A Proper Dash of Spice: Screwball Comedy and the Production Code. (2011). Journal of Film and Video, 63(3). https://doi.org/10.5406/jfilmvideo.63.3.0045
Altman, Robert, Naughton, Edmund, & Foster, David. (2003). McCabe and Mrs. Miller. Warner Home Video.
Andrew, G. (2004). The films of Nicholas Ray: the poet of nightfall ([2nd ed.]). BFI.
Ashby, H., Towne, R., Nicholson, J., Young, O., & Quaid, R. (1973). The last detail. Columbia Tri-Star Home Entertainment.
Back to the Future Trilogy [DVD] [1985]. (n.d.). https://learningonscreen.ac.uk/ondemand/playlists/301806
Barr, C. (1963). CinemaScope: Before and After. Film Quarterly, 16(4), 4–24. https://doi.org/10.2307/3185949
Barsam, Richard Meran, Monahan, Dave, & Gocsik, Karen M. (2010). Looking at movies: an introduction to film (3rd ed). W.W. Norton.
Belton, J. (1990). Glorious Technicolor, Breathtaking CinemaScope and Stereophonic Sound: Hollywood in the age of television. In Hollywood in the age of television (pp. 185–211). Unwin Hyman.
Belton, J. (2013a). American Comedy: Chapter. In American cinema/American culture (4th ed. International edition, pp. 163–194). McGraw-Hill Higher Education.
Belton, J. (2013b). Classical Hollywood Cinema: Narration in American cinema/American culture. In American cinema/American culture (4th ed. International edition). McGraw-Hill [distributor].
Belton, J. (2013c). The Emergence of Cinema as an Institution in American cinema/American culture. In American cinema/American culture (4th ed. International edition). McGraw-Hill [distributor].
Belton, John. (1992). Widescreen cinema. Harvard University Press.
Belton, John. (2013). American cinema/American culture (4th ed. International edition). McGraw-Hill Higher Education.
Benshoff, Harry M. & Griffin, Sean. (2009a). America on film: representing race, class, gender, and sexuality at the movies (2nd ed). Wiley-Blackwell.
Benshoff, Harry M. & Griffin, Sean. (2009b). America on film: representing race, class, gender, and sexuality at the movies (2nd ed). Wiley-Blackwell.
Bergfelder, T., & Street, S. (2013). Introduction: Mildred Pierce, pedagogy and the canon. Screen, 54(3), 371–377. https://doi.org/10.1093/screen/hjt030
Bernardi, Daniel. (2008). The persistence of whiteness: race and contemporary Hollywood cinema. Routledge.
Biesen, Sheri Chinen. (2005). Blackout: World War II and the origins of film noir. Johns Hopkins University Press.
Bilton, A. (2013). Silent film comedy and American culture. Palgrave Macmillan. https://login.ezproxy3.lib.le.ac.uk/login?qurl=http://www.palgraveconnect.com/doifinder/10.1057/9781137020253
Biskind, Peter. (1984). Seeing is believing: how Hollywood taught us to stop worrying and love the fifties. Pluto Press.
Biskind, Peter. (1998). Easy riders, raging bulls: how the sex ‘n’ drugs ‘n’ rock ‘n’ roll generation saved Hollywood. Bloomsbury.
Bordwell, D. (1985a). An Excessively Obvious Cinema in The classical Hollywood cinema: film style & mode of production to 1960. In The classical Hollywood cinema: film style & mode of production to 1960 (pp. 3–12). Routledge & Kegan Paul. https://blackboard.le.ac.uk/bbcswebdav/pid-522062-dt-content-rid-641026_5/library/eReserves/HA2224/HA2224%20-%20Doc%2013.pdf
Bordwell, D. (1985b). Classical Narration: the Hollywood example: Chapter. In Narration in the fiction film (pp. 156–166). Methuen. http://site.ebrary.com/lib/leicester/Doc?id=10769162
Bordwell, D. (1985c). Since 1960: the Persistence of a Mode of Film Practice: Chapter. In The classical Hollywood cinema: film style & mode of production to 1960 (pp. 367–377). Routledge & Kegan Paul.
Bordwell, D., & Thompson, K. (2004). Narrative as a Formal System in Film art: an introduction. In Film art: an introduction (7th ed). McGraw-Hill.
Bordwell, D., & Thompson, K. (2013). The Development of the Classical Hollywood Cinema: Chapter. In Film art: an introduction (10th ed., international ed, pp. 466–469). McGraw-Hill.
Bordwell, D., Thompson, K., & Smith, J. (2017). Film art: an introduction (Eleventh edition). McGraw-Hill Education. https://www.vlebooks.com/vleweb/product/openreader?id=LeicesterU&isbn=9780077188917
Bowser, Kenneth, Biskind, Peter, & Macy, William H. (2006). Easy riders, raging bulls: how the sex ‘n’ drugs ‘n’ rock ‘n’ roll generation saved Hollywood. in2film.
Braunstein, Peter & Doyle, Michael W. (2002). Imagine nation: the American counterculture of the 1960s and ’70s. Routledge.
Britton, A., & Grant, B. K. (2008). Britton on film: the complete film criticism of Andrew Britton: Vol. Contemporary approaches to film and television series. Wayne State University Press. http://ezproxy.lib.le.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=698602
Brownlow, K., Gill, D., Keaton, B., & Anderson, L. (1987). Buster Keaton, a hard act to follow. An Academy Video release from the British Film Institute.
Cagin, Seth, Dray, Philip, & Cagin, Seth. (1994). Born to be wild: Hollywood and the sixties generation (2nd ed). Coyote Books.
Capra, Frank, Adams, Samuel Hopkins, Gable, Clark, & Colbert, Claudette. (1934). It happened one night: Vol. Columbia classics. Columbia Tristar Home Video.
Casper, Drew. (2011). Hollywood film 1963-1976: years of revolution and reaction. Wiley-Blackwell. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=675252
Cook, David A. (2002). Lost illusions: American cinema in the shadow of Watergate and Vietnam, 1970-1979: Vol. History of the American cinema. University of California Press.
Cook, P. (1998). ‘Duplicity in Mildred Pierce’: Chapter. In Women in film noir (Rev. and expanded ed, pp. 69–80). British Film Institute.
Cowie, E. (1998). Storytelling: Classical Hollywood Cinema and Classical Narrative: Contemporary Hollywood cinema. In Contemporary Hollywood cinema (pp. 178–190). Routledge. http://site.ebrary.com/lib/leicester/Doc?id=10688216
Crafton, D. (2006). Pie and Chase: Gag, Spectacle and Narrative in Slapstick Comedy: Chapter of Cinema of Attractions Reloaded [Electronic resource]. In The Cinema of Attractions Reloaded: Vol. Film Culture in Transition (pp. 285–293). Amsterdam University Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665909210002746&institutionId=2746&customerId=2745
Cukor, G., Grant, C., Hepburn, K., & Stewart, J. (2005). The Philadelphia story: Vol. TCM greatest classic films collection. Romantic comedies. Warner Home Video.
Curtiz, M., Cain, J. M., MacDougall, R., Crawford, J., Carson, J., Scott, Z., & Steiner, M. (2005). Mildred Pierce [1945]. Warner Home Video.
DeMille, C. B., Heston, C., Brynner, Y., Baxter, A., & Robinson, E. G. (2001). The ten commandments: Vol. Widescreen collection. Paramount.
Demme, Ted & LaGravenese, Richard. (2004). A decade under the influence: the 70’s films that changed everything. Video Collection International.
Denzin, N. K. (2002). The Cinematic Racial Order: Reading race: Hollywood and the cinema of racial violence. In Reading race: Hollywood and the cinema of racial violence: Vol. Theory, culture&society (Unnumbered) (pp. 17–45). SAGE. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665911760002746&institutionId=2746&customerId=2745
Dixon, Wheeler Winston. (2006). American cinema of the 1940’s: themes and variations: Vol. Screen decades: American culture / American cinema. Berg.
Doherty, T. P. (2002). Teenagers and teenpics: the juvenilization of American movies in the 1950s (Rev. and expanded ed). Temple University Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3042497730002746&institutionId=2746&customerId=2745
Edgerton, G. R. (2007). The Columbia history of American television. Columbia University Press.
Edgerton, Gary R. & Jones, Jeffrey P. (2008). The essential HBO reader: Vol. Essential readers in contemporary media and culture. University Press of Kentucky. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1250652
Eisenschitz, B. (2011). Nicholas Ray: an American journey. University of Minnesota Press.
Elsaesser, T. (2004). The Pathos of Failure: American Film in the 1970s: Notes on the Unmotivated Hero’. In The last great American picture show: new Hollywood cinema in the 1970s (pp. 279–292). Amsterdam University Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665206790002746&institutionId=2746&customerId=2745
Foertsch, Jacqueline & EBSCO ebook. (2008). American culture in the 1940s: Vol. Twentieth-century American culture. Edinburgh University Press.
Fonda, Peter, Hopper, Dennis, Southern, Terry, & Nicholson, Jack. (1999). Easy rider. Columbia Tristar Home Video.
Fonda, Peter, Strasberg, Susan, Dern, Bruce, Hopper, Dennis, Nicholson, Jack, & Corman, Roger. (2004). The trip. MGM Home Entertainment.
Friedman, Lester D. (2007). American cinema of the 1970s: themes and variations: Vol. Screen decades. Rutgers University Press.
Gair, Christopher. (2007). The American counterculture. Edinburgh University Press. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=286991
Gehring, W. D. (2002). Romantic vs. screwball comedy: charting the difference: Vol. Studies in film genres. Scarecrow Press.
Grindon, L. (2011). His Girl Friday (1940): Jailbreak!: Chapter [Electronic resource]. In The Hollywood Romantic Comedy: Conventions, History and Controversies: Vol. New approaches to film genre The Hollywood romantic comedy (pp. 96–105). Wiley. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665208880002746&institutionId=2746&customerId=2745
Gripsrud, Jostein. (2010). Lavik, Erlend Forward to the Past: The Strange Case of The Wire in Relocating television: television in the digital context. In Relocating television: television in the digital context: Vol. Comedia. Routledge.
Grist, L. (2013). The films of Martin Scorsese, 1978-99: authorship and context II. Palgrave Macmillan.
Growing Pains: Season 1 [1985]. (n.d.).
Growing Pains: Season 7. (n.d.).
Halliwell, M. (2007). American culture in the 1950s [Electronic resource]. Edinburgh University Press. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=292360
Hammond, M. (2006). New Black Cinema. In Contemporary American Cinema (pp. 389–397). McGraw-Hill Education. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665573360002746&institutionId=2746&customerId=2745
Hathaway, H., Ford, J., Marshall, G., Stewart, J., Baker, C., Cobb, L. J., Fonda, H., & Wayne, J. (2008). How the West was won (Three-disc special edition). Warner Home Video.
Hawks, H. (n.d.). Twentieth Century (1934) - Columbia Essential Classics Region 2 PAL. https://www.amazon.co.uk/d/fi1/Twentieth-Century-Columbia-Essential-Classics-Region-PAL/B005ZCFD8M/ref=sr_1_1?s=dvd&ie=UTF8&qid=1481732184&sr=1-1&keywords=twentieth+century
Hawks, H., Grant, C., Russell, R., & Lederer, C. (2011). His girl Friday. UCA.
Hawks, H., Hepburn, K., Grant, C., & Wilde, H. (2007). Bringing up Baby. Universal.
Hawks, Howard, Chandler, Raymond, Faulkner, William, Brackett, Leigh, Furthman, Jules, Bogart, Humphrey, & Bacall, Lauren. (n.d.). The big sleep: Vol. Bogie and Bacall : the signature collection. Warner Home Video.
Hayworth, Rita, King, Sherwood, Welles, Orson, Sloane, Everett, & Bogdanovich, Peter. (1948). The lady from Shanghai: Vol. Columbia classics. Tristar Home Entertainment.
Hellman, M. (1971). Two-Lane Blacktop (1971). Criterion.
Hill, John & Gibson, Pamela Church. (2000). American cinema and Hollywood: critical approaches. Oxford University Press.
Hillier, J., Wollen, P., & British Film Institute. (1996). Howard Hawks, American artist. British Film Institute.
Hills, M. (2004). Quality Teen TV’ and ‘Mainstream Cult. In Teen TV: genre, consumption and identity (pp. 54–70). British Film Institute.
Jeffords, S. (1994). Hard bodies: Hollywood masculinity in the Reagan era. Rutgers University Press.
Johnson, C. (2012). It’s Not TV, It’s HBO!” Branding US Pay TV in Branding television. In Branding television: Vol. Comedia. Routledge.
Jonze, S., Kaufman, C., Malkovich, J., Cusack, J., & Diaz, C. (2003). Being John Malkovich. Universal.
Kaufman, Will. (2009). American culture in the 1970s: Vol. Twentieth-century American culture. Edinburgh University Press.
Keaton, B. (2006). Buster Keaton: the complete short films 1917-1923, Accompanying book. In One Week: Vol. Masters of cinema. Eureka Video.
Keaton, B., Blystone, J. G., Talmadge, N., & McGuire, K. (2007). Our hospitality; directed by Buster Keaton and John G. Blystone. Sherlock Jnr.; directed by Buster Keaton. signature.
Keaton, B., Dwyer, R., & Cline, E. (2005). Seven chances: Vol. Art of Buster Keaton. Kino Video.
Keaton, B., McGuire, K., Talmadge, N., & Blystone, J. G. (2009). Our hospitality: Vol. BK series. Starlite digital.
Kennedy, M., & Chaplin, C. (2003). The circus: Vol. Chaplin collection. mk2/Warner Brothers Home Video.
King, G. (2009). Being Charlie Kaufman. In Indiewood, USA: where Hollywood meets independent cinema: Vol. International library of cultural studies (pp. 47–92). I.B. Tauris.
King, Geoff. (2005). Narrative. In American Independent Cinema (pp. 59–104). I.B. Tauris. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665221280002746&institutionId=2746&customerId=2745
King, N. (2007). New Hollywood in The cinema book. In The cinema book (3rd ed). British Film Institute.
Koster, H., Douglas, L. C., Burton, R., Simmons, J., Mature, V., & Rennie, M. (2002). The robe. 20th Century Fox Home Entertainment.
Koszarski, Richard. (1990). An evening’s entertainment: the age of the silent feature picture, 1915-1928: Vol. History of the American cinema. Charles Scribner’s Sons. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5661323260002746&institutionId=2746&customerId=2745
Krämer, Peter. (2005). New Hollywood: from Bonnie and Clyde to Star Wars: Vol. Short cuts. Wallflower. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1763952
Kuhn, A. (2007). Classical Hollywood Narrative in The cinema book. In The cinema book (3rd ed, pp. 45–48). British Film Institute.
La Cava, Gregory, Powell, William, Lombard, Carole, & Hatch, Eric. (1936). My man Godfrey. Elstree Hill Entertainment.
Lang, Fritz, Robinson, Edward G., Bennett, Joan, & Massey, Raymond. (2008). The woman in the window. Optimum Classic.
Lev, Peter. (2003). Transforming the screen, 1950-1959: Vol. History of the American cinema. University of California Press.
Lewis, J., & Smoodin, E. L. (Eds.). (2015). The American film history reader. Routledge.
Lewis, Jon. (2008). American film: a history. W.W. Norton.
Lorence, J. J. (2006). Unfinished Business: Do the Right Thing (1989) and the Escalation of Social Tension in Screening America: United States history through film since 1900. In Screening America: United States history through film since 1900 (pp. 182–194). Pearson Longman.
Lucas, G., Coppola, F. F., Dreyfuss, R., & Howard, R. (1973). American graffiti (Collector’s edition). Columbia Tri-Star Home Video.
Lucia, C. A. B., Grundmann, R., & Simon, A. (Eds.). (2015). American film history: selected readings. 1960 to the present. John Wiley & Sons. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4180234
Lucia, C., Grundmann, R., & Simon, A. (2015). American Film History: Selected Readings, Origins To 1960 (1st ed). John Wiley & Sons, Incorporated. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=2072524
Mack, M., Keaton, B., Cline, E., & Bruckman, C. (2005). The General: Vol. Art of Buster Keaton. Kino Video.
Maltby, R. (1995). Narrative in Hollywood cinema: an introduction. In Hollywood cinema: an introduction. Blackwell Publishers.
Maltby, R. (2003). Hollywood cinema: an introduction (2nd ed). Blackwell Publishers.
Maltby, Richard. (2003). Hollywood cinema: an introduction (2nd ed). Blackwell Publishers.
Mann, Glenn. (1994). Radical visions : American film renaissance, 1967-1976: No. 41. Greenwood Pr.
May, Lary. (1980). Screening out the past: the birth of mass culture and the motion picture industry. Oxford University Press.
Mazursky, Paul, Wood, Natalie, Culp, Robert, Gould, Elliott, & Cannon, Dyan. (2006). Bob and Carol and Ted and Alice. Sony Pictures Home Entertainment.
McCarey, L., Ceder, R., Chase, C., Sleeper, M., & Hardy, O. (2004). The Charley Chase collection: [Vol. 1]: Vol. Slapstick Symposium. Kino on Video.
McCarey, L., Dunne, I., & Grant, C. (2003). The awful truth. Columbia Tristar Home Entertainment.
McCarey, L., Roach, H., Chase, C., Grant, K., Hardy, O., & Parrott, J. (2005). His Wooden Wedding, The Charley Chase collection: Vol. 2. In The Charley Chase collection: Vol. 2: Vol. Slapstick symposium. Kino on Video.
McDonald, T. J. (2007). Romantic comedy: boy meets girl meets genre: Vol. Short cuts. Wallflower. http://ezproxy.lib.le.ac.uk/login?url=http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=927990
Minnelli, V., Sinatra, F., Martin, D., MacLaine, S., & Jones, J. (2008). Some came running: Vol. Frank Sinatra collection. Warner Home Video.
Mittell, J. (2006). Narrative Complexity in Contemporary American Television. The Velvet Light Trap, 58(1), 29–40. https://doi.org/10.1353/vlt.2006.0032
Morgen, Brett, Burstein, Nanette, & Evans, Robert. (2003). The kid stays in the picture. Momentum Pictures.
Moseley, R. (2002). Glamorous witchcraft: gender and magic in teen film and television. Screen, 43(4), 403–422. https://doi.org/10.1093/screen/43.4.403
Naremore, James. (2008). More than night: film noir in its contexts (Updated and expanded ed). University of California Press. http://ezproxy.lib.le.ac.uk/login?url=http://www.myilibrary.com?id=235939
Neale, S. (2006). ”The Last Good Time We Ever Had?” Revising the Hollywood Renaissance in Contemporary American cinema. In Contemporary American cinema. Open University Press.
Neale, Stephen. (2012). The classical Hollywood reader. Routledge.
Newmeyer, F., Taylor, S., Roach, H., Lloyd, H., Davis, M. B., Young, N., & Ralston, J. (2007). Harold Lloyd: the definitive collection, Disc 1. Optimum.
Paulus, T., & King, R. (2010). Slapstick Comedy: Vol. AFI Film Readers [Electronic resource]. Taylor and Francis.
Penn, A., Beatty, W., Dunaway, F., Pollard, M. J., Hackman, G., & Parsons, E. (1967). Bonnie and Clyde. Warner Bros. Home Video.
Penn, Arthur, Guthrie, Arlo, Quinn, Patricia, & Broderick, James. (2004). Alice’s Restaurant. MGM.
Place, J. A., & Peterson, L. (1976). Some Visual Motifs in Film Noir in Movies and methods: an anthology. In Movies and methods: an anthology (pp. 325–338). University of California Press. https://blackboard.le.ac.uk/bbcswebdav/pid-672713-dt-content-rid-870973_5/library/eReserves/HA2224/HA2224%20-%20Doc%2020456.pdf
Polan, Dana B. (1986). Power and paranoia: history, narrative and the American cinema, 1940-1950. Columbia University Press.
Pomerance, Murray. (2005). American cinema of the 1950s: themes and variations. Berg.
Powell, Dick, Trevor, Claire, Dmytryk, Edward, & Chandler, Raymond. (2008). Murder my sweet: Vol. Universal cinema classics. Universal.
Rafelson, B., Nicholson, J., & Black, K. (1970). Five easy pieces: Vol. America lost and found : the BBS story. Criterion collection. https://learningonscreen.ac.uk/ondemand/index.php/prog/0000B5A7?bcast=31133366
Ray, N., Dean, J., & Wood, N. (2005). Rebel without a cause (Two disc special edition). Warner Home Video.
Ray, N., Hume, C., Maibaum, R., Mason, J., Rush, B., & Matthau, W. (2007). Bigger than life. British Film Institute/Twentieth Century Fox Home Entertainment.
Ray, R. (1985a). A Certain Tendency of the American Cinema: Hollywood’s Formal and Thematic Paradigms in A certain tendency of the Hollywood cinema, 1930-1980. In A certain tendency of the Hollywood cinema, 1930-1980 (pp. 25–69). Princeton University Press.
Ray, R. (1985b). ‘The Godfather and Taxi Driver’: Chapter. In A certain tendency of the Hollywood cinema, 1930-1980 (pp. 326–360). Princeton University Press.
Richard Maltby. (n.d.). ‘Film Noir’: The Politics of the Maladjusted Text. Journal of American Studies, 18(1), 49–71.
Schatz, Thomas. (1997). Boom and bust: American cinema in the 1940s: Vol. History of the American cinema. University of California Press.
Scorsese, M., De Niro, R., & Keitel, H. (2001). Mean streets. Universal.
Scorsese, M., Schrader, P., De Niro, R., Foster, J., Brooks, A., & Keitel, H. (2007). Taxi driver (2nd-disc special edition ed.). Sony.
Shail, A., Stoate, R., & British Film Institute. (2010). Back to the future: Vol. BFI film classics. BFI.
Sharon Marie Ross , and Louisa Ellen Stein. (2014). ‘Watching Teen TV’. In Teen Television : Essays on Programming and Fandom (pp. 3–26). McFarland & Company, Incorporated Publishers. https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/reader.action?docID=1874167&ppg=12
Shiel, M. (2006). American Cinema, 1970-75 in Contemporary American cinema. In Contemporary American cinema. Open University Press.
Shumway, D. R. (2014). Screwball Comedies: Constructing Romance, Mystifying Marriage: Chapter [Electronic resource]. In Film Genre Reader IV. University of Texas Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665768790002746&institutionId=2746&customerId=2745
Silver, Alain & Ursini, James. (2004). Film noir reader 4: the crucial films and themes. Limelight Editions.
Singleton, J. (2004). Boyz n the Hood (Special edition). Columbia Tri-Star Home Video. https://learningonscreen.ac.uk/ondemand/index.php/prog/00088E32?bcast=129101099
Siodmak, R., Hemingway, E., Lancaster, B., & Gardner, A. (2008). The killers: Vol. Universal Cinema Classics. Universal.
Sirk, D., Zuckerman, G., Wilder, R., Hudson, R., Bacall, L., Stack, R., & Malone, D. (2007). Written on the wind: Vol. Directed by Douglas Sirk. Universal.
Sklar, Robert. (1978a). Hollywood’s Collapse in Movie-made America: a cultural history of American movies. In Movie-made America: a cultural history of American movies. Chappell.
Sklar, Robert. (1978b). Movie-made America: a cultural history of American movies. Chappell.
Slocum, J. D. (2005). Rebel without a cause: approaches to a maverick masterwork: Vol. Suny series horizons of cinema. State University of New York Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3042412220002746&institutionId=2746&customerId=2745
Spicer, A. (2002). Noir Style: Chapter. In Film noir: Vol. Inside film (pp. 45–63). Longman.
Steinbeck, J., Kazan, E., Dean, J., & Massey, R. (2005). East of Eden (Two-disc special edition). Warner Bros. Home Video.
Stern, L. (1995). The Scorsese connection. Indiana University Press.
Stevens, G., Hudson, R., Taylor, E., Dean, J., & Ferber, E. (2003). Giant (Two disc special edition). Warner Home Video.
Sturges, P., McCrea, J., & Lake, V. (2005). Sullivan’s travels. Universal Studios.
Sturges, P., Stanwyck, B., Fonda, H., Coburn, C., & Hoffe, M. (2005). The lady Eve: Vol. Written and directed by Preston Sturges. Universal Studios.
Swingrover, E. A. (2004). The counterculture reader: Vol. Longman topics. Pearson/Longman.
Tasker, Y. (1996). Approaches to the New Hollywood in Cultural studies and communications. In Cultural studies and communications. Arnold. https://blackboard.le.ac.uk/bbcswebdav/pid-522067-dt-content-rid-641036_5/library/eReserves/HA2224/HA2224%20-%20Doc%2024.pdf
Taubin, A. & British Film Institute. (2012). Taxi driver (2nd edition). Palgrave Macmillan on behalf of the British Film Institute.
Telotte, J. P. (1989). Voices in the dark: the narrative patterns of film noir. University of Illinois Press.
The OC - The Complete Season 1 [DVD] [2004]. (n.d.). http://www.amazon.co.uk/OC-Complete-Season-DVD/dp/B004WBSZYG/ref=tmm_dvd_title_0?_encoding=UTF8&qid=1438870685&sr=8-3
Thomas, S. (1993). The New Hollywood. In Film theory goes to the movies: Vol. AFI film readers (pp. 8–36). Routledge. http://ezproxy.lib.le.ac.uk/login?url=http://lib.myilibrary.com?id=395546
Thompson, K. (1999). Modern Classicism in Storytelling in the new Hollywood: understanding classical narrative technique. In Storytelling in the new Hollywood: understanding classical narrative technique (pp. 1–49). Harvard University Press. https://blackboard.le.ac.uk/bbcswebdav/pid-419032-dt-content-rid-583738_5/library/eReserves/HA2224/HA2224%20-%20Doc%2016.pdf
Tourneur, Jacques, Homes, Geoffrey, Mitchum, Robert, Douglas, Kirk, Greer, Jane, & Fleming, Rhonda. (2007). Out of the past. Universal Studios.
True Detective - Season 1 [DVD] [2014]. (n.d.). http://www.amazon.co.uk/True-Detective-Season-1-DVD/dp/B00HYCNVKI/ref=sr_1_1_twi_1_dvd?ie=UTF8&qid=1438867893&sr=8-1&keywords=true+detective
Tzioumakis, Yannis. (2006). The Institutionalisation of American Independent Cinema. In American Independent Cinema : An Introduction (pp. 246–280). Edinburgh University Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665221270002746&institutionId=2746&customerId=2745
Ulmer, E. G., Goldsmith, M., Neal, T., Savage, A., & Drake, C. (2003). Detour: Vol. Film noir thrillers. Siren.
Walcott, R. (n.d.). Keeping the Black Phallus Erect. Cineaction, 68–74.
Wee, V. (2004). Selling Teen Culture: How American Multimedia Conglomeration Shaped Teen Television in the 1990s. In Teen TV: genre, consumption and identity (pp. 87–98). British Film Institute.
Westworld - Season 1 [includes Ultraviolet Digital Download] [DVD] [2016]. (n.d.).
Wilder, Billy, Cain, James M., MacMurray, Fred, Stanwyck, Barbara, Robinson, Edward G., & Chandler, Raymond. (2005). Double indemnity. Universal Home Video.
Williams, L. (1988). Feminist Film Theory: Mildred Pierce and the Second World War: Chapter. In Female spectators: looking at film and television (pp. 12–30). Verso.
Wood, R. (2006). Howard Hawks: Vol. Contemporary approaches to film and television series (New ed). Wayne State University Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3042431280002746&institutionId=2746&customerId=2745
