‘A Proper Dash of Spice: Screwball Comedy and the Production Code’ (2011) 63 Journal of Film and Video
Altman, Robert, Naughton, Edmund, and Foster, David, ‘McCabe and Mrs. Miller’
Andrew G, The Films of Nicholas Ray: The Poet of Nightfall ([2nd ed], BFI 2004)
Ashby H and others, ‘The Last Detail’
‘Back to the Future Trilogy [DVD] [1985]’ <https://learningonscreen.ac.uk/ondemand/playlists/301806>
Barr C, ‘CinemaScope: Before and After’ (1963) 16 Film Quarterly 4
Barsam, Richard Meran, Monahan, Dave, and Gocsik, Karen M., Looking at Movies: An Introduction to Film (3rd ed, WW Norton 2010)
Belton J, ‘Glorious Technicolor, Breathtaking CinemaScope and Stereophonic Sound: Hollywood in the Age of Television’, Hollywood in the age of television (Unwin Hyman 1990)
——, ‘American Comedy: Chapter’, American cinema/American culture (4th ed. International edition, McGraw-Hill Higher Education 2013)
——, ‘Classical Hollywood Cinema: Narration in American Cinema/American Culture’, American cinema/American culture (4th ed. International edition, McGraw-Hill [distributor] 2013)
——, ‘The Emergence of Cinema as an Institution in American Cinema/American Culture’, American cinema/American culture (4th ed. International edition, McGraw-Hill [distributor] 2013)
Belton, John, Widescreen Cinema (Harvard University Press 1992)
——, American Cinema/American Culture (4th ed. International edition, McGraw-Hill Higher Education 2013)
Benshoff, Harry M. and Griffin, Sean, America on Film: Representing Race, Class, Gender, and Sexuality at the Movies (2nd ed, Wiley-Blackwell 2009)
——, America on Film: Representing Race, Class, Gender, and Sexuality at the Movies (2nd ed, Wiley-Blackwell 2009)
Bergfelder T and Street S, ‘Introduction: Mildred Pierce, Pedagogy and the Canon’ (2013) 54 Screen 371
Bernardi, Daniel, The Persistence of Whiteness: Race and Contemporary Hollywood Cinema (Routledge 2008)
Biesen, Sheri Chinen, Blackout: World War II and the Origins of Film Noir (Johns Hopkins University Press 2005)
Bilton A, Silent Film Comedy and American Culture (Palgrave Macmillan 2013) <https://login.ezproxy3.lib.le.ac.uk/login?qurl=http://www.palgraveconnect.com/doifinder/10.1057/9781137020253>
Biskind, Peter, Seeing Is Believing: How Hollywood Taught Us to Stop Worrying and Love the Fifties (Pluto Press 1984)
——, Easy Riders, Raging Bulls: How the Sex ‘n’ Drugs ‘n’ Rock ‘n’ Roll Generation Saved Hollywood (Bloomsbury 1998)
Bordwell D, ‘An Excessively Obvious Cinema in The Classical Hollywood Cinema: Film Style & Mode of Production to 1960’, The classical Hollywood cinema: film style & mode of production to 1960 (Routledge & Kegan Paul 1985) <https://blackboard.le.ac.uk/bbcswebdav/pid-522062-dt-content-rid-641026_5/library/eReserves/HA2224/HA2224%20-%20Doc%2013.pdf>
——, ‘Classical Narration: The Hollywood Example: Chapter’, Narration in the fiction film (Methuen 1985) <http://site.ebrary.com/lib/leicester/Doc?id=10769162>
——, ‘Since 1960: The Persistence of a Mode of Film Practice: Chapter’, The classical Hollywood cinema: film style & mode of production to 1960 (Routledge & Kegan Paul 1985)
Bordwell D and Thompson K, ‘Narrative as a Formal System in Film Art: An Introduction’, Film art: an introduction (7th ed, McGraw-Hill 2004)
——, ‘The Development of the Classical Hollywood Cinema: Chapter’, Film art: an introduction (10th ed., international ed, McGraw-Hill 2013)
Bordwell D, Thompson K and Smith J, Film Art: An Introduction (Eleventh edition, McGraw-Hill Education 2017) <https://www.vlebooks.com/vleweb/product/openreader?id=LeicesterU&isbn=9780077188917>
Bowser, Kenneth, Biskind, Peter, and Macy, William H., ‘Easy Riders, Raging Bulls: How the Sex “n” Drugs “n” Rock “n” Roll Generation Saved Hollywood’
Braunstein, Peter and Doyle, Michael W., Imagine Nation: The American Counterculture of the 1960s and ’70s (Routledge 2002)
Britton A and Grant BK, ‘Britton on Film: The Complete Film Criticism of Andrew Britton’, vol Contemporary approaches to film and television series (Wayne State University Press 2008) <http://ezproxy.lib.le.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=698602>
Brownlow K and others, ‘Buster Keaton, a Hard Act to Follow’
Cagin, Seth, Dray, Philip, and Cagin, Seth, Born to Be Wild: Hollywood and the Sixties Generation (2nd ed, Coyote Books 1994)
Capra, Frank and others, ‘It Happened One Night’
Casper, Drew, Hollywood Film 1963-1976: Years of Revolution and Reaction (Wiley-Blackwell 2011) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=675252>
Cook, David A., Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970-1979, vol History of the American cinema (University of California Press 2002)
Cook P, ‘“Duplicity in Mildred Pierce”: Chapter’, Women in film noir (Rev and expanded ed, British Film Institute 1998)
Cowie E, ‘Storytelling: Classical Hollywood Cinema and Classical Narrative: Contemporary Hollywood Cinema’, Contemporary Hollywood cinema (Routledge 1998) <http://site.ebrary.com/lib/leicester/Doc?id=10688216>
Crafton D, ‘Pie and Chase: Gag, Spectacle and Narrative in Slapstick Comedy: Chapter of Cinema of Attractions Reloaded’, The Cinema of Attractions Reloaded, vol Film Culture in Transition (Amsterdam University Press 2006) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665909210002746&institutionId=2746&customerId=2745>
Cukor G and others, ‘The Philadelphia Story’
Curtiz M and others, ‘Mildred Pierce [1945]’
DeMille CB and others, ‘The Ten Commandments’
Demme, Ted and LaGravenese, Richard, ‘A Decade under the Influence: The 70’s Films That Changed Everything’
Denzin NK, ‘The Cinematic Racial Order: Reading Race: Hollywood and the Cinema of Racial Violence’, Reading race: Hollywood and the cinema of racial violence, vol Theory, culture&society (Unnumbered) (SAGE 2002) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665911760002746&institutionId=2746&customerId=2745>
Dixon, Wheeler Winston, American Cinema of the 1940’s: Themes and Variations, vol Screen decades: American culture / American cinema (Berg 2006)
Doherty TP, Teenagers and Teenpics: The Juvenilization of American Movies in the 1950s (Rev and expanded ed, Temple University Press 2002) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3042497730002746&institutionId=2746&customerId=2745>
Edgerton, Gary R. and Jones, Jeffrey P., The Essential HBO Reader, vol Essential readers in contemporary media and culture (University Press of Kentucky 2008) <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1250652>
Edgerton GR, The Columbia History of American Television (Columbia University Press 2007)
Eisenschitz B, Nicholas Ray: An American Journey (University of Minnesota Press 2011)
Elsaesser T, ‘The Pathos of Failure: American Film in the 1970s: Notes on the Unmotivated Hero’’, The last great American picture show: new Hollywood cinema in the 1970s (Amsterdam University Press 2004) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665206790002746&institutionId=2746&customerId=2745>
Foertsch, Jacqueline and EBSCO ebook, American Culture in the 1940s, vol Twentieth-century American culture (Edinburgh University Press 2008)
Fonda, Peter and others, ‘Easy Rider’
——, ‘The Trip’
Friedman, Lester D., American Cinema of the 1970s: Themes and Variations, vol Screen decades (Rutgers University Press 2007)
Gair, Christopher, The American Counterculture (Edinburgh University Press 2007) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=286991>
Gehring WD, Romantic vs. Screwball Comedy: Charting the Difference, vol Studies in film genres (Scarecrow Press 2002)
Grindon L, ‘His Girl Friday (1940): Jailbreak!: Chapter’, The Hollywood Romantic Comedy: Conventions, History and Controversies, vol New approaches to film genre The Hollywood romantic comedy (Wiley 2011) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665208880002746&institutionId=2746&customerId=2745>
Gripsrud, Jostein, ‘Lavik, Erlend Forward to the Past: The Strange Case of The Wire in Relocating Television: Television in the Digital Context’, Relocating television: television in the digital context, vol Comedia (Routledge 2010)
Grist L, The Films of Martin Scorsese, 1978-99: Authorship and Context II (Palgrave Macmillan 2013)
‘Growing Pains: Season 1 [1985]’
‘Growing Pains: Season 7’
Halliwell M, American Culture in the 1950s (Edinburgh University Press 2007) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=292360>
Hammond M, ‘New Black Cinema’, Contemporary American Cinema (McGraw-Hill Education 2006) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665573360002746&institutionId=2746&customerId=2745>
Hathaway H and others, ‘How the West Was Won’
Hawks H, ‘Twentieth Century (1934) - Columbia Essential Classics Region 2 PAL’ <https://www.amazon.co.uk/d/fi1/Twentieth-Century-Columbia-Essential-Classics-Region-PAL/B005ZCFD8M/ref=sr_1_1?s=dvd&ie=UTF8&qid=1481732184&sr=1-1&keywords=twentieth+century>
——, ‘Bringing up Baby’
——, ‘His Girl Friday’
Hawks, Howard and others, ‘The Big Sleep’
Hayworth, Rita and others, ‘The Lady from Shanghai’
Hellman M, ‘Two-Lane Blacktop (1971)’
Hill, John and Gibson, Pamela Church, American Cinema and Hollywood: Critical Approaches (Oxford University Press 2000)
Hillier J, Wollen P, and British Film Institute, Howard Hawks, American Artist (British Film Institute 1996)
Hills M, ‘Quality Teen TV’ and ‘Mainstream Cult’, Teen TV: genre, consumption and identity (British Film Institute 2004)
Jeffords S, ‘Hard Bodies: Hollywood Masculinity in the Reagan Era’ (Rutgers University Press 1994)
Johnson C, ‘It’s Not TV, It’s HBO!” Branding US Pay TV in Branding Television’, Branding television, vol Comedia (Routledge 2012)
Jonze S and others, ‘Being John Malkovich’
Kaufman, Will, American Culture in the 1970s, vol Twentieth-century American culture (Edinburgh University Press 2009)
Keaton B, ‘Buster Keaton: The Complete Short Films 1917-1923, Accompanying Book’
——, ‘Our Hospitality; Directed by Buster Keaton and John G. Blystone. Sherlock Jnr.; Directed by Buster Keaton’
——, ‘Our Hospitality’
Keaton B, Dwyer R and Cline E, ‘Seven Chances’
Kennedy M and Chaplin C, ‘The Circus’
King G, ‘Being Charlie Kaufman’, Indiewood, USA: where Hollywood meets independent cinema, vol International library of cultural studies (IB Tauris 2009)
King, Geoff, ‘Narrative’, American Independent Cinema (IB Tauris 2005) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665221280002746&institutionId=2746&customerId=2745>
King N, ‘New Hollywood in The Cinema Book’, The cinema book (3rd ed, British Film Institute 2007)
Koster H and others, ‘The Robe’
Koszarski, Richard, An Evening’s Entertainment: The Age of the Silent Feature Picture, 1915-1928, vol History of the American cinema (Charles Scribner’s Sons 1990) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5661323260002746&institutionId=2746&customerId=2745>
Krämer, Peter, New Hollywood: From Bonnie and Clyde to Star Wars, vol Short cuts (Wallflower 2005) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1763952>
Kuhn A, ‘Classical Hollywood Narrative in The Cinema Book’, The cinema book (3rd ed, British Film Institute 2007)
La Cava, Gregory and others, ‘My Man Godfrey’
Lang, Fritz and others, ‘The Woman in the Window’
Lev, Peter, Transforming the Screen, 1950-1959, vol History of the American cinema (University of California Press 2003)
Lewis J and Smoodin EL (eds), The American Film History Reader (Routledge 2015)
Lewis, Jon, American Film: A History (WW Norton 2008)
Lorence JJ, ‘Unfinished Business: Do the Right Thing (1989) and the Escalation of Social Tension in Screening America: United States History through Film since 1900’, Screening America: United States history through film since 1900 (Pearson Longman 2006)
Lucas G and others, ‘American Graffiti’
Lucia C, Grundmann R and Simon A, American Film History: Selected Readings, Origins To 1960 (1st ed, John Wiley & Sons, Incorporated 2015) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=2072524>
Lucia CAB, Grundmann R and Simon A (eds), American Film History: Selected Readings. 1960 to the Present (John Wiley & Sons 2015) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4180234>
Mack M and others, ‘The General’
Maltby R, ‘Narrative in Hollywood Cinema: An Introduction’, Hollywood cinema: an introduction (Blackwell Publishers 1995)
——, Hollywood Cinema: An Introduction (2nd ed, Blackwell Publishers 2003)
Maltby, Richard, Hollywood Cinema: An Introduction (2nd ed, Blackwell Publishers 2003)
Mann, Glenn, Radical Visions : American Film Renaissance, 1967-1976: No. 41 (Greenwood Pr 1994)
May, Lary, Screening out the Past: The Birth of Mass Culture and the Motion Picture Industry (Oxford University Press 1980)
Mazursky, Paul and others, ‘Bob and Carol and Ted and Alice’
McCarey L and others, ‘The Charley Chase Collection: [Vol. 1]’
——, ‘His Wooden Wedding, The Charley Chase Collection: Vol. 2’
McCarey L, Dunne I and Grant C, ‘The Awful Truth’
McDonald TJ, Romantic Comedy: Boy Meets Girl Meets Genre, vol Short cuts (Wallflower 2007) <http://ezproxy.lib.le.ac.uk/login?url=http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=927990>
Minnelli V and others, Some Came Running, vol Frank Sinatra collection (Warner Home Video 2008)
Mittell J, ‘Narrative Complexity in Contemporary American Television’ (2006) 58 The Velvet Light Trap 29
Morgen, Brett, Burstein, Nanette, and Evans, Robert, ‘The Kid Stays in the Picture’
Moseley R, ‘Glamorous Witchcraft: Gender and Magic in Teen Film and Television’ (2002) 43 Screen 403
Naremore, James, More than Night: Film Noir in Its Contexts (Updated and expanded ed, University of California Press 2008) <http://ezproxy.lib.le.ac.uk/login?url=http://www.myilibrary.com?id=235939>
Neale S, ‘”The Last Good Time We Ever Had?” Revising the Hollywood Renaissance in Contemporary American Cinema’, Contemporary American cinema (Open University Press 2006)
Neale, Stephen, The Classical Hollywood Reader (Routledge 2012)
Newmeyer F and others, ‘Harold Lloyd: The Definitive Collection, Disc 1’
Paulus T and King R, Slapstick Comedy, vol AFI Film Readers (Taylor and Francis 2010)
Penn A and others, ‘Bonnie and Clyde’
Penn, Arthur and others, ‘Alice’s Restaurant’
Place JA and Peterson L, ‘Some Visual Motifs in Film Noir in Movies and Methods: An Anthology’, Movies and methods: an anthology (University of California Press 1976) <https://blackboard.le.ac.uk/bbcswebdav/pid-672713-dt-content-rid-870973_5/library/eReserves/HA2224/HA2224%20-%20Doc%2020456.pdf>
Polan, Dana B., Power and Paranoia: History, Narrative and the American Cinema, 1940-1950 (Columbia University Press 1986)
Pomerance, Murray, American Cinema of the 1950s: Themes and Variations (Berg 2005)
Powell, Dick and others, ‘Murder My Sweet’
Rafelson B, Nicholson J and Black K, ‘Five Easy Pieces’ <https://learningonscreen.ac.uk/ondemand/index.php/prog/0000B5A7?bcast=31133366>
Ray N and others, ‘Bigger than Life’
Ray N, Dean J and Wood N, ‘Rebel without a Cause’
Ray R, ‘A Certain Tendency of the American Cinema: Hollywood’s Formal and Thematic Paradigms in A Certain Tendency of the Hollywood Cinema, 1930-1980’, A certain tendency of the Hollywood cinema, 1930-1980 (Princeton University Press 1985)
——, ‘“The Godfather and Taxi Driver”: Chapter’, A certain tendency of the Hollywood cinema, 1930-1980 (Princeton University Press 1985)
Richard Maltby, ‘“Film Noir”: The Politics of the Maladjusted Text’ 18 Journal of American Studies 49
Schatz, Thomas, Boom and Bust: American Cinema in the 1940s, vol History of the American cinema (University of California Press 1997)
Scorsese M and others, ‘Taxi Driver’
Scorsese M, De Niro R and Keitel H, ‘Mean Streets’
Shail A, Stoate R, and British Film Institute, Back to the Future, vol BFI film classics (BFI 2010)
Sharon Marie Ross , and Louisa Ellen Stein, ‘“Watching Teen TV”’, Teen Television : Essays on Programming and Fandom (McFarland & Company, Incorporated Publishers 2014) <https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/reader.action?docID=1874167&ppg=12>
Shiel M, ‘American Cinema, 1970-75 in Contemporary American Cinema’, Contemporary American cinema (Open University Press 2006)
Shumway DR, ‘Screwball Comedies: Constructing Romance, Mystifying Marriage: Chapter’, Film Genre Reader IV (University of Texas Press 2014) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665768790002746&institutionId=2746&customerId=2745>
Silver, Alain and Ursini, James, Film Noir Reader 4: The Crucial Films and Themes (Limelight Editions 2004)
Singleton J, ‘Boyz n the Hood’ <https://learningonscreen.ac.uk/ondemand/index.php/prog/00088E32?bcast=129101099>
Siodmak R and others, ‘The Killers’
Sirk D and others, ‘Written on the Wind’
Sklar, Robert, ‘Hollywood’s Collapse in Movie-Made America: A Cultural History of American Movies’, Movie-made America: a cultural history of American movies (Chappell 1978)
——, Movie-Made America: A Cultural History of American Movies (Chappell 1978)
Slocum JD, Rebel without a Cause: Approaches to a Maverick Masterwork, vol Suny series horizons of cinema (State University of New York Press 2005) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3042412220002746&institutionId=2746&customerId=2745>
Spicer A, ‘Noir Style: Chapter’, Film noir, vol Inside film (Longman 2002)
Steinbeck J and others, ‘East of Eden’
Stern L, The Scorsese Connection (Indiana University Press 1995)
Stevens G and others, ‘Giant’
Sturges P and others, ‘The Lady Eve’
Sturges P, McCrea J and Lake V, ‘Sullivan’s Travels’
Swingrover, E. A., The Counterculture Reader, vol Longman topics (Pearson/Longman 2004)
Tasker Y, ‘Approaches to the New Hollywood in Cultural Studies and Communications’, Cultural studies and communications (Arnold 1996) <https://blackboard.le.ac.uk/bbcswebdav/pid-522067-dt-content-rid-641036_5/library/eReserves/HA2224/HA2224%20-%20Doc%2024.pdf>
Taubin A and British Film Institute, Taxi Driver (2nd edition, Palgrave Macmillan on behalf of the British Film Institute 2012)
Telotte, J. P., Voices in the Dark: The Narrative Patterns of Film Noir (University of Illinois Press 1989)
‘The OC - The Complete Season 1 [DVD] [2004]’ <http://www.amazon.co.uk/OC-Complete-Season-DVD/dp/B004WBSZYG/ref=tmm_dvd_title_0?_encoding=UTF8&qid=1438870685&sr=8-3>
Thomas S, ‘The New Hollywood’, Film theory goes to the movies, vol AFI film readers (Routledge 1993) <http://ezproxy.lib.le.ac.uk/login?url=http://lib.myilibrary.com?id=395546>
Thompson K, ‘Modern Classicism in Storytelling in the New Hollywood: Understanding Classical Narrative Technique’, Storytelling in the new Hollywood: understanding classical narrative technique (Harvard University Press 1999) <https://blackboard.le.ac.uk/bbcswebdav/pid-419032-dt-content-rid-583738_5/library/eReserves/HA2224/HA2224%20-%20Doc%2016.pdf>
Tourneur, Jacques and others, ‘Out of the Past’
‘True Detective - Season 1 [DVD] [2014]’ <http://www.amazon.co.uk/True-Detective-Season-1-DVD/dp/B00HYCNVKI/ref=sr_1_1_twi_1_dvd?ie=UTF8&qid=1438867893&sr=8-1&keywords=true+detective>
Tzioumakis, Yannis, ‘The Institutionalisation of American Independent Cinema’, American Independent Cinema : An Introduction (Edinburgh University Press 2006) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665221270002746&institutionId=2746&customerId=2745>
Ulmer EG and others, ‘Detour’
Walcott R, ‘Keeping the Black Phallus Erect’ Cineaction 68
Wee V, ‘Selling Teen Culture: How American Multimedia Conglomeration Shaped Teen Television in the 1990s’, Teen TV: genre, consumption and identity (British Film Institute 2004)
‘Westworld - Season 1 [Includes Ultraviolet Digital Download] [DVD] [2016]’
Wilder, Billy and others, ‘Double Indemnity’
Williams L, ‘Feminist Film Theory: Mildred Pierce and the Second World War: Chapter’, Female spectators: looking at film and television (Verso 1988)
Wood R, Howard Hawks, vol Contemporary approaches to film and television series (New ed, Wayne State University Press 2006) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=3042431280002746&institutionId=2746&customerId=2745>
