‘“A World That Works”: Fascism and Media Globalization in Starship Troopers’ (2009) 39 Film & History: An Interdisciplinary Journal of Film and Television Studies 17
Agee, James, ‘Comedy’s Greatest Era (1949) in Agee on Film: [Vol.1]: [Criticism]’, Agee on film: [Vol.1]: [Criticism] (P Owen 1963)
Akass, Kim and McCabe, Janet, Reading Six Feet under: TV to Die For (IB Tauris 2005)
Allen, Michael, Contemporary US Cinema, vol Inside film (Longman 2003)
Allen, Robert Clyde, Channels of Discourse, Reassembled: Television and Contemporary Criticism (2nd ed, Routledge 1992)
Altman, Rick, The American Film Musical (Indiana University Press 1987)
Altman, Robert and others, Nashville (Paramount 2000)
Altman, Robert, Naughton, Edmund, and Foster, David, ‘McCabe and Mrs. Miller’
Anderson, Christopher, Hollywood TV: The Studio System in the Fifies, vol Texas film studies series (University of Texas Press 1994)
Arbuckle, Roscoe and Keaton, Buster, ‘Buster Keaton: The Complete Short Films 1917-1923, Disc 1’
Arbuckle, Roscoe, Keaton, Buster, and Cline, Edward, ‘Buster Keaton: The Complete Short Films 1917-1923, Disc 2’
Avildsen, John G. and others, ‘Rocky’
Avilés, Angel and Anders, Allison, ‘Mi Vida Loca =: My Crazy Life’
Bacon, Lloyd and others, ‘42nd Street’
——, ‘Footlight Parade’
Badham, John and others, ‘Saturday Night Fever’
Baker, M. Joyce, Images of Women in Film: The War Years, 1941-1945, vol Studies in American history and culture (UMI Research Press 1980)
Balio, Tino, The American Film Industry (Rev.ed, University of Wisconsin Press 1985) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5663338460002746&institutionId=2746&customerId=2745>
——, Grand Design: Hollywood as a Modern Business Enterprise, 1930-1939, vol History of the American cinema (Charles Scribners’ Sons 1993) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5660663510002746&institutionId=2746&customerId=2745>
——, Grand Design: Hollywood as a Modern Business Enterprise, 1930-1939, vol History of the American cinema (Charles Scribners’ Sons 1993) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5660663200002746&institutionId=2746&customerId=2745>
Ball, Alan and others, ‘Six Feet under: The Complete First Series’
——, ‘Six Feet under: The Complete Second Series’
——, ‘Six Feet under: The Complete Fourth Series’
——, ‘Six Feet under: The Complete Third Series’
——, ‘Six Feet under: The Complete Fifth Series’
——, ‘True Blood: The Complete First Season’
Barsam, Richard Meran, Monahan, Dave, and Gocsik, Karen M., Looking at Movies: An Introduction to Film (3rd ed, WW Norton 2010)
Baudrillard, Jean, The Gulf War Did Not Take Place (Power Publishers 1995)
Becker, Karin E. and Lange, Dorothea, Dorothea Lange and the Documentary Tradition (Louisiana State University Press 1980)
Belton J, ‘Glorious Technicolor, Breathtaking CinemaScope and Stereophonic Sound: Hollywood in the Age of Television’, Hollywood in the age of television (Unwin Hyman 1990)
——, ‘Film Noir: Something in the Night in American Cinema/American Culture’, American cinema/American culture (3rd ed. rev, McGraw-Hill 2009)
——, ‘The 1960s: The Counterculture Strikes Back in American Cinema/American Culture’, American cinema/American culture (3rd ed. rev, McGraw-Hill 2009)
——, ‘The Film School Generation in American Cinema/American Culture’, American cinema/American culture (3rd ed. rev, McGraw-Hill 2009)
——, ‘The Musical in American Cinema/American Culture’, American cinema/American culture (3rd ed. rev, McGraw-Hill 2009)
——, ‘The Studio System in American Cinema/American Culture’, American cinema/American culture (3rd ed. rev, McGraw-Hill 2009)
——, ‘Classical Hollywood Cinema: Narration in American Cinema/American Culture’, American cinema/American culture (4th ed. International edition, McGraw-Hill [distributor] 2013)
——, ‘The Emergence of Cinema as an Institution in American Cinema/American Culture’, American cinema/American culture (4th ed. International edition, McGraw-Hill [distributor] 2013)
Belton, John, Widescreen Cinema (Harvard University Press 1992)
——, American Cinema/American Culture (4th ed. International edition, McGraw-Hill Higher Education 2013)
Benshoff, Harry M. and Griffin, Sean, America on Film: Representing Race, Class, Gender, and Sexuality at the Movies (2nd ed, Wiley-Blackwell 2009)
——, America on Film: Representing Race, Class, Gender, and Sexuality at the Movies (2nd ed, Wiley-Blackwell 2009)
Bergman, Andrew, We’re in the Money: Depression America and Its Films, vol Harper colophon books (Harper and Row 1972)
Berkeley, Busby and others, ‘Gold Diggers of 1935’
——, ‘The Busby Berkeley Disc’
Bernardi, Daniel, The Persistence of Whiteness: Race and Contemporary Hollywood Cinema (Routledge 2008)
Biesen, Sheri Chinen, Blackout: World War II and the Origins of Film Noir (Johns Hopkins University Press 2005)
Bigelow, Kathryn and others, ‘Strange Days’
Biskind P, ‘Jaws Between the Teeth’ [1975] Jump Cut: a review of contemporary media 1
Biskind, Peter, Seeing Is Believing: How Hollywood Taught Us to Stop Worrying and Love the Fifties (Pluto Press 1984)
——, Easy Riders, Raging Bulls: How the Sex ‘n’ Drugs ‘n’ Rock ‘n’ Roll Generation Saved Hollywood (Bloomsbury 1998)
Boddy W, ‘The Studios Move into Prime Time: Hollywood and the Television Industry in the 1950s: Hollywood: Critical Concepts in Media and Cultural Studies, Volume 1: Historical Dimensions: The Development of the American Film Industry’, Hollywood: critical concepts in media and cultural studies, Volume 1: Historical dimensions: the development of the American film industry, vol Critical concepts in media and cultural studies (Routledge 2004)
Bogdanovich, Peter and others, ‘The Last Picture Show’
Bogost, Ian, Persuasive Games: The Expressive Power of Videogames (MIT Press 2007) <http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10190451>
Bordwell D, ‘An Excessively Obvious Cinema in The Classical Hollywood Cinema: Film Style & Mode of Production to 1960’, The classical Hollywood cinema: film style & mode of production to 1960 (Routledge & Kegan Paul 1985) <https://blackboard.le.ac.uk/bbcswebdav/pid-522062-dt-content-rid-641026_5/library/eReserves/HA2224/HA2224%20-%20Doc%2013.pdf>
——, ‘Classical Narration: The Hollywood Example: Chapter’, Narration in the fiction film (Methuen 1985) <http://site.ebrary.com/lib/leicester/Doc?id=10769162>
Bordwell D and Thompson K, ‘Narrative as a Formal System in Film Art: An Introduction’, Film art: an introduction (7th ed, McGraw-Hill 2004)
——, ‘The Development of the Classical Hollywood Cinema: Chapter’, Film art: an introduction (10th ed., international ed, McGraw-Hill 2013)
Bordwell, David and Thompson, Kristin, Film Art: An Introduction (9th ed, McGraw-Hill 2010)
Bould, Mark, Film Noir: From Berlin to Sin City, vol Short cuts (Wallflower 2005)
Bowser, Eileen, The Transformation of Cinema, 1907-1915, vol History of the American cinema (Macmillan 1990) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5661323400002746&institutionId=2746&customerId=2745>
Bowser, Kenneth, Biskind, Peter, and Macy, William H., ‘Easy Riders, Raging Bulls: How the Sex “n” Drugs “n” Rock “n” Roll Generation Saved Hollywood’
Bratton, J. S., Cook, Jim, and Gledhill, Christine, Melodrama: Stage, Picture, Screen (British Film Institute 1994)
Braunstein, Peter and Doyle, Michael W., Imagine Nation: The American Counterculture of the 1960s and ’70s (Routledge 2002)
British Film Institute, ‘Early Cinema: Primitives and Pioneers’
Brook, Vincent, Driven to Darkness: Jewish Émigré Directors and the Rise of Film Noir (Rutgers University Press 2009) <http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10367248>
Brownlow K, ‘Buster Keaton in The Parade’s Gone By’, The parade’s gone by (Secker & Warburg 1968)
Brownlow, Kevin and others, ‘Buster Keaton, a Hard Act to Follow’
Brownlow, Kevin, Gill, David, and Anderson, Lindsay, ‘D.W. Griffith: Father of Film’
Bruckman, Clyde and others, ‘Harold Lloyd: The Definitive Collection, Disc 8’
Bruzzi S, ‘Revolution and Feminist Unrest: Fatherhood Under Attack in the 1960s and 1970s in Bringing up Daddy: Fatherhood and Masculinity in Post-War Hollywood’, Bringing up daddy: fatherhood and masculinity in post-war Hollywood (bfi publishing 2005)
Bruzzi, Stella, Bringing up Daddy: Fatherhood and Masculinity in Post-War Hollywood (bfi publishing 2005)
Buckland, Warren, Directed by Steven Spielberg: Poetics of the Contemporary Hollywood Blockbuster (Continuum 2006)
——, Film Theory and Contemporary Hollywood Movies (Routledge 2009)
Burnett C, ‘Killer of Sheep’
Burnett, Charles and others, ‘To Sleep with Anger’
Burton, Tim and others, ‘Mars Attacks!’
Byars, Jackie, All That Hollywood Allows: Re-Reading Gender in 1950s Melodrama (Routledge 1991)
Cagin, Seth, Dray, Philip, and Cagin, Seth, Born to Be Wild: Hollywood and the Sixties Generation (2nd ed, Coyote Books 1994)
Cameron, Ian, The Movie Book of Film Noir (Studio Vista 1992)
Cameron, James and others, ‘Terminator 2: Judgment Day’
——, ‘Aliens’
Cameron, James, Hamilton, Linda, and Schwarzenegger, Arnold, ‘The Terminator’
Capra, Frank, ‘Why We Fight: Divide and Conquer and The Battle of Britain’
——, ‘Why We Fight: Prelude to War and The Nazis Strike’
——, ‘Why We Fight: The Battle of China and War Comes to America’
——, ‘Why We Fight: The Battle of Russia’
——, ‘The Strong Man’
——, ‘Long Pants’
——, ‘It Happened One Night’
——, ‘Mr Smith Goes to Washington’
Carter, Helena, Hunt, Jimmy, and Menzies, William Cameron, ‘Invaders from Mars’
Casper, Drew, Hollywood Film 1963-1976: Years of Revolution and Reaction (Wiley-Blackwell 2011) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=675252>
Cassidy SB, ‘The Videogame as Narrative’ (2011) 28 Quarterly Review of Film and Video 292
Chambers SA, ‘Telepistemology of the Closet; or, The Queer Politics of Six Feet Under’ (2003) 26 The Journal of American Culture 24
Chaplin C, ‘Chaplin at Keystone’
——, ‘Charlie Chaplin - The Essanay Films (Vol 1)’
——, ‘Charlie Chaplin - The Essanay Films (Vol 2)’
——, ‘The Mutual Films (Vol 1)’
——, ‘The Mutual Films (Vol 2)’
Chaplin, Charles and Swain, Mack, ‘The Gold Rush’
Chapman, James, War and Film, vol Locations (Reaktion 2007) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664525050002746&institutionId=2746&customerId=2745>
Chase C, ‘His Wooden Wedding: Audio-Visual Document’
Chase, David, Gandolfini, James, and Bracco, Lorraine, ‘The Sopranos: Complete Series 1’
Chopra-Gant, Mike, Hollywood Genres and Postwar America: Masculinity, Family and Nation in Popular Movies and Film Noir, vol Cinema and society (IB Tauris 2006)
Cochran, David, America Noir: Underground Writers and Filmmakers of the Postwar Era (Smithsonian Institution Press 2000)
Cohan, Steven, Hollywood Musicals, the Film Reader, vol In focus: Routledge film readers (Routledge 2002)
Cohan, Steven and Hark, Ina Rae, The Road Movie Book (Routledge 1997)
Collins J, ‘Genericity in the Nineties: Eclectic Irony and the New Sincerity: Chapter’, Film theory goes to the movies, vol AFI film readers (Routledge 1993) <http://ezproxy.lib.le.ac.uk/login?url=http://lib.myilibrary.com?id=395546>
Connelly, Joe and Mathers, Jerry, ‘The Black Eye, Episode’
Coogan, Jackie and Chaplin, Charles, ‘The Kid’
Cook D, ‘The New American Cinema in A History of Narrative Film’, A history of narrative film (3rd ed, WW Norton 1996)
Cook, David A., Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970-1979, vol History of the American cinema (University of California Press 2002)
Cook, Pam and British Film Institute, The Cinema Book (3rd ed, British Film Institute 2007)
Copjec, Joan, Shades of Noir: A Reader (Verso 1993)
Coppola, Francis Ford and others, ‘The Godfather’
——, ‘The Godfather: Part II’
Cornea, Christine, Science Fiction Cinema: Between Fantasy and Reality (Edinburgh University Press 2007)
——, Science Fiction Cinema: Between Fantasy and Reality (Edinburgh University Press 2007) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664142130002746&institutionId=2746&customerId=2745>
Corrigan T, ‘Genre, Gender and Hysteria: The Road Movie in Outer Space in A Cinema without Walls: Movies and Culture after Vietnam’, A cinema without walls: movies and culture after Vietnam (Routledge 1991)
Cossar H, ‘Emerging Stylistic Norms in CinemaScope: Genre and Authorship in the Films of Otto Preminger, Nicholas Ray, Frank Tashlin and Douglas Sirk: Chapter’, Letterboxed: the evolution of widescreen cinema (University Press of Kentucky 2011) <http://site.ebrary.com/lib/leicester/Doc?id=10481057>
Cowie E, ‘Storytelling: Classical Hollywood Cinema and Classical Narrative: Contemporary Hollywood Cinema’, Contemporary Hollywood cinema (Routledge 1998) <http://site.ebrary.com/lib/leicester/Doc?id=10688216>
Crafton D, ‘Pie and Chase: Gag, Spectacle and Narrative in Slapstick Comedy in Classical Hollywood Comedy’, Classical Hollywood comedy, vol AFI film readers (Routledge 1995) <https://blackboard.le.ac.uk/bbcswebdav/pid-425102-dt-content-rid-586329_5/library/eReserves/HA2224/HA2224%20-%20Doc%2014.pdf>
Crafton, Donald, The Talkies: American Cinema’s Transition to Sound, 1926-1931, vol History of the American cinema (Charles Scribner’s Sons 1997) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5663963630002746&institutionId=2746&customerId=2745>
Creeber, Glen, Serial Television: Big Drama on the Small Screen (BFI Publishing 2004)
——, Small Screen Aesthetics: From Tv to the Internet (British Film Institute book published by Palgrave Macmillan 2013)
——, The Television Genre Book (British Film Institute 2001)
Cripps, Thomas, Making Movies Black: The Hollywood Message Movie from World War Two to the Civil Rights Era (Oxford University Press 1993) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662839650002746&institutionId=2746&customerId=2745>
Crogan, Patrick, Gameplay Mode: War, Simulation, and Technoculture, vol Electronic mediations (University of Minnesota Press 2011) <http://site.ebrary.com/lib/leicester/Doc?id=10534335>
Cronenberg, David, Harry, Deborah, and Woods, James, ‘Videodrome’
Cruise, Tom and others, ‘War of the Worlds [2005]’
Currell, Susan, American Culture in the 1920s, vol Twentieth-century American culture (Edinburgh University Press 2009)
——, American Culture in the 1920s, vol Twentieth-century American culture (Edinburgh University Press 2009)
Curtin, Michael and Shattuc, Jane, The American Television Industry, vol International screen industries (BFI 2009)
Curtis, James, Mind’s Eye, Minds’s Truth: FSA Photography Reconsidered (Temple University Press 1989)
Curtiz, Michael and others, ‘The Adventures of Robin Hood [1938]’
——, ‘Casablanca’
——, ‘Mildred Pierce [1945]’
——, ‘Angels with Dirty Faces’
Dale, Alan S., Comedy Is a Man in Trouble: Slapstick in American Movies (University of Minnesota Press 2000)
Daniel, Pete, Official Images: New Deal Photography (Smithsonian Institution Press 1987)
Daniels, Marc and others, ‘I Love Lucy: The Complete First Season, Discs 1 and 2’
——, ‘I Love Lucy: The Complete First Season, Discs 3 and 4’
Daniels, Marc, Ball, Lucille, and Arnaz, Desi, ‘I Love Lucy: The Complete First Season, Disc 7’
——, ‘I Love Lucy: The Complete First Season, Discs 5 and 6’
Dardis, Tom, Keaton: The Man Who Wouldn’t Lie Down (Deutsch 1979)
Darley, Andrew, Visual Digital Culture: Surface Play and Spectacle in New Media Genres, vol Sussex studies in culture and communication (Routledge 2000) <http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=5001435>
Dassin, Jules and others, ‘Thieves’ Highway’
Davidov, Judith Fryer, Women’s Camera Work: Self/Body/Other in American Visual Culture, vol New Americanists (Duke University Press 1998)
Davies, Jude, Gender, Ethnicity and Sexuality in Contemporary American Film, vol British Association for American Studies paperbacks (Keele University Press 1997)
Davis, Peter, ‘Hearts and Minds’
Demme, Ted and LaGravenese, Richard, ‘A Decade under the Influence: The 70’s Films That Changed Everything’
Denzin NK, ‘The Cinematic Racial Order: Reading Race: Hollywood and the Cinema of Racial Violence’, Reading race: Hollywood and the cinema of racial violence, vol Theory, culture&society (Unnumbered) (SAGE 2002) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665911760002746&institutionId=2746&customerId=2745>
Denzin, Norman K., ‘Do the Right Thing: Race in the USA in Images of Postmodern Society: Social Theory and Contemporary Cinema’, Images of postmodern society: social theory and contemporary cinema, vol Theory, culture&society (Sage Publications 1991)
Dexter, Maury and others, ‘The Wild Angels’
Diawara, Manthia, Black American Cinema, vol AFI film readers (Routledge 1993)
Dimendberg, Edward, Film Noir and the Spaces of Modernity (Harvard University Press 2004)
Dixon, Wheeler Winston, American Cinema of the 1940’s: Themes and Variations, vol Screen decades: American culture / American cinema (Berg 2006)
Dmytryk, Edward and others, Crossfire (Turner Home Entertainment 2005)
Donalson, Melvin Burke, Black Directors in Hollywood (1st ed, University of Texas Press 2003)
Donovan, Tristan, Replay: The History of Video Games (Yellow Ant 2010)
Dyer R, ‘Entertainment and Utopia in Movies and Methods II: An Anthology’, Movies and methods: an anthology (University of California Press 1976) <https://blackboard.le.ac.uk/bbcswebdav/pid-340753-dt-content-rid-499834_5/library/eReserves/HA2224/HA2224%20-%20Doc%2012.pdf>
Dyson, Michael Eric, Reflecting Black: African-American Cultural Criticism, vol American culture (University of Minnesota Press 1993)
——, Reflecting Black: African-American Cultural Criticism, vol American culture (University of Minnesota Press 1993) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5660640790002746&institutionId=2746&customerId=2745>
Ebert R, ‘Okay, Kids, Play on My Lawn | Roger Ebert’s Journal | Roger Ebert’ (1AD) <http://www.rogerebert.com/rogers-journal/okay-kids-play-on-my-lawn>
Edgerton, Gary R. and Jones, Jeffrey P., The Essential HBO Reader, vol Essential readers in contemporary media and culture (University Press of Kentucky 2008) <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1250652>
Edwards, Harry and others, ‘Tramp, Tramp, Tramp’
Eldridge D, ‘Film and Photography, Chapter’, American culture in the 1930s, vol Twentieth-century American culture (Edinburgh University Press 2008) <http://site.ebrary.com/lib/leicester/Doc?id=10257689>
Elsaesser T, ‘Tales of Sound and Fury: Some Observations on the Family Melodrama: Chapter’, Home is Where the Heart Is: Studies in Melodrama and the Woman’s Film (BFI Publishing 1987)
——, ‘The Mind-Game Film, Chapter’, Puzzle films: complex storytelling in contemporary cinema (Wiley-Blackwell 2009) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664681640002746&institutionId=2746&customerId=2745>
Elsaesser, Thomas and Barker, Adam, Early Cinema: Space, Frame, Narrative (BFI Publishing 1990)
Enright, Ray and others, ‘Dames’
Evans, Peter William, Written on the Wind, vol BFI film classics (A BFI book published by Palgrave Macmillan 2013)
Evans, Walker and others, Walker Evans (Metropolitan Museum of Art in association with Princeton University Press, Princeton 2000)
Farrell, Glenda, Muni, Paul, and LeRoy, Mervyn, ‘I Am a Fugitive from a Chain Gang’
Fay, Jennifer and Nieland, Justus, Film Noir: Hard-Boiled Modernity and the Cultures of Globalization, vol Routledge film guidebooks (Routledge 2010)
Feuer, Jane and British Film Institute, The Hollywood Musical, vol BFI cinema series (2nd ed, Macmillan 1993)
‘Film Quarterly - Special Issue on The Wire’ (2008) 62
‘Film Studies For Free’ <http://filmstudiesforfree.blogspot.co.uk/>
Fischer, Lucy, Imitation of Life: Douglas Sirk, Director, vol Rutgers films in print (Rutgers University Press 1991)
Fiske, John, Television Culture (2nd ed, Routledge 2011) <http://ezproxy.lib.le.ac.uk/login?url=http://www.myilibrary.com?id=292966>
——, Television Culture (2nd ed, Routledge 2011) <http://ezproxy.lib.le.ac.uk/login?url=http://www.myilibrary.com?id=292966>
Fitzgerald, Barry, Duff, Howard, and Dassin, Jules, ‘The Naked City’
Foertsch, Jacqueline, American Culture in the 1940s, vol Twentieth-century American culture (Edinburgh University Press 2008) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664157320002746&institutionId=2746&customerId=2745>
Foertsch, Jacqueline and EBSCO ebook, American Culture in the 1940s, vol Twentieth-century American culture (Edinburgh University Press 2008)
Fonda, Peter and others, ‘Easy Rider’
——, ‘The Trip’
Ford, Harrison and others, ‘Blade Runner: The Final Cut’
Ford, John and others, ‘Stagecoach’
——, ‘The Grapes of Wrath’
Frankenheimer, John and others, ‘The Golden Age of Television: Disc 3: The Comedian, Days of Wine and Roses’
Friedman, Lester D., Unspeakable Images: Ethnicity and the American Cinema (University of Illinois Press 1991)
——, Bonnie and Clyde, vol BFI film classics (BFI Publishing 2000)
——, American Cinema of the 1970s: Themes and Variations, vol Screen decades (Rutgers University Press 2007)
——, American Cinema of the 1970s: Themes and Variations (Berg 2007)
Friedman, Lester D. and Penn, Arthur, Arthur Penn’s ‘Bonnie and Clyde’, vol Cambridge film handbooks (Cambridge University Press 2000)
Gabbard, Krin, Black Magic: White Hollywood and African American Culture (Rutgers University Press 2004)
Gair, Christopher, The American Counterculture (Edinburgh University Press 2007) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=286991>
Galloway, Alexander R., Gaming: Essays on Algorithmic Culture, vol Electronic mediations (University of Minnesota Press 2006) <http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10151343>
Garnett, Tay and others, ‘The Postman Always Rings Twice’
Gaudreault, André, American Cinema, 1890-1909: Themes and Variations, vol Screen decades: American culture / American cinema (Rutgers University Press 2009)
Geraghty, Lincoln, American Science Fiction Film and Television (Berg 2009)
——, American Science Fiction Film and Television (Berg 2009)
Gillan, Jennifer, Television and New Media: Must-Click TV (Routledge 2011)
Gladfelder H, ‘Sherlock Jr.: The Screen and the Mirror: Chapter’, Film analysis: a Norton reader (WW Norton 2005)
Gledhill, Christine and British Film Institute, Home Is Where the Heart Is: Studies in Melodrama and the Woman’s Film (BFI Publishing 1987)
Gomery D, ‘The Classic Studio Era: The Hollywood Studio System: A History’, The Hollywood studio system: a history ([New ed], BFI 2005) <https://blackboard.le.ac.uk/bbcswebdav/pid-522058-dt-content-rid-641021_5/library/eReserves/HA2224/HA2224%20-%20Doc%2007.pdf>
Gomery, Douglas and Hockley, Luke, Television Industries (BFI/British Film Institute 2006)
Gordon, Colin, ‘Responding to the Crash in Major Problems in American History, 1920-1945: Documents and Essays’, Major problems in American history, 1920-1945: documents and essays, vol Major problems in American history (Houghton Mifflin 1999)
Grant, Barry Keith, American Cinema of the 1960s: Themes and Variations, vol Screen decades: American culture / American cinema (Rutgers University Press 2008)
——, The Hollywood Film Musical, vol New approaches to film genre (Wiley-Blackwell 2012) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664139230002746&institutionId=2746&customerId=2745>
Green, Alfred E., Stanwyck, Barbara, and Brent, George, ‘Baby Face’
Grieveson, Lee and Krämer, Peter, The Silent Cinema Reader (Routledge 2004)
Griffith, D. W. and others, ‘The Birth of a Nation’
——, ‘D.W. Griffith: Years of Discovery 1909-1913’
Griffith, D. W. and Gish, Lillian, ‘Intolerance’
Griffith DW, ‘Musketeers of Pig Alley: Audio-Visual Document’
Gripsrud, Jostein, ‘Lavik, Erlend Forward to the Past: The Strange Case of The Wire in Relocating Television: Television in the Digital Context’, Relocating television: television in the digital context, vol Comedia (Routledge 2010)
Guerrero E, ‘A Circus of Dreams and Lies: The Black Film Wave at Middle Age in The New American Cinema’, The new American cinema (Duke University Press 1998)
Guerrero, Ed and Lee, Spike, Do the Right Thing, vol British Film Institute (British Film Institute 2001)
Gunning T, ‘Early American Film in The Oxford Guide to Film Studies’, The Oxford guide to film studies (Oxford University Press 1998)
Gunning, Tom, D.W. Griffith and the Origins of American Narrative Film: The Early Years at Biograph (University of Illinois Press 1994)
Halliwell M, American Culture in the 1950s (Edinburgh University Press 2007) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=292360>
Hammond, Michael and Mazdon, Lucy, The Contemporary Television Series (Edinburgh University Press 2005)
Hammond, Michael and Williams, Linda Ruth, Contemporary American Cinema (Open University Press 2006) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662275430002746&institutionId=2746&customerId=2745>
Hansen L, ‘Feminism in the Fascist Utopia: Gender and World Order in Starship Troopers’ (2001) 3 International Feminist Journal of Politics 275
Hark, Ina Rae and ebrary, Inc, American Cinema of the 1930s: Themes and Variations, vol Screen decades (Rutgers University Press 2007)
Harris, Jonathan, Federal Art and National Culture: The Politics of Identity in New Deal America, vol Cambridge studies in American visual culture (Cambridge University Press 1995)
Harrison, Colin, American Culture in the 1990s, vol Twentieth-century American culture (Edinburgh University Press 2010) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664015000002746&institutionId=2746&customerId=2745>
Hawks, Howard and others, ‘His Girl Friday’
——, ‘The Big Sleep’
Haynes, Todd and others, ‘Mildred Pierce [2011]’
Hayworth, Rita and others, ‘The Lady from Shanghai’
Henderson, Robert M., D.W. Griffith: The Years at Biograph (Secker and Warburg 1971)
Hill, George Roy, Newman, Paul, and Redford, Robert, ‘Butch Cassidy and the Sundance Kid’
Hill, John and Gibson, Pamela Church, The Oxford Guide to Film Studies (Oxford University Press 1998)
——, American Cinema and Hollywood: Critical Approaches (Oxford University Press 2000)
Hillier, Jim, The New Hollywood (Continuum 1992)
Hillis K, ‘Film Noir and the American Dream: The Dark Side of Enlightenment’ (2005) 55 The Velvet Light Trap 3
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——, ‘Nashville Contra Jaws, or "The Imagination of Disaster” Revisited in The Last Great American Picture Show: New Hollywood Cinema in the 1970s’, The last great American picture show: new Hollywood cinema in the 1970s (Amsterdam University Press 2004) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664782130002746&institutionId=2746&customerId=2745>
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Jaffe, Ira, Hollywood Hybrids: Mixing Genres in Contemporary Films, vol Genre and beyond (Rowman and Littlefield 2008)
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Jancovich, Mark, Lyons, James, and British Film Institute, Quality Popular Television: Cult TV, the Industry and Fans (BFI Publishing 2003)
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Johnson C, ‘It’s Not TV, It’s HBO!” Branding US Pay TV in Branding Television’, Branding television, vol Comedia (Routledge 2012)
Johnson, Catherine, Branding Television, vol Comedia (Routledge 2012)
Kaplan, E. Ann, Women in Film Noir (Rev and expanded ed, British Film Institute 1998)
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Mankiewicz, Joseph L. and others, ‘Cleopatra’
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Naremore, James, More than Night: Film Noir in Its Contexts (Updated and expanded ed, University of California Press 2008) <http://ezproxy.lib.le.ac.uk/login?url=http://www.myilibrary.com?id=235939>
Naughty Dog Inc, ‘The Last of Us’
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Polan, Dana B., Power and Paranoia: History, Narrative and the American Cinema, 1940-1950 (Columbia University Press 1986)
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Purse, Lisa, Contemporary Action Cinema (Edinburgh University Press 2011) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664157200002746&institutionId=2746&customerId=2745>
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Ray, Nicholas and others, ‘They Live by Night, and Side Street’
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Ray R, ‘A Certain Tendency of the American Cinema: Hollywood’s Formal and Thematic Paradigms in A Certain Tendency of the Hollywood Cinema, 1930-1980’, A certain tendency of the Hollywood cinema, 1930-1980 (Princeton University Press 1985)
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Reid, Mark, Redefining Black Film (University of California Press 1993)
——, Spike Lee’s ‘Do the Right Thing’, vol Cambridge film handbooks (Cambridge University Press 1997)
Richard Maltby, ‘“Film Noir”: The Politics of the Maladjusted Text’ 18 Journal of American Studies 49
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Roddick N, ‘Warner Brothers and the Studio System in A New Deal in Entertainment: Warner Brothers in the 1930s’, A new deal in entertainment: Warner Brothers in the 1930s (British Film Institute 1983) <https://blackboard.le.ac.uk/bbcswebdav/pid-814204-dt-content-rid-2056649_5/library/eReserves/HA2224/HA2224_26734.pdf>
Rose, Frank, The Art of Immersion: How the Digital Generation Is Remaking Hollywood, Madison Avenue, and the Way We Tell Stories (WW Norton 2012)
Rosenbaum J, ‘New Hollywood and the Sixties Melting Pot in The Last Great American Picture Show: New Hollywood Cinema in the 1970s’, The last great American picture show: new Hollywood cinema in the 1970s (Amsterdam University Press 2003) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664952180002746&institutionId=2746&customerId=2745>
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Rossen, Robert, Garfield, John, and Palmer, Lilli, ‘Body and Soul’
Ruggill, Judd Ethan and McAllister, Ken S., Gaming Matters: Art, Science, Magic, and the Computer Game Medium (University of Alabama Press 2011) <http://site.ebrary.com/lib/leicester/Doc?id=10527805>
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Ryan, Shawn, Dent, Catherine, and Chiklis, Michael, ‘The Shield: Season One’
Schatz T, ‘The Family Melodrama: Chapter’, Hollywood genres: formulas, filmmaking, and the studio system (McGraw-Hill 1981) <https://blackboard.le.ac.uk/bbcswebdav/library/eReserves/HA2224/HA2224_32731.pdf>
——, ‘The Musical in Hollywood Genres: Formulas, Filmmaking, and the Studio System’, Hollywood genres: formulas, filmmaking, and the studio system (McGraw-Hill 1981)
——, ‘The New Hollywood in Film Theory Goes to the Movies’, Film theory goes to the movies, vol AFI film readers (Routledge 1993) <https://blackboard.le.ac.uk/bbcswebdav/pid-522056-dt-content-rid-641020_5/library/eReserves/HA2224/HA2224-doc%2005.pdf>
——, ‘The Whole Equation of Pictures: The Genius of the System: Hollywood Filmmaking in the Studio Era’, The genius of the system: Hollywood filmmaking in the studio era (Faber and Faber 1998) <https://blackboard.le.ac.uk/bbcswebdav/pid-522059-dt-content-rid-642114_5/library/eReserves/HA2224/HA2224%20Doc%2008.pdf>
Schatz, Thomas, Boom and Bust: American Cinema in the 1940s, vol History of the American cinema (University of California Press 1997)
Scheers, Rob van, Paul Verhoeven: The Authorized Biography (Faber 1998)
Schickel, Richard, D.W. Griffith: An American Life (Limelight Editions 1996)
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Scorsese, Martin and others, ‘Taxi Driver’
Shary, Timothy, Millennial Masculinity: Men in Contemporary American Cinema, vol Contemporary approaches to film and media series (Wayne State University Press 2013) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664083560002746&institutionId=2746&customerId=2745>
Shiel M, ‘American Cinema, 1970-75 in Contemporary American Cinema’, Contemporary American cinema (Open University Press 2006)
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Shindler, Colin, Hollywood in Crisis: Cinema and American Society, 1929-1939, vol Cinema and society (Routledge 1996)
——, Hollywood in Crisis: Cinema and American Society, 1929-1939, vol Cinema and society (Routledge 1996) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5661396860002746&institutionId=2746&customerId=2745>
Siegfried Kracauer, ‘Hollywood’s Terror Films: Do They Reflect an American State of Mind?’ [2003] New German Critique 105 <http://www.jstor.org/stable/3211147>
Silver, Alain and Ursini, James, Film Noir Reader (Limelight Editions 1996)
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Silver, Alain, Ursini, James, and Porfirio, Robert, Film Noir Reader 3: Interviews with Filmmakers of the Classic Noir Period (Limelight 2001)
Silver, Alain and Ward, Elizabeth, Film Noir: An Encyclopedic Reference to the American Style (Overlook Press 1979)
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