‘“A World That Works”: Fascism and Media Globalization in Starship Troopers’ (2009) Film & History: An Interdisciplinary Journal of Film and Television Studies, 39(2), pp. 17–25. Available at: https://doi.org/10.1353/flm.0.0105.
Agee, James (1963) ‘Comedy’s Greatest Era (1949) in Agee on film: [Vol.1]: [Criticism]’, in Agee on film: [Vol.1]: [Criticism]. London: P. Owen.
Akass, Kim and McCabe, Janet (2005) Reading Six feet under: TV to die for. London: I.B. Tauris.
Allen, Michael (2003) Contemporary US cinema. Harlow: Longman.
Allen, Robert Clyde (1992) Channels of discourse, reassembled: television and contemporary criticism. 2nd ed. London: Routledge.
Altman, Rick (1987) The American film musical. Bloomington: Indiana University Press.
Altman, Robert et al. (2000) Nashville. [S.l.]: Paramount.
Altman, Robert, Naughton, Edmund, and Foster, David (2003) ‘McCabe and Mrs. Miller’. [S.l.]: Warner Home Video.
Anderson, Christopher (1994) Hollywood TV: the studio system in the fifies. Austin, Texas: University of Texas Press.
Arbuckle, Roscoe and Keaton, Buster (2006) ‘Buster Keaton: the complete short films 1917-1923, Disc 1’. [S.l.]: Eureka Video.
Arbuckle, Roscoe, Keaton, Buster, and Cline, Edward (2006) ‘Buster Keaton: the complete short films 1917-1923, Disc 2’. [S.l.]: Eureka Video.
Avildsen, John G. et al. (1976) ‘Rocky’. [S.l.]: MGM.
Avilés, Angel and Anders, Allison (no date) ‘Mi vida loca =: My crazy life’. S.l.]: Tartan video.
Bacon, Lloyd, Ropes, Bradford, et al. (2006) ‘42nd Street’. Burbank, Calif: Warner Home Video.
Bacon, Lloyd, Berkeley, Busby, et al. (2006) ‘Footlight parade’. Burbank, Calif: Warner Home Video.
Badham, John et al. (2002) ‘Saturday night fever’. [S.l.]: Paramount.
Baker, M. Joyce (1980) Images of women in film: the war years, 1941-1945. Ann Arbor, Mich: UMI Research Press.
Balio, Tino (1985) The American film industry. Rev.ed. London: University of Wisconsin Press. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5663338460002746&institutionId=2746&customerId=2745.
Balio, Tino (1993a) Grand design: Hollywood as a modern business enterprise, 1930-1939. New York, N.Y.: Charles Scribners’ Sons. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5660663510002746&institutionId=2746&customerId=2745.
Balio, Tino (1993b) Grand design: Hollywood as a modern business enterprise, 1930-1939. New York, N.Y.: Charles Scribners’ Sons. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5660663200002746&institutionId=2746&customerId=2745.
Ball, Alan et al. (2003) ‘Six feet under: the complete first series’. [S.l.]: HBO Video.
Ball, Alan et al. (2004) ‘Six feet under: the complete second series’. [S.l.]: Warner Home Video.
Ball, Alan et al. (2005a) ‘Six feet under: the complete fourth series’. [S.l.]: Warner Home Video.
Ball, Alan et al. (2005b) ‘Six feet under: the complete third series’. [S.l.]: Warner Home Video.
Ball, Alan et al. (2006) ‘Six feet under: the complete fifth series’. [S.l.]: Warner Home Video.
Ball, Alan et al. (2008) ‘True blood: the complete first season’. [S.l.]: Warner Home Video.
Barsam, Richard Meran, Monahan, Dave, and Gocsik, Karen M. (2010) Looking at movies: an introduction to film. 3rd ed. New York, N.Y.: W.W. Norton.
Baudrillard, Jean (1995) The Gulf War did not take place. Sudney: Power Publishers.
Becker, Karin E. and Lange, Dorothea (1980) Dorothea Lange and the documentary tradition. Baton Rouge: Louisiana State University Press.
Belton, J. (1990) ‘Glorious Technicolor, Breathtaking CinemaScope and Stereophonic Sound: Hollywood in the age of television’, in Hollywood in the age of television. Boston, Mass: Unwin Hyman, pp. 185–211.
Belton, J. (2009a) ‘Film Noir: Something in the Night in American cinema/American culture’, in American cinema/American culture. 3rd ed. rev. Boston, Mass: McGraw-Hill.
Belton, J. (2009b) ‘The 1960s: The Counterculture Strikes Back in American cinema/American culture’, in American cinema/American culture. 3rd ed. rev. Boston, Mass: McGraw-Hill.
Belton, J. (2009c) ‘The Film School Generation in American cinema/American culture’, in American cinema/American culture. 3rd ed. rev. Boston, Mass: McGraw-Hill.
Belton, J. (2009d) ‘The Musical in American cinema/American culture’, in American cinema/American culture. 3rd ed. rev. Boston, Mass: McGraw-Hill.
Belton, J. (2009e) ‘The Studio System in American cinema/American culture’, in American cinema/American culture. 3rd ed. rev. Boston, Mass: McGraw-Hill.
Belton, J. (2013a) ‘Classical Hollywood Cinema: Narration in American cinema/American culture’, in American cinema/American culture. 4th ed. International edition. London: McGraw-Hill [distributor].
Belton, J. (2013b) ‘The Emergence of Cinema as an Institution in American cinema/American culture’, in American cinema/American culture. 4th ed. International edition. London: McGraw-Hill [distributor].
Belton, John (1992) Widescreen cinema. Cambridge, Mass: Harvard University Press.
Belton, John (2013) American cinema/American culture. 4th ed. International edition. London: McGraw-Hill Higher Education.
Benshoff, Harry M. and Griffin, Sean (2009a) America on film: representing race, class, gender, and sexuality at the movies. 2nd ed. Oxford: Wiley-Blackwell.
Benshoff, Harry M. and Griffin, Sean (2009b) America on film: representing race, class, gender, and sexuality at the movies. 2nd ed. Oxford: Wiley-Blackwell.
Bergman, Andrew (1972) We’re in the money: depression America and its films. London: Harper and Row.
Berkeley, Busby, Warren, Harry, Dubin, Al, Powell, Dick, et al. (2006) ‘Gold diggers of 1935’. Burbank, Calif: Warner Home Video.
Berkeley, Busby, Warren, Harry, Dubin, Al, Fain, Sammy, et al. (2006) ‘The Busby Berkeley disc’. Burbank, Calif: Warner Home Video.
Bernardi, Daniel (2008) The persistence of whiteness: race and contemporary Hollywood cinema. London: Routledge.
Biesen, Sheri Chinen (2005) Blackout: World War II and the origins of film noir. Baltimore, Md: Johns Hopkins University Press.
Bigelow, Kathryn et al. (1995) ‘Strange days’. [S.l.]: Universal.
Biskind, P. (1975) ‘Jaws Between the teeth’, Jump Cut: a review of contemporary media, (9), pp. 1–26.
Biskind, Peter (1984) Seeing is believing: how Hollywood taught us to stop worrying and love the fifties. London: Pluto Press.
Biskind, Peter (1998) Easy riders, raging bulls: how the sex ‘n’ drugs ‘n’ rock ‘n’ roll generation saved Hollywood. London: Bloomsbury.
Boddy, W. (2004) ‘The Studios Move into Prime Time: Hollywood and the Television Industry in the 1950s: Hollywood: critical concepts in media and cultural studies, Volume 1: Historical dimensions: the development of the American film industry’, in Hollywood: critical concepts in media and cultural studies, Volume 1: Historical dimensions: the development of the American film industry. London: Routledge, pp. 255–269.
Bogdanovich, Peter et al. (2010) ‘The last picture show’. [S.l.]: Criterion Collection.
Bogost, Ian (2007) Persuasive games: the expressive power of videogames. Cambridge, MA: MIT Press. Available at: http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10190451.
Bordwell, D. (1985a) ‘An Excessively Obvious Cinema in The classical Hollywood cinema: film style & mode of production to 1960’, in The classical Hollywood cinema: film style & mode of production to 1960. London: Routledge & Kegan Paul, pp. 3–12. Available at: https://blackboard.le.ac.uk/bbcswebdav/pid-522062-dt-content-rid-641026_5/library/eReserves/HA2224/HA2224%20-%20Doc%2013.pdf.
Bordwell, D. (1985b) ‘Classical Narration: the Hollywood example: Chapter’, in Narration in the fiction film. London: Methuen, pp. 156–166. Available at: http://site.ebrary.com/lib/leicester/Doc?id=10769162.
Bordwell, D. and Thompson, K. (2004) ‘Narrative as a Formal System in Film art: an introduction’, in Film art: an introduction. 7th ed. Boston, Mass: McGraw-Hill.
Bordwell, D. and Thompson, K. (2013) ‘The Development of the Classical Hollywood Cinema: Chapter’, in Film art: an introduction. 10th ed., international ed. New York, N.Y.: McGraw-Hill, pp. 466–469.
Bordwell, David and Thompson, Kristin (2010) Film art: an introduction. 9th ed. New York, N.Y.: McGraw-Hill.
Bould, Mark (2005) Film noir: from Berlin to Sin City. London: Wallflower.
Bowser, Eileen (1990) The transformation of cinema, 1907-1915. New York: Macmillan. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5661323400002746&institutionId=2746&customerId=2745.
Bowser, Kenneth, Biskind, Peter, and Macy, William H. (2006) ‘Easy riders, raging bulls: how the sex “n” drugs “n” rock “n” roll generation saved Hollywood’. [S.l.]: in2film.
Bratton, J. S., Cook, Jim, and Gledhill, Christine (1994) Melodrama: stage, picture, screen. London: British Film Institute.
Braunstein, Peter and Doyle, Michael W. (2002) Imagine nation: the American counterculture of the 1960s and ’70s. New York: Routledge.
British Film Institute (no date) ‘Early cinema: primitives and pioneers’. S.l.]: British Film Institute.
Brook, Vincent (2009) Driven to darkness: Jewish émigré directors and the rise of film noir. New Brunswick, N.J.: Rutgers University Press. Available at: http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10367248.
Brownlow, K. (1968) ‘Buster Keaton in The parade’s gone by’, in The parade’s gone by. London: Secker & Warburg.
Brownlow, Kevin et al. (1987) ‘Buster Keaton, a hard act to follow’. [London]: An Academy Video release from the British Film Institute.
Brownlow, Kevin, Gill, David, and Anderson, Lindsay (1994) ‘D.W. Griffith: father of film’. [S.l.]: Connoisseur Video.
Bruckman, Clyde et al. (1929) ‘Harold Lloyd: the definitive collection, Disc 8’. [S.l.]: Optimum.
Bruzzi, S. (2005) ‘Revolution and Feminist Unrest: Fatherhood Under Attack in the 1960s and 1970s in Bringing up daddy: fatherhood and masculinity in post-war Hollywood’, in Bringing up daddy: fatherhood and masculinity in post-war Hollywood. London: bfi publishing.
Bruzzi, Stella (2005) Bringing up daddy: fatherhood and masculinity in post-war Hollywood. London: bfi publishing.
Buckland, Warren (2006) Directed by Steven Spielberg: poetics of the contemporary Hollywood blockbuster. London: Continuum.
Buckland, Warren (2009) Film theory and contemporary Hollywood movies. London: Routledge.
Burnett, C. (1979) ‘Killer of sheep’, ‘Killer of sheep’ and ‘My brother’s wedding’. [S.l.]: Milestone Film and Video.
Burnett, Charles et al. (1990) ‘To sleep with anger’. S.l.]: BFI.
Burton, Tim et al. (1998) ‘Mars attacks!’ [S.l.]: Warner Home Video.
Byars, Jackie (1991) All that Hollywood allows: re-reading gender in 1950s melodrama. London: Routledge.
Cagin, Seth, Dray, Philip, and Cagin, Seth (1994) Born to be wild: Hollywood and the sixties generation. 2nd ed. Boca Raton, Fla: Coyote Books.
Cameron, Ian (1992) The movie book of film noir. London: Studio Vista.
Cameron, James et al. (1991) ‘Terminator 2: judgment day’. [S.l.]: Optimum Home Entertainment.
Cameron, James et al. (2000) ‘Aliens’. [S.l.]: Twentieth Century Fox.
Cameron, James, Hamilton, Linda, and Schwarzenegger, Arnold (1984) ‘The terminator’. [S.l.]: MGM.
Capra, Frank et al. (1926) ‘The strong man’. S.l: Blackhorse Entertainment.
Capra, Frank et al. (1927) ‘Long pants’. S.l: Blackhorse Entertainment.
Capra, Frank et al. (1934) ‘It happened one night’. [S.l.]: Columbia Tristar Home Video.
Capra, Frank et al. (1939) ‘Mr Smith goes to Washington’. [S.l.]: Columbia Tristar Home Video.
Capra, Frank (2000a) ‘Why we fight: Divide and conquer and The Battle of Britain’. [S.l.]: GoodTimes DVD.
Capra, Frank (2000b) ‘Why we fight: Prelude to war and The Nazis strike’. [S.l.]: GoodTimes DVD.
Capra, Frank (2000c) ‘Why we fight: The Battle of China and War comes to America’. [S.l.]: GoodTimes DVD.
Capra, Frank (2000d) ‘Why we fight: the Battle of Russia’. [S.l.]: GoodTimes DVD.
Carter, Helena, Hunt, Jimmy, and Menzies, William Cameron (1953) ‘Invaders from Mars’. S.l.]: MPIC Video.
Casper, Drew (2011) Hollywood film 1963-1976: years of revolution and reaction. Oxford: Wiley-Blackwell. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=675252.
Cassidy, S.B. (2011) ‘The Videogame as Narrative’, Quarterly Review of Film and Video, 28(4), pp. 292–306. Available at: https://doi.org/10.1080/10509200902820266.
Chambers, S.A. (2003) ‘Telepistemology of the Closet; or, The Queer Politics of Six Feet Under’, The Journal of American Culture, 26(1), pp. 24–41. Available at: https://doi.org/10.1111/1542-734X.00071.
Chaplin, C. (1914) ‘Chaplin at Keystone’. BFI.
Chaplin, C. (1915a) ‘Charlie Chaplin - The Essanay Films (Vol 1)’. BFI.
Chaplin, C. (1915b) ‘Charlie Chaplin - The Essanay Films (Vol 2)’. BFI.
Chaplin, C. (1916a) ‘The Mutual Films (Vol 1)’.
Chaplin, C. (1916b) ‘The Mutual Films (Vol 2)’.
Chaplin, Charles and Swain, Mack (1925) ‘The gold rush’. [S.l.]: mk2/Warner Brothers Home Video.
Chapman, James (2007) War and film. London: Reaktion. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664525050002746&institutionId=2746&customerId=2745.
Chase, C. (1925) ‘His Wooden Wedding: Audio-visual document’, The Charley Chase collection: Vol. 2. New York: Kino on Video.
Chase, David, Gandolfini, James, and Bracco, Lorraine (2007) ‘The Sopranos: complete series 1’. [S.l.]: HBO Video.
Chopra-Gant, Mike (2006) Hollywood genres and postwar America: masculinity, family and nation in popular movies and film noir. London: I.B. Tauris.
Cochran, David (2000) America noir: underground writers and filmmakers of the postwar era. Washington [D.C.]: Smithsonian Institution Press.
Cohan, Steven (2002) Hollywood musicals, the film reader. London: Routledge.
Cohan, Steven and Hark, Ina Rae (1997) The road movie book. London: Routledge.
Collins, J. (1993) ‘Genericity in the Nineties: Eclectic Irony and the New Sincerity: Chapter’, in Film theory goes to the movies. New York: Routledge, pp. 242–263. Available at: http://ezproxy.lib.le.ac.uk/login?url=http://lib.myilibrary.com?id=395546.
Connelly, Joe and Mathers, Jerry (2005) ‘The Black Eye, episode’, Leave it to Beaver: the complete first season. Universal City, Calif: Universal Studios Home Entertainment.
Coogan, Jackie and Chaplin, Charles (1921) ‘The kid’. [S.l.]: mk2/Warner Brothers Home Video.
Cook, D. (1996) ‘The New American Cinema in A history of narrative film’, in A history of narrative film. 3rd ed. London: W.W. Norton.
Cook, David A. (2002) Lost illusions: American cinema in the shadow of Watergate and Vietnam, 1970-1979. Berkeley, Calif: University of California Press.
Cook, Pam and British Film Institute (2007) The cinema book. 3rd ed. London: British Film Institute.
Copjec, Joan (1993) Shades of noir: a reader. London: Verso.
Coppola, Francis Ford, Brando, Marlon, et al. (2001) ‘The Godfather’. [S.l.]: Paramount.
Coppola, Francis Ford, Pacino, Al, et al. (2001) ‘The Godfather: Part II’. [S.l.]: Paramount.
Cornea, Christine (2007a) Science fiction cinema: between fantasy and reality. Edinburgh: Edinburgh University Press.
Cornea, Christine (2007b) Science fiction cinema: between fantasy and reality. Edinburgh: Edinburgh University Press. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664142130002746&institutionId=2746&customerId=2745.
Corrigan, T. (1991) ‘Genre, Gender and Hysteria: The Road Movie in Outer Space in A cinema without walls: movies and culture after Vietnam’, in A cinema without walls: movies and culture after Vietnam. London: Routledge.
Cossar, H. (2011) ‘Emerging Stylistic Norms in CinemaScope: Genre and Authorship in the Films of Otto Preminger, Nicholas Ray, Frank Tashlin and Douglas Sirk: Chapter’, in Letterboxed: the evolution of widescreen cinema. Lexington, Ky: University Press of Kentucky, pp. 95–84. Available at: http://site.ebrary.com/lib/leicester/Doc?id=10481057.
Cowie, E. (1998) ‘Storytelling: Classical Hollywood Cinema and Classical Narrative: Contemporary Hollywood cinema’, in Contemporary Hollywood cinema. London: Routledge, pp. 178–190. Available at: http://site.ebrary.com/lib/leicester/Doc?id=10688216.
Crafton, D. (1995) ‘Pie and Chase: Gag, Spectacle and Narrative in Slapstick Comedy in Classical Hollywood comedy’, in Classical Hollywood comedy. London: Routledge, pp. 106–119. Available at: https://blackboard.le.ac.uk/bbcswebdav/pid-425102-dt-content-rid-586329_5/library/eReserves/HA2224/HA2224%20-%20Doc%2014.pdf.
Crafton, Donald (1997) The talkies: American cinema’s transition to sound, 1926-1931. New York, N.Y.: Charles Scribner’s Sons. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5663963630002746&institutionId=2746&customerId=2745.
Creeber, Glen et al. (2001) The television genre book. London: British Film Institute.
Creeber, Glen (2004) Serial television: big drama on the small screen. London: BFI Publishing.
Creeber, Glen (2013) Small screen aesthetics: from tv to the internet. [Houndmills]: British Film Institute book published by Palgrave Macmillan.
Cripps, Thomas (1993) Making movies black: the Hollywood message movie from World War Two to the civil rights era. New York: Oxford University Press. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662839650002746&institutionId=2746&customerId=2745.
Crogan, Patrick (2011) Gameplay mode: war, simulation, and technoculture. Minneapolis: University of Minnesota Press. Available at: http://site.ebrary.com/lib/leicester/Doc?id=10534335.
Cronenberg, David, Harry, Deborah, and Woods, James (1983) ‘Videodrome’. [S.l.]: Universal.
Cruise, Tom et al. (no date) ‘War of the worlds [2005]’. S.l.]: Paramount.
Currell, Susan (2009a) American culture in the 1920s. Edinburgh: Edinburgh University Press.
Currell, Susan (2009b) American culture in the 1920s. Edinburgh: Edinburgh University Press.
Curtin, Michael and Shattuc, Jane (2009) The American television industry. London: BFI.
Curtis, James (1989) Mind’s eye, minds’s truth: FSA photography reconsidered. Philadelphia, Pa: Temple University Press.
Curtiz, Michael et al. (1938) ‘The adventures of Robin Hood [1938]’. [S.l.]: Warner Home Video.
Curtiz, Michael et al. (1942) ‘Casablanca’. [S.l.]: Warner Home Video.
Curtiz, Michael et al. (1945) ‘Mildred Pierce [1945]’. [S.l.]: Warner Home Video.
Curtiz, Michael et al. (2005) ‘Angels with dirty faces’. [S.l.]: Warner Home Video.
Dale, Alan S. (2000) Comedy is a man in trouble: slapstick in American movies. Minneapolis: University of Minnesota Press.
Daniel, Pete (1987) Official images: New Deal photography. London: Smithsonian Institution Press.
Daniels, Marc, Levy, Ralph, et al. (1951) ‘I love Lucy: the complete first season, Discs 1 and 2’. [S.l.]: CBS DVD.
Daniels, Marc, Asher, William, et al. (1951) ‘I love Lucy: the complete first season, Discs 3 and 4’. [S.l.]: CBS DVD.
Daniels, Marc, Ball, Lucille, and Arnaz, Desi (1952a) ‘I love Lucy: the complete first season, Disc 7’. [S.l.]: CBS DVD.
Daniels, Marc, Ball, Lucille, and Arnaz, Desi (1952b) ‘I love Lucy: the complete first season, Discs 5 and 6’. [S.l.]: CBS DVD.
Dardis, Tom (1979) Keaton: the man who wouldn’t lie down. London: Deutsch.
Darley, Andrew (2000) Visual digital culture: surface play and spectacle in new media genres. London: Routledge. Available at: http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=5001435.
Dassin, Jules et al. (2012) ‘Thieves’ highway’. [S.l.]: 20th Century Fox Home Entertainment.
Davidov, Judith Fryer (1998) Women’s camera work: self/body/other in American visual culture. Durham, N.C.: Duke University Press.
Davies, Jude (1997) Gender, ethnicity and sexuality in contemporary American film. Edinburgh: Keele University Press.
Davis, Peter (1974) ‘Hearts and minds’. [S.l.]: Metrodome.
Demme, Ted and LaGravenese, Richard (2004) ‘A decade under the influence: the 70’s films that changed everything’. London: Video Collection International.
Denzin, N.K. (2002) ‘The Cinematic Racial Order: Reading race: Hollywood and the cinema of racial violence’, in Reading race: Hollywood and the cinema of racial violence. London: SAGE, pp. 17–45. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665911760002746&institutionId=2746&customerId=2745.
Denzin, Norman K. (1991) ‘Do the Right Thing: Race in the USA in Images of postmodern society: social theory and contemporary cinema’, in Images of postmodern society: social theory and contemporary cinema. London: Sage Publications.
Dexter, Maury et al. (2004) ‘The wild angels’, ‘The wild angels’ and ‘Hell’s belles’. [S.l.]: MGM.
Diawara, Manthia (1993) Black American cinema. London: Routledge.
Dimendberg, Edward (2004) Film noir and the spaces of modernity. Cambridge, Mass: Harvard University Press.
Dixon, Wheeler Winston (2006) American cinema of the 1940’s: themes and variations. Oxford: Berg.
Dmytryk, Edward et al. (2005) Crossfire. [S.l.]: Turner Home Entertainment.
Donalson, Melvin Burke (2003) Black directors in Hollywood. 1st ed. Austin: University of Texas Press.
Donovan, Tristan (2010) Replay: the history of video games. Lewes: Yellow Ant.
Dyer, R. (1976) ‘Entertainment and Utopia in Movies and methods II: an anthology’, in Movies and methods: an anthology. Berkeley, Calif: University of California Press, pp. 220–232. Available at: https://blackboard.le.ac.uk/bbcswebdav/pid-340753-dt-content-rid-499834_5/library/eReserves/HA2224/HA2224%20-%20Doc%2012.pdf.
Dyson, Michael Eric (1993a) Reflecting black: African-American cultural criticism. Minneapolis: University of Minnesota Press.
Dyson, Michael Eric (1993b) Reflecting black: African-American cultural criticism. London: University of Minnesota Press. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5660640790002746&institutionId=2746&customerId=2745.
Ebert, R. (1AD) Okay, kids, play on my lawn | Roger Ebert’s Journal | Roger Ebert. Available at: http://www.rogerebert.com/rogers-journal/okay-kids-play-on-my-lawn.
Edgerton, Gary R. and Jones, Jeffrey P. (2008) The essential HBO reader. Lexington, KY.: University Press of Kentucky. Available at: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1250652.
Edwards, Harry et al. (1926) ‘Tramp, tramp, tramp’. S.l: Blackhorse Entertainment.
Eldridge, D. (2008) ‘Film and Photography, Chapter’, in American culture in the 1930s. Edinburgh: Edinburgh University Press, pp. 61–92. Available at: http://site.ebrary.com/lib/leicester/Doc?id=10257689.
Elsaesser, T. (1987) ‘Tales of sound and fury: Some observations on the family melodrama: Chapter’, in Home is Where the Heart Is: Studies in Melodrama and the Woman’s Film. London: BFI Publishing, pp. 43–69.
Elsaesser, T. (2009) ‘The Mind-Game Film, Chapter’, in Puzzle films: complex storytelling in contemporary cinema. Malden, Mass: Wiley-Blackwell, pp. 13–41. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664681640002746&institutionId=2746&customerId=2745.
Elsaesser, Thomas and Barker, Adam (1990) Early cinema: space, frame, narrative. London: BFI Publishing.
Enright, Ray et al. (2006) ‘Dames’. Burbank, Calif: Warner Home Video.
Evans, Peter William (2013) Written on the wind. [London]: A BFI book published by Palgrave Macmillan.
Evans, Walker et al. (2000) Walker Evans. New York: Metropolitan Museum of Art in association with Princeton University Press, Princeton.
Farrell, Glenda, Muni, Paul, and LeRoy, Mervyn (no date) ‘I am a fugitive from a chain gang’. TCM: Motion picture, broadcast 12:45 18/05/2005.
Fay, Jennifer and Nieland, Justus (2010) Film noir: hard-boiled modernity and the cultures of globalization. London: Routledge.
Feuer, Jane and British Film Institute (1993) The Hollywood musical. 2nd ed. Basingstoke: Macmillan.
‘Film Quarterly - special issue on The Wire’ (2008), 62(2).
Film Studies For Free (no date). Available at: http://filmstudiesforfree.blogspot.co.uk/.
Fischer, Lucy (1991) Imitation of life: Douglas Sirk, director. New Brunswick, N.J.: Rutgers University Press.
Fiske, John (2011a) Television culture. 2nd ed. London: Routledge. Available at: http://ezproxy.lib.le.ac.uk/login?url=http://www.myilibrary.com?id=292966.
Fiske, John (2011b) Television culture. 2nd ed. London: Routledge. Available at: http://ezproxy.lib.le.ac.uk/login?url=http://www.myilibrary.com?id=292966.
Fitzgerald, Barry, Duff, Howard, and Dassin, Jules (2007) ‘The naked city’. [S.l.]: Criterion.
Foertsch, Jacqueline (2008) American culture in the 1940s. Edinburgh: Edinburgh University Press. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664157320002746&institutionId=2746&customerId=2745.
Foertsch, Jacqueline and EBSCO ebook (2008) American culture in the 1940s. Edinburgh: Edinburgh University Press.
Fonda, Peter et al. (1999) ‘Easy rider’. [S.l.]: Columbia Tristar Home Video.
Fonda, Peter et al. (2004) ‘The trip’. [S.l.]: MGM Home Entertainment.
Ford, Harrison et al. (1982) ‘Blade runner: the final cut’. [S.l.]: Warner Home Video.
Ford, John et al. (1939) ‘Stagecoach’. [S.l.]: Universal.
Ford, John et al. (2007) ‘The grapes of wrath’. [S.l.]: Twentieth Century Fox Home Entertainment.
Frankenheimer, John et al. (2009) ‘The golden age of television: Disc 3: The comedian, Days of wine and roses’. [S.l.]: Criterion collection.
Friedman, Lester D. (1991) Unspeakable images: ethnicity and the American cinema. Urbana, Ill: University of Illinois Press.
Friedman, Lester D. (2000) Bonnie and Clyde. London: BFI Publishing.
Friedman, Lester D. (2007a) American cinema of the 1970s: themes and variations. New Brunswick, N.J.: Rutgers University Press.
Friedman, Lester D. (2007b) American cinema of the 1970s: themes and variations. Oxford: Berg.
Friedman, Lester D. and Penn, Arthur (2000) Arthur Penn’s ‘Bonnie and Clyde’. Cambridge: Cambridge University Press.
Gabbard, Krin (2004) Black magic: white Hollywood and African American culture. London: Rutgers University Press.
Gair, Christopher (2007) The American counterculture. Edinburgh: Edinburgh University Press. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=286991.
Galloway, Alexander R. (2006) Gaming: essays on algorithmic culture. Minneapolis, Minn: University of Minnesota Press. Available at: http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10151343.
Garnett, Tay et al. (2009) ‘The postman always rings twice’. [S.l.]: Warner home video.
Gaudreault, André (2009) American cinema, 1890-1909: themes and variations. New Brunswick, N.J.: Rutgers University Press.
Geraghty, Lincoln (2009a) American science fiction film and television. New York: Berg.
Geraghty, Lincoln (2009b) American science fiction film and television. Oxford: Berg.
Gillan, Jennifer (2011) Television and new media: must-click TV. New York: Routledge.
Gladfelder, H. (2005) ‘Sherlock Jr.: The Screen and the Mirror: Chapter’, in Film analysis: a Norton reader. New York: W.W. Norton, pp. 138–157.
Gledhill, Christine and British Film Institute (1987) Home is where the heart is: studies in melodrama and the woman’s film. London: BFI Publishing.
Gomery, D. (2005) ‘The classic studio era: The Hollywood studio system: a history’, in The Hollywood studio system: a history. [New ed.]. London: BFI, pp. 71–80. Available at: https://blackboard.le.ac.uk/bbcswebdav/pid-522058-dt-content-rid-641021_5/library/eReserves/HA2224/HA2224%20-%20Doc%2007.pdf.
Gomery, Douglas and Hockley, Luke (2006) Television industries. London: BFI/British Film Institute.
Gordon, Colin (1999) ‘Responding to the Crash in Major problems in American history, 1920-1945: documents and essays’, in Major problems in American history, 1920-1945: documents and essays. Boston: Houghton Mifflin.
Grant, Barry Keith (2008) American cinema of the 1960s: themes and variations. London: Rutgers University Press.
Grant, Barry Keith (2012) The Hollywood film musical. Oxford: Wiley-Blackwell. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664139230002746&institutionId=2746&customerId=2745.
Green, Alfred E., Stanwyck, Barbara, and Brent, George (1933) ‘Baby face’. [S.l.]: Warner Home Video / Turner Entertainment.
Grieveson, Lee and Krämer, Peter (2004) The silent cinema reader. London: Routledge.
Griffith, D. W. et al. (1915) ‘The birth of a nation’. [S.l.]: Eureka Video.
Griffith, D. W. et al. (2002) ‘D.W. Griffith: years of discovery 1909-1913’. [S.l.]: Image Entertainment.
Griffith, D. W. and Gish, Lillian (1916) ‘Intolerance’. [S.l.]: Eureka Video.
Griffith, D.W. (1912) ‘Musketeers of Pig Alley: Audio-visual document’, Biograph shorts. Special edition. New York: Kino Video.
Gripsrud, Jostein (2010) ‘Lavik, Erlend Forward to the Past: The Strange Case of The Wire in Relocating television: television in the digital context’, in Relocating television: television in the digital context. London: Routledge.
Guerrero, E. (1998) ‘A Circus of Dreams and Lies: The Black Film Wave at Middle Age in The new American cinema’, in The new American cinema. Durham, N.C.: Duke University Press.
Guerrero, Ed and Lee, Spike (2001) Do the right thing. London: British Film Institute.
Gunning, T. (1998) ‘Early American Film in The Oxford guide to film studies’, in The Oxford guide to film studies. Oxford: Oxford University Press.
Gunning, Tom (1994) D.W. Griffith and the origins of American narrative film: the early years at Biograph. Urbana, Ill: University of Illinois Press.
Halliwell, M. (2007) American culture in the 1950s [electronic resource]. Edinburgh: Edinburgh University Press. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=292360.
Hammond, Michael and Mazdon, Lucy (2005) The contemporary television series. Edinburgh: Edinburgh University Press.
Hammond, Michael and Williams, Linda Ruth (2006) Contemporary American cinema. London: Open University Press. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662275430002746&institutionId=2746&customerId=2745.
Hansen, L. (2001) ‘Feminism in the Fascist Utopia: gender and world order in Starship Troopers’, International Feminist Journal of Politics, 3(2), pp. 275–283. Available at: https://doi.org/10.1080/14616740110053065.
Hark, Ina Rae and ebrary, Inc (2007) American cinema of the 1930s: themes and variations. New Brunswick, N.J.: Rutgers University Press.
Harris, Jonathan (1995) Federal art and national culture: the politics of identity in New Deal America. Cambridge: Cambridge University Press.
Harrison, Colin (2010) American culture in the 1990s. Edinburgh: Edinburgh University Press. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664015000002746&institutionId=2746&customerId=2745.
Hawks, Howard et al. (1940) ‘His girl Friday’. [S.l.]: Columbia.
Hawks, Howard et al. (no date) ‘The big sleep’. S.l.]: Warner Home Video.
Haynes, Todd et al. (2011) ‘Mildred Pierce [2011]’. [S.l.]: Home Box Office.
Hayworth, Rita et al. (1948) ‘The lady from Shanghai’. S.l.]: Tristar Home Entertainment.
Henderson, Robert M. (1971) D.W. Griffith: the years at Biograph. London: Secker and Warburg.
Hill, George Roy, Newman, Paul, and Redford, Robert (no date) ‘Butch Cassidy and the Sundance Kid’. S.l.]: 20th Century Fox Home Entertainment.
Hill, John and Gibson, Pamela Church (1998) The Oxford guide to film studies. Oxford: Oxford University Press.
Hill, John and Gibson, Pamela Church (2000) American cinema and Hollywood: critical approaches. Oxford: Oxford University Press.
Hillier, Jim (1992) The new Hollywood. New York: Continuum.
Hillis, K. (2005) ‘Film Noir and the American Dream: The Dark Side of Enlightenment’, The Velvet Light Trap, 55(1), pp. 3–18. Available at: https://doi.org/10.1353/vlt.2005.0004.
Hoberman, J. (2003) ‘Nashville contra Jaws, or "The Imagination of Disaster” Revisited in The last great American picture show: new Hollywood cinema in the 1970s’, in The last great American picture show: new Hollywood cinema in the 1970s. Amsterdam: Amsterdam University Press. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664782110002746&institutionId=2746&customerId=2745.
Hoberman, J. (2004) ‘Nashville contra Jaws, or "The Imagination of Disaster” Revisited in The last great American picture show: new Hollywood cinema in the 1970s’, in The last great American picture show: new Hollywood cinema in the 1970s. Amsterdam: Amsterdam University Press. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664782130002746&institutionId=2746&customerId=2745.
Holmlund, Chris (2008a) American cinema of the 1990s: themes and variations. New Brunswick, N.J.: Rutgers University Press.
Holmlund, Chris (2008b) American cinema of the 1990s: themes and variations. New Brunswick, N.J.: Rutgers University Press. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664141110002746&institutionId=2746&customerId=2745.
hooks, bell (1996) Reel to real: race, sex, and class at the movies. London: Routledge.
Horton, Andrew (1991) Comedy/cinema/theory. Berkeley, Calif: University of California Press.
Horton, Andrew (1997) Buster Keaton’s Sherlock Jr. Cambridge: Cambridge University Press.
Hove, Arthur (1980) Gold diggers of 1933. Madison, Wis: Published for the Wisconsin Center for Film and Theater Research by the University of Wisconsin Press.
Hughes, Albert et al. (1993) ‘Menace II society’. S.l.]: Entertainment in Video.
J. P. Telotte (1999) ‘Verhoeven, Virilio, and “Cinematic Derealization”’, Film Quarterly, 53(2), pp. 30–38.
Jacobs, Jason (2011) Deadwood. London: BFI.
Jaffe, Ira (2008) Hollywood hybrids: mixing genres in contemporary films. Lanham, Md: Rowman and Littlefield.
Jancovich & Lyons (2003) ‘Introduction’, in Quality popular television: cult TV, the industry and fans. London: BFI Publishing.
Jancovich, Mark, Lyons, James, and British Film Institute (2003) Quality popular television: cult TV, the industry and fans. London: BFI Publishing.
Jarvie, I. (2006) ‘Knowledge, Morality and Tragedy in The Killers and Out of the Past: The philosophy of film noir’, in The philosophy of film noir. Lexington, Ky: University Press of Kentucky, pp. 163–185. Available at: http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10438034.
Johnson, C. (2012) ‘It’s Not TV, It’s HBO!” Branding US Pay TV in Branding television’, in Branding television. London: Routledge.
Johnson, Catherine (2012) Branding television. London: Routledge.
Kaplan, E. Ann (1998) Women in film noir. Rev. and expanded ed. London: British Film Institute.
Kaufman, Will (2009) American culture in the 1970s. Edinburgh: Edinburgh University Press.
Kaveney, R. (2005) ‘The Director as Parodist: Paul Verhoeven’s Starship Troopers in From Alien to The matrix: reading science fiction film’, in From Alien to The matrix: reading science fiction film. London: I.B. Tauris.
Keaton, Buster et al. (1920) ‘The saphead’. [S.l.]: Kino Video.
Keaton, Buster et al. (1922) ‘Our hospitality; directed by Buster Keaton and John G. Blystone’, Our hospitality; directed by Buster Keaton and John G. Blystone. Sherlock Jnr.; directed by Buster Keaton. [S.l.]: Kino Video.
Keaton, Buster et al. (1923) ‘Three ages’. [S.l.]: Kino Video.
Keaton, Buster (1924) ‘Sherlock Jr.’ [S.l.]: Kino Video.
Keaton, Buster et al. (1926) ‘The General’. [S.l.]: 2 entertain Video / Cinema Club.
Keaton, Buster et al. (1927) ‘College’. [S.l.]: Kino Video.
Keaton, Buster et al. (1928) ‘Steamboat Bill Jr’. [S.l.]: Kino Video.
Keaton, Buster (2006) ‘Buster Keaton: the complete short films 1917-1923, Accompanying book’. [S.l.]: Eureka Video.
Keaton, Buster, Cline, Eddie, and O’Neil, Sally (1926) ‘Battling Butler’. [S.l.]: Kino Video.
Keaton, Buster and Cline, Edward (2006) ‘Buster Keaton: the complete short films 1917-1923, Disc 4’. [S.l.]: Eureka Video.
Keaton, Buster, Cline, Edward, and St. Clair, Mal (2006) ‘Buster Keaton: the complete short films 1917-1923, Disc 3’. [S.l.]: Eureka Video.
Keaton, Buster, Dwyer, Ruth, and Cline, Eddie (1925) ‘Seven chances’. [S.l.]: Kino Video.
Keaton, Buster, Myers, Kathleen, and Cline, Eddie (1925) ‘Go west’. [S.l.]: Kino Video.
Keil, Charlie and Singer, Ben (2009) American cinema of the 1910s: themes and variations. London: Rutgers University Press. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664141100002746&institutionId=2746&customerId=2745.
Kelleter, F. (2014) Serial Agencies : The Wire and its Readers. Ropley: John Hunt Publishing.
Kelleter, Frank, Krah, Barbara, and Mayer, Ruth (2007) Melodrama!: the mode of excess from early America to Hollywood. Heidelberg: Winter.
Kennedy, Liam and Shapiro, Stephen (2012) The wire: race, class, and genre. Ann Arbor, Mich: University of Michigan Press.
Kennedy, Merna and Chaplin, Charles (1928) ‘The circus’. [S.l.]: mk2/Warner Brothers Home Video.
King, Geoff (2000a) Spectacular narratives: Hollywood in the age of the blockbuster. London: I.B. Tauris.
King, Geoff (2000b) Spectacular narratives: Hollywood in the age of the blockbuster. London: I.B. Tauris.
King, Geoff (2000c) Spectacular narratives: Hollywood in the age of the blockbuster. London: I.B. Tauris.
King, Geoff (2000d) Spectacular narratives: Hollywood in the age of the blockbuster. London: I.B. Tauris.
King, Geoff (2002a) New Hollywood cinema: an introduction. London: I.B. Tauris.
King, Geoff (2002b) New Hollywood cinema: an introduction. London: I.B. Tauris.
King, Geoff (2005) Spectacle of the real: from Hollywood to reality TV and beyond. Bristol: Intellect Books.
King, N. (2007a) ‘New Hollywood in The cinema book’, in The cinema book. 3rd ed. London: British Film Institute.
King, N. (2007b) ‘New Hollywood in The cinema book’, in The cinema book. 3rd ed. London: British Film Institute.
Klinger, Barbara (1994) Melodrama and meaning: history, culture, and the films of Douglas Sirk. Bloomington: Indiana University Press.
Kolker, Robert Phillip (2000a) A cinema of loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg, Altman. 3rd ed. Oxford: Oxford University Press.
Kolker, Robert Phillip (2000b) A cinema of loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg, Altman. 3rd ed. Oxford: Oxford University Press.
Kompare, Derek (2010) CSI. Oxford: Wiley-Blackwell.
Koszarski, Richard (1990) An evening’s entertainment: the age of the silent feature picture, 1915-1928. New York: Charles Scribner’s Sons. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5661323260002746&institutionId=2746&customerId=2745.
Krämer, Peter (2005) New Hollywood: from Bonnie and Clyde to Star Wars. London: Wallflower. Available at: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1763952.
Krutnik, Frank (2002) Hollywood comedians, the film reader. London: Routledge.
Kuhn, A. (2007) ‘Classical Hollywood Narrative in The cinema book’, in The cinema book. 3rd ed. London: British Film Institute, pp. 45–48.
Kuhn, Annette (1990) Alien zone: cultural theory and contemporary science fiction cinema. London: Verso.
Kuhn, Annette (1999) Alien zone two: the spaces of science-fiction cinema. London: Verso.
La Cava, Gregory et al. (1936) ‘My man Godfrey’. [S.l.]: Elstree Hill Entertainment.
Laderman, David (2002a) Driving visions: exploring the road movie. 1st ed. Austin, TX: University of Texas Press.
Laderman, David (2002b) Driving visions: exploring the road movie. Austin, Tex: Combined Academic. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5663025080002746&institutionId=2746&customerId=2745.
Landy, Marcia (1991) Imitations of life: a reader on film & television melodrama. Detroit, MIch: Wayne State University Press.
Lang, Fritz et al. (2008) ‘The woman in the window’. [S.l.]: Optimum Classic.
Lang, Fritz, Robinson, Edward G., and Bennett, Joan (no date) ‘Scarlet Street’. S.l.]: Matinée.
Lang, Robert (1989) American film melodrama: Griffith, Vidor, Minnelli. Princeton, N.J.: Princeton University Press.
Lavery, David (2006) Reading the Sopranos: hit TV from HBO. London: I.B. Tauris.
Lawrence, Novotny (2008) Blaxploitation films of the 1970s: blackness and genre. London: Routledge.
Leab, Daniel J. (1975) From sambo to superspade: the black experience in motion pictures. London: Secker and Warburg.
Lee, Spike et al. (1990) ‘Mo’ better blues’. [S.l.]: Universal.
Lee, Spike, Aiello, Danny, et al. (2001) ‘Do the right thing’. [S.l.]: Universal.
Lee, Spike, Snipes, Wesley, et al. (2001) ‘Jungle fever’. [S.l.]: Universal.
Lee, Spike, Haley, Alex, et al. (2001) ‘Malcom X’. [S.l.]: Pathé.
Lee, Spike, Fishburne, Laurence, and Esposito, Giancarlo (1988) ‘School daze’. [S.l.]: Universal.
Lee, Spike and Johns, Tracy Camilla (2006) ‘She’s gotta have it’. [S.l.]: MGM.
Lee, Spike, Wayans, Damon, and Glover, Savion (no date) ‘Bamboozled’. S.l.]: Entertainment in video.
LeRoy, Mervyn et al. (2006) ‘Gold diggers of 1933’. Burbank, Calif: Warner Home Video.
Lesy, Michael and United States (2002) Long time coming: a photographic portrait of America, 1935-1943. New York: Norton.
Lev, Peter (2003) Transforming the screen, 1950-1959. Berkeley, Calif: University of California Press.
Leverette, Ott & Buckley and MacCabe & Akass (2008) ‘It’s Not TV’, in It’s not TV: watching HBO in the post-television era. New York, N.Y.: Routledge.
Lewis, Jon (1998) The new American cinema. Durham, N.C.: Duke University Press.
Lewis, Jon (2001) The end of cinema as we know it: American film in the nineties. London: Pluto.
Lewis, Jon (2008) American film: a history. New York: W.W. Norton.
Logan, Joshua et al. (1955) Picnic. [S.l.]: Columbia Pictures.
Lorence, J.J. (2006) ‘Unfinished Business: Do the Right Thing (1989) and the Escalation of Social Tension in Screening America: United States history through film since 1900’, in Screening America: United States history through film since 1900. New York: Pearson Longman, pp. 182–194.
Lorence, J.L. (2006) ‘Making It in Depression America: The Street or the Stage in The Gold Diggers of 1933 in Screening America: United States history through film since 1900’, in Screening America: United States history through film since 1900. New York: Pearson Longman.
Lorentz, Pare, Ivens, Joris, and McClure, H. B. (1999) ‘New Deal documentaries’. [S.l.]: A Connoisseur/Academy video release from the British Film Institute.
Lott, T.L. (1998) ‘Hollywood and Independent Black Cinema in Contemporary Hollywood cinema’, in Contemporary Hollywood cinema. London: Routledge.
Lucas, George et al. (2004) ‘Star wars’. [S.l.]: 20th Century Fox.
Lucas, George, Duvall, Robert, and Pleasence, Donald (2004) ‘THX 1138’. [S.l.]: Warner Bros.
Lutz Koepnick (2003) ‘Doubling the Double: Robert Siodmak in Hollywood’, New German Critique, (89), pp. 81–104. Available at: http://www.jstor.org/stable/3211146.
Lynch, David et al. (1990) ‘Twin peaks: season one and season two’. [S.l.]: Universal.
Maltby, R. (1995) ‘Narrative in Hollywood cinema: an introduction’, in Hollywood cinema: an introduction. Oxford: Blackwell Publishers.
Maltby, R. (2003) ‘Entertainment I in Hollywood cinema: an introduction’, in Hollywood cinema: an introduction. 2nd ed. Oxford: Blackwell Publishers, pp. 33–53. Available at: https://blackboard.le.ac.uk/bbcswebdav/pid-522055-dt-content-rid-2061401_5/library/eReserves/HA2224/HA2224_26388.pdf.
Maltby, Richard (2003) Hollywood cinema: an introduction. 2nd ed. Oxford: Blackwell Publishers.
Mankiewicz, Joseph L. et al. (2002) ‘Cleopatra’. [S.l.]: 20th Century Fox Home Entertainment.
Mann, Delbert et al. (2009) ‘The golden age of television: Disc 1: Marty (Delbert Mann), Patterns (Fielder Cook), No time for sergeants (Alex Segal)’. [S.l.]: Criterion collection.
Mann, Glenn (1994) Radical visions : American film renaissance, 1967-1976: No. 41. Westport: Greenwood Pr.
Marks, Martin, Simmon, Scott, and National Film Preservation Foundation (United States) (2004a) More treasures from American film archives 1894-1931: fifty films, film notes by Scott Simmon, music notes by Martin Marks: Program notes. San Francisco, Calif: National Film Preservation Foundation.
Marks, Martin, Simmon, Scott, and National Film Preservation Foundation (United States) (2004b) ‘More treasures from American film archives 1894-1931: Program 1 /[ curated by Scott Simmon, music curated by Martin Marks]’. [S.l.]: National Film Preservation Foundation.
Marks, Martin, Simmon, Scott, and National Film Preservation Foundation (United States) (2004c) ‘More treasures from American film archives 1894-1931: Program 2 /[ curated by Scott Simmon, music curated by Martin Marks]’. [S.l.]: National Film Preservation Foundation.
Marks, Martin, Simmon, Scott, and National Film Preservation Foundation (United States) (2004d) ‘More treasures from American film archives 1894-1931: Program 3 /[ curated by Scott Simmon, music curated by Martin Marks]’. [S.l.]: National Film Preservation Foundation.
Marling, Karal Ann (1994) As seen on TV: the visual culture of everyday life in the 1950s. Cambridge, Mass: Harvard University Press.
Martin, Brett (2013) Difficult men : from The Sopranos and The Wire to Mad Men and Breaking Bad. Brett Martin. London: Faber and Faber.
Massood, Paula J. (2003) Black city cinema: African American urban experiences in film. Philadelphia: Temple University Press.
Massood, Paula J. (2008) The Spike Lee reader. Philadelphia, Pa: Temple University Press.
Mateas, M. (2004) ‘A Preliminary Poetics for Interactive Drama and Games, Chapter’, in FirstPerson: new media as story, performance, and game. Cambridge, Mass: MIT.
May, Lary (1980) Screening out the past: the birth of mass culture and the motion picture industry. New York: Oxford University Press.
Mazursky, Paul et al. (2006) ‘Bob and Carol and Ted and Alice’. [S.l.]: Sony Pictures Home Entertainment.
McArthur, Colin and British Film Institute (1972) Underworld U.S.A. London: Secker and Warburg [for] the British Film Institute.
McCabe, Janet and Akass, Kim (2006) Reading Desperate housewives: beyond the white picket fence. London: In the United States and Canada distributed by Palgrave Macmillan.
McCabe, Janet and Akass, Kim (2007a) Quality TV: contemporary American television and beyond. London: I.B. Tauris.
McCabe, Janet and Akass, Kim (2007b) Quality TV: contemporary American television and beyond. London: I.B. Tauris.
McCarey, Leo et al. (1924) ‘The Charley Chase collection: [Vol. 1]’. New York: Kino on Video.
McGuire, Kathryn et al. (1924) ‘The navigator’. [S.l.]: Kino Video.
Mercer, John and Shingler, Martin (2004) Melodrama: genre, style sensibility. London: Wallflower.
Miller, Toby (2002) Television studies. London: BFI Publishing.
Minnelli, Vincente et al. (1955) ‘The cobweb’. [S.l.]: Feel Films.
Minnelli, Vincente et al. (1960) Home from the hill. [S.l.]: Warner Home Video.
Mirzoeff, Nicholas (1998) ‘DuBois, W.E.B. Double Consciousness [1903] in The visual culture reader’, in The visual culture reader. London: Routledge.
Mittell, J. (2006) ‘Narrative Complexity in Contemporary American Television’, The Velvet Light Trap, 58(1), pp. 29–40. Available at: https://doi.org/10.1353/vlt.2006.0032.
Mittell, J. (2009) ‘All in the Game: The Wire, Serial Storytelling, and Procedural Logic: Chapter’, in Third person: authoring and exploring vast narratives. Cambridge, Mass: MIT Press, pp. 429–438.
Mittell, Jason (2010) Television and American culture. New York, N.Y.: Oxford University Press.
Moews, Daniel (1977) Keaton: the silent features close up. Berkeley: University of California Press.
Monaco, Paul (2001) The sixties, 1960-1969. New York: Charles Scribner’s Sons / University of California.
Monteith, Sharon (2008) American culture in the 1960s. Edinburgh: Edinburgh University Press.
Morgen, Brett, Burstein, Nanette, and Evans, Robert (2003) ‘The kid stays in the picture’. [S.l.]: Momentum Pictures.
Morris, Nigel (2007) The cinema of Steven Spielberg: empire of light. London: Wallflower. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664470540002746&institutionId=2746&customerId=2745.
Mullen, Megan Gwynne (2003) The rise of cable programming in the United States: revolution or evolution? 1st ed. Austin, Tex: University of Texas Press.
Munt, S. (2008) ‘A Queer Undertaking: Uncanny attachments in the HBO Television drama series, Six Feet Under, Chapter’, in Queer attachments: the cultural politics of shame. Aldershot, England: Ashgate, pp. 161–179. Available at: http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10234643.
Murray, Janet Horowitz (1997) Hamlet on the holodeck: the future of narrative in cyberspace. Cambridge, Mass: MIT Press.
Musser, Charles (1990) The emergence of cinema: the American screen to 1907. New York: Charles Scribner’s Sons. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662275660002746&institutionId=2746&customerId=2745.
Naremore, James (2008) More than night: film noir in its contexts. Updated and expanded ed. Berkeley, Calif: University of California Press. Available at: http://ezproxy.lib.le.ac.uk/login?url=http://www.myilibrary.com?id=235939.
Naughty Dog Inc (2013) ‘The last of us’. London: Sony Computer Entertainment Europe.
Nava, Gregory, Gutiérrez, Zaide Silvia, and Villalpando, David (1983) ‘El norte =: The north’. [S.l.]: Criterion.
Neale, S. (2006a) ‘”The Last Good Time We Ever Had?” Revising the Hollywood Renaissance in Contemporary American cinema’, in Contemporary American cinema. Boston: Open University Press.
Neale, S. (2006b) ‘”The Last Good Time We Ever Had?” Revising the Hollywood Renaissance in Contemporary American cinema’, in Contemporary American cinema. London: Open University Press. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664681840002746&institutionId=2746&customerId=2745.
Neale, Stephen (2000) Genre and Hollywood. London: Routledge. Available at: http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10099088.
Neale, Stephen (2012) The classical Hollywood reader. London: Routledge.
Neale, Stephen (no date) Genre and contemporary Hollywood. London: BFI Publishing.
Newmeyer, Fred, Taylor, Sam, Roach, Hal, Lloyd, Harold, Davis, Mildred B., et al. (1920) ‘Harold Lloyd: the definitive collection, Disc 1’. [S.l.]: Optimum.
Newmeyer, Fred, Taylor, Sam, Roach, Hal, Lloyd, Harold, Ralston, Jobyna, et al. (1920) ‘Harold Lloyd: the definitive collection, Disc 5’. [S.l.]: Optimum.
Newmeyer, Fred, Roach, Hal, et al. (1920) ‘Harold Lloyd: the definitive collection, Disc 7’. [S.l.]: Optimum.
Newmeyer, Fred et al. (1922) ‘Harold Lloyd: the definitive collection, Disc 3’. [S.l.]: Optimum.
Nichols, Mike et al. (2008) ‘The graduate’. [S.l.]: Optimum Classic.
Nicholson, Jack et al. (no date) ‘Drive, he said’.
Nichols-Pethick, Jonathan (2012) TV cops: the contemporary American television police drama. London: Routledge. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664019020002746&institutionId=2746&customerId=2745.
North, Michael (2009) Machine-age comedy. Oxford: Oxford University Press. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5663612600002746&institutionId=2746&customerId=2745.
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Palmer, R. Barton (1994) Hollywood’s dark cinema: the American film noir. London: Twayne Publishers/Prentice Hall International.
Palmer, R. Barton (1996) Perspectives on film noir. London: Prentice Hall International.
Parks, Gordon, Tidyman, Ernest, and Roundtree, Richard (1971) ‘Shaft’. [S.l.]: Warner Home Video.
Paulus, Tom and King, Rob (2010) Slapstick comedy. London: Routledge. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5663966290002746&institutionId=2746&customerId=2745.
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Penn, Arthur, Brando, Marlon, et al. (2004) ‘The chase’. [S.l.]: Columbia Tristar Home Entertainment.
Petrie, Daniel et al. (2009) ‘The golden age of television: Disc 2: A wind from the south (Daniel Petrie), Bang the drum slowly (Daniel Petrie), Requiem for a heavyweight (Ralph Nelson)’. [S.l.]: Criterion collection.
Pines, J. (1996a) ‘The Black Presence in American Cinema in The Oxford history of world cinema’, in The Oxford history of world cinema. Oxford: Oxford University Press. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664781990002746&institutionId=2746&customerId=2745.
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Polan, Dana B. (1986) Power and paranoia: history, narrative and the American cinema, 1940-1950. New York, N.Y.: Columbia University Press.
Polonsky, Abraham et al. (no date) ‘Force of evil’. S.l.]: Second Sight.
Pomerance, Murray (2005) American cinema of the 1950s: themes and variations. Oxford: Berg.
Pomerance, Murray (2008) A family affair: cinema calls home. London: Wallflower.
Potter, Tiffany and Marshall, C. W. (2009a) The wire: urban decay and American television. New York: Continuum.
Potter, Tiffany and Marshall, C. W. (2009b) The wire: urban decay and American television. New York, N.Y.: Continuum. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664013330002746&institutionId=2746&customerId=2745.
Powell, Dick et al. (2008) ‘Murder my sweet’. [S.l.]: Universal.
Powell, Richard J. (1997) Black art and culture in the 20th century. London: Thames & Hudson.
Prince, Stephen (2003) Classical film violence: designing and regulating brutality in Hollywood cinema, 1930-1968. New Brunswick, N.J.: Rutgers University Press.
Prince, Stephen (2012) Digital visual effects in cinema: (the seduction of reality). London: Rutgers University Press.
Prince, Stephen (no date) A new pot of gold: Hollywood under the electronic rainbow, 1980-1989. Berkeley: University of California Press.
Purse, Lisa (2011) Contemporary action cinema. Edinburgh: Edinburgh University Press. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664157200002746&institutionId=2746&customerId=2745.
Quirke, Antonia (2002) Jaws. London: British Film Institute.
Rafelson, Bob et al. (2004) ‘Five easy pieces’. [S.l.]: Columbia Tristar.
Rafelson, Bob, Nicholson, Jack, Tork, Peter, et al. (no date) ‘Head’.
Rafelson, Bob, Nicholson, Jack, Dern, Bruce, et al. (no date) ‘The king of Marvin Gardens’.
Randolph, Joyce et al. (1955) ‘The honeymooners [TV Series 1955-1956]: “classic 39” episodes’. [S.l.]: Paramount /CBS DVD.
Rawlinson, Mark (2009a) American visual culture. Oxford: Berg.
Rawlinson, Mark (2009b) ‘Introduction [inc. notes]’, in American visual culture. Oxford: Berg.
Ray, Nicholas et al. (1948) ‘They live by night, and Side street’. [S.l.]: Warner Bros.
Ray, Nicholas et al. (1956) ‘Bigger than life’. [S.l.]: British Film Institute/Twentieth Century Fox Home Entertainment.
Ray, Nicholas, Dean, James, and Wood, Natalie (1955) ‘Rebel without a cause’. S.l.]: Warner Home Video.
Ray, R. (1985a) ‘A Certain Tendency of the American Cinema: Hollywood’s Formal and Thematic Paradigms in A certain tendency of the Hollywood cinema, 1930-1980’, in A certain tendency of the Hollywood cinema, 1930-1980. Chichester: Princeton University Press, pp. 25–69.
Ray, R. (1985b) ‘The 1960s: Frontier Metaphors, Developing Self-Consciousness, and New Waves in A certain tendency of the Hollywood cinema, 1930-1980’, in A certain tendency of the Hollywood cinema, 1930-1980. Chichester: Princeton University Press. Available at: https://blackboard.le.ac.uk/bbcswebdav/pid-672715-dt-content-rid-870965_5/library/eReserves/HA2224/HA2224%20-%20Doc%2020458.pdf.
Reid, Mark (1993) Redefining Black film. Berkeley, Calif: University of California Press.
Reid, Mark (1997) Spike Lee’s ‘Do the right thing’. Cambridge: Cambridge University Press.
Richard Maltby (no date) ‘“Film Noir”: The Politics of the Maladjusted Text’, Journal of American Studies, 18(1), pp. 49–71.
Rickman, Gregg (2001) The film comedy reader. New York: Limelight Editions.
Riefenstahl, Leni (2001) ‘Triumph des willens: = Triumph of the will’. [S.l.]: DD video.
Ritt, Martin et al. (1958) ‘The long hot summer’. [S.l.]: Optimum Home Entertainment.
Roach, Hal and Münchner Stadtmuseum (2010) ‘Female comedy teams’. [S.l.]: Editions filmmuseum.
Robson, Mark et al. (1957) ‘Peyton Place’. [S.l.]: Twentieth Century Fox Home Entertainment.
Rockstar Games (Firm) (2011) ‘Red dead redemption’. Windsor: [Take-Two interactive].
Roddick, N. (1983) ‘Warner Brothers and the Studio System in A new deal in entertainment: Warner Brothers in the 1930s’, in A new deal in entertainment: Warner Brothers in the 1930s. London: British Film Institute, pp. 16–28. Available at: https://blackboard.le.ac.uk/bbcswebdav/pid-814204-dt-content-rid-2056649_5/library/eReserves/HA2224/HA2224_26734.pdf.
Rose, Frank (2012) The art of immersion: how the digital generation is remaking Hollywood, Madison Avenue, and the way we tell stories. New York: W.W. Norton.
Rosenbaum, J. (2003) ‘New Hollywood and the Sixties Melting Pot in The last great American picture show: new Hollywood cinema in the 1970s’, in The last great American picture show: new Hollywood cinema in the 1970s. Amsterdam: Amsterdam University Press. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664952180002746&institutionId=2746&customerId=2745.
Rosenbaum, J. (2004) ‘New Hollywood and the Sixties Melting Pot in The last great American picture show: new Hollywood cinema in the 1970s’, in The last great American picture show: new Hollywood cinema in the 1970s. Amsterdam: Amsterdam University Press. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664681820002746&institutionId=2746&customerId=2745.
Rossen, Robert, Garfield, John, and Palmer, Lilli (no date) ‘Body and soul’. S.l.]: Second Sight.
Ruggill, Judd Ethan and McAllister, Ken S. (2011) Gaming matters: art, science, magic, and the computer game medium. Tuscaloosa: University of Alabama Press. Available at: http://site.ebrary.com/lib/leicester/Doc?id=10527805.
Ryan, Michael and Kellner, Douglas (1988) Camera politica: the politics and ideology of contemporary Hollywood film. Bloomington, Ind: Indiana University Press.
Ryan, M.-L. (no date) Beyond Myth and Metaphor: The Case of Narrative in Digital Media, Game Studies. Available at: http://www.gamestudies.org/0101/ryan/.
Ryan, Shawn, Dent, Catherine, and Chiklis, Michael (2007) ‘The shield: Season one’. [S.l.]: Sony Pictures Home Entertainment.
Schatz, T. (1981a) ‘The Family Melodrama: Chapter’, in Hollywood genres: formulas, filmmaking, and the studio system. Boston, Mass: McGraw-Hill, pp. 221–260. Available at: https://blackboard.le.ac.uk/bbcswebdav/library/eReserves/HA2224/HA2224_32731.pdf.
Schatz, T. (1981b) ‘The Musical in Hollywood genres: formulas, filmmaking, and the studio system’, in Hollywood genres: formulas, filmmaking, and the studio system. Boston, Mass: McGraw-Hill, pp. 186–220.
Schatz, T. (1993) ‘The New Hollywood in Film theory goes to the movies’, in Film theory goes to the movies. London: Routledge. Available at: https://blackboard.le.ac.uk/bbcswebdav/pid-522056-dt-content-rid-641020_5/library/eReserves/HA2224/HA2224-doc%2005.pdf.
Schatz, T. (1998) ‘The whole equation of pictures: The genius of the system: Hollywood filmmaking in the studio era’, in The genius of the system: Hollywood filmmaking in the studio era. London: Faber and Faber, pp. 3–12. Available at: https://blackboard.le.ac.uk/bbcswebdav/pid-522059-dt-content-rid-642114_5/library/eReserves/HA2224/HA2224%20Doc%2008.pdf.
Schatz, Thomas (1997) Boom and bust: American cinema in the 1940s. Berkeley, Calif: University of California Press.
Scheers, Rob van (1998) Paul Verhoeven: the authorized biography. London: Faber.
Schickel, Richard (1996) D.W. Griffith: an American life. New York: Limelight Editions.
Schlesinger, John et al. (2001) ‘Midnight cowboy’. [S.l.]: MGM.
Scorsese, Martin et al. (1999) ‘Taxi driver’. [S.l.]: Columbia Tristar Home Entertainment.
Shary, Timothy (2013) Millennial masculinity: men in contemporary American cinema. Detroit: Wayne State University Press. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664083560002746&institutionId=2746&customerId=2745.
Shiel, M. (2006a) ‘American Cinema, 1970-75 in Contemporary American cinema’, in Contemporary American cinema. Boston: Open University Press.
Shiel, M. (2006b) ‘American Cinema, 1970-75 in Contemporary American cinema’, in Contemporary American cinema. London: Open University Press. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665081310002746&institutionId=2746&customerId=2745.
Shindler, Colin (1996a) Hollywood in crisis: cinema and American society, 1929-1939. London: Routledge.
Shindler, Colin (1996b) Hollywood in crisis: cinema and American society, 1929-1939. London: Routledge. Available at: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5661396860002746&institutionId=2746&customerId=2745.
Siegfried Kracauer (2003) ‘Hollywood’s Terror Films: Do They Reflect an American State of Mind?’, New German Critique, (89), pp. 105–111. Available at: http://www.jstor.org/stable/3211147.
Silver, Alain and Ursini, James (1996) Film noir reader. New York: Limelight Editions.
Silver, Alain and Ursini, James (2003) Film noir reader 2. 2nd Limelight editions. New York, N.Y.: Limelight Editions.
Silver, Alain and Ursini, James (2004) Film noir reader 4: the crucial films and themes. New York: Limelight Editions.
Silver, Alain, Ursini, James, and Porfirio, Robert (2001) Film noir reader 3: interviews with filmmakers of the classic noir period. New York: Limelight.
Silver, Alain and Ward, Elizabeth (1979) Film noir: an encyclopedic reference to the American style. Woodstock, N.Y.: Overlook Press.
Simon, David, West, Dominic, and Doman, John (2001) ‘The wire: Season one: Listen carefully’. [S.l.]: HBO Video.
Simon, David, West, Dominic, and Doman, John (2004) ‘The wire: Season two: A new case begins’. [S.l.]: HBO Video.
Simon, David, West, Dominic, and Doman, John (2005a) ‘The wire: Season five: Read between the lines’. [S.l.]: HBO Video.
Simon, David, West, Dominic, and Doman, John (2005b) ‘The wire: Season four’. [S.l.]: HBO Video.
Simon, David, West, Dominic, and Doman, John (2005c) ‘The wire: Season three’. [S.l.]: HBO Video.
Singleton, John et al. (1991) ‘Boyz n the hood: increase the peace’. [S.l.]: Columbia Tri-Star Home Video.
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Sirk, Douglas, Stanwyck, Barbara, et al. (1956) ‘There’s always tomorrow’. [S.l.]: Eureka!
Sirk, Douglas, Zuckerman, George, et al. (1956) ‘Written on the wind’. [S.l.]: Criterion Collection.
Sirk, Douglas et al. (1958) ‘The tarnished angels’. [S.l.]: Universal.
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Sirk, Douglas and Halliday, Jon (1997) Sirk on Sirk: conversations with Jon Halliday. New and rev. ed. London: Faber and Faber.
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Slocum, J. David (2006) Hollywood and war: the film reader. London: Routledge.
Sobchack, Vivian Carol and Sobchack, Vivian Carol (no date) Screening space: the American science fiction film. 2nd, enl. ed edn. New Brunswick, N.J.: Rutgers University Press.
Spicer, Andrew (2002) Film noir. Harlow: Longman.
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Spivak, Jeffrey (2010) Buzz: the life and art of Busby Berkeley. Lexington: University Press of Kentucky. Available at: http://site.ebrary.com/lib/leicester/Doc?id=10443242.
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Take Two Interactive and Irrational Games (2013) ‘Bioshock infinite’. [S.l.]: Take Two Interactive.
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Tom Gunning (1995) ‘Buster Keaton or the work of comedy in the age of mechanical reproduction’, Cineaste, 21(3).
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Walker, H. M. et al. (1913) ‘Harold Lloyd: the definitive collection, Disc 9’. [S.l.]: Optimum.
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