, American Cinema of the 1950s: Themes and Variations (Oxford: Berg, 2005)
Powell, Dick, Trevor, Claire, Dmytryk, Edward, and Chandler, Raymond, ‘Murder My Sweet’ ([S.l.]: Universal, 2008)
Rafelson, Bob, Jack Nicholson, and Karen Black, ‘Five Easy Pieces’ ([S.l.]: Criterion collection, 1970) <https://learningonscreen.ac.uk/ondemand/index.php/prog/0000B5A7?bcast=31133366>
Ray, Nicholas, James Dean, and Natalie Wood, ‘Rebel without a Cause’ ([S.l.]: Warner Home Video, 2005)
Ray, Nicholas, Cyril Hume, Richard Maibaum, James Mason, Barbara Rush, and Walter Matthau, ‘Bigger than Life’ ([S.l.]: British Film Institute/Twentieth Century Fox Home Entertainment, 2007)
Ray, Robert, ‘A Certain Tendency of the American Cinema: Hollywood’s Formal and Thematic Paradigms in A Certain Tendency of the Hollywood Cinema, 1930-1980’, in A Certain Tendency of the Hollywood Cinema, 1930-1980 (Chichester: Princeton University Press, 1985), pp. 25–69
———, ‘“The Godfather and Taxi Driver”: Chapter’, in A Certain Tendency of the Hollywood Cinema, 1930-1980 (Princeton, N.J.: Princeton University Press, 1985), pp. 326–60
Richard Maltby, ‘“Film Noir”: The Politics of the Maladjusted Text’, Journal of American Studies, 18.1, 49–71
Schatz, Thomas, Boom and Bust: American Cinema in the 1940s (Berkeley, Calif: University of California Press, 1997), History of the American cinema
Scorsese, Martin, Robert De Niro, and Harvey Keitel, ‘Mean Streets’ ([S.l.]: Universal, 2001)
Scorsese, Martin, Paul Schrader, Robert De Niro, Jodie Foster, Albert Brooks, and Harvey Keitel, ‘Taxi Driver’ ([S.l.]: Sony, 2007)
Shail, Andrew, Robin Stoate, and British Film Institute, Back to the Future (London: BFI, 2010), BFI film classics
Sharon Marie Ross , and Louisa Ellen Stein, ‘“Watching Teen TV”’, in Teen Television : Essays on Programming and Fandom (McFarland & Company, Incorporated Publishers, 2014), pp. 3–26 <https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/reader.action?docID=1874167&ppg=12>
Shiel, Mark, ‘American Cinema, 1970-75 in Contemporary American Cinema’, in Contemporary American Cinema (Boston: Open University Press, 2006)
Shumway, David R., ‘Screwball Comedies: Constructing Romance, Mystifying Marriage: Chapter’, in Film Genre Reader IV (Austin: University of Texas Press, 2014) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665768790002746&institutionId=2746&customerId=2745>
Silver, Alain and Ursini, James, Film Noir Reader 4: The Crucial Films and Themes (New York: Limelight Editions, 2004)
Singleton, John, ‘Boyz n the Hood’ ([S.l.]: Columbia Tri-Star Home Video, 2004) <https://learningonscreen.ac.uk/ondemand/index.php/prog/00088E32?bcast=129101099>
Siodmak, Robert, Ernest Hemingway, Burt Lancaster, and Ava Gardner, ‘The Killers’ ([S.l.]: Universal, 2008)
Sirk, Douglas, George Zuckerman, Robert Wilder, Rock Hudson, Lauren Bacall, Robert Stack, and others, ‘Written on the Wind’ ([S.l.]: Universal, 2007)
Sklar, Robert, ‘Hollywood’s Collapse in Movie-Made America: A Cultural History of American Movies’, in Movie-Made America: A Cultural History of American Movies (London: Chappell, 1978)
———, Movie-Made America: A Cultural History of American Movies (London: Chappell, 1978)
Slocum, J. David, Rebel without a Cause: Approaches to a Maverick Masterwork (New York, N.Y.: State University of New York Press, 2005), Suny series horizons of cinema <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3042412220002746&institutionId=2746&customerId=2745>
Spicer, Adrew, ‘Noir Style: Chapter’, in Film Noir (Harlow: Longman, 2002), Inside film, 45–63
Steinbeck, John, Elia Kazan, James Dean, and Raymond Massey, ‘East of Eden’ ([s.l.]: Warner Bros. Home Video, 2005)
Stern, Lesley, The Scorsese Connection (Bloomington, Ind: Indiana University Press, 1995)
Stevens, George, Rock Hudson, Elizabeth Taylor, James Dean, and Edna Ferber, ‘Giant’ ([S.l.]: Warner Home Video, 2003)
Sturges, Preston, Joel McCrea, and Veronica Lake, ‘Sullivan’s Travels’ ([S.l.]: Universal Studios, 2005)
Sturges, Preston, Barbara Stanwyck, Henry Fonda, Charles Coburn, and Monckton Hoffe, ‘The Lady Eve’ ([S.l.]: Universal Studios, 2005)
Swingrover, E. A., The Counterculture Reader (New York: Pearson/Longman, 2004), Longman topics
Tasker, Yvonne, ‘Approaches to the New Hollywood in Cultural Studies and Communications’, in Cultural Studies and Communications (London: Arnold, 1996) <https://blackboard.le.ac.uk/bbcswebdav/pid-522067-dt-content-rid-641036_5/library/eReserves/HA2224/HA2224%20-%20Doc%2024.pdf>
Taubin, Amy and British Film Institute, Taxi Driver, 2nd edition (London: Palgrave Macmillan on behalf of the British Film Institute, 2012)
Telotte, J. P., Voices in the Dark: The Narrative Patterns of Film Noir (Urbana, Ill: University of Illinois Press, 1989)
‘The OC - The Complete Season 1 [DVD] [2004]’ <http://www.amazon.co.uk/OC-Complete-Season-DVD/dp/B004WBSZYG/ref=tmm_dvd_title_0?_encoding=UTF8&qid=1438870685&sr=8-3>
Thomas, Schatz, ‘The New Hollywood’, in Film Theory Goes to the Movies (New York: Routledge, 1993), AFI film readers, 8–36 <http://ezproxy.lib.le.ac.uk/login?url=http://lib.myilibrary.com?id=395546>
Thompson, Kristin, ‘Modern Classicism in Storytelling in the New Hollywood: Understanding Classical Narrative Technique’, in Storytelling in the New Hollywood: Understanding Classical Narrative Technique (Cambridge, Mass: Harvard University Press, 1999), pp. 1–49 <https://blackboard.le.ac.uk/bbcswebdav/pid-419032-dt-content-rid-583738_5/library/eReserves/HA2224/HA2224%20-%20Doc%2016.pdf>
Tourneur, Jacques, Homes, Geoffrey, Mitchum, Robert, Douglas, Kirk, Greer, Jane, and Fleming, Rhonda, ‘Out of the Past’ ([S.l.]: Universal Studios, 2007)
‘True Detective - Season 1 [DVD] [2014]’ <http://www.amazon.co.uk/True-Detective-Season-1-DVD/dp/B00HYCNVKI/ref=sr_1_1_twi_1_dvd?ie=UTF8&qid=1438867893&sr=8-1&keywords=true+detective>
Tzioumakis, Yannis, ‘The Institutionalisation of American Independent Cinema’, in American Independent Cinema : An Introduction (Edinburgh University Press, 2006), pp. 246–80 <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665221270002746&institutionId=2746&customerId=2745>
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