Bibliography for HA1224 American Film and Visual Culture BETA

‘A Proper Dash of Spice: Screwball Comedy and the Production Code’ (2011) Journal of Film and Video, 63(3). Available at: https://doi.org/10.5406/jfilmvideo.63.3.0045.

Altman, Robert, Naughton, Edmund, and Foster, David (2003) ‘McCabe and Mrs. Miller’. [S.l.]: Warner Home Video.

Andrew, G. (2004) The films of Nicholas Ray: the poet of nightfall. [2nd ed.]. London: BFI.

Ashby, H. et al. (1973) ‘The last detail’. [S.l.]: Columbia Tri-Star Home Entertainment.

‘Back to the Future Trilogy [DVD] [1985]’ (no date). Available at: https://learningonscreen.ac.uk/ondemand/playlists/301806.

Barr, C. (1963) ‘CinemaScope: Before and After’, Film Quarterly, 16(4), pp. 4–24. Available at: https://doi.org/10.2307/3185949.

Barsam, Richard Meran, Monahan, Dave, and Gocsik, Karen M. (2010) Looking at movies: an introduction to film. 3rd ed. New York, N.Y.: W.W. Norton.

Belton, J. (1990) ‘Glorious Technicolor, Breathtaking CinemaScope and Stereophonic Sound: Hollywood in the age of television’, in Hollywood in the age of television. Boston, Mass: Unwin Hyman, pp. 185–211.

Belton, J. (2013a) ‘American Comedy: Chapter’, in American cinema/American culture. 4th ed. International edition. New York, N.Y.: McGraw-Hill Higher Education, pp. 163–194.

Belton, J. (2013b) ‘Classical Hollywood Cinema: Narration in American cinema/American culture’, in American cinema/American culture. 4th ed. International edition. London: McGraw-Hill [distributor].

Belton, J. (2013c) ‘The Emergence of Cinema as an Institution in American cinema/American culture’, in American cinema/American culture. 4th ed. International edition. London: McGraw-Hill [distributor].

Belton, John (1992) Widescreen cinema. Cambridge, Mass: Harvard University Press.

Belton, John (2013) American cinema/American culture. 4th ed. International edition. London: McGraw-Hill Higher Education.

Benshoff, Harry M. and Griffin, Sean (2009a) America on film: representing race, class, gender, and sexuality at the movies. 2nd ed. Oxford: Wiley-Blackwell.

Benshoff, Harry M. and Griffin, Sean (2009b) America on film: representing race, class, gender, and sexuality at the movies. 2nd ed. Oxford: Wiley-Blackwell.

Bergfelder, T. and Street, S. (2013) ‘Introduction: Mildred Pierce, pedagogy and the canon’, Screen, 54(3), pp. 371–377. Available at: https://doi.org/10.1093/screen/hjt030.

Bernardi, Daniel (2008) The persistence of whiteness: race and contemporary Hollywood cinema. London: Routledge.

Biesen, Sheri Chinen (2005) Blackout: World War II and the origins of film noir. Baltimore, Md: Johns Hopkins University Press.

Bilton, A. (2013) Silent film comedy and American culture. Basingstoke: Palgrave Macmillan. Available at: https://login.ezproxy3.lib.le.ac.uk/login?qurl=http://www.palgraveconnect.com/doifinder/10.1057/9781137020253.

Biskind, Peter (1984) Seeing is believing: how Hollywood taught us to stop worrying and love the fifties. London: Pluto Press.

Biskind, Peter (1998) Easy riders, raging bulls: how the sex ‘n’ drugs ‘n’ rock ‘n’ roll generation saved Hollywood. London: Bloomsbury.

Bordwell, D. (1985a) ‘An Excessively Obvious Cinema in The classical Hollywood cinema: film style & mode of production to 1960’, in The classical Hollywood cinema: film style & mode of production to 1960. London: Routledge & Kegan Paul, pp. 3–12. Available at: https://blackboard.le.ac.uk/bbcswebdav/pid-522062-dt-content-rid-641026_5/library/eReserves/HA2224/HA2224%20-%20Doc%2013.pdf.

Bordwell, D. (1985b) ‘Classical Narration: the Hollywood example: Chapter’, in Narration in the fiction film. London: Methuen, pp. 156–166. Available at: http://site.ebrary.com/lib/leicester/Doc?id=10769162.

Bordwell, D. (1985c) ‘Since 1960: the Persistence of a Mode of Film Practice: Chapter’, in The classical Hollywood cinema: film style & mode of production to 1960. London: Routledge & Kegan Paul, pp. 367–377.

Bordwell, D. and Thompson, K. (2004) ‘Narrative as a Formal System in Film art: an introduction’, in Film art: an introduction. 7th ed. Boston, Mass: McGraw-Hill.

Bordwell, D. and Thompson, K. (2013) ‘The Development of the Classical Hollywood Cinema: Chapter’, in Film art: an introduction. 10th ed., international ed. New York, N.Y.: McGraw-Hill, pp. 466–469.

Bordwell, D., Thompson, K. and Smith, J. (2017) Film art: an introduction. Eleventh edition. New York, NY: McGraw-Hill Education. Available at: https://www.vlebooks.com/vleweb/product/openreader?id=LeicesterU&isbn=9780077188917.

Bowser, Kenneth, Biskind, Peter, and Macy, William H. (2006) ‘Easy riders, raging bulls: how the sex “n” drugs “n” rock “n” roll generation saved Hollywood’. [S.l.]: in2film.

Braunstein, Peter and Doyle, Michael W. (2002) Imagine nation: the American counterculture of the 1960s and ’70s. New York: Routledge.

Britton, A. and Grant, B.K. (2008) ‘Britton on film: the complete film criticism of Andrew Britton’, in. Detroit, Mich: Wayne State University Press. Available at: http://ezproxy.lib.le.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=698602.

Brownlow, K. et al. (1987) ‘Buster Keaton, a hard act to follow’. [London]: An Academy Video release from the British Film Institute.

Cagin, Seth, Dray, Philip, and Cagin, Seth (1994) Born to be wild: Hollywood and the sixties generation. 2nd ed. Boca Raton, Fla: Coyote Books.

Capra, Frank et al. (1934) ‘It happened one night’. [S.l.]: Columbia Tristar Home Video.

Casper, Drew (2011) Hollywood film 1963-1976: years of revolution and reaction. Oxford: Wiley-Blackwell. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=675252.

Cook, David A. (2002) Lost illusions: American cinema in the shadow of Watergate and Vietnam, 1970-1979. Berkeley, Calif: University of California Press.

Cook, P. (1998) ‘“Duplicity in Mildred Pierce”: Chapter’, in Women in film noir. Rev. and expanded ed. London: British Film Institute, pp. 69–80.

Cowie, E. (1998) ‘Storytelling: Classical Hollywood Cinema and Classical Narrative: Contemporary Hollywood cinema’, in Contemporary Hollywood cinema. London: Routledge, pp. 178–190. Available at: http://site.ebrary.com/lib/leicester/Doc?id=10688216.

Crafton, D. (2006) ‘Pie and Chase: Gag, Spectacle and Narrative in Slapstick Comedy: Chapter of Cinema of Attractions Reloaded’, in The Cinema of Attractions Reloaded. Amsterdam: Amsterdam University Press, pp. 285–293. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665909210002746&institutionId=2746&customerId=2745.

Cukor, G. et al. (2005) ‘The Philadelphia story’. [S.l.]: Warner Home Video.

Curtiz, M. et al. (2005) ‘Mildred Pierce [1945]’. [S.l.]: Warner Home Video.

DeMille, C.B. et al. (2001) ‘The ten commandments’. [S.l.]: Paramount.

Demme, Ted and LaGravenese, Richard (2004) ‘A decade under the influence: the 70’s films that changed everything’. London: Video Collection International.

Denzin, N.K. (2002) ‘The Cinematic Racial Order: Reading race: Hollywood and the cinema of racial violence’, in Reading race: Hollywood and the cinema of racial violence. London: SAGE, pp. 17–45. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665911760002746&institutionId=2746&customerId=2745.

Dixon, Wheeler Winston (2006) American cinema of the 1940’s: themes and variations. Oxford: Berg.

Doherty, T.P. (2002) Teenagers and teenpics: the juvenilization of American movies in the 1950s. Rev. and expanded ed. Philadelphia, Pa: Temple University Press. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3042497730002746&institutionId=2746&customerId=2745.

Edgerton, Gary R. and Jones, Jeffrey P. (2008) The essential HBO reader. Lexington, KY.: University Press of Kentucky. Available at: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1250652.

Edgerton, G.R. (2007) The Columbia history of American television. New York, N.Y.: Columbia University Press.

Eisenschitz, B. (2011) Nicholas Ray: an American journey. Minneapolis, Minn: University of Minnesota Press.

Elsaesser, T. (2004) ‘The Pathos of Failure: American Film in the 1970s: Notes on the Unmotivated Hero’’, in The last great American picture show: new Hollywood cinema in the 1970s. Amsterdam: Amsterdam University Press, pp. 279–292. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665206790002746&institutionId=2746&customerId=2745.

Foertsch, Jacqueline and EBSCO ebook (2008) American culture in the 1940s. Edinburgh: Edinburgh University Press.

Fonda, Peter et al. (1999) ‘Easy rider’. [S.l.]: Columbia Tristar Home Video.

Fonda, Peter et al. (2004) ‘The trip’. [S.l.]: MGM Home Entertainment.

Friedman, Lester D. (2007) American cinema of the 1970s: themes and variations. New Brunswick, N.J.: Rutgers University Press.

Gair, Christopher (2007) The American counterculture. Edinburgh: Edinburgh University Press. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=286991.

Gehring, W.D. (2002) Romantic vs. screwball comedy: charting the difference. Lanham: Scarecrow Press.

Grindon, L. (2011) ‘His Girl Friday (1940): Jailbreak!: Chapter’, in The Hollywood Romantic Comedy: Conventions, History and Controversies. Hoboken: Wiley, pp. 96–105. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665208880002746&institutionId=2746&customerId=2745.

Gripsrud, Jostein (2010) ‘Lavik, Erlend Forward to the Past: The Strange Case of The Wire in Relocating television: television in the digital context’, in Relocating television: television in the digital context. London: Routledge.

Grist, L. (2013) The films of Martin Scorsese, 1978-99: authorship and context II. Basingstoke: Palgrave Macmillan.

‘Growing Pains: Season 1 [1985]’ (no date).

‘Growing Pains: Season 7’ (no date).

Halliwell, M. (2007) American culture in the 1950s [electronic resource]. Edinburgh: Edinburgh University Press. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=292360.

Hammond, M. (2006) ‘New Black Cinema’, in Contemporary American Cinema. McGraw-Hill Education, pp. 389–397. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665573360002746&institutionId=2746&customerId=2745.

Hathaway, H. et al. (2008) ‘How the West was won’. [S.l.]: Warner Home Video.

Hawks, H. et al. (2007) ‘Bringing up Baby’. [S.l.]: Universal.

Hawks, H. et al. (2011) ‘His girl Friday’. [S.l.]: UCA.

Hawks, H. (no date) ‘Twentieth Century (1934) - Columbia Essential Classics Region 2 PAL’. Available at: https://www.amazon.co.uk/d/fi1/Twentieth-Century-Columbia-Essential-Classics-Region-PAL/B005ZCFD8M/ref=sr_1_1?s=dvd&ie=UTF8&qid=1481732184&sr=1-1&keywords=twentieth+century.

Hawks, Howard et al. (no date) ‘The big sleep’. S.l.]: Warner Home Video.

Hayworth, Rita et al. (1948) ‘The lady from Shanghai’. S.l.]: Tristar Home Entertainment.

Hellman, M. (1971) ‘Two-Lane Blacktop (1971)’. Criterion.

Hill, John and Gibson, Pamela Church (2000) American cinema and Hollywood: critical approaches. Oxford: Oxford University Press.

Hillier, J., Wollen, P., and British Film Institute (1996) Howard Hawks, American artist. London: British Film Institute.

Hills, M. (2004) ‘Quality Teen TV’ and ‘Mainstream Cult’, in Teen TV: genre, consumption and identity. London: British Film Institute, pp. 54–70.

Jeffords, S. (1994) ‘Hard bodies: Hollywood masculinity in the Reagan era’, in. New Brunswick, N.J.: Rutgers University Press.

Johnson, C. (2012) ‘It’s Not TV, It’s HBO!” Branding US Pay TV in Branding television’, in Branding television. London: Routledge.

Jonze, S. et al. (2003) ‘Being John Malkovich’. [S.l.]: Universal.

Kaufman, Will (2009) American culture in the 1970s. Edinburgh: Edinburgh University Press.

Keaton, B. (2006) ‘Buster Keaton: the complete short films 1917-1923, Accompanying book’, One Week. [S.l.]: Eureka Video.

Keaton, B. et al. (2007) ‘Our hospitality; directed by Buster Keaton and John G. Blystone. Sherlock Jnr.; directed by Buster Keaton’. Ipswich: signature.

Keaton, B. et al. (2009) ‘Our hospitality’. [S.l.]: Starlite digital.

Keaton, B., Dwyer, R. and Cline, E. (2005) ‘Seven chances’. [S.l.]: Kino Video.

Kennedy, M. and Chaplin, C. (2003) ‘The circus’. [S.l.]: mk2/Warner Brothers Home Video.

King, G. (2009) ‘Being Charlie Kaufman’, in Indiewood, USA: where Hollywood meets independent cinema. London: I.B. Tauris, pp. 47–92.

King, Geoff (2005) ‘Narrative’, in American Independent Cinema. I.B. Tauris, pp. 59–104. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665221280002746&institutionId=2746&customerId=2745.

King, N. (2007) ‘New Hollywood in The cinema book’, in The cinema book. 3rd ed. London: British Film Institute.

Koster, H. et al. (2002) ‘The robe’. [S.l.]: 20th Century Fox Home Entertainment.

Koszarski, Richard (1990) An evening’s entertainment: the age of the silent feature picture, 1915-1928. New York: Charles Scribner’s Sons. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5661323260002746&institutionId=2746&customerId=2745.

Krämer, Peter (2005) New Hollywood: from Bonnie and Clyde to Star Wars. London: Wallflower. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1763952.

Kuhn, A. (2007) ‘Classical Hollywood Narrative in The cinema book’, in The cinema book. 3rd ed. London: British Film Institute, pp. 45–48.

La Cava, Gregory et al. (1936) ‘My man Godfrey’. [S.l.]: Elstree Hill Entertainment.

Lang, Fritz et al. (2008) ‘The woman in the window’. [S.l.]: Optimum Classic.

Lev, Peter (2003) Transforming the screen, 1950-1959. Berkeley, Calif: University of California Press.

Lewis, J. and Smoodin, E.L. (eds) (2015) The American film history reader. Abingdon, Oxon: Routledge.

Lewis, Jon (2008) American film: a history. New York: W.W. Norton.

Lorence, J.J. (2006) ‘Unfinished Business: Do the Right Thing (1989) and the Escalation of Social Tension in Screening America: United States history through film since 1900’, in Screening America: United States history through film since 1900. New York: Pearson Longman, pp. 182–194.

Lucas, G. et al. (1973) ‘American graffiti’. [S.l.]: Columbia Tri-Star Home Video.

Lucia, C., Grundmann, R. and Simon, A. (2015) American Film History: Selected Readings, Origins To 1960. 1st ed. Hoboken: John Wiley & Sons, Incorporated. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=2072524.

Lucia, C.A.B., Grundmann, R. and Simon, A. (eds) (2015) American film history: selected readings. 1960 to the present. Hoboken, New Jersey: John Wiley & Sons. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4180234.

Mack, M. et al. (2005) ‘The General’. [S.l.]: Kino Video.

Maltby, R. (1995) ‘Narrative in Hollywood cinema: an introduction’, in Hollywood cinema: an introduction. Oxford: Blackwell Publishers.

Maltby, R. (2003) Hollywood cinema: an introduction. 2nd ed. Oxford: Blackwell Publishers.

Maltby, Richard (2003) Hollywood cinema: an introduction. 2nd ed. Oxford: Blackwell Publishers.

Mann, Glenn (1994) Radical visions : American film renaissance, 1967-1976: No. 41. Westport: Greenwood Pr.

May, Lary (1980) Screening out the past: the birth of mass culture and the motion picture industry. New York: Oxford University Press.

Mazursky, Paul et al. (2006) ‘Bob and Carol and Ted and Alice’. [S.l.]: Sony Pictures Home Entertainment.

McCarey, L. et al. (2004) ‘The Charley Chase collection: [Vol. 1]’. New York: Kino on Video.

McCarey, L. et al. (2005) ‘His Wooden Wedding, The Charley Chase collection: Vol. 2’, The Charley Chase collection: Vol. 2. New York: Kino on Video.

McCarey, L., Dunne, I. and Grant, C. (2003) ‘The awful truth’. [S.l.]: Columbia Tristar Home Entertainment.

McDonald, T.J. (2007) Romantic comedy: boy meets girl meets genre. London: Wallflower. Available at: http://ezproxy.lib.le.ac.uk/login?url=http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=927990.

Minnelli, V. et al. (2008) Some came running. [S.l.]: Warner Home Video.

Mittell, J. (2006) ‘Narrative Complexity in Contemporary American Television’, The Velvet Light Trap, 58(1), pp. 29–40. Available at: https://doi.org/10.1353/vlt.2006.0032.

Morgen, Brett, Burstein, Nanette, and Evans, Robert (2003) ‘The kid stays in the picture’. [S.l.]: Momentum Pictures.

Moseley, R. (2002) ‘Glamorous witchcraft: gender and magic in teen film and television’, Screen, 43(4), pp. 403–422. Available at: https://doi.org/10.1093/screen/43.4.403.

Naremore, James (2008) More than night: film noir in its contexts. Updated and expanded ed. Berkeley, Calif: University of California Press. Available at: http://ezproxy.lib.le.ac.uk/login?url=http://www.myilibrary.com?id=235939.

Neale, S. (2006) ‘”The Last Good Time We Ever Had?” Revising the Hollywood Renaissance in Contemporary American cinema’, in Contemporary American cinema. Boston: Open University Press.

Neale, Stephen (2012) The classical Hollywood reader. London: Routledge.

Newmeyer, F. et al. (2007) ‘Harold Lloyd: the definitive collection, Disc 1’. [S.l.]: Optimum.

Paulus, T. and King, R. (2010) Slapstick Comedy [electronic resource]. Hoboken: Taylor and Francis.

Penn, A. et al. (1967) ‘Bonnie and Clyde’. [S.l.]: Warner Bros. Home Video.

Penn, Arthur et al. (2004) ‘Alice’s Restaurant’. [S.l.]: MGM.

Place, J.A. and Peterson, L. (1976) ‘Some Visual Motifs in Film Noir in Movies and methods: an anthology’, in Movies and methods: an anthology. Berkeley, Calif: University of California Press, pp. 325–338. Available at: https://blackboard.le.ac.uk/bbcswebdav/pid-672713-dt-content-rid-870973_5/library/eReserves/HA2224/HA2224%20-%20Doc%2020456.pdf.

Polan, Dana B. (1986) Power and paranoia: history, narrative and the American cinema, 1940-1950. New York, N.Y.: Columbia University Press.

Pomerance, Murray (2005) American cinema of the 1950s: themes and variations. Oxford: Berg.

Powell, Dick et al. (2008) ‘Murder my sweet’. [S.l.]: Universal.

Rafelson, B., Nicholson, J. and Black, K. (1970) ‘Five easy pieces’. [S.l.]: Criterion collection. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0000B5A7?bcast=31133366.

Ray, N. et al. (2007) ‘Bigger than life’. [S.l.]: British Film Institute/Twentieth Century Fox Home Entertainment.

Ray, N., Dean, J. and Wood, N. (2005) ‘Rebel without a cause’. [S.l.]: Warner Home Video.

Ray, R. (1985a) ‘A Certain Tendency of the American Cinema: Hollywood’s Formal and Thematic Paradigms in A certain tendency of the Hollywood cinema, 1930-1980’, in A certain tendency of the Hollywood cinema, 1930-1980. Chichester: Princeton University Press, pp. 25–69.

Ray, R. (1985b) ‘“The Godfather and Taxi Driver”: Chapter’, in A certain tendency of the Hollywood cinema, 1930-1980. Princeton, N.J.: Princeton University Press, pp. 326–360.

Richard Maltby (no date) ‘“Film Noir”: The Politics of the Maladjusted Text’, Journal of American Studies, 18(1), pp. 49–71.

Schatz, Thomas (1997) Boom and bust: American cinema in the 1940s. Berkeley, Calif: University of California Press.

Scorsese, M. et al. (2007) ‘Taxi driver’. [S.l.]: Sony.

Scorsese, M., De Niro, R. and Keitel, H. (2001) ‘Mean streets’. [S.l.]: Universal.

Shail, A., Stoate, R., and British Film Institute (2010) Back to the future. London: BFI.

Sharon Marie Ross , and  Louisa Ellen Stein (2014) ‘“Watching Teen TV”’, in Teen Television : Essays on Programming and Fandom. McFarland & Company, Incorporated Publishers, pp. 3–26. Available at: https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/reader.action?docID=1874167&ppg=12.

Shiel, M. (2006) ‘American Cinema, 1970-75 in Contemporary American cinema’, in Contemporary American cinema. Boston: Open University Press.

Shumway, D.R. (2014) ‘Screwball Comedies: Constructing Romance, Mystifying Marriage: Chapter’, in Film Genre Reader IV. Austin: University of Texas Press. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665768790002746&institutionId=2746&customerId=2745.

Silver, Alain and Ursini, James (2004) Film noir reader 4: the crucial films and themes. New York: Limelight Editions.

Singleton, J. (2004) ‘Boyz n the Hood’. [S.l.]: Columbia Tri-Star Home Video. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00088E32?bcast=129101099.

Siodmak, R. et al. (2008) ‘The killers’. [S.l.]: Universal.

Sirk, D. et al. (2007) ‘Written on the wind’. [S.l.]: Universal.

Sklar, Robert (1978a) ‘Hollywood’s Collapse in Movie-made America: a cultural history of American movies’, in Movie-made America: a cultural history of American movies. London: Chappell.

Sklar, Robert (1978b) Movie-made America: a cultural history of American movies. London: Chappell.

Slocum, J.D. (2005) Rebel without a cause: approaches to a maverick masterwork. New York, N.Y.: State University of New York Press. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3042412220002746&institutionId=2746&customerId=2745.

Spicer, A. (2002) ‘Noir Style: Chapter’, in Film noir. Harlow: Longman, pp. 45–63.

Steinbeck, J. et al. (2005) ‘East of Eden’. [s.l.]: Warner Bros. Home Video.

Stern, L. (1995) The Scorsese connection. Bloomington, Ind: Indiana University Press.

Stevens, G. et al. (2003) ‘Giant’. [S.l.]: Warner Home Video.

Sturges, P. et al. (2005) ‘The lady Eve’. [S.l.]: Universal Studios.

Sturges, P., McCrea, J. and Lake, V. (2005) ‘Sullivan’s travels’. [S.l.]: Universal Studios.

Swingrover, E. A. (2004) The counterculture reader. New York: Pearson/Longman.

Tasker, Y. (1996) ‘Approaches to the New Hollywood in Cultural studies and communications’, in Cultural studies and communications. London: Arnold. Available at: https://blackboard.le.ac.uk/bbcswebdav/pid-522067-dt-content-rid-641036_5/library/eReserves/HA2224/HA2224%20-%20Doc%2024.pdf.

Taubin, A. and British Film Institute (2012) Taxi driver. 2nd edition. London: Palgrave Macmillan on behalf of the British Film Institute.

Telotte, J. P. (1989) Voices in the dark: the narrative patterns of film noir. Urbana, Ill: University of Illinois Press.

‘The OC - The Complete Season 1 [DVD] [2004]’ (no date). Available at: http://www.amazon.co.uk/OC-Complete-Season-DVD/dp/B004WBSZYG/ref=tmm_dvd_title_0?_encoding=UTF8&qid=1438870685&sr=8-3.

Thomas, S. (1993) ‘The New Hollywood’, in Film theory goes to the movies. New York: Routledge, pp. 8–36. Available at: http://ezproxy.lib.le.ac.uk/login?url=http://lib.myilibrary.com?id=395546.

Thompson, K. (1999) ‘Modern Classicism in Storytelling in the new Hollywood: understanding classical narrative technique’, in Storytelling in the new Hollywood: understanding classical narrative technique. Cambridge, Mass: Harvard University Press, pp. 1–49. Available at: https://blackboard.le.ac.uk/bbcswebdav/pid-419032-dt-content-rid-583738_5/library/eReserves/HA2224/HA2224%20-%20Doc%2016.pdf.

Tourneur, Jacques et al. (2007) ‘Out of the past’. [S.l.]: Universal Studios.

‘True Detective - Season 1 [DVD] [2014]’ (no date). Available at: http://www.amazon.co.uk/True-Detective-Season-1-DVD/dp/B00HYCNVKI/ref=sr_1_1_twi_1_dvd?ie=UTF8&qid=1438867893&sr=8-1&keywords=true+detective.

Tzioumakis, Yannis (2006) ‘The Institutionalisation of American Independent Cinema’, in American Independent Cinema : An Introduction. Edinburgh University Press, pp. 246–280. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665221270002746&institutionId=2746&customerId=2745.

Ulmer, E.G. et al. (2003) ‘Detour’. [S.l.]: Siren.

Walcott, R. (no date) ‘Keeping the Black Phallus Erect’, Cineaction, pp. 68–74.

Wee, V. (2004) ‘Selling Teen Culture: How American Multimedia Conglomeration Shaped Teen Television in the 1990s’, in Teen TV: genre, consumption and identity. London: British Film Institute, pp. 87–98.

‘Westworld - Season 1 [includes Ultraviolet Digital Download]  [DVD] [2016]’ (no date).

Wilder, Billy et al. (2005) ‘Double indemnity’. [S.l.]: Universal Home Video.

Williams, L. (1988) ‘Feminist Film Theory: Mildred Pierce and the Second World War: Chapter’, in Female spectators: looking at film and television. London: Verso, pp. 12–30.

Wood, R. (2006) Howard Hawks. New ed. Detroit, Mich: Wayne State University Press. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3042431280002746&institutionId=2746&customerId=2745.