1.
Belton, John. American Cinema/American Culture. 4th ed. International edition. McGraw-Hill Higher Education; 2013.
2.
Barsam, Richard Meran, Monahan, Dave, Gocsik, Karen M. Looking at Movies: An Introduction to Film. 3rd ed. W.W. Norton; 2010.
3.
Benshoff, Harry M., Griffin, Sean. America on Film: Representing Race, Class, Gender, and Sexuality at the Movies. 2nd ed. Wiley-Blackwell; 2009.
4.
Hill, John, Gibson, Pamela Church. American Cinema and Hollywood: Critical Approaches. Oxford University Press; 2000.
5.
Lewis, Jon. American Film: A History. W.W. Norton; 2008.
6.
Lucia CAB, Grundmann R, Simon A, eds. American Film History: Selected Readings. 1960 to the Present. John Wiley & Sons; 2015. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4180234
7.
Lucia C, Grundmann R, Simon A. American Film History: Selected Readings, Origins To 1960. 1st ed. John Wiley & Sons, Incorporated; 2015. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=2072524
8.
Maltby, Richard. Hollywood Cinema: An Introduction. 2nd ed. Blackwell Publishers; 2003.
9.
Sklar, Robert. Movie-Made America: A Cultural History of American Movies. Chappell; 1978.
10.
Lewis J, Smoodin EL, eds. The American Film History Reader. Routledge; 2015.
11.
Bordwell D, Thompson K, Smith J. Film Art: An Introduction. Eleventh edition. McGraw-Hill Education; 2017. https://www.vlebooks.com/vleweb/product/openreader?id=LeicesterU&isbn=9780077188917
12.
Edgerton GR. The Columbia History of American Television. Columbia University Press; 2007.
13.
McCarey L, Roach H, Chase C, Grant K, Hardy O, Parrott J. His Wooden Wedding, The Charley Chase collection: Vol. 2. The Charley Chase collection: Vol 2. 2005;Slapstick symposium.
14.
Keaton B. Buster Keaton: the complete short films 1917-1923, Accompanying book. One Week. 2006;Masters of cinema.
15.
Keaton B, Blystone JG, Talmadge N, McGuire K. Our hospitality; directed by Buster Keaton and John G. Blystone. Sherlock Jnr.; directed by Buster Keaton. Published online 2007.
16.
Crafton D. Pie and Chase: Gag, Spectacle and Narrative in Slapstick Comedy: Chapter of Cinema of Attractions Reloaded. In: The Cinema of Attractions Reloaded. Vol Film Culture in Transition. Amsterdam University Press; 2006:285-293. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665909210002746&institutionId=2746&customerId=2745
17.
Belton J. American Comedy: Chapter. In: American Cinema/American Culture. 4th ed. International edition. McGraw-Hill Higher Education; 2013:163-194.
18.
Belton J. The Emergence of Cinema as an Institution in American cinema/American culture. In: American Cinema/American Culture. 4th ed. International edition. McGraw-Hill [distributor]; 2013.
19.
Koszarski, Richard. An Evening’s Entertainment: The Age of the Silent Feature Picture, 1915-1928. Vol History of the American cinema. Charles Scribner’s Sons; 1990. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5661323260002746&institutionId=2746&customerId=2745
20.
May, Lary. Screening out the Past: The Birth of Mass Culture and the Motion Picture Industry. Oxford University Press; 1980.
21.
Bilton A. Silent Film Comedy and American Culture. Palgrave Macmillan; 2013. https://login.ezproxy3.lib.le.ac.uk/login?qurl=http://www.palgraveconnect.com/doifinder/10.1057/9781137020253
22.
Paulus T, King R. Slapstick Comedy. Vol AFI Film Readers. Taylor and Francis; 2010.
23.
Keaton B, Dwyer R, Cline E. Seven chances. 2005;Art of Buster Keaton.
24.
McCarey L, Ceder R, Chase C, Sleeper M, Hardy O. The Charley Chase collection: [Vol. 1]. 2004;Slapstick Symposium.
25.
Brownlow K, Gill D, Keaton B, Anderson L. Buster Keaton, a hard act to follow. Published online 1987.
26.
Keaton B, McGuire K, Talmadge N, Blystone JG. Our hospitality. 2009;BK series.
27.
Mack M, Keaton B, Cline E, Bruckman C. The General. 2005;Art of Buster Keaton.
28.
Newmeyer F, Taylor S, Roach H, et al. Harold Lloyd: the definitive collection, Disc 1. Published online 2007.
29.
Kennedy M, Chaplin C. The circus. 2003;Chaplin collection.
30.
Hawks H, Grant C, Russell R, Lederer C. His girl Friday. Published online 2011.
31.
Bordwell D. An Excessively Obvious Cinema in The classical Hollywood cinema: film style & mode of production to 1960. In: The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. Routledge & Kegan Paul; 1985:3-12. https://blackboard.le.ac.uk/bbcswebdav/pid-522062-dt-content-rid-641026_5/library/eReserves/HA2224/HA2224%20-%20Doc%2013.pdf
32.
Bordwell D, Thompson K. The Development of the Classical Hollywood Cinema: Chapter. In: Film Art: An Introduction. 10th ed., international ed. McGraw-Hill; 2013:466-469.
33.
Belton J. Classical Hollywood Cinema: Narration in American cinema/American culture. In: American Cinema/American Culture. 4th ed. International edition. McGraw-Hill [distributor]; 2013.
34.
Bordwell D, Thompson K. Narrative as a Formal System in Film art: an introduction. In: Film Art: An Introduction. 7th ed. McGraw-Hill; 2004.
35.
Bordwell D. Classical Narration: the Hollywood example: Chapter. In: Narration in the Fiction Film. Methuen; 1985:156-166. http://site.ebrary.com/lib/leicester/Doc?id=10769162
36.
Cowie E. Storytelling: Classical Hollywood Cinema and Classical Narrative: Contemporary Hollywood cinema. In: Contemporary Hollywood Cinema. Routledge; 1998:178-190. http://site.ebrary.com/lib/leicester/Doc?id=10688216
37.
Kuhn A. Classical Hollywood Narrative in The cinema book. In: The Cinema Book. 3rd ed. British Film Institute; 2007:45-48.
38.
Maltby R. Narrative in Hollywood cinema: an introduction. In: Hollywood Cinema: An Introduction. Blackwell Publishers; 1995.
39.
Neale, Stephen. The Classical Hollywood Reader. Routledge; 2012.
40.
Ray R. A Certain Tendency of the American Cinema: Hollywood’s Formal and Thematic Paradigms in A certain tendency of the Hollywood cinema, 1930-1980. In: A Certain Tendency of the Hollywood Cinema, 1930-1980. Princeton University Press; 1985:25-69.
41.
Thompson K. Modern Classicism in Storytelling in the new Hollywood: understanding classical narrative technique. In: Storytelling in the New Hollywood: Understanding Classical Narrative Technique. Harvard University Press; 1999:1-49. https://blackboard.le.ac.uk/bbcswebdav/pid-419032-dt-content-rid-583738_5/library/eReserves/HA2224/HA2224%20-%20Doc%2016.pdf
42.
Gehring WD. Romantic vs. Screwball Comedy: Charting the Difference. Vol Studies in film genres. Scarecrow Press; 2002.
43.
Shumway DR. Screwball Comedies: Constructing Romance, Mystifying Marriage: Chapter. In: Film Genre Reader IV. University of Texas Press; 2014. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665768790002746&institutionId=2746&customerId=2745
44.
Grindon L. His Girl Friday (1940): Jailbreak!: Chapter. In: The Hollywood Romantic Comedy: Conventions, History and Controversies. Vol New approaches to film genre The Hollywood romantic comedy. Wiley; 2011:96-105. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665208880002746&institutionId=2746&customerId=2745
45.
Hillier J, Wollen P, British Film Institute. Howard Hawks, American Artist. British Film Institute; 1996.
46.
McDonald TJ. Romantic Comedy: Boy Meets Girl Meets Genre. Vol Short cuts. Wallflower; 2007. http://ezproxy.lib.le.ac.uk/login?url=http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=927990
47.
Wood R. Howard Hawks. Vol Contemporary approaches to film and television series. New ed. Wayne State University Press; 2006. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3042431280002746&institutionId=2746&customerId=2745
48.
A Proper Dash of Spice: Screwball Comedy and the Production Code. Journal of Film and Video. 2011;63(3). doi:10.5406/jfilmvideo.63.3.0045
49.
Maltby R. Hollywood Cinema: An Introduction. 2nd ed. Blackwell Publishers; 2003.
50.
Capra, Frank, Adams, Samuel Hopkins, Gable, Clark, Colbert, Claudette. It happened one night. 1934;Columbia classics.
51.
La Cava, Gregory, Powell, William, Lombard, Carole, Hatch, Eric. My man Godfrey. Published online 1936.
52.
Cukor G, Grant C, Hepburn K, Stewart J. The Philadelphia story. 2005;TCM greatest classic films collection. Romantic comedies.
53.
Hawks H. Twentieth Century (1934) - Columbia Essential Classics Region 2 PAL. https://www.amazon.co.uk/d/fi1/Twentieth-Century-Columbia-Essential-Classics-Region-PAL/B005ZCFD8M/ref=sr_1_1?s=dvd&ie=UTF8&qid=1481732184&sr=1-1&keywords=twentieth+century
54.
McCarey L, Dunne I, Grant C. The awful truth. Published online 2003.
55.
Sturges P, Stanwyck B, Fonda H, Coburn C, Hoffe M. The lady Eve. 2005;Written and directed by Preston Sturges.
56.
Sturges P, McCrea J, Lake V. Sullivan’s travels. Published online 2005.
57.
Hawks H, Hepburn K, Grant C, Wilde H. Bringing up Baby. Published online 2007.
58.
Curtiz M, Cain JM, MacDougall R, et al. Mildred Pierce [1945]. Published online 2005.
59.
Spicer A. Noir Style: Chapter. In: Film Noir. Vol Inside film. Longman; 2002:45-63.
60.
Biesen, Sheri Chinen. Blackout: World War II and the Origins of Film Noir. Johns Hopkins University Press; 2005.
61.
Dixon, Wheeler Winston. American Cinema of the 1940’s: Themes and Variations. Vol Screen decades: American culture / American cinema. Berg; 2006.
62.
Foertsch, Jacqueline, EBSCO ebook. American Culture in the 1940s. Vol Twentieth-century American culture. Edinburgh University Press; 2008.
63.
Cook P. ‘Duplicity in Mildred Pierce’: Chapter. In: Women in Film Noir. Rev. and expanded ed. British Film Institute; 1998:69-80.
64.
Richard Maltby. ‘Film Noir’: The Politics of the Maladjusted Text. Journal of American Studies. 18(1):49-71.
65.
Naremore, James. More than Night: Film Noir in Its Contexts. Updated and expanded ed. University of California Press; 2008. http://ezproxy.lib.le.ac.uk/login?url=http://www.myilibrary.com?id=235939
66.
Place JA, Peterson L. Some Visual Motifs in Film Noir in Movies and methods: an anthology. In: Movies and Methods: An Anthology. University of California Press; 1976:325-338. https://blackboard.le.ac.uk/bbcswebdav/pid-672713-dt-content-rid-870973_5/library/eReserves/HA2224/HA2224%20-%20Doc%2020456.pdf
67.
Polan, Dana B. Power and Paranoia: History, Narrative and the American Cinema, 1940-1950. Columbia University Press; 1986.
68.
Schatz, Thomas. Boom and Bust: American Cinema in the 1940s. Vol History of the American cinema. University of California Press; 1997.
69.
Silver, Alain, Ursini, James. Film Noir Reader 4: The Crucial Films and Themes. Limelight Editions; 2004.
70.
Telotte, J. P. Voices in the Dark: The Narrative Patterns of Film Noir. University of Illinois Press; 1989.
71.
Bergfelder T, Street S. Introduction: Mildred Pierce, pedagogy and the canon. Screen. 2013;54(3):371-377. doi:10.1093/screen/hjt030
72.
Williams L. Feminist Film Theory: Mildred Pierce and the Second World War: Chapter. In: Female Spectators: Looking at Film and Television. Verso; 1988:12-30.
73.
Hawks, Howard, Chandler, Raymond, Faulkner, William, et al. The big sleep. Bogie and Bacall : the signature collection.
74.
Ulmer EG, Goldsmith M, Neal T, Savage A, Drake C. Detour. 2003;Film noir thrillers.
75.
Wilder, Billy, Cain, James M., MacMurray, Fred, Stanwyck, Barbara, Robinson, Edward G., Chandler, Raymond. Double indemnity. Published online 2005.
76.
Hayworth, Rita, King, Sherwood, Welles, Orson, Sloane, Everett, Bogdanovich, Peter. The lady from Shanghai. 1948;Columbia classics.
77.
Powell, Dick, Trevor, Claire, Dmytryk, Edward, Chandler, Raymond. Murder my sweet. 2008;Universal cinema classics.
78.
Tourneur, Jacques, Homes, Geoffrey, Mitchum, Robert, Douglas, Kirk, Greer, Jane, Fleming, Rhonda. Out of the past. Published online 2007.
79.
Lang, Fritz, Robinson, Edward G., Bennett, Joan, Massey, Raymond. The woman in the window. Published online 2008.
80.
Siodmak R, Hemingway E, Lancaster B, Gardner A. The killers. 2008;Universal Cinema Classics.
81.
Ray N, Dean J, Wood N. Rebel without a cause. Published online 2005.
82.
Barr C. CinemaScope: Before and After. Film Quarterly. 1963;16(4):4-24. doi:10.2307/3185949
83.
Belton J. Glorious Technicolor, Breathtaking CinemaScope and Stereophonic Sound: Hollywood in the age of television. In: Hollywood in the Age of Television. Unwin Hyman; 1990:185-211.
84.
Belton, John. Widescreen Cinema. Harvard University Press; 1992.
85.
Biskind, Peter. Seeing Is Believing: How Hollywood Taught Us to Stop Worrying and Love the Fifties. Pluto Press; 1984.
86.
Halliwell M. American Culture in the 1950s. Edinburgh University Press; 2007. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=292360
87.
Lev, Peter. Transforming the Screen, 1950-1959. Vol History of the American cinema. University of California Press; 2003.
88.
Pomerance, Murray. American Cinema of the 1950s: Themes and Variations. Berg; 2005.
89.
Slocum JD. Rebel without a Cause: Approaches to a Maverick Masterwork. Vol Suny series horizons of cinema. State University of New York Press; 2005. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3042412220002746&institutionId=2746&customerId=2745
90.
Eisenschitz B. Nicholas Ray: An American Journey. University of Minnesota Press; 2011.
91.
Andrew G. The Films of Nicholas Ray: The Poet of Nightfall. [2nd ed.]. BFI; 2004.
92.
Doherty TP. Teenagers and Teenpics: The Juvenilization of American Movies in the 1950s. Rev. and expanded ed. Temple University Press; 2002. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3042497730002746&institutionId=2746&customerId=2745
93.
Ray N, Hume C, Maibaum R, Mason J, Rush B, Matthau W. Bigger than life. Published online 2007.
94.
Steinbeck J, Kazan E, Dean J, Massey R. East of Eden. Published online 2005.
95.
Stevens G, Hudson R, Taylor E, Dean J, Ferber E. Giant. Published online 2003.
96.
Hathaway H, Ford J, Marshall G, et al. How the West was won. Published online 2008.
97.
Koster H, Douglas LC, Burton R, Simmons J, Mature V, Rennie M. The robe. Published online 2002.
98.
DeMille CB, Heston C, Brynner Y, Baxter A, Robinson EG. The ten commandments. 2001;Widescreen collection.
99.
Minnelli V, Sinatra F, Martin D, MacLaine S, Jones J. Some Came Running. Vol Frank Sinatra collection. Warner Home Video; 2008.
100.
Sirk D, Zuckerman G, Wilder R, et al. Written on the wind. 2007;Directed by Douglas Sirk.
101.
Scorsese M, Schrader P, De Niro R, Foster J, Brooks A, Keitel H. Taxi driver. Published online 2007.
102.
Ray R. ‘The Godfather and Taxi Driver’: Chapter. In: A Certain Tendency of the Hollywood Cinema, 1930-1980. Princeton University Press; 1985:326-360.
103.
Bordwell D. Since 1960: the Persistence of a Mode of Film Practice: Chapter. In: The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. Routledge & Kegan Paul; 1985:367-377.
104.
Biskind, Peter. Easy Riders, Raging Bulls: How the Sex ‘n’ Drugs ‘n’ Rock ‘n’ Roll Generation Saved Hollywood. Bloomsbury; 1998.
105.
Braunstein, Peter, Doyle, Michael W. Imagine Nation: The American Counterculture of the 1960s and ’70s. Routledge; 2002.
106.
Elsaesser T. The Pathos of Failure: American Film in the 1970s: Notes on the Unmotivated Hero’. In: The Last Great American Picture Show: New Hollywood Cinema in the 1970s. Amsterdam University Press; 2004:279-292. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665206790002746&institutionId=2746&customerId=2745
107.
Cagin, Seth, Dray, Philip, Cagin, Seth. Born to Be Wild: Hollywood and the Sixties Generation. 2nd ed. Coyote Books; 1994.
108.
Casper, Drew. Hollywood Film 1963-1976: Years of Revolution and Reaction. Wiley-Blackwell; 2011. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=675252
109.
Cook, David A. Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970-1979. Vol History of the American cinema. University of California Press; 2002.
110.
Friedman, Lester D. American Cinema of the 1970s: Themes and Variations. Vol Screen decades. Rutgers University Press; 2007.
111.
Gair, Christopher. The American Counterculture. Edinburgh University Press; 2007. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=286991
112.
Kaufman, Will. American Culture in the 1970s. Vol Twentieth-century American culture. Edinburgh University Press; 2009.
113.
King N. New Hollywood in The cinema book. In: The Cinema Book. 3rd ed. British Film Institute; 2007.
114.
Krämer, Peter. New Hollywood: From Bonnie and Clyde to Star Wars. Vol Short cuts. Wallflower; 2005. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1763952
115.
Mann, Glenn. Radical Visions : American Film Renaissance, 1967-1976: No. 41. Greenwood Pr; 1994.
116.
Neale S. ”The Last Good Time We Ever Had?” Revising the Hollywood Renaissance in Contemporary American cinema. In: Contemporary American Cinema. Open University Press; 2006.
117.
Shiel M. American Cinema, 1970-75 in Contemporary American cinema. In: Contemporary American Cinema. Open University Press; 2006.
118.
Sklar, Robert. Hollywood’s Collapse in Movie-made America: a cultural history of American movies. In: Movie-Made America: A Cultural History of American Movies. Chappell; 1978.
119.
Swingrover, E. A. The Counterculture Reader. Vol Longman topics. Pearson/Longman; 2004.
120.
Tasker Y. Approaches to the New Hollywood in Cultural studies and communications. In: Cultural Studies and Communications. Arnold; 1996. https://blackboard.le.ac.uk/bbcswebdav/pid-522067-dt-content-rid-641036_5/library/eReserves/HA2224/HA2224%20-%20Doc%2024.pdf
121.
Taubin A, British Film Institute. Taxi Driver. 2nd edition. Palgrave Macmillan on behalf of the British Film Institute; 2012.
122.
Stern L. The Scorsese Connection. Indiana University Press; 1995.
123.
Grist L. The Films of Martin Scorsese, 1978-99: Authorship and Context II. Palgrave Macmillan; 2013.
124.
Penn, Arthur, Guthrie, Arlo, Quinn, Patricia, Broderick, James. Alice’s Restaurant. Published online 2004.
125.
Lucas G, Coppola FF, Dreyfuss R, Howard R. American graffiti. Published online 1973.
126.
Rafelson B, Nicholson J, Black K. Five easy pieces. 1970;America lost and found : the BBS story. https://learningonscreen.ac.uk/ondemand/index.php/prog/0000B5A7?bcast=31133366
127.
Mazursky, Paul, Wood, Natalie, Culp, Robert, Gould, Elliott, Cannon, Dyan. Bob and Carol and Ted and Alice. Published online 2006.
128.
Penn A, Beatty W, Dunaway F, Pollard MJ, Hackman G, Parsons E. Bonnie and Clyde. Published online 1967.
129.
Fonda, Peter, Hopper, Dennis, Southern, Terry, Nicholson, Jack. Easy rider. Published online 1999.
130.
Ashby H, Towne R, Nicholson J, Young O, Quaid R. The last detail. Published online 1973.
131.
Altman, Robert, Naughton, Edmund, Foster, David. McCabe and Mrs. Miller. Published online 2003.
132.
Fonda, Peter, Strasberg, Susan, Dern, Bruce, Hopper, Dennis, Nicholson, Jack, Corman, Roger. The trip. Published online 2004.
133.
Scorsese M, De Niro R, Keitel H. Mean streets. Published online 2001.
134.
Hellman M. Two-Lane Blacktop (1971). Published online 1971.
135.
Demme, Ted, LaGravenese, Richard. A decade under the influence: the 70’s films that changed everything. Published online 2004.
136.
Bowser, Kenneth, Biskind, Peter, Macy, William H. Easy riders, raging bulls: how the sex ‘n’ drugs ‘n’ rock ‘n’ roll generation saved Hollywood. Published online 2006.
137.
Morgen, Brett, Burstein, Nanette, Evans, Robert. The kid stays in the picture. Published online 2003.
138.
Back to the Future Trilogy [DVD] [1985]. https://learningonscreen.ac.uk/ondemand/playlists/301806
139.
Jeffords S. Hard bodies: Hollywood masculinity in the Reagan era. In: Rutgers University Press; 1994.
140.
Shail A, Stoate R, British Film Institute. Back to the Future. Vol BFI film classics. BFI; 2010.
141.
Thomas S. The New Hollywood. In: Film Theory Goes to the Movies. Vol AFI film readers. Routledge; 1993:8-36. http://ezproxy.lib.le.ac.uk/login?url=http://lib.myilibrary.com?id=395546
142.
Britton A, Grant BK. Britton on film: the complete film criticism of Andrew Britton. In: Vol Contemporary approaches to film and television series. Wayne State University Press; 2008. http://ezproxy.lib.le.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=698602
143.
Singleton J. Boyz n the Hood. Published online 2004. https://learningonscreen.ac.uk/ondemand/index.php/prog/00088E32?bcast=129101099
144.
Walcott R. Keeping the Black Phallus Erect. Cineaction.:68-74.
145.
Denzin NK. The Cinematic Racial Order: Reading race: Hollywood and the cinema of racial violence. In: Reading Race: Hollywood and the Cinema of Racial Violence. Vol Theory, culture&society (Unnumbered). SAGE; 2002:17-45. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665911760002746&institutionId=2746&customerId=2745
146.
Hammond M. New Black Cinema. In: Contemporary American Cinema. McGraw-Hill Education; 2006:389-397. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665573360002746&institutionId=2746&customerId=2745
147.
Benshoff, Harry M., Griffin, Sean. America on Film: Representing Race, Class, Gender, and Sexuality at the Movies. 2nd ed. Wiley-Blackwell; 2009.
148.
Bernardi, Daniel. The Persistence of Whiteness: Race and Contemporary Hollywood Cinema. Routledge; 2008.
149.
Lorence JJ. Unfinished Business: Do the Right Thing (1989) and the Escalation of Social Tension in Screening America: United States history through film since 1900. In: Screening America: United States History through Film since 1900. Pearson Longman; 2006:182-194.
150.
Growing Pains: Season 1 [1985].
151.
Growing Pains: Season 7.
152.
The OC - The Complete Season 1 [DVD] [2004]. http://www.amazon.co.uk/OC-Complete-Season-DVD/dp/B004WBSZYG/ref=tmm_dvd_title_0?_encoding=UTF8&qid=1438870685&sr=8-3
153.
Wee V. Selling Teen Culture: How American Multimedia Conglomeration Shaped Teen Television in the 1990s. In: Teen TV: Genre, Consumption and Identity. British Film Institute; 2004:87-98.
154.
Sharon Marie Ross , and Louisa Ellen Stein. ‘Watching Teen TV’. In: Teen Television : Essays on Programming and Fandom. McFarland & Company, Incorporated Publishers; 2014:3-26. https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/reader.action?docID=1874167&ppg=12
155.
Hills M. Quality Teen TV’ and ‘Mainstream Cult. In: Teen TV: Genre, Consumption and Identity. British Film Institute; 2004:54-70.
156.
Moseley R. Glamorous witchcraft: gender and magic in teen film and television. Screen. 2002;43(4):403-422. doi:10.1093/screen/43.4.403
157.
Jonze S, Kaufman C, Malkovich J, Cusack J, Diaz C. Being John Malkovich. Published online 2003.
158.
King G. Being Charlie Kaufman. In: Indiewood, USA: Where Hollywood Meets Independent Cinema. Vol International library of cultural studies. I.B. Tauris; 2009:47-92.
159.
King, Geoff. Narrative. In: American Independent Cinema. I.B. Tauris; 2005:59-104. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665221280002746&institutionId=2746&customerId=2745
160.
Tzioumakis, Yannis. The Institutionalisation of American Independent Cinema. In: American Independent Cinema : An Introduction. Edinburgh University Press; 2006:246-280. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665221270002746&institutionId=2746&customerId=2745
161.
Westworld - Season 1 [includes Ultraviolet Digital Download] [DVD] [2016].
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True Detective - Season 1 [DVD] [2014]. http://www.amazon.co.uk/True-Detective-Season-1-DVD/dp/B00HYCNVKI/ref=sr_1_1_twi_1_dvd?ie=UTF8&qid=1438867893&sr=8-1&keywords=true+detective
163.
Mittell J. Narrative Complexity in Contemporary American Television. The Velvet Light Trap. 2006;58(1):29-40. doi:10.1353/vlt.2006.0032
164.
Johnson C. It’s Not TV, It’s HBO!” Branding US Pay TV in Branding television. In: Branding Television. Vol Comedia. Routledge; 2012.
165.
Edgerton, Gary R., Jones, Jeffrey P. The Essential HBO Reader. Vol Essential readers in contemporary media and culture. University Press of Kentucky; 2008. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1250652
166.
Gripsrud, Jostein. Lavik, Erlend Forward to the Past: The Strange Case of The Wire in Relocating television: television in the digital context. In: Relocating Television: Television in the Digital Context. Vol Comedia. Routledge; 2010.
