Bibliography for HA1224 American Film and Visual Culture BETA

‘A Proper Dash of Spice: Screwball Comedy and the Production Code’. Journal of Film and Video 63.3 (2011): n. pag. Web.

Altman, Robert, Naughton, Edmund, and Foster, David. ‘McCabe and Mrs. Miller’. 2003 : n. pag. Print.

Andrew, Geoff. The Films of Nicholas Ray: The Poet of Nightfall. [2nd ed.]. London: BFI, 2004. Print.

Ashby, Hal et al. ‘The Last Detail’. 1973 : n. pag. Print.

‘Back to the Future Trilogy [DVD] [1985]’. Web. <https://learningonscreen.ac.uk/ondemand/playlists/301806>.

Barr, Charles. ‘CinemaScope: Before and After’. Film Quarterly 16.4 (1963): 4–24. Web.

Barsam, Richard Meran, Monahan, Dave, and Gocsik, Karen M. Looking at Movies: An Introduction to Film. 3rd ed. New York, N.Y.: W.W. Norton, 2010. Print.

Belton, John. American Cinema/American Culture. 4th ed. International edition. London: McGraw-Hill Higher Education, 2013. Print.

Belton, John. ‘American Comedy: Chapter’. American Cinema/American Culture. 4th ed. International edition. New York, N.Y.: McGraw-Hill Higher Education, 2013. 163–194. Print.

---. ‘Classical Hollywood Cinema: Narration in American Cinema/American Culture’. American Cinema/American Culture. 4th ed. International edition. London: McGraw-Hill [distributor], 2013. Print.

---. ‘Glorious Technicolor, Breathtaking CinemaScope and Stereophonic Sound: Hollywood in the Age of Television’. Hollywood in the Age of Television. Boston, Mass: Unwin Hyman, 1990. 185–211. Print.

---. ‘The Emergence of Cinema as an Institution in American Cinema/American Culture’. American Cinema/American Culture. 4th ed. International edition. London: McGraw-Hill [distributor], 2013. Print.

Belton, John. Widescreen Cinema. Cambridge, Mass: Harvard University Press, 1992. Print.

Benshoff, Harry M. and Griffin, Sean. America on Film: Representing Race, Class, Gender, and Sexuality at the Movies. 2nd ed. Oxford: Wiley-Blackwell, 2009. Print.

---. America on Film: Representing Race, Class, Gender, and Sexuality at the Movies. 2nd ed. Oxford: Wiley-Blackwell, 2009. Print.

Bergfelder, T., and S. Street. ‘Introduction: Mildred Pierce, Pedagogy and the Canon’. Screen 54.3 (2013): 371–377. Web.

Bernardi, Daniel. The Persistence of Whiteness: Race and Contemporary Hollywood Cinema. London: Routledge, 2008. Print.

Biesen, Sheri Chinen. Blackout: World War II and the Origins of Film Noir. Baltimore, Md: Johns Hopkins University Press, 2005. Print.

Bilton, Alan. Silent Film Comedy and American Culture. Basingstoke: Palgrave Macmillan, 2013. Web. <https://login.ezproxy3.lib.le.ac.uk/login?qurl=http://www.palgraveconnect.com/doifinder/10.1057/9781137020253>.

Biskind, Peter. Easy Riders, Raging Bulls: How the Sex ‘n’ Drugs ‘n’ Rock ‘n’ Roll Generation Saved Hollywood. London: Bloomsbury, 1998. Print.

---. Seeing Is Believing: How Hollywood Taught Us to Stop Worrying and Love the Fifties. London: Pluto Press, 1984. Print.

Bordwell, David. ‘An Excessively Obvious Cinema in The Classical Hollywood Cinema: Film Style & Mode of Production to 1960’. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. London: Routledge & Kegan Paul, 1985. 3–12. Web. <https://blackboard.le.ac.uk/bbcswebdav/pid-522062-dt-content-rid-641026_5/library/eReserves/HA2224/HA2224%20-%20Doc%2013.pdf>.

---. ‘Classical Narration: The Hollywood Example: Chapter’. Narration in the Fiction Film. London: Methuen, 1985. 156–166. Web. <http://site.ebrary.com/lib/leicester/Doc?id=10769162>.

---. ‘Since 1960: The Persistence of a Mode of Film Practice: Chapter’. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. London: Routledge & Kegan Paul, 1985. 367–377. Print.

Bordwell, David, and Kristin Thompson. ‘Narrative as a Formal System in Film Art: An Introduction’. Film Art: An Introduction. 7th ed. Boston, Mass: McGraw-Hill, 2004. Print.

---. ‘The Development of the Classical Hollywood Cinema: Chapter’. Film Art: An Introduction. 10th ed., international ed. New York, N.Y.: McGraw-Hill, 2013. 466–469. Print.

Bordwell, David, Kristin Thompson, and Jeff Smith. Film Art: An Introduction. Eleventh edition. New York, NY: McGraw-Hill Education, 2017. Web. <https://www.vlebooks.com/vleweb/product/openreader?id=LeicesterU&amp;isbn=9780077188917>.

Bowser, Kenneth, Biskind, Peter, and Macy, William H. ‘Easy Riders, Raging Bulls: How the Sex “n” Drugs “n” Rock “n” Roll Generation Saved Hollywood’. 2006 : n. pag. Print.

Braunstein, Peter and Doyle, Michael W. Imagine Nation: The American Counterculture of the 1960s and ’70s. New York: Routledge, 2002. Print.

Britton, Andrew, and Barry Keith Grant. ‘Britton on Film: The Complete Film Criticism of Andrew Britton’. Contemporary approaches to film and television series. Detroit, Mich: Wayne State University Press, 2008. Web. <http://ezproxy.lib.le.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=698602>.

Brownlow, Kevin et al. ‘Buster Keaton, a Hard Act to Follow’. 1987 : n. pag. Print.

Cagin, Seth, Dray, Philip, and Cagin, Seth. Born to Be Wild: Hollywood and the Sixties Generation. 2nd ed. Boca Raton, Fla: Coyote Books, 1994. Print.

Capra, Frank et al. ‘It Happened One Night’. 1934 : n. pag. Print.

Casper, Drew. Hollywood Film 1963-1976: Years of Revolution and Reaction. Oxford: Wiley-Blackwell, 2011. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=675252>.

Cook, David A. Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970-1979. History of the American cinema. Berkeley, Calif: University of California Press, 2002. Print.

Cook, Pam. ‘“Duplicity in Mildred Pierce”: Chapter’. Women in Film Noir. Rev. and expanded ed. London: British Film Institute, 1998. 69–80. Print.

Cowie, Elizabeth. ‘Storytelling: Classical Hollywood Cinema and Classical Narrative: Contemporary Hollywood Cinema’. Contemporary Hollywood Cinema. London: Routledge, 1998. 178–190. Web. <http://site.ebrary.com/lib/leicester/Doc?id=10688216>.

Crafton, Donald. ‘Pie and Chase: Gag, Spectacle and Narrative in Slapstick Comedy: Chapter of Cinema of Attractions Reloaded’. The Cinema of Attractions Reloaded. Film Culture in Transition. Amsterdam: Amsterdam University Press, 2006. 285–293. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665909210002746&institutionId=2746&customerId=2745>.

Cukor, George et al. ‘The Philadelphia Story’. 2005 : n. pag. Print.

Curtiz, Michael et al. ‘Mildred Pierce [1945]’. 2005 : n. pag. Print.

DeMille, Cecil B. et al. ‘The Ten Commandments’. 2001 : n. pag. Print.

Demme, Ted and LaGravenese, Richard. ‘A Decade under the Influence: The 70’s Films That Changed Everything’. 2004 : n. pag. Print.

Denzin, Norman K. ‘The Cinematic Racial Order: Reading Race: Hollywood and the Cinema of Racial Violence’. Reading Race: Hollywood and the Cinema of Racial Violence. Theory, culture&society (Unnumbered). London: SAGE, 2002. 17–45. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665911760002746&institutionId=2746&customerId=2745>.

Dixon, Wheeler Winston. American Cinema of the 1940’s: Themes and Variations. Screen decades: American culture / American cinema. Oxford: Berg, 2006. Print.

Doherty, Thomas Patrick. Teenagers and Teenpics: The Juvenilization of American Movies in the 1950s. Rev. and expanded ed. Philadelphia, Pa: Temple University Press, 2002. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&amp;package_service_id=3042497730002746&amp;institutionId=2746&amp;customerId=2745>.

Edgerton, Gary R. The Columbia History of American Television. New York, N.Y.: Columbia University Press, 2007. Print.

Edgerton, Gary R. and Jones, Jeffrey P. The Essential HBO Reader. Essential readers in contemporary media and culture. Lexington, KY.: University Press of Kentucky, 2008. Web. <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1250652>.

Eisenschitz, Bernard. Nicholas Ray: An American Journey. Minneapolis, Minn: University of Minnesota Press, 2011. Print.

Elsaesser, Thomas. ‘The Pathos of Failure: American Film in the 1970s: Notes on the Unmotivated Hero’’. The Last Great American Picture Show: New Hollywood Cinema in the 1970s. Amsterdam: Amsterdam University Press, 2004. 279–292. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665206790002746&institutionId=2746&customerId=2745>.

Foertsch, Jacqueline and EBSCO ebook. American Culture in the 1940s. Twentieth-century American culture. Edinburgh: Edinburgh University Press, 2008. Print.

Fonda, Peter, Hopper, Dennis, et al. ‘Easy Rider’. 1999 : n. pag. Print.

Fonda, Peter, Strasberg, Susan, et al. ‘The Trip’. 2004 : n. pag. Print.

Friedman, Lester D. American Cinema of the 1970s: Themes and Variations. Screen decades. New Brunswick, N.J.: Rutgers University Press, 2007. Print.

Gair, Christopher. The American Counterculture. Edinburgh: Edinburgh University Press, 2007. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=286991>.

Gehring, Wes D. Romantic vs. Screwball Comedy: Charting the Difference. Studies in film genres. Lanham: Scarecrow Press, 2002. Print.

Grindon, Leger. ‘His Girl Friday (1940): Jailbreak!: Chapter’. The Hollywood Romantic Comedy: Conventions, History and Controversies. New approaches to film genre The Hollywood romantic comedy. Hoboken: Wiley, 2011. 96–105. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665208880002746&institutionId=2746&customerId=2745>.

Gripsrud, Jostein. ‘Lavik, Erlend Forward to the Past: The Strange Case of The Wire in Relocating Television: Television in the Digital Context’. Relocating Television: Television in the Digital Context. Comedia. London: Routledge, 2010. Print.

Grist, Leighton. The Films of Martin Scorsese, 1978-99: Authorship and Context II. Basingstoke: Palgrave Macmillan, 2013. Print.

‘Growing Pains: Season 1 [1985]’. : n. pag. Print.

‘Growing Pains: Season 7’. : n. pag. Print.

Halliwell, Martin. American Culture in the 1950s. Edinburgh: Edinburgh University Press, 2007. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=292360>.

Hammond, Michael. ‘New Black Cinema’. Contemporary American Cinema. McGraw-Hill Education, 2006. 389–397. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665573360002746&institutionId=2746&customerId=2745>.

Hathaway, Henry et al. ‘How the West Was Won’. 2008 : n. pag. Print.

Hawks, Howard, Katharine Hepburn, et al. ‘Bringing up Baby’. 2007 : n. pag. Print.

Hawks, Howard, Cary Grant, et al. ‘His Girl Friday’. 2011 : n. pag. Print.

Hawks, Howard et al. ‘The Big Sleep’. : n. pag. Print.

Hawks, Howard. ‘Twentieth Century (1934) - Columbia Essential Classics Region 2 PAL’. Web. <https://www.amazon.co.uk/d/fi1/Twentieth-Century-Columbia-Essential-Classics-Region-PAL/B005ZCFD8M/ref=sr_1_1?s=dvd&amp;ie=UTF8&amp;qid=1481732184&amp;sr=1-1&amp;keywords=twentieth+century>.

Hayworth, Rita et al. ‘The Lady from Shanghai’. 1948 : n. pag. Print.

Hellman, Monte. ‘Two-Lane Blacktop (1971)’. 1971 : n. pag. Print.

Hill, John and Gibson, Pamela Church. American Cinema and Hollywood: Critical Approaches. Oxford: Oxford University Press, 2000. Print.

Hillier, Jim, Peter Wollen, and British Film Institute. Howard Hawks, American Artist. London: British Film Institute, 1996. Print.

Hills, Matt. ‘Quality Teen TV’ and ‘Mainstream Cult’. Teen TV: Genre, Consumption and Identity. London: British Film Institute, 2004. 54–70. Print.

Jeffords, Susan. ‘Hard Bodies: Hollywood Masculinity in the Reagan Era’. New Brunswick, N.J.: Rutgers University Press, 1994. Print.

Johnson, Catherine. ‘It’s Not TV, It’s HBO!” Branding US Pay TV in Branding Television’. Branding Television. Comedia. London: Routledge, 2012. Print.

Jonze, Spike et al. ‘Being John Malkovich’. 2003 : n. pag. Print.

Kaufman, Will. American Culture in the 1970s. Twentieth-century American culture. Edinburgh: Edinburgh University Press, 2009. Print.

Keaton, Buster. ‘Buster Keaton: The Complete Short Films 1917-1923, Accompanying Book’. One Week 2006 : n. pag. Print.

Keaton, Buster, Kathryn McGuire, et al. ‘Our Hospitality’. 2009 : n. pag. Print.

Keaton, Buster, John G. Blystone, et al. ‘Our Hospitality; Directed by Buster Keaton and John G. Blystone. Sherlock Jnr.; Directed by Buster Keaton’. 2007 : n. pag. Print.

Keaton, Buster, Ruth Dwyer, and Eddie Cline. ‘Seven Chances’. 2005 : n. pag. Print.

Kennedy, Merna, and Charlie Chaplin. ‘The Circus’. 2003 : n. pag. Print.

King, Geoff. ‘Being Charlie Kaufman’. Indiewood, USA: Where Hollywood Meets Independent Cinema. International library of cultural studies. London: I.B. Tauris, 2009. 47–92. Print.

King, Geoff. ‘Narrative’. American Independent Cinema. I.B. Tauris, 2005. 59–104. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665221280002746&institutionId=2746&customerId=2745>.

King, Noel. ‘New Hollywood in The Cinema Book’. The Cinema Book. 3rd ed. London: British Film Institute, 2007. Print.

Koster, Henry et al. ‘The Robe’. 2002 : n. pag. Print.

Koszarski, Richard. An Evening’s Entertainment: The Age of the Silent Feature Picture, 1915-1928. History of the American cinema. New York: Charles Scribner’s Sons, 1990. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5661323260002746&institutionId=2746&customerId=2745>.

Krämer, Peter. New Hollywood: From Bonnie and Clyde to Star Wars. Short cuts. London: Wallflower, 2005. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1763952>.

Kuhn, Annette. ‘Classical Hollywood Narrative in The Cinema Book’. The Cinema Book. 3rd ed. London: British Film Institute, 2007. 45–48. Print.

La Cava, Gregory et al. ‘My Man Godfrey’. 1936 : n. pag. Print.

Lang, Fritz et al. ‘The Woman in the Window’. 2008 : n. pag. Print.

Lev, Peter. Transforming the Screen, 1950-1959. History of the American cinema. Berkeley, Calif: University of California Press, 2003. Print.

Lewis, Jon. American Film: A History. New York: W.W. Norton, 2008. Print.

Lewis, Jon, and Eric Loren Smoodin, eds. The American Film History Reader. Abingdon, Oxon: Routledge, 2015. Print.

Lorence, James J. ‘Unfinished Business: Do the Right Thing (1989) and the Escalation of Social Tension in Screening America: United States History through Film since 1900’. Screening America: United States History through Film since 1900. New York: Pearson Longman, 2006. 182–194. Print.

Lucas, George et al. ‘American Graffiti’. 1973 : n. pag. Print.

Lucia, Cynthia A. Barto, Roy Grundmann, and Arthur Simon, eds. American Film History: Selected Readings. 1960 to the Present. Hoboken, New Jersey: John Wiley & Sons, 2015. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4180234>.

Lucia, Cynthia, Roy Grundmann, and Art Simon. American Film History: Selected Readings, Origins To 1960. 1st ed. Hoboken: John Wiley & Sons, Incorporated, 2015. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=2072524>.

Mack, Marion et al. ‘The General’. 2005 : n. pag. Print.

Maltby, Richard. Hollywood Cinema: An Introduction. 2nd ed. Oxford: Blackwell Publishers, 2003. Print.

Maltby, Richard. Hollywood Cinema: An Introduction. 2nd ed. Oxford: Blackwell Publishers, 2003. Print.

---. ‘Narrative in Hollywood Cinema: An Introduction’. Hollywood Cinema: An Introduction. Oxford: Blackwell Publishers, 1995. Print.

Mann, Glenn. Radical Visions : American Film Renaissance, 1967-1976: No. 41. Westport: Greenwood Pr, 1994. Print.

May, Lary. Screening out the Past: The Birth of Mass Culture and the Motion Picture Industry. New York: Oxford University Press, 1980. Print.

Mazursky, Paul et al. ‘Bob and Carol and Ted and Alice’. 2006 : n. pag. Print.

McCarey, Leo, Hal Roach, et al. ‘His Wooden Wedding, The Charley Chase Collection: Vol. 2’. The Charley Chase collection: Vol. 2 2005 : n. pag. Print.

McCarey, Leo, Ralph Ceder, et al. ‘The Charley Chase Collection: [Vol. 1]’. 2004 : n. pag. Print.

McCarey, Leo, Irene Dunne, and Cary Grant. ‘The Awful Truth’. 2003 : n. pag. Print.

McDonald, Tamar Jeffers. Romantic Comedy: Boy Meets Girl Meets Genre. Short cuts. London: Wallflower, 2007. Web. <http://ezproxy.lib.le.ac.uk/login?url=http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=927990>.

Minnelli, Vincente et al. Some Came Running. Frank Sinatra collection. [S.l.]: Warner Home Video, 2008. Print.

Mittell, Jason. ‘Narrative Complexity in Contemporary American Television’. The Velvet Light Trap 58.1 (2006): 29–40. Web.

Morgen, Brett, Burstein, Nanette, and Evans, Robert. ‘The Kid Stays in the Picture’. 2003 : n. pag. Print.

Moseley, R. ‘Glamorous Witchcraft: Gender and Magic in Teen Film and Television’. Screen 43.4 (2002): 403–422. Web.

Naremore, James. More than Night: Film Noir in Its Contexts. Updated and expanded ed. Berkeley, Calif: University of California Press, 2008. Web. <http://ezproxy.lib.le.ac.uk/login?url=http://www.myilibrary.com?id=235939>.

Neale, Stephen. The Classical Hollywood Reader. London: Routledge, 2012. Print.

Neale, Steve. ‘”The Last Good Time We Ever Had?” Revising the Hollywood Renaissance in Contemporary American Cinema’. Contemporary American Cinema. Boston: Open University Press, 2006. Print.

Newmeyer, Fred et al. ‘Harold Lloyd: The Definitive Collection, Disc 1’. 2007 : n. pag. Print.

Paulus, Tom, and Rob King. Slapstick Comedy. AFI Film Readers. Hoboken: Taylor and Francis, 2010. Print.

Penn, Arthur et al. ‘Alice’s Restaurant’. 2004 : n. pag. Print.

Penn, Arthur et al. ‘Bonnie and Clyde’. 1967 : n. pag. Print.

Place, J.A., and L. Peterson. ‘Some Visual Motifs in Film Noir in Movies and Methods: An Anthology’. Movies and Methods: An Anthology. Berkeley, Calif: University of California Press, 1976. 325–338. Web. <https://blackboard.le.ac.uk/bbcswebdav/pid-672713-dt-content-rid-870973_5/library/eReserves/HA2224/HA2224%20-%20Doc%2020456.pdf>.

Polan, Dana B. Power and Paranoia: History, Narrative and the American Cinema, 1940-1950. New York, N.Y.: Columbia University Press, 1986. Print.

Pomerance, Murray. American Cinema of the 1950s: Themes and Variations. Oxford: Berg, 2005. Print.

Powell, Dick et al. ‘Murder My Sweet’. 2008 : n. pag. Print.

Rafelson, Bob, Jack Nicholson, and Karen Black. ‘Five Easy Pieces’. 1970. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/0000B5A7?bcast=31133366>.

Ray, Nicholas et al. ‘Bigger than Life’. 2007 : n. pag. Print.

Ray, Nicholas, James Dean, and Natalie Wood. ‘Rebel without a Cause’. 2005 : n. pag. Print.

Ray, Robert. ‘A Certain Tendency of the American Cinema: Hollywood’s Formal and Thematic Paradigms in A Certain Tendency of the Hollywood Cinema, 1930-1980’. A Certain Tendency of the Hollywood Cinema, 1930-1980. Chichester: Princeton University Press, 1985. 25–69. Print.

---. ‘“The Godfather and Taxi Driver”: Chapter’. A Certain Tendency of the Hollywood Cinema, 1930-1980. Princeton, N.J.: Princeton University Press, 1985. 326–360. Print.

Richard Maltby. ‘“Film Noir”: The Politics of the Maladjusted Text’. Journal of American Studies 18.1 49–71. Print.

Schatz, Thomas. Boom and Bust: American Cinema in the 1940s. History of the American cinema. Berkeley, Calif: University of California Press, 1997. Print.

Scorsese, Martin et al. ‘Taxi Driver’. 2007 : n. pag. Print.

Scorsese, Martin, Robert De Niro, and Harvey Keitel. ‘Mean Streets’. 2001 : n. pag. Print.

Shail, Andrew, Robin Stoate, and British Film Institute. Back to the Future. BFI film classics. London: BFI, 2010. Print.

Sharon Marie Ross , and  Louisa Ellen Stein. ‘“Watching Teen TV”’. Teen Television : Essays on Programming and Fandom. McFarland & Company, Incorporated Publishers, 2014. 3–26. Web. <https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/reader.action?docID=1874167&amp;ppg=12>.

Shiel, Mark. ‘American Cinema, 1970-75 in Contemporary American Cinema’. Contemporary American Cinema. Boston: Open University Press, 2006. Print.

Shumway, David R. ‘Screwball Comedies: Constructing Romance, Mystifying Marriage: Chapter’. Film Genre Reader IV. Austin: University of Texas Press, 2014. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665768790002746&institutionId=2746&customerId=2745>.

Silver, Alain and Ursini, James. Film Noir Reader 4: The Crucial Films and Themes. New York: Limelight Editions, 2004. Print.

Singleton, John. ‘Boyz n the Hood’. 2004. Web. <https://learningonscreen.ac.uk/ondemand/index.php/prog/00088E32?bcast=129101099>.

Siodmak, Robert et al. ‘The Killers’. 2008 : n. pag. Print.

Sirk, Douglas et al. ‘Written on the Wind’. 2007 : n. pag. Print.

Sklar, Robert. ‘Hollywood’s Collapse in Movie-Made America: A Cultural History of American Movies’. Movie-Made America: A Cultural History of American Movies. London: Chappell, 1978. Print.

---. Movie-Made America: A Cultural History of American Movies. London: Chappell, 1978. Print.

Slocum, J. David. Rebel without a Cause: Approaches to a Maverick Masterwork. Suny series horizons of cinema. New York, N.Y.: State University of New York Press, 2005. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&amp;package_service_id=3042412220002746&amp;institutionId=2746&amp;customerId=2745>.

Spicer, Adrew. ‘Noir Style: Chapter’. Film Noir. Inside film. Harlow: Longman, 2002. 45–63. Print.

Steinbeck, John et al. ‘East of Eden’. 2005 : n. pag. Print.

Stern, Lesley. The Scorsese Connection. Bloomington, Ind: Indiana University Press, 1995. Print.

Stevens, George et al. ‘Giant’. 2003 : n. pag. Print.

Sturges, Preston et al. ‘The Lady Eve’. 2005 : n. pag. Print.

Sturges, Preston, Joel McCrea, and Veronica Lake. ‘Sullivan’s Travels’. 2005 : n. pag. Print.

Swingrover, E. A. The Counterculture Reader. Longman topics. New York: Pearson/Longman, 2004. Print.

Tasker, Yvonne. ‘Approaches to the New Hollywood in Cultural Studies and Communications’. Cultural Studies and Communications. London: Arnold, 1996. Web. <https://blackboard.le.ac.uk/bbcswebdav/pid-522067-dt-content-rid-641036_5/library/eReserves/HA2224/HA2224%20-%20Doc%2024.pdf>.

Taubin, Amy and British Film Institute. Taxi Driver. 2nd edition. London: Palgrave Macmillan on behalf of the British Film Institute, 2012. Print.

Telotte, J. P. Voices in the Dark: The Narrative Patterns of Film Noir. Urbana, Ill: University of Illinois Press, 1989. Print.

‘The OC - The Complete Season 1 [DVD] [2004]’. Web. <http://www.amazon.co.uk/OC-Complete-Season-DVD/dp/B004WBSZYG/ref=tmm_dvd_title_0?_encoding=UTF8&qid=1438870685&sr=8-3>.

Thomas, Schatz. ‘The New Hollywood’. Film Theory Goes to the Movies. AFI film readers. New York: Routledge, 1993. 8–36. Web. <http://ezproxy.lib.le.ac.uk/login?url=http://lib.myilibrary.com?id=395546>.

Thompson, Kristin. ‘Modern Classicism in Storytelling in the New Hollywood: Understanding Classical Narrative Technique’. Storytelling in the New Hollywood: Understanding Classical Narrative Technique. Cambridge, Mass: Harvard University Press, 1999. 1–49. Web. <https://blackboard.le.ac.uk/bbcswebdav/pid-419032-dt-content-rid-583738_5/library/eReserves/HA2224/HA2224%20-%20Doc%2016.pdf>.

Tourneur, Jacques et al. ‘Out of the Past’. 2007 : n. pag. Print.

‘True Detective - Season 1 [DVD] [2014]’. Web. <http://www.amazon.co.uk/True-Detective-Season-1-DVD/dp/B00HYCNVKI/ref=sr_1_1_twi_1_dvd?ie=UTF8&qid=1438867893&sr=8-1&keywords=true+detective>.

Tzioumakis, Yannis. ‘The Institutionalisation of American Independent Cinema’. American Independent Cinema : An Introduction. Edinburgh University Press, 2006. 246–280. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665221270002746&institutionId=2746&customerId=2745>.

Ulmer, Edgar G. et al. ‘Detour’. 2003 : n. pag. Print.

Walcott, Rinaldo. ‘Keeping the Black Phallus Erect’. Cineaction 68–74. Print.

Wee, Valerie. ‘Selling Teen Culture: How American Multimedia Conglomeration Shaped Teen Television in the 1990s’. Teen TV: Genre, Consumption and Identity. London: British Film Institute, 2004. 87–98. Print.

‘Westworld - Season 1 [Includes Ultraviolet Digital Download]  [DVD] [2016]’. : n. pag. Print.

Wilder, Billy et al. ‘Double Indemnity’. 2005 : n. pag. Print.

Williams, Linda. ‘Feminist Film Theory: Mildred Pierce and the Second World War: Chapter’. Female Spectators: Looking at Film and Television. London: Verso, 1988. 12–30. Print.

Wood, Robin. Howard Hawks. New ed. Contemporary approaches to film and television series. Detroit, Mich: Wayne State University Press, 2006. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&amp;package_service_id=3042431280002746&amp;institutionId=2746&amp;customerId=2745>.