Bibliography for HA2224 American Film and Visual Culture BETA

‘A World That Works’: Fascism and Media Globalization in Starship Troopers. (2009). Film & History: An Interdisciplinary Journal of Film and Television Studies, 39(2), 17–25. https://doi.org/10.1353/flm.0.0105

Agee, James. (1963). Comedy’s Greatest Era (1949) in Agee on film: [Vol.1]: [Criticism]. In Agee on film: [Vol.1]: [Criticism]. P. Owen.

Akass, Kim & McCabe, Janet. (2005). Reading Six feet under: TV to die for. I.B. Tauris.

Allen, Michael. (2003). Contemporary US cinema: Vol. Inside film. Longman.

Allen, Robert Clyde. (1992). Channels of discourse, reassembled: television and contemporary criticism (2nd ed). Routledge.

Altman, Rick. (1987). The American film musical. Indiana University Press.

Altman, Robert, Carradine, Keith, Chaplin, Geraldine, & Black, Karen. (2000). Nashville. Paramount.

Altman, Robert, Naughton, Edmund, & Foster, David. (2003). McCabe and Mrs. Miller. Warner Home Video.

Anderson, Christopher. (1994). Hollywood TV: the studio system in the fifies: Vol. Texas film studies series. University of Texas Press.

Arbuckle, Roscoe & Keaton, Buster. (2006). Buster Keaton: the complete short films 1917-1923, Disc 1: Vol. Masters of cinema. Eureka Video.

Arbuckle, Roscoe, Keaton, Buster, & Cline, Edward. (2006). Buster Keaton: the complete short films 1917-1923, Disc 2: Vol. Masters of cinema. Eureka Video.

Avildsen, John G., Stallone, Sylvester, Shire, Talia, & Young, Burt. (1976). Rocky (Definitive edition). MGM.

Avilés, Angel & Anders, Allison. (n.d.). Mi vida loca =: My crazy life: Vol. Tartan video USA. Tartan video.

Bacon, Lloyd, Berkeley, Busby, Fain, Sammy, Warren, Harry, Dubin, Al, Cagney, James, Blondell, Joan, Keeler, Ruby, & Powell, Dick. (2006). Footlight parade: Vol. The Busby Berkeley collection. Warner Home Video.

Bacon, Lloyd, Ropes, Bradford, Berkeley, Busby, Warren, Harry, Dubin, Al, Keeler, Ruby, Powell, Dick, & Rogers, Ginger. (2006). 42nd Street: Vol. The Busby Berkeley collection. Warner Home Video.

Badham, John, Wexler, Norman, Cohn, Nik, Travolta, John, & Gorney, Karen Lynn. (2002). Saturday night fever: Vol. Widescreen collection. Paramount.

Baker, M. Joyce. (1980). Images of women in film: the war years, 1941-1945: Vol. Studies in American history and culture. UMI Research Press.

Balio, Tino. (1985). The American film industry (Rev.ed). University of Wisconsin Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5663338460002746&institutionId=2746&customerId=2745

Balio, Tino. (1993a). Grand design: Hollywood as a modern business enterprise, 1930-1939: Vol. History of the American cinema. Charles Scribners’ Sons. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5660663510002746&institutionId=2746&customerId=2745

Balio, Tino. (1993b). Grand design: Hollywood as a modern business enterprise, 1930-1939: Vol. History of the American cinema. Charles Scribners’ Sons. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5660663200002746&institutionId=2746&customerId=2745

Ball, Alan, Krause, Peter, Hall, Michael C., Conroy, Frances, & Ambrose, Lauren. (2003). Six feet under: the complete first series (Complete collector’s edition). HBO Video.

Ball, Alan, Krause, Peter, Hall, Michael C., Conroy, Frances, & Ambrose, Lauren. (2004). Six feet under: the complete second series (Complete collector’s edition). Warner Home Video.

Ball, Alan, Krause, Peter, Hall, Michael C., Conroy, Frances, & Ambrose, Lauren. (2005a). Six feet under: the complete fourth series (Complete collector’s edition). Warner Home Video.

Ball, Alan, Krause, Peter, Hall, Michael C., Conroy, Frances, & Ambrose, Lauren. (2005b). Six feet under: the complete third series (Complete collector’s edition). Warner Home Video.

Ball, Alan, Krause, Peter, Hall, Michael C., Conroy, Frances, & Ambrose, Lauren. (2006). Six feet under: the complete fifth series (Complete collector’s edition). Warner Home Video.

Ball, Alan, Paquin, Anna, Moyer, Stephen, Skarsgård, Alexander, & Harris, Charlaine. (2008). True blood: the complete first season. Warner Home Video.

Barsam, Richard Meran, Monahan, Dave, & Gocsik, Karen M. (2010). Looking at movies: an introduction to film (3rd ed). W.W. Norton.

Baudrillard, Jean. (1995). The Gulf War did not take place. Power Publishers.

Becker, Karin E. & Lange, Dorothea. (1980). Dorothea Lange and the documentary tradition. Louisiana State University Press.

Belton, J. (1990). Glorious Technicolor, Breathtaking CinemaScope and Stereophonic Sound: Hollywood in the age of television. In Hollywood in the age of television (pp. 185–211). Unwin Hyman.

Belton, J. (2009a). Film Noir: Something in the Night in American cinema/American culture. In American cinema/American culture (3rd ed. rev). McGraw-Hill.

Belton, J. (2009b). The 1960s: The Counterculture Strikes Back in American cinema/American culture. In American cinema/American culture (3rd ed. rev). McGraw-Hill.

Belton, J. (2009c). The Film School Generation in American cinema/American culture. In American cinema/American culture (3rd ed. rev). McGraw-Hill.

Belton, J. (2009d). The Musical in American cinema/American culture. In American cinema/American culture (3rd ed. rev). McGraw-Hill.

Belton, J. (2009e). The Studio System in American cinema/American culture. In American cinema/American culture (3rd ed. rev). McGraw-Hill.

Belton, J. (2013a). Classical Hollywood Cinema: Narration in American cinema/American culture. In American cinema/American culture (4th ed. International edition). McGraw-Hill [distributor].

Belton, J. (2013b). The Emergence of Cinema as an Institution in American cinema/American culture. In American cinema/American culture (4th ed. International edition). McGraw-Hill [distributor].

Belton, John. (1992). Widescreen cinema. Harvard University Press.

Belton, John. (2013). American cinema/American culture (4th ed. International edition). McGraw-Hill Higher Education.

Benshoff, Harry M. & Griffin, Sean. (2009a). America on film: representing race, class, gender, and sexuality at the movies (2nd ed). Wiley-Blackwell.

Benshoff, Harry M. & Griffin, Sean. (2009b). America on film: representing race, class, gender, and sexuality at the movies (2nd ed). Wiley-Blackwell.

Bergman, Andrew. (1972). We’re in the money: depression America and its films: Vol. Harper colophon books. Harper and Row.

Berkeley, Busby, Warren, Harry, Dubin, Al, Fain, Sammy, & Kahal, Irving. (2006). The Busby Berkeley disc: Vol. The Busby Berkeley collection. Warner Home Video.

Berkeley, Busby, Warren, Harry, Dubin, Al, Powell, Dick, Menjou, Adolphe, & Stuart, Gloria. (2006). Gold diggers of 1935: Vol. The Busby Berkeley collection. Warner Home Video.

Bernardi, Daniel. (2008). The persistence of whiteness: race and contemporary Hollywood cinema. Routledge.

Biesen, Sheri Chinen. (2005). Blackout: World War II and the origins of film noir. Johns Hopkins University Press.

Bigelow, Kathryn, Cameron, James, Fiennes, Ralph, Bassett, Angela, Lewis, Juliette, & Sizemore, Tom. (1995). Strange days. Universal.

Biskind, P. (1975). Jaws Between the teeth. Jump Cut: A Review of Contemporary Media, 9, 1–26.

Biskind, Peter. (1984). Seeing is believing: how Hollywood taught us to stop worrying and love the fifties. Pluto Press.

Biskind, Peter. (1998). Easy riders, raging bulls: how the sex ‘n’ drugs ‘n’ rock ‘n’ roll generation saved Hollywood. Bloomsbury.

Boddy, W. (2004). The Studios Move into Prime Time: Hollywood and the Television Industry in the 1950s: Hollywood: critical concepts in media and cultural studies, Volume 1: Historical dimensions: the development of the American film industry. In Hollywood: critical concepts in media and cultural studies, Volume 1: Historical dimensions: the development of the American film industry: Vol. Critical concepts in media and cultural studies (pp. 255–269). Routledge.

Bogdanovich, Peter, McMurtry, Larry, Bridges, Jeff, Burstyn, Ellen, Quaid, Randy, & Shepherd, Cybill. (2010). The last picture show: Vol. America lost and found : the BBS story. Criterion Collection.

Bogost, Ian. (2007). Persuasive games: the expressive power of videogames. MIT Press. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10190451

Bordwell, D. (1985a). An Excessively Obvious Cinema in The classical Hollywood cinema: film style & mode of production to 1960. In The classical Hollywood cinema: film style & mode of production to 1960 (pp. 3–12). Routledge & Kegan Paul. https://blackboard.le.ac.uk/bbcswebdav/pid-522062-dt-content-rid-641026_5/library/eReserves/HA2224/HA2224%20-%20Doc%2013.pdf

Bordwell, D. (1985b). Classical Narration: the Hollywood example: Chapter. In Narration in the fiction film (pp. 156–166). Methuen. http://site.ebrary.com/lib/leicester/Doc?id=10769162

Bordwell, D., & Thompson, K. (2004). Narrative as a Formal System in Film art: an introduction. In Film art: an introduction (7th ed). McGraw-Hill.

Bordwell, D., & Thompson, K. (2013). The Development of the Classical Hollywood Cinema: Chapter. In Film art: an introduction (10th ed., international ed, pp. 466–469). McGraw-Hill.

Bordwell, David & Thompson, Kristin. (2010). Film art: an introduction (9th ed). McGraw-Hill.

Bould, Mark. (2005). Film noir: from Berlin to Sin City: Vol. Short cuts. Wallflower.

Bowser, Eileen. (1990). The transformation of cinema, 1907-1915: Vol. History of the American cinema. Macmillan. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5661323400002746&institutionId=2746&customerId=2745

Bowser, Kenneth, Biskind, Peter, & Macy, William H. (2006). Easy riders, raging bulls: how the sex ‘n’ drugs ‘n’ rock ‘n’ roll generation saved Hollywood. in2film.

Bratton, J. S., Cook, Jim, & Gledhill, Christine. (1994). Melodrama: stage, picture, screen. British Film Institute.

Braunstein, Peter & Doyle, Michael W. (2002). Imagine nation: the American counterculture of the 1960s and ’70s. Routledge.

British Film Institute. (n.d.). Early cinema: primitives and pioneers. British Film Institute.

Brook, Vincent. (2009). Driven to darkness: Jewish émigré directors and the rise of film noir. Rutgers University Press. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10367248

Brownlow, K. (1968). Buster Keaton in The parade’s gone by. In The parade’s gone by. Secker & Warburg.

Brownlow, Kevin, Gill, David, & Anderson, Lindsay. (1994). D.W. Griffith: father of film. Connoisseur Video.

Brownlow, Kevin, Gill, David, Keaton, Buster, & Anderson, Lindsay. (1987). Buster Keaton, a hard act to follow. An Academy Video release from the British Film Institute.

Bruckman, Clyde, St. Clair, Mal, Lloyd, Harold, Cummings, Constance, Kent, Barbara, & Young, Noah. (1929). Harold Lloyd: the definitive collection, Disc 8. Optimum.

Bruzzi, S. (2005). Revolution and Feminist Unrest: Fatherhood Under Attack in the 1960s and 1970s in Bringing up daddy: fatherhood and masculinity in post-war Hollywood. In Bringing up daddy: fatherhood and masculinity in post-war Hollywood. bfi publishing.

Bruzzi, Stella. (2005). Bringing up daddy: fatherhood and masculinity in post-war Hollywood. bfi publishing.

Buckland, Warren. (2006). Directed by Steven Spielberg: poetics of the contemporary Hollywood blockbuster. Continuum.

Buckland, Warren. (2009). Film theory and contemporary Hollywood movies. Routledge.

Burnett, C. (1979). Killer of sheep. In ‘Killer of sheep’ and ‘My brother’s wedding’. Milestone Film and Video.

Burnett, Charles, Glover, Danny, Butler, Paul, & Alice, Mary. (1990). To sleep with anger. BFI.

Burton, Tim, Nicholson, Jack, Close, Glenn, Bening, Annette, Brosnan, Pierce, & DeVito, Danny. (1998). Mars attacks! Warner Home Video.

Byars, Jackie. (1991). All that Hollywood allows: re-reading gender in 1950s melodrama. Routledge.

Cagin, Seth, Dray, Philip, & Cagin, Seth. (1994). Born to be wild: Hollywood and the sixties generation (2nd ed). Coyote Books.

Cameron, Ian. (1992). The movie book of film noir. Studio Vista.

Cameron, James, Hamilton, Linda, & Schwarzenegger, Arnold. (1984). The terminator (Definitive edition). MGM.

Cameron, James, Schwarzenegger, Arnold, Hamilton, Linda, Furlong, Edward, & Patrick, Robert. (1991). Terminator 2: judgment day. Optimum Home Entertainment.

Cameron, James, Weaver, Sigourney, Biehn, Michael, Henriksen, Lance, & Paxton, Bill. (2000). Aliens (Special edition). Twentieth Century Fox.

Capra, Frank. (2000a). Why we fight: Divide and conquer and The Battle of Britain: Vol. Why we fight : World War II. GoodTimes DVD.

Capra, Frank. (2000b). Why we fight: Prelude to war and The Nazis strike: Vol. Why we fight : World War II. GoodTimes DVD.

Capra, Frank. (2000c). Why we fight: The Battle of China and War comes to America: Vol. Why we fight : World War II. GoodTimes DVD.

Capra, Frank. (2000d). Why we fight: the Battle of Russia: Vol. Why we fight : World War II. GoodTimes DVD.

Capra, Frank, Adams, Samuel Hopkins, Gable, Clark, & Colbert, Claudette. (1934). It happened one night: Vol. Columbia classics. Columbia Tristar Home Video.

Capra, Frank, Langdon, Harry, Bonner, Priscilla, & Astor, Gertrude. (1926). The strong man: Vol. Harry Langdon ... the forgotten clown. Blackhorse Entertainment.

Capra, Frank, Langdon, Harry, Brockwell, Gladys, & Roscoe, Albert. (1927). Long pants: Vol. Harry Langdon ... the forgotten clown. Blackhorse Entertainment.

Capra, Frank, Stewart, James, Arthur, Jean, & Rains, Claude. (1939). Mr Smith goes to Washington. Columbia Tristar Home Video.

Carter, Helena, Hunt, Jimmy, & Menzies, William Cameron. (1953). Invaders from Mars: Vol. Science fiction collection. MPIC Video.

Casper, Drew. (2011). Hollywood film 1963-1976: years of revolution and reaction. Wiley-Blackwell. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=675252

Cassidy, S. B. (2011). The Videogame as Narrative. Quarterly Review of Film and Video, 28(4), 292–306. https://doi.org/10.1080/10509200902820266

Chambers, S. A. (2003). Telepistemology of the Closet; or, The Queer Politics of Six Feet Under. The Journal of American Culture, 26(1), 24–41. https://doi.org/10.1111/1542-734X.00071

Chaplin, C. (1914). Chaplin at Keystone. BFI.

Chaplin, C. (1915a). Charlie Chaplin - The Essanay Films (Vol 1). BFI.

Chaplin, C. (1915b). Charlie Chaplin - The Essanay Films (Vol 2). BFI.

Chaplin, C. (1916a). The Mutual Films (Vol 1).

Chaplin, C. (1916b). The Mutual Films (Vol 2).

Chaplin, Charles & Swain, Mack. (1925). The gold rush: Vol. Chaplin collection. mk2/Warner Brothers Home Video.

Chapman, James. (2007). War and film: Vol. Locations. Reaktion. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664525050002746&institutionId=2746&customerId=2745

Chase, C. (1925). His Wooden Wedding: Audio-visual document. In The Charley Chase collection: Vol. 2: Vol. Slapstick symposium. Kino on Video.

Chase, David, Gandolfini, James, & Bracco, Lorraine. (2007). The Sopranos: complete series 1 (4 disc collector's edition). HBO Video.

Chopra-Gant, Mike. (2006). Hollywood genres and postwar America: masculinity, family and nation in popular movies and film noir: Vol. Cinema and society. I.B. Tauris.

Cochran, David. (2000). America noir: underground writers and filmmakers of the postwar era. Smithsonian Institution Press.

Cohan, Steven. (2002). Hollywood musicals, the film reader: Vol. In focus: Routledge film readers. Routledge.

Cohan, Steven & Hark, Ina Rae. (1997). The road movie book. Routledge.

Collins, J. (1993). Genericity in the Nineties: Eclectic Irony and the New Sincerity: Chapter. In Film theory goes to the movies: Vol. AFI film readers (pp. 242–263). Routledge. http://ezproxy.lib.le.ac.uk/login?url=http://lib.myilibrary.com?id=395546

Connelly, Joe & Mathers, Jerry. (2005). The Black Eye, episode. In Leave it to Beaver: the complete first season. Universal Studios Home Entertainment.

Coogan, Jackie & Chaplin, Charles. (1921). The kid: Vol. Chaplin collection. mk2/Warner Brothers Home Video.

Cook, D. (1996). The New American Cinema in A history of narrative film. In A history of narrative film (3rd ed). W.W. Norton.

Cook, David A. (2002). Lost illusions: American cinema in the shadow of Watergate and Vietnam, 1970-1979: Vol. History of the American cinema. University of California Press.

Cook, Pam & British Film Institute. (2007). The cinema book (3rd ed). British Film Institute.

Copjec, Joan. (1993). Shades of noir: a reader. Verso.

Coppola, Francis Ford, Brando, Marlon, Pacino, Al, Caan, James, & Puzo, Mario. (2001). The Godfather: Vol. The Godfather DVD collection (30th anniversary edition). Paramount.

Coppola, Francis Ford, Pacino, Al, Duvall, Robert, Keaton, Diane, De Niro, Robert, & Puzo, Mario. (2001). The Godfather: Part II: Vol. The Godfather DVD collection (30th anniversary edition). Paramount.

Cornea, Christine. (2007a). Science fiction cinema: between fantasy and reality. Edinburgh University Press.

Cornea, Christine. (2007b). Science fiction cinema: between fantasy and reality. Edinburgh University Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664142130002746&institutionId=2746&customerId=2745

Corrigan, T. (1991). Genre, Gender and Hysteria: The Road Movie in Outer Space in A cinema without walls: movies and culture after Vietnam. In A cinema without walls: movies and culture after Vietnam. Routledge.

Cossar, H. (2011). Emerging Stylistic Norms in CinemaScope: Genre and Authorship in the Films of Otto Preminger, Nicholas Ray, Frank Tashlin and Douglas Sirk: Chapter. In Letterboxed: the evolution of widescreen cinema (pp. 95–84). University Press of Kentucky. http://site.ebrary.com/lib/leicester/Doc?id=10481057

Cowie, E. (1998). Storytelling: Classical Hollywood Cinema and Classical Narrative: Contemporary Hollywood cinema. In Contemporary Hollywood cinema (pp. 178–190). Routledge. http://site.ebrary.com/lib/leicester/Doc?id=10688216

Crafton, D. (1995). Pie and Chase: Gag, Spectacle and Narrative in Slapstick Comedy in Classical Hollywood comedy. In Classical Hollywood comedy: Vol. AFI film readers (pp. 106–119). Routledge. https://blackboard.le.ac.uk/bbcswebdav/pid-425102-dt-content-rid-586329_5/library/eReserves/HA2224/HA2224%20-%20Doc%2014.pdf

Crafton, Donald. (1997). The talkies: American cinema’s transition to sound, 1926-1931: Vol. History of the American cinema. Charles Scribner’s Sons. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5663963630002746&institutionId=2746&customerId=2745

Creeber, Glen. (2004). Serial television: big drama on the small screen. BFI Publishing.

Creeber, Glen. (2013). Small screen aesthetics: from tv to the internet. British Film Institute book published by Palgrave Macmillan.

Creeber, Glen, Miller, Toby, Tulloch, John, & British Film Institute. (2001). The television genre book. British Film Institute.

Cripps, Thomas. (1993). Making movies black: the Hollywood message movie from World War Two to the civil rights era. Oxford University Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662839650002746&institutionId=2746&customerId=2745

Crogan, Patrick. (2011). Gameplay mode: war, simulation, and technoculture: Vol. Electronic mediations. University of Minnesota Press. http://site.ebrary.com/lib/leicester/Doc?id=10534335

Cronenberg, David, Harry, Deborah, & Woods, James. (1983). Videodrome. Universal.

Cruise, Tom, Fanning, Dakota, Spielberg, Steven, & Wells, H. G. (n.d.). War of the worlds [2005] (2 Disc Special Edition). Paramount.

Currell, Susan. (2009a). American culture in the 1920s: Vol. Twentieth-century American culture. Edinburgh University Press.

Currell, Susan. (2009b). American culture in the 1920s: Vol. Twentieth-century American culture. Edinburgh University Press.

Curtin, Michael & Shattuc, Jane. (2009). The American television industry: Vol. International screen industries. BFI.

Curtis, James. (1989). Mind’s eye, minds’s truth: FSA photography reconsidered. Temple University Press.

Curtiz, Michael, Bergman, Ingrid, Bogart, Humphrey, Henreid, Paul, Rains, Claude, Greenstreet, Sydney, & Lorre, Peter. (1942). Casablanca. Warner Home Video.

Curtiz, Michael, Cagney, James, O’Brien, Pat, Bogart, Humphrey, Sheridan, Ann, & Polan, Dana B. (2005). Angels with dirty faces. Warner Home Video.

Curtiz, Michael, Cain, James M., MacDougall, Ranald, Crawford, Joan, Carson, Jack, Scott, Zachary, & Steiner, Max. (1945). Mildred Pierce [1945]: Vol. Joan Crawford : the signature collection. Warner Home Video.

Curtiz, Michael, Keighley, William, Flynn, Errol, De Havilland, Olivia, Rathbone, Basil, Rains, Claude, & Behlmer, Rudy. (1938). The adventures of Robin Hood [1938] (Special edition). Warner Home Video.

Dale, Alan S. (2000). Comedy is a man in trouble: slapstick in American movies. University of Minnesota Press.

Daniel, Pete. (1987). Official images: New Deal photography. Smithsonian Institution Press.

Daniels, Marc, Asher, William, Ball, Lucille, & Arnaz, Desi. (1951). I love Lucy: the complete first season, Discs 3 and 4. CBS DVD.

Daniels, Marc, Ball, Lucille, & Arnaz, Desi. (1952a). I love Lucy: the complete first season, Disc 7. CBS DVD.

Daniels, Marc, Ball, Lucille, & Arnaz, Desi. (1952b). I love Lucy: the complete first season, Discs 5 and 6. CBS DVD.

Daniels, Marc, Levy, Ralph, Ball, Lucille, & Arnaz, Desi. (1951). I love Lucy: the complete first season, Discs 1 and 2. CBS DVD.

Dardis, Tom. (1979). Keaton: the man who wouldn’t lie down. Deutsch.

Darley, Andrew. (2000). Visual digital culture: surface play and spectacle in new media genres: Vol. Sussex studies in culture and communication. Routledge. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=5001435

Dassin, Jules, Bezzerides, A. I., Conte, Richard, Cobb, Lee J., & Dassin, Jules. (2012). Thieves’ highway. 20th Century Fox Home Entertainment.

Davidov, Judith Fryer. (1998). Women’s camera work: self/body/other in American visual culture: Vol. New Americanists. Duke University Press.

Davies, Jude. (1997). Gender, ethnicity and sexuality in contemporary American film: Vol. British Association for American Studies paperbacks. Keele University Press.

Davis, Peter. (1974). Hearts and minds. Metrodome.

Demme, Ted & LaGravenese, Richard. (2004). A decade under the influence: the 70’s films that changed everything. Video Collection International.

Denzin, N. K. (2002). The Cinematic Racial Order: Reading race: Hollywood and the cinema of racial violence. In Reading race: Hollywood and the cinema of racial violence: Vol. Theory, culture&society (Unnumbered) (pp. 17–45). SAGE. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665911760002746&institutionId=2746&customerId=2745

Denzin, Norman K. (1991). Do the Right Thing: Race in the USA in Images of postmodern society: social theory and contemporary cinema. In Images of postmodern society: social theory and contemporary cinema: Vol. Theory, culture&society. Sage Publications.

Dexter, Maury, Corman, Roger, Fonda, Peter, Sinatra, Nancy, Slate, Jeremy, & Roarke, Adam. (2004). The wild angels. In ‘The wild angels’ and ‘Hell’s belles’: Vol. Midnite movies. MGM.

Diawara, Manthia. (1993). Black American cinema: Vol. AFI film readers. Routledge.

Dimendberg, Edward. (2004). Film noir and the spaces of modernity. Harvard University Press.

Dixon, Wheeler Winston. (2006). American cinema of the 1940’s: themes and variations: Vol. Screen decades: American culture / American cinema. Berg.

Dmytryk, Edward, Paxton, John, Brooks, Richard, Young, Robert, Mitchum, Robert, Ryan, Robert, & Grahame, Gloria. (2005). Crossfire. Turner Home Entertainment.

Donalson, Melvin Burke. (2003). Black directors in Hollywood (1st ed). University of Texas Press.

Donovan, Tristan. (2010). Replay: the history of video games. Yellow Ant.

Dyer, R. (1976). Entertainment and Utopia in Movies and methods II: an anthology. In Movies and methods: an anthology (pp. 220–232). University of California Press. https://blackboard.le.ac.uk/bbcswebdav/pid-340753-dt-content-rid-499834_5/library/eReserves/HA2224/HA2224%20-%20Doc%2012.pdf

Dyson, Michael Eric. (1993a). Reflecting black: African-American cultural criticism: Vol. American culture. University of Minnesota Press.

Dyson, Michael Eric. (1993b). Reflecting black: African-American cultural criticism: Vol. American culture. University of Minnesota Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5660640790002746&institutionId=2746&customerId=2745

Ebert, R. (1 C.E.). Okay, kids, play on my lawn | Roger Ebert’s Journal | Roger Ebert. http://www.rogerebert.com/rogers-journal/okay-kids-play-on-my-lawn

Edgerton, Gary R. & Jones, Jeffrey P. (2008). The essential HBO reader: Vol. Essential readers in contemporary media and culture. University Press of Kentucky. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1250652

Edwards, Harry, Langdon, Harry, Crawford, Joan, & Davis, Edwards. (1926). Tramp, tramp, tramp: Vol. Harry Langdon ... the forgotten clown. Blackhorse Entertainment.

Eldridge, D. (2008). Film and Photography, Chapter. In American culture in the 1930s: Vol. Twentieth-century American culture (pp. 61–92). Edinburgh University Press. http://site.ebrary.com/lib/leicester/Doc?id=10257689

Elsaesser, T. (1987). Tales of sound and fury: Some observations on the family melodrama: Chapter. In Home is Where the Heart Is: Studies in Melodrama and the Woman’s Film (pp. 43–69). BFI Publishing.

Elsaesser, T. (2009). The Mind-Game Film, Chapter. In Puzzle films: complex storytelling in contemporary cinema (pp. 13–41). Wiley-Blackwell. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664681640002746&institutionId=2746&customerId=2745

Elsaesser, Thomas & Barker, Adam. (1990). Early cinema: space, frame, narrative. BFI Publishing.

Enright, Ray, Berkeley, Busby, Fain, Sammy, Warren, Harry, Dubin, Al, Dixon, Mort, Blondell, Joan, Keeler, Ruby, & Powell, Dick. (2006). Dames: Vol. The Busby Berkeley collection. Warner Home Video.

Evans, Peter William. (2013). Written on the wind: Vol. BFI film classics. A BFI book published by Palgrave Macmillan.

Evans, Walker, Hambourg, Maria Morris, Metropolitan Museum of Art, San Francisco Museum of Modern Art, & Museum of Fine Arts, Houston. (2000). Walker Evans. Metropolitan Museum of Art in association with Princeton University Press, Princeton.

Farrell, Glenda, Muni, Paul, & LeRoy, Mervyn. (n.d.). I am a fugitive from a chain gang. Motion picture, broadcast 12:45 18/05/2005.

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