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Lucia C, Grundmann R, Simon A. American Film History: Selected Readings, Origins To 1960 [Internet]. 1st ed. Hoboken: John Wiley & Sons, Incorporated; 2015. Available from: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=2072524
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Maltby, Richard. Hollywood cinema: an introduction. 2nd ed. Oxford: Blackwell Publishers; 2003.
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Sklar, Robert. Movie-made America: a cultural history of American movies. London: Chappell; 1978.
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Bordwell D, Thompson K, Smith J. Film art: an introduction [Internet]. Eleventh edition. New York, NY: McGraw-Hill Education; 2017. Available from: https://www.vlebooks.com/vleweb/product/openreader?id=LeicesterU&isbn=9780077188917
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Belton J. American Comedy: Chapter. American cinema/American culture. 4th ed. International edition. New York, N.Y.: McGraw-Hill Higher Education; 2013. p. 163–194.
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May, Lary. Screening out the past: the birth of mass culture and the motion picture industry. New York: Oxford University Press; 1980.
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Bilton A. Silent film comedy and American culture [Internet]. Basingstoke: Palgrave Macmillan; 2013. Available from: https://login.ezproxy3.lib.le.ac.uk/login?qurl=http://www.palgraveconnect.com/doifinder/10.1057/9781137020253
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Paulus T, King R. Slapstick Comedy. Hoboken: Taylor and Francis; 2010.
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Keaton B, Dwyer R, Cline E. Seven chances. [S.l.]: Kino Video; 2005.
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McCarey L, Ceder R, Chase C, Sleeper M, Hardy O. The Charley Chase collection: [Vol. 1]. New York: Kino on Video; 2004.
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Brownlow K, Gill D, Keaton B, Anderson L. Buster Keaton, a hard act to follow. [London]: An Academy Video release from the British Film Institute; 1987.
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Keaton B, McGuire K, Talmadge N, Blystone JG. Our hospitality. [S.l.]: Starlite digital; 2009.
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Mack M, Keaton B, Cline E, Bruckman C. The General. [S.l.]: Kino Video; 2005.
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Kennedy M, Chaplin C. The circus. [S.l.]: mk2/Warner Brothers Home Video; 2003.
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McDonald TJ. Romantic comedy: boy meets girl meets genre [Internet]. London: Wallflower; 2007. Available from: http://ezproxy.lib.le.ac.uk/login?url=http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=927990
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Wood R. Howard Hawks [Internet]. New ed. Detroit, Mich: Wayne State University Press; 2006. Available from: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3042431280002746&institutionId=2746&customerId=2745
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A Proper Dash of Spice: Screwball Comedy and the Production Code. Journal of Film and Video. 2011;63(3).
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Capra, Frank, Adams, Samuel Hopkins, Gable, Clark, Colbert, Claudette. It happened one night. [S.l.]: Columbia Tristar Home Video; 1934.
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McCarey L, Dunne I, Grant C. The awful truth. [S.l.]: Columbia Tristar Home Entertainment; 2003.
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Place JA, Peterson L. Some Visual Motifs in Film Noir in Movies and methods: an anthology. Movies and methods: an anthology [Internet]. Berkeley, Calif: University of California Press; 1976. p. 325–338. Available from: https://blackboard.le.ac.uk/bbcswebdav/pid-672713-dt-content-rid-870973_5/library/eReserves/HA2224/HA2224%20-%20Doc%2020456.pdf
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Hawks, Howard, Chandler, Raymond, Faulkner, William, Brackett, Leigh, Furthman, Jules, Bogart, Humphrey, Bacall, Lauren. The big sleep. S.l.]: Warner Home Video;
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Halliwell M. American culture in the 1950s [Internet]. Edinburgh: Edinburgh University Press; 2007. Available from: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=292360
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Lev, Peter. Transforming the screen, 1950-1959. Berkeley, Calif: University of California Press; 2003.
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Eisenschitz B. Nicholas Ray: an American journey. Minneapolis, Minn: University of Minnesota Press; 2011.
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Andrew G. The films of Nicholas Ray: the poet of nightfall. [2nd ed.]. London: BFI; 2004.
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Ray N, Hume C, Maibaum R, Mason J, Rush B, Matthau W. Bigger than life. [S.l.]: British Film Institute/Twentieth Century Fox Home Entertainment; 2007.
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Biskind, Peter. Easy riders, raging bulls: how the sex ‘n’ drugs ‘n’ rock ‘n’ roll generation saved Hollywood. London: Bloomsbury; 1998.
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Elsaesser T. The Pathos of Failure: American Film in the 1970s: Notes on the Unmotivated Hero’. The last great American picture show: new Hollywood cinema in the 1970s [Internet]. Amsterdam: Amsterdam University Press; 2004. p. 279–292. Available from: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665206790002746&institutionId=2746&customerId=2745
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Cagin, Seth, Dray, Philip, Cagin, Seth. Born to be wild: Hollywood and the sixties generation. 2nd ed. Boca Raton, Fla: Coyote Books; 1994.
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Casper, Drew. Hollywood film 1963-1976: years of revolution and reaction [Internet]. Oxford: Wiley-Blackwell; 2011. Available from: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=675252
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Cook, David A. Lost illusions: American cinema in the shadow of Watergate and Vietnam, 1970-1979. Berkeley, Calif: University of California Press; 2002.
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Friedman, Lester D. American cinema of the 1970s: themes and variations. New Brunswick, N.J.: Rutgers University Press; 2007.
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Gair, Christopher. The American counterculture [Internet]. Edinburgh: Edinburgh University Press; 2007. Available from: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=286991
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Kaufman, Will. American culture in the 1970s. Edinburgh: Edinburgh University Press; 2009.
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King N. New Hollywood in The cinema book. The cinema book. 3rd ed. London: British Film Institute; 2007.
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Mann, Glenn. Radical visions : American film renaissance, 1967-1976: No. 41. Westport: Greenwood Pr; 1994.
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Neale S. ”The Last Good Time We Ever Had?” Revising the Hollywood Renaissance in Contemporary American cinema. Contemporary American cinema. Boston: Open University Press; 2006.
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Tasker Y. Approaches to the New Hollywood in Cultural studies and communications. Cultural studies and communications [Internet]. London: Arnold; 1996. Available from: https://blackboard.le.ac.uk/bbcswebdav/pid-522067-dt-content-rid-641036_5/library/eReserves/HA2224/HA2224%20-%20Doc%2024.pdf
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Taubin A, British Film Institute. Taxi driver. 2nd edition. London: Palgrave Macmillan on behalf of the British Film Institute; 2012.
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Grist L. The films of Martin Scorsese, 1978-99: authorship and context II. Basingstoke: Palgrave Macmillan; 2013.
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Mazursky, Paul, Wood, Natalie, Culp, Robert, Gould, Elliott, Cannon, Dyan. Bob and Carol and Ted and Alice. [S.l.]: Sony Pictures Home Entertainment; 2006.
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Penn A, Beatty W, Dunaway F, Pollard MJ, Hackman G, Parsons E. Bonnie and Clyde. [S.l.]: Warner Bros. Home Video; 1967.
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Demme, Ted, LaGravenese, Richard. A decade under the influence: the 70’s films that changed everything. London: Video Collection International; 2004.
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Bowser, Kenneth, Biskind, Peter, Macy, William H. Easy riders, raging bulls: how the sex ‘n’ drugs ‘n’ rock ‘n’ roll generation saved Hollywood. [S.l.]: in2film; 2006.
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Morgen, Brett, Burstein, Nanette, Evans, Robert. The kid stays in the picture. [S.l.]: Momentum Pictures; 2003.
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Thomas S. The New Hollywood. Film theory goes to the movies [Internet]. New York: Routledge; 1993. p. 8–36. Available from: http://ezproxy.lib.le.ac.uk/login?url=http://lib.myilibrary.com?id=395546
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Britton A, Grant BK. Britton on film: the complete film criticism of Andrew Britton. Detroit, Mich: Wayne State University Press; 2008. Available from: http://ezproxy.lib.le.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=698602
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Singleton J. Boyz n the Hood [Internet]. Special edition. [S.l.]: Columbia Tri-Star Home Video; 2004. Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/00088E32?bcast=129101099
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Walcott R. Keeping the Black Phallus Erect. Cineaction. :68–74.
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Denzin NK. The Cinematic Racial Order: Reading race: Hollywood and the cinema of racial violence. Reading race: Hollywood and the cinema of racial violence [Internet]. London: SAGE; 2002. p. 17–45. Available from: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665911760002746&institutionId=2746&customerId=2745
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Hammond M. New Black Cinema. Contemporary American Cinema [Internet]. McGraw-Hill Education; 2006. p. 389–397. Available from: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665573360002746&institutionId=2746&customerId=2745
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Bernardi, Daniel. The persistence of whiteness: race and contemporary Hollywood cinema. London: Routledge; 2008.
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Lorence JJ. Unfinished Business: Do the Right Thing (1989) and the Escalation of Social Tension in Screening America: United States history through film since 1900. Screening America: United States history through film since 1900. New York: Pearson Longman; 2006. p. 182–194.
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Wee V. Selling Teen Culture: How American Multimedia Conglomeration Shaped Teen Television in the 1990s. Teen TV: genre, consumption and identity. London: British Film Institute; 2004. p. 87–98.
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Sharon Marie Ross , and Louisa Ellen Stein. ‘Watching Teen TV’. Teen Television : Essays on Programming and Fandom [Internet]. McFarland & Company, Incorporated Publishers; 2014. p. 3–26. Available from: https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/reader.action?docID=1874167&ppg=12
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Hills M. Quality Teen TV’ and ‘Mainstream Cult. Teen TV: genre, consumption and identity. London: British Film Institute; 2004. p. 54–70.
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Moseley R. Glamorous witchcraft: gender and magic in teen film and television. Screen. 2002 Dec 1;43(4):403–422.
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