Bibliography for HA2224 American Film and Visual Culture BETA

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Agee, James. ‘Comedy’s Greatest Era (1949) in Agee on Film: [Vol.1]: [Criticism]’. Agee on Film: [Vol.1]: [Criticism]. London: P. Owen, 1963. Print.

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Allen, Michael. Contemporary US Cinema. Inside film. Harlow: Longman, 2003. Print.

Allen, Robert Clyde. Channels of Discourse, Reassembled: Television and Contemporary Criticism. 2nd ed. London: Routledge, 1992. Print.

Altman, Rick. The American Film Musical. Bloomington: Indiana University Press, 1987. Print.

Altman, Robert et al. Nashville. [S.l.]: Paramount, 2000. Print.

Altman, Robert, Naughton, Edmund, and Foster, David. ‘McCabe and Mrs. Miller’. 2003 : n. pag. Print.

Anderson, Christopher. Hollywood TV: The Studio System in the Fifies. Texas film studies series. Austin, Texas: University of Texas Press, 1994. Print.

Arbuckle, Roscoe and Keaton, Buster. ‘Buster Keaton: The Complete Short Films 1917-1923, Disc 1’. 2006 : n. pag. Print.

Arbuckle, Roscoe, Keaton, Buster, and Cline, Edward. ‘Buster Keaton: The Complete Short Films 1917-1923, Disc 2’. 2006 : n. pag. Print.

Avildsen, John G. et al. ‘Rocky’. 1976 : n. pag. Print.

Avilés, Angel and Anders, Allison. ‘Mi Vida Loca =: My Crazy Life’. : n. pag. Print.

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Bacon, Lloyd, Berkeley, Busby, et al. ‘Footlight Parade’. 2006 : n. pag. Print.

Badham, John et al. ‘Saturday Night Fever’. 2002 : n. pag. Print.

Baker, M. Joyce. Images of Women in Film: The War Years, 1941-1945. Studies in American history and culture. Ann Arbor, Mich: UMI Research Press, 1980. Print.

Balio, Tino. Grand Design: Hollywood as a Modern Business Enterprise, 1930-1939. History of the American cinema. New York, N.Y.: Charles Scribners’ Sons, 1993. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5660663510002746&institutionId=2746&customerId=2745>.

---. Grand Design: Hollywood as a Modern Business Enterprise, 1930-1939. History of the American cinema. New York, N.Y.: Charles Scribners’ Sons, 1993. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5660663200002746&institutionId=2746&customerId=2745>.

---. The American Film Industry. Rev.ed. London: University of Wisconsin Press, 1985. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5663338460002746&institutionId=2746&customerId=2745>.

Ball, Alan, Krause, Peter, et al. ‘Six Feet under: The Complete Fifth Series’. 2006 : n. pag. Print.

---. ‘Six Feet under: The Complete First Series’. 2003 : n. pag. Print.

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---. ‘Six Feet under: The Complete Second Series’. 2004 : n. pag. Print.

---. ‘Six Feet under: The Complete Third Series’. 2005 : n. pag. Print.

Ball, Alan, Paquin, Anna, et al. ‘True Blood: The Complete First Season’. 2008 : n. pag. Print.

Barsam, Richard Meran, Monahan, Dave, and Gocsik, Karen M. Looking at Movies: An Introduction to Film. 3rd ed. New York, N.Y.: W.W. Norton, 2010. Print.

Baudrillard, Jean. The Gulf War Did Not Take Place. Sudney: Power Publishers, 1995. Print.

Becker, Karin E. and Lange, Dorothea. Dorothea Lange and the Documentary Tradition. Baton Rouge: Louisiana State University Press, 1980. Print.

Belton, John. American Cinema/American Culture. 4th ed. International edition. London: McGraw-Hill Higher Education, 2013. Print.

Belton, John. ‘Classical Hollywood Cinema: Narration in American Cinema/American Culture’. American Cinema/American Culture. 4th ed. International edition. London: McGraw-Hill [distributor], 2013. Print.

---. ‘Film Noir: Something in the Night in American Cinema/American Culture’. American Cinema/American Culture. 3rd ed. rev. Boston, Mass: McGraw-Hill, 2009. Print.

---. ‘Glorious Technicolor, Breathtaking CinemaScope and Stereophonic Sound: Hollywood in the Age of Television’. Hollywood in the Age of Television. Boston, Mass: Unwin Hyman, 1990. 185–211. Print.

---. ‘The 1960s: The Counterculture Strikes Back in American Cinema/American Culture’. American Cinema/American Culture. 3rd ed. rev. Boston, Mass: McGraw-Hill, 2009. Print.

---. ‘The Emergence of Cinema as an Institution in American Cinema/American Culture’. American Cinema/American Culture. 4th ed. International edition. London: McGraw-Hill [distributor], 2013. Print.

---. ‘The Film School Generation in American Cinema/American Culture’. American Cinema/American Culture. 3rd ed. rev. Boston, Mass: McGraw-Hill, 2009. Print.

---. ‘The Musical in American Cinema/American Culture’. American Cinema/American Culture. 3rd ed. rev. Boston, Mass: McGraw-Hill, 2009. Print.

---. ‘The Studio System in American Cinema/American Culture’. American Cinema/American Culture. 3rd ed. rev. Boston, Mass: McGraw-Hill, 2009. Print.

Belton, John. Widescreen Cinema. Cambridge, Mass: Harvard University Press, 1992. Print.

Benshoff, Harry M. and Griffin, Sean. America on Film: Representing Race, Class, Gender, and Sexuality at the Movies. 2nd ed. Oxford: Wiley-Blackwell, 2009. Print.

---. America on Film: Representing Race, Class, Gender, and Sexuality at the Movies. 2nd ed. Oxford: Wiley-Blackwell, 2009. Print.

Bergman, Andrew. We’re in the Money: Depression America and Its Films. Harper colophon books. London: Harper and Row, 1972. Print.

Berkeley, Busby, Warren, Harry, Dubin, Al, Powell, Dick, et al. ‘Gold Diggers of 1935’. 2006 : n. pag. Print.

Berkeley, Busby, Warren, Harry, Dubin, Al, Fain, Sammy, et al. ‘The Busby Berkeley Disc’. 2006 : n. pag. Print.

Bernardi, Daniel. The Persistence of Whiteness: Race and Contemporary Hollywood Cinema. London: Routledge, 2008. Print.

Biesen, Sheri Chinen. Blackout: World War II and the Origins of Film Noir. Baltimore, Md: Johns Hopkins University Press, 2005. Print.

Bigelow, Kathryn et al. ‘Strange Days’. 1995 : n. pag. Print.

Biskind, Peter. Easy Riders, Raging Bulls: How the Sex ‘n’ Drugs ‘n’ Rock ‘n’ Roll Generation Saved Hollywood. London: Bloomsbury, 1998. Print.

Biskind, Peter. ‘Jaws Between the Teeth’. Jump Cut: a review of contemporary media 9 (1975): 1–26. Print.

Biskind, Peter. Seeing Is Believing: How Hollywood Taught Us to Stop Worrying and Love the Fifties. London: Pluto Press, 1984. Print.

Boddy, William. ‘The Studios Move into Prime Time: Hollywood and the Television Industry in the 1950s: Hollywood: Critical Concepts in Media and Cultural Studies, Volume 1: Historical Dimensions: The Development of the American Film Industry’. Hollywood: Critical Concepts in Media and Cultural Studies, Volume 1: Historical Dimensions: The Development of the American Film Industry. Critical concepts in media and cultural studies. London: Routledge, 2004. 255–269. Print.

Bogdanovich, Peter et al. ‘The Last Picture Show’. 2010 : n. pag. Print.

Bogost, Ian. Persuasive Games: The Expressive Power of Videogames. Cambridge, MA: MIT Press, 2007. Web. <http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10190451>.

Bordwell, David. ‘An Excessively Obvious Cinema in The Classical Hollywood Cinema: Film Style & Mode of Production to 1960’. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. London: Routledge & Kegan Paul, 1985. 3–12. Web. <https://blackboard.le.ac.uk/bbcswebdav/pid-522062-dt-content-rid-641026_5/library/eReserves/HA2224/HA2224%20-%20Doc%2013.pdf>.

---. ‘Classical Narration: The Hollywood Example: Chapter’. Narration in the Fiction Film. London: Methuen, 1985. 156–166. Web. <http://site.ebrary.com/lib/leicester/Doc?id=10769162>.

Bordwell, David and Thompson, Kristin. Film Art: An Introduction. 9th ed. New York, N.Y.: McGraw-Hill, 2010. Print.

Bordwell, David, and Kristin Thompson. ‘Narrative as a Formal System in Film Art: An Introduction’. Film Art: An Introduction. 7th ed. Boston, Mass: McGraw-Hill, 2004. Print.

---. ‘The Development of the Classical Hollywood Cinema: Chapter’. Film Art: An Introduction. 10th ed., international ed. New York, N.Y.: McGraw-Hill, 2013. 466–469. Print.

Bould, Mark. Film Noir: From Berlin to Sin City. Short cuts. London: Wallflower, 2005. Print.

Bowser, Eileen. The Transformation of Cinema, 1907-1915. History of the American cinema. New York: Macmillan, 1990. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5661323400002746&institutionId=2746&customerId=2745>.

Bowser, Kenneth, Biskind, Peter, and Macy, William H. ‘Easy Riders, Raging Bulls: How the Sex “n” Drugs “n” Rock “n” Roll Generation Saved Hollywood’. 2006 : n. pag. Print.

Bratton, J. S., Cook, Jim, and Gledhill, Christine. Melodrama: Stage, Picture, Screen. London: British Film Institute, 1994. Print.

Braunstein, Peter and Doyle, Michael W. Imagine Nation: The American Counterculture of the 1960s and ’70s. New York: Routledge, 2002. Print.

British Film Institute. ‘Early Cinema: Primitives and Pioneers’. : n. pag. Print.

Brook, Vincent. Driven to Darkness: Jewish Émigré Directors and the Rise of Film Noir. New Brunswick, N.J.: Rutgers University Press, 2009. Web. <http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10367248>.

Brownlow, Kevin et al. ‘Buster Keaton, a Hard Act to Follow’. 1987 : n. pag. Print.

Brownlow, Kevin. ‘Buster Keaton in The Parade’s Gone By’. The Parade’s Gone By. London: Secker & Warburg, 1968. Print.

Brownlow, Kevin, Gill, David, and Anderson, Lindsay. ‘D.W. Griffith: Father of Film’. 1994 : n. pag. Print.

Bruckman, Clyde et al. ‘Harold Lloyd: The Definitive Collection, Disc 8’. 1929 : n. pag. Print.

Bruzzi, Stella. Bringing up Daddy: Fatherhood and Masculinity in Post-War Hollywood. London: bfi publishing, 2005. Print.

Bruzzi, Stella. ‘Revolution and Feminist Unrest: Fatherhood Under Attack in the 1960s and 1970s in Bringing up Daddy: Fatherhood and Masculinity in Post-War Hollywood’. Bringing up Daddy: Fatherhood and Masculinity in Post-War Hollywood. London: bfi publishing, 2005. Print.

Buckland, Warren. Directed by Steven Spielberg: Poetics of the Contemporary Hollywood Blockbuster. London: Continuum, 2006. Print.

---. Film Theory and Contemporary Hollywood Movies. London: Routledge, 2009. Print.

Burnett, Charles. ‘Killer of Sheep’. ‘Killer of sheep’ and ‘My brother’s wedding’ 1979 : n. pag. Print.

Burnett, Charles et al. ‘To Sleep with Anger’. 1990 : n. pag. Print.

Burton, Tim et al. ‘Mars Attacks!’ 1998 : n. pag. Print.

Byars, Jackie. All That Hollywood Allows: Re-Reading Gender in 1950s Melodrama. London: Routledge, 1991. Print.

Cagin, Seth, Dray, Philip, and Cagin, Seth. Born to Be Wild: Hollywood and the Sixties Generation. 2nd ed. Boca Raton, Fla: Coyote Books, 1994. Print.

Cameron, Ian. The Movie Book of Film Noir. London: Studio Vista, 1992. Print.

Cameron, James, Weaver, Sigourney, et al. ‘Aliens’. 2000 : n. pag. Print.

Cameron, James, Schwarzenegger, Arnold, et al. ‘Terminator 2: Judgment Day’. 1991 : n. pag. Print.

Cameron, James, Hamilton, Linda, and Schwarzenegger, Arnold. ‘The Terminator’. 1984 : n. pag. Print.

Capra, Frank, Adams, Samuel Hopkins, et al. ‘It Happened One Night’. 1934 : n. pag. Print.

Capra, Frank, Langdon, Harry, Brockwell, Gladys, et al. ‘Long Pants’. 1927 : n. pag. Print.

Capra, Frank, Stewart, James, et al. ‘Mr Smith Goes to Washington’. 1939 : n. pag. Print.

Capra, Frank, Langdon, Harry, Bonner, Priscilla, et al. ‘The Strong Man’. 1926 : n. pag. Print.

Capra, Frank. ‘Why We Fight: Divide and Conquer and The Battle of Britain’. 2000 : n. pag. Print.

---. ‘Why We Fight: Prelude to War and The Nazis Strike’. 2000 : n. pag. Print.

---. ‘Why We Fight: The Battle of China and War Comes to America’. 2000 : n. pag. Print.

---. ‘Why We Fight: The Battle of Russia’. 2000 : n. pag. Print.

Carter, Helena, Hunt, Jimmy, and Menzies, William Cameron. ‘Invaders from Mars’. 1953 : n. pag. Print.

Casper, Drew. Hollywood Film 1963-1976: Years of Revolution and Reaction. Oxford: Wiley-Blackwell, 2011. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=675252>.

Cassidy, Scott Brendan. ‘The Videogame as Narrative’. Quarterly Review of Film and Video 28.4 (2011): 292–306. Web.

Chambers, Samuel A. ‘Telepistemology of the Closet; or, The Queer Politics of Six Feet Under’. The Journal of American Culture 26.1 (2003): 24–41. Web.

Chaplin, Charles and Swain, Mack. ‘The Gold Rush’. 1925 : n. pag. Print.

Chaplin, Charlie. ‘Chaplin at Keystone’. 1914 : n. pag. Print.

---. ‘Charlie Chaplin - The Essanay Films (Vol 1)’. 1915 : n. pag. Print.

---. ‘Charlie Chaplin - The Essanay Films (Vol 2)’. Summer 1915 : n. pag. Print.

---. ‘The Mutual Films (Vol 1)’. Spring 1916 : n. pag. Print.

---. ‘The Mutual Films (Vol 2)’. Spring 1916 : n. pag. Print.

Chapman, James. War and Film. Locations. London: Reaktion, 2007. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664525050002746&institutionId=2746&customerId=2745>.

Chase, Charley. ‘His Wooden Wedding: Audio-Visual Document’. The Charley Chase collection: Vol. 2 1925 : n. pag. Print.

Chase, David, Gandolfini, James, and Bracco, Lorraine. ‘The Sopranos: Complete Series 1’. 2007 : n. pag. Print.

Chopra-Gant, Mike. Hollywood Genres and Postwar America: Masculinity, Family and Nation in Popular Movies and Film Noir. Cinema and society. London: I.B. Tauris, 2006. Print.

Cochran, David. America Noir: Underground Writers and Filmmakers of the Postwar Era. Washington [D.C.]: Smithsonian Institution Press, 2000. Print.

Cohan, Steven. Hollywood Musicals, the Film Reader. In focus: Routledge film readers. London: Routledge, 2002. Print.

Cohan, Steven and Hark, Ina Rae. The Road Movie Book. London: Routledge, 1997. Print.

Collins, Jim. ‘Genericity in the Nineties: Eclectic Irony and the New Sincerity: Chapter’. Film Theory Goes to the Movies. AFI film readers. New York: Routledge, 1993. 242–263. Web. <http://ezproxy.lib.le.ac.uk/login?url=http://lib.myilibrary.com?id=395546>.

Connelly, Joe and Mathers, Jerry. ‘The Black Eye, Episode’. Leave it to Beaver: the complete first season 2005 : n. pag. Print.

Coogan, Jackie and Chaplin, Charles. ‘The Kid’. 1921 : n. pag. Print.

Cook, David. ‘The New American Cinema in A History of Narrative Film’. A History of Narrative Film. 3rd ed. London: W.W. Norton, 1996. Print.

Cook, David A. Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970-1979. History of the American cinema. Berkeley, Calif: University of California Press, 2002. Print.

Cook, Pam and British Film Institute. The Cinema Book. 3rd ed. London: British Film Institute, 2007. Print.

Copjec, Joan. Shades of Noir: A Reader. London: Verso, 1993. Print.

Coppola, Francis Ford, Brando, Marlon, et al. ‘The Godfather’. 2001 : n. pag. Print.

Coppola, Francis Ford, Pacino, Al, et al. ‘The Godfather: Part II’. 2001 : n. pag. Print.

Cornea, Christine. Science Fiction Cinema: Between Fantasy and Reality. Edinburgh: Edinburgh University Press, 2007. Print.

---. Science Fiction Cinema: Between Fantasy and Reality. Edinburgh: Edinburgh University Press, 2007. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664142130002746&institutionId=2746&customerId=2745>.

Corrigan, Timothy. ‘Genre, Gender and Hysteria: The Road Movie in Outer Space in A Cinema without Walls: Movies and Culture after Vietnam’. A Cinema without Walls: Movies and Culture after Vietnam. London: Routledge, 1991. Print.

Cossar, Harper. ‘Emerging Stylistic Norms in CinemaScope: Genre and Authorship in the Films of Otto Preminger, Nicholas Ray, Frank Tashlin and Douglas Sirk: Chapter’. Letterboxed: The Evolution of Widescreen Cinema. Lexington, Ky: University Press of Kentucky, 2011. 95–84. Web. <http://site.ebrary.com/lib/leicester/Doc?id=10481057>.

Cowie, Elizabeth. ‘Storytelling: Classical Hollywood Cinema and Classical Narrative: Contemporary Hollywood Cinema’. Contemporary Hollywood Cinema. London: Routledge, 1998. 178–190. Web. <http://site.ebrary.com/lib/leicester/Doc?id=10688216>.

Crafton, Donald. ‘Pie and Chase: Gag, Spectacle and Narrative in Slapstick Comedy in Classical Hollywood Comedy’. Classical Hollywood Comedy. AFI film readers. London: Routledge, 1995. 106–119. Web. <https://blackboard.le.ac.uk/bbcswebdav/pid-425102-dt-content-rid-586329_5/library/eReserves/HA2224/HA2224%20-%20Doc%2014.pdf>.

Crafton, Donald. The Talkies: American Cinema’s Transition to Sound, 1926-1931. History of the American cinema. New York, N.Y.: Charles Scribner’s Sons, 1997. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5663963630002746&institutionId=2746&customerId=2745>.

Creeber, Glen. Serial Television: Big Drama on the Small Screen. London: BFI Publishing, 2004. Print.

---. Small Screen Aesthetics: From Tv to the Internet. [Houndmills]: British Film Institute book published by Palgrave Macmillan, 2013. Print.

---. The Television Genre Book. London: British Film Institute, 2001. Print.

Cripps, Thomas. Making Movies Black: The Hollywood Message Movie from World War Two to the Civil Rights Era. New York: Oxford University Press, 1993. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662839650002746&institutionId=2746&customerId=2745>.

Crogan, Patrick. Gameplay Mode: War, Simulation, and Technoculture. Electronic mediations. Minneapolis: University of Minnesota Press, 2011. Web. <http://site.ebrary.com/lib/leicester/Doc?id=10534335>.

Cronenberg, David, Harry, Deborah, and Woods, James. ‘Videodrome’. 1983 : n. pag. Print.

Cruise, Tom et al. ‘War of the Worlds [2005]’. : n. pag. Print.

Currell, Susan. American Culture in the 1920s. Twentieth-century American culture. Edinburgh: Edinburgh University Press, 2009. Print.

---. American Culture in the 1920s. Twentieth-century American culture. Edinburgh: Edinburgh University Press, 2009. Print.

Curtin, Michael and Shattuc, Jane. The American Television Industry. International screen industries. London: BFI, 2009. Print.

Curtis, James. Mind’s Eye, Minds’s Truth: FSA Photography Reconsidered. Philadelphia, Pa: Temple University Press, 1989. Print.

Curtiz, Michael, Cagney, James, et al. ‘Angels with Dirty Faces’. 2005 : n. pag. Print.

Curtiz, Michael, Bergman, Ingrid, et al. ‘Casablanca’. 1942 : n. pag. Print.

Curtiz, Michael, Cain, James M., et al. ‘Mildred Pierce [1945]’. 1945 : n. pag. Print.

Curtiz, Michael, Keighley, William, et al. ‘The Adventures of Robin Hood [1938]’. 1938 : n. pag. Print.

Dale, Alan S. Comedy Is a Man in Trouble: Slapstick in American Movies. Minneapolis: University of Minnesota Press, 2000. Print.

Daniel, Pete. Official Images: New Deal Photography. London: Smithsonian Institution Press, 1987. Print.

Daniels, Marc, Levy, Ralph, et al. ‘I Love Lucy: The Complete First Season, Discs 1 and 2’. 1951 : n. pag. Print.

Daniels, Marc, Asher, William, et al. ‘I Love Lucy: The Complete First Season, Discs 3 and 4’. 1951 : n. pag. Print.

Daniels, Marc, Ball, Lucille, and Arnaz, Desi. ‘I Love Lucy: The Complete First Season, Disc 7’. 1952 : n. pag. Print.

---. ‘I Love Lucy: The Complete First Season, Discs 5 and 6’. 1952 : n. pag. Print.

Dardis, Tom. Keaton: The Man Who Wouldn’t Lie Down. London: Deutsch, 1979. Print.

Darley, Andrew. Visual Digital Culture: Surface Play and Spectacle in New Media Genres. Sussex studies in culture and communication. London: Routledge, 2000. Web. <http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=5001435>.

Dassin, Jules et al. ‘Thieves’ Highway’. 2012 : n. pag. Print.

Davidov, Judith Fryer. Women’s Camera Work: Self/Body/Other in American Visual Culture. New Americanists. Durham, N.C.: Duke University Press, 1998. Print.

Davies, Jude. Gender, Ethnicity and Sexuality in Contemporary American Film. British Association for American Studies paperbacks. Edinburgh: Keele University Press, 1997. Print.

Davis, Peter. ‘Hearts and Minds’. 1974 : n. pag. Print.

Demme, Ted and LaGravenese, Richard. ‘A Decade under the Influence: The 70’s Films That Changed Everything’. 2004 : n. pag. Print.

Denzin, Norman K. ‘Do the Right Thing: Race in the USA in Images of Postmodern Society: Social Theory and Contemporary Cinema’. Images of Postmodern Society: Social Theory and Contemporary Cinema. Theory, culture&society. London: Sage Publications, 1991. Print.

Denzin, Norman K. ‘The Cinematic Racial Order: Reading Race: Hollywood and the Cinema of Racial Violence’. Reading Race: Hollywood and the Cinema of Racial Violence. Theory, culture&society (Unnumbered). London: SAGE, 2002. 17–45. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665911760002746&institutionId=2746&customerId=2745>.

Dexter, Maury et al. ‘The Wild Angels’. ‘The wild angels’ and ‘Hell’s belles’ 2004 : n. pag. Print.

Diawara, Manthia. Black American Cinema. AFI film readers. London: Routledge, 1993. Print.

Dimendberg, Edward. Film Noir and the Spaces of Modernity. Cambridge, Mass: Harvard University Press, 2004. Print.

Dixon, Wheeler Winston. American Cinema of the 1940’s: Themes and Variations. Screen decades: American culture / American cinema. Oxford: Berg, 2006. Print.

Dmytryk, Edward et al. Crossfire. [S.l.]: Turner Home Entertainment, 2005. Print.

Donalson, Melvin Burke. Black Directors in Hollywood. 1st ed. Austin: University of Texas Press, 2003. Print.

Donovan, Tristan. Replay: The History of Video Games. Lewes: Yellow Ant, 2010. Print.

Dyer, Richard. ‘Entertainment and Utopia in Movies and Methods II: An Anthology’. Movies and Methods: An Anthology. Berkeley, Calif: University of California Press, 1976. 220–232. Web. <https://blackboard.le.ac.uk/bbcswebdav/pid-340753-dt-content-rid-499834_5/library/eReserves/HA2224/HA2224%20-%20Doc%2012.pdf>.

Dyson, Michael Eric. Reflecting Black: African-American Cultural Criticism. American culture. Minneapolis: University of Minnesota Press, 1993. Print.

---. Reflecting Black: African-American Cultural Criticism. American culture. London: University of Minnesota Press, 1993. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5660640790002746&institutionId=2746&customerId=2745>.

Ebert, Roger. ‘Okay, Kids, Play on My Lawn | Roger Ebert’s Journal | Roger Ebert’. N.p., 1AD. Web. <http://www.rogerebert.com/rogers-journal/okay-kids-play-on-my-lawn>.

Edgerton, Gary R. and Jones, Jeffrey P. The Essential HBO Reader. Essential readers in contemporary media and culture. Lexington, KY.: University Press of Kentucky, 2008. Web. <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1250652>.

Edwards, Harry et al. ‘Tramp, Tramp, Tramp’. 1926 : n. pag. Print.

Eldridge, David. ‘Film and Photography, Chapter’. American Culture in the 1930s. Twentieth-century American culture. Edinburgh: Edinburgh University Press, 2008. 61–92. Web. <http://site.ebrary.com/lib/leicester/Doc?id=10257689>.

Elsaesser, Thomas. ‘Tales of Sound and Fury: Some Observations on the Family Melodrama: Chapter’. Home Is Where the Heart Is: Studies in Melodrama and the Woman’s Film. London: BFI Publishing, 1987. 43–69. Print.

---. ‘The Mind-Game Film, Chapter’. Puzzle Films: Complex Storytelling in Contemporary Cinema. Malden, Mass: Wiley-Blackwell, 2009. 13–41. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664681640002746&institutionId=2746&customerId=2745>.

Elsaesser, Thomas and Barker, Adam. Early Cinema: Space, Frame, Narrative. London: BFI Publishing, 1990. Print.

Enright, Ray et al. ‘Dames’. 2006 : n. pag. Print.

Evans, Peter William. Written on the Wind. BFI film classics. [London]: A BFI book published by Palgrave Macmillan, 2013. Print.

Evans, Walker et al. Walker Evans. New York: Metropolitan Museum of Art in association with Princeton University Press, Princeton, 2000. Print.

Farrell, Glenda, Muni, Paul, and LeRoy, Mervyn. ‘I Am a Fugitive from a Chain Gang’. : n. pag. Print.

Fay, Jennifer and Nieland, Justus. Film Noir: Hard-Boiled Modernity and the Cultures of Globalization. Routledge film guidebooks. London: Routledge, 2010. Print.

Feuer, Jane and British Film Institute. The Hollywood Musical. 2nd ed. BFI cinema series. Basingstoke: Macmillan, 1993. Print.

‘Film Quarterly - Special Issue on The Wire’. 62.2 (2008): n. pag. Print.

‘Film Studies For Free’. N.p., n.d. Web. <http://filmstudiesforfree.blogspot.co.uk/>.

Fischer, Lucy. Imitation of Life: Douglas Sirk, Director. Rutgers films in print. New Brunswick, N.J.: Rutgers University Press, 1991. Print.

Fiske, John. Television Culture. 2nd ed. London: Routledge, 2011. Web. <http://ezproxy.lib.le.ac.uk/login?url=http://www.myilibrary.com?id=292966>.

---. Television Culture. 2nd ed. London: Routledge, 2011. Web. <http://ezproxy.lib.le.ac.uk/login?url=http://www.myilibrary.com?id=292966>.

Fitzgerald, Barry, Duff, Howard, and Dassin, Jules. ‘The Naked City’. 2007 : n. pag. Print.

Foertsch, Jacqueline. American Culture in the 1940s. Twentieth-century American culture. Edinburgh: Edinburgh University Press, 2008. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664157320002746&institutionId=2746&customerId=2745>.

Foertsch, Jacqueline and EBSCO ebook. American Culture in the 1940s. Twentieth-century American culture. Edinburgh: Edinburgh University Press, 2008. Print.

Fonda, Peter, Hopper, Dennis, et al. ‘Easy Rider’. 1999 : n. pag. Print.

Fonda, Peter, Strasberg, Susan, et al. ‘The Trip’. 2004 : n. pag. Print.

Ford, Harrison et al. ‘Blade Runner: The Final Cut’. 1982 : n. pag. Print.

Ford, John, Wayne, John, et al. ‘Stagecoach’. 1939 : n. pag. Print.

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---. ‘Nashville Contra Jaws, or "The Imagination of Disaster” Revisited in The Last Great American Picture Show: New Hollywood Cinema in the 1970s’. The Last Great American Picture Show: New Hollywood Cinema in the 1970s. Amsterdam: Amsterdam University Press, 2003. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664782110002746&institutionId=2746&customerId=2745>.

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