Bibliography for HA2224 American Film and Visual Culture

1.
Belton, John. American Cinema/American Culture. 4th ed. International edition. McGraw-Hill Higher Education; 2013.

2.
Barsam, Richard Meran, Monahan, Dave, Gocsik, Karen M. Looking at Movies: An Introduction to Film. 3rd ed. W.W. Norton; 2010.

3.
Bordwell, David, Thompson, Kristin. Film Art: An Introduction. 9th ed. McGraw-Hill; 2010.

4.
Hill, John, Gibson, Pamela Church. American Cinema and Hollywood: Critical Approaches. Oxford University Press; 2000.

5.
Maltby, Richard. Hollywood Cinema: An Introduction. 2nd ed. Blackwell Publishers; 2003.

6.
Hill, John, Gibson, Pamela Church. The Oxford Guide to Film Studies. Oxford University Press; 1998.

7.
Sklar, Robert. Movie-Made America: A Cultural History of American Movies. Chappell; 1978.

8.
Benshoff, Harry M., Griffin, Sean. America on Film: Representing Race, Class, Gender, and Sexuality at the Movies. 2nd ed. Wiley-Blackwell; 2009.

9.
Rawlinson, Mark. American Visual Culture. Berg; 2009.

10.
Lewis, Jon. American Film: A History. W.W. Norton; 2008.

11.
Musser, Charles. The Emergence of Cinema: The American Screen to 1907. Vol History of the American cinema. Charles Scribner’s Sons; 1990. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662275660002746&institutionId=2746&customerId=2745

12.
Bowser, Eileen. The Transformation of Cinema, 1907-1915. Vol History of the American cinema. Macmillan; 1990. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5661323400002746&institutionId=2746&customerId=2745

13.
Gaudreault, André. American Cinema, 1890-1909: Themes and Variations. Vol Screen decades: American culture / American cinema. Rutgers University Press; 2009.

14.
Whalan, Mark. American Culture in the 1910s. Vol Twentieth-century American culture. Edinburgh University Press; 2010. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664142110002746&institutionId=2746&customerId=2745

15.
Film Studies For Free. http://filmstudiesforfree.blogspot.co.uk/

16.
Griffith DW. Musketeers of Pig Alley: Audio-visual document. Biograph shorts. 1912;Griffith masterworks.

17.
Chase C. His Wooden Wedding: Audio-visual document. The Charley Chase collection: Vol 2. 1925;Slapstick symposium.

18.
Keaton, Buster. Sherlock Jr. 1924;Art of Buster Keaton.

19.
Bordwell D, Thompson K. The Development of the Classical Hollywood Cinema: Chapter. In: Film Art: An Introduction. 10th ed., international ed. McGraw-Hill; 2013:466-469.

20.
Agee, James. Comedy’s Greatest Era (1949) in Agee on film: [Vol.1]: [Criticism]. In: Agee on Film: [Vol.1]: [Criticism]. P. Owen; 1963.

21.
Belton J. The Emergence of Cinema as an Institution in American cinema/American culture. In: American Cinema/American Culture. 4th ed. International edition. McGraw-Hill [distributor]; 2013.

22.
Brownlow K. Buster Keaton in The parade’s gone by. In: The Parade’s Gone By. Secker & Warburg; 1968.

23.
Crafton D. Pie and Chase: Gag, Spectacle and Narrative in Slapstick Comedy in Classical Hollywood comedy. In: Classical Hollywood Comedy. Vol AFI film readers. Routledge; 1995:106-119. https://blackboard.le.ac.uk/bbcswebdav/pid-425102-dt-content-rid-586329_5/library/eReserves/HA2224/HA2224%20-%20Doc%2014.pdf

24.
Crafton, Donald. The Talkies: American Cinema’s Transition to Sound, 1926-1931. Vol History of the American cinema. Charles Scribner’s Sons; 1997. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5663963630002746&institutionId=2746&customerId=2745

25.
Currell, Susan. American Culture in the 1920s. Vol Twentieth-century American culture. Edinburgh University Press; 2009.

26.
Currell, Susan. American Culture in the 1920s. Vol Twentieth-century American culture. Edinburgh University Press; 2009.

27.
Dale, Alan S. Comedy Is a Man in Trouble: Slapstick in American Movies. University of Minnesota Press; 2000.

28.
Dardis, Tom. Keaton: The Man Who Wouldn’t Lie Down. Deutsch; 1979.

29.
Elsaesser, Thomas, Barker, Adam. Early Cinema: Space, Frame, Narrative. BFI Publishing; 1990.

30.
Gladfelder H. Sherlock Jr.: The Screen and the Mirror: Chapter. In: Film Analysis: A Norton Reader. W.W. Norton; 2005:138-157.

31.
Grieveson, Lee, Krämer, Peter. The Silent Cinema Reader. Routledge; 2004.

32.
Gunning, Tom. D.W. Griffith and the Origins of American Narrative Film: The Early Years at Biograph. University of Illinois Press; 1994.

33.
Gunning T. Early American Film in The Oxford guide to film studies. In: The Oxford Guide to Film Studies. Oxford University Press; 1998.

34.
Tom Gunning. Buster Keaton or the work of comedy in the age of mechanical reproduction. Cineaste. 1995;21(3).

35.
Henderson, Robert M. D.W. Griffith: The Years at Biograph. Secker and Warburg; 1971.

36.
Horton, Andrew. Buster Keaton’s Sherlock Jr. Vol Cambridge film handbooks. Cambridge University Press; 1997.

37.
Horton, Andrew. Comedy/Cinema/Theory. University of California Press; 1991.

38.
Keil, Charlie, Singer, Ben. American Cinema of the 1910s: Themes and Variations. Vol Screen decades: American culture / American cinema. Rutgers University Press; 2009. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664141100002746&institutionId=2746&customerId=2745

39.
Paulus, Tom, King, Rob. Slapstick Comedy. Vol AFI film readers. Routledge; 2010. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5663966290002746&institutionId=2746&customerId=2745

40.
Koszarski, Richard. An Evening’s Entertainment: The Age of the Silent Feature Picture, 1915-1928. Vol History of the American cinema. Charles Scribner’s Sons; 1990. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5661323260002746&institutionId=2746&customerId=2745

41.
Krutnik, Frank. Hollywood Comedians, the Film Reader. Vol Film readers. Routledge; 2002.

42.
May, Lary. Screening out the Past: The Birth of Mass Culture and the Motion Picture Industry. Oxford University Press; 1980.

43.
Moews, Daniel. Keaton: The Silent Features Close Up. University of California Press; 1977.

44.
North, Michael. Machine-Age Comedy. Vol Modernist literature and culture. Oxford University Press; 2009. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5663612600002746&institutionId=2746&customerId=2745

45.
Rickman, Gregg. The Film Comedy Reader. Limelight Editions; 2001.

46.
Schickel, Richard. D.W. Griffith: An American Life. Limelight Editions; 1996.

47.
Sklar R. Chaos, Magic, Physical Genius and the Art of Silent Comedy in Movie-made America: a cultural history of American movies. In: Movie-Made America: A Cultural History of American Movies. Chappell; 1978:104-121. https://blackboard.le.ac.uk/bbcswebdav/pid-672716-dt-content-rid-870966_5/library/eReserves/HA2224/HA2224%20-%20Doc%2020459.pdf

48.
Trahair, Lisa. The Comedy of Philosophy: Sense and Nonsense in Early Cinematic Slapstick. Vol SUNY series, insituations : philosophy, psychoanalysis, literature. State University of New York Press; 2007. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664014140002746&institutionId=2746&customerId=2745

49.
Griffith, D. W., Israel, Robert, Merritt, Russell, Booth, Elmer, Gish, Lillian. D.W. Griffith: years of discovery 1909-1913. Published online 2002.

50.
Griffith, D. W., Woods, Frank E., Dixon, Thomas, Gish, Lillian, Marsh, Mae, Walthall, Henry B. The birth of a nation. Published online 1915.

51.
Griffith, D. W., Gish, Lillian. Intolerance. Published online 1916.

52.
Brownlow, Kevin, Gill, David, Anderson, Lindsay. D.W. Griffith: father of film. Published online 1994.

53.
Marks, Martin, Simmon, Scott, National Film Preservation Foundation (United States). More treasures from American film archives 1894-1931: Program 1 /[ curated by Scott Simmon, music curated by Martin Marks]. Published online 2004.

54.
Marks, Martin, Simmon, Scott, National Film Preservation Foundation (United States). More treasures from American film archives 1894-1931: Program 2 /[ curated by Scott Simmon, music curated by Martin Marks]. Published online 2004.

55.
Marks, Martin, Simmon, Scott, National Film Preservation Foundation (United States). More treasures from American film archives 1894-1931: Program 3 /[ curated by Scott Simmon, music curated by Martin Marks]. Published online 2004.

56.
Marks, Martin, Simmon, Scott, National Film Preservation Foundation (United States). More Treasures from American Film Archives 1894-1931: Fifty Films, Film Notes by Scott Simmon, Music Notes by Martin Marks: Program Notes. National Film Preservation Foundation; 2004.

57.
Keaton, Buster, Blystone, John G., Talmadge, Natalie, McGuire, Kathryn. Our hospitality; directed by Buster Keaton and John G. Blystone. Our hospitality; directed by Buster Keaton and John G Blystone Sherlock Jnr; directed by Buster Keaton. Published online 1922.

58.
Keaton, Buster, Cline, Edward. Buster Keaton: the complete short films 1917-1923, Disc 4. 2006;Masters of cinema.

59.
Keaton, Buster. Buster Keaton: the complete short films 1917-1923, Accompanying book. 2006;Masters of cinema.

60.
Keaton, Buster, Cline, Edward, St. Clair, Mal. Buster Keaton: the complete short films 1917-1923, Disc 3. 2006;Masters of cinema.

61.
Arbuckle, Roscoe, Keaton, Buster, Cline, Edward. Buster Keaton: the complete short films 1917-1923, Disc 2. 2006;Masters of cinema.

62.
Arbuckle, Roscoe, Keaton, Buster. Buster Keaton: the complete short films 1917-1923, Disc 1. 2006;Masters of cinema.

63.
Keaton, Buster, Bruckman, Clyde, Mack, Marion, Cavender, Glen, Hisaishi, Joe. The General. Published online 1926.

64.
Keaton, Buster, Cline, Eddie, O’Neil, Sally. Battling Butler. 1926;Art of Buster Keaton.

65.
Keaton, Buster, Blaché, Herbert, Cline, Eddie, Crane, Walter H. The saphead. 1920;Art of Buster Keaton.

66.
Keaton, Buster, Myers, Kathleen, Cline, Eddie. Go west. 1925;Art of Buster Keaton.

67.
McGuire, Kathryn, Crisp, Donald, Keaton, Buster, Cline, Eddie. The navigator. 1924;Art of Buster Keaton.

68.
Keaton, Buster, Torrence, Ernest, Reisner, Charles F., Cline, Eddie. Steamboat Bill Jr. 1928;Art of Buster Keaton.

69.
Keaton, Buster, Horne, James W., St. Clair, Mal, Cornwall, Anne, Cline, Eddie. College. 1927;Art of Buster Keaton.

70.
Keaton, Buster, Dwyer, Ruth, Cline, Eddie. Seven chances. 1925;Art of Buster Keaton.

71.
Keaton, Buster, Leahy, Margaret, Cline, Eddie, St. Clair, Mal. Three ages. 1923;Art of Buster Keaton.

72.
Brownlow, Kevin, Gill, David, Keaton, Buster, Anderson, Lindsay. Buster Keaton, a hard act to follow. Published online 1987.

73.
Kennedy, Merna, Chaplin, Charles. The circus. 1928;Chaplin collection.

74.
Coogan, Jackie, Chaplin, Charles. The kid. 1921;Chaplin collection.

75.
Chaplin, Charles, Swain, Mack. The gold rush. 1925;Chaplin collection.

76.
Chaplin C. The Mutual Films (Vol 2). Published online Spring 1916.

77.
Chaplin C. The Mutual Films (Vol 1). Published online Spring 1916.

78.
Chaplin C. Chaplin at Keystone. Published online 1914.

79.
Chaplin C. Charlie Chaplin - The Essanay Films (Vol 1). Published online 1915.

80.
Chaplin C. Charlie Chaplin - The Essanay Films (Vol 2). Published online Summer 1915.

81.
Newmeyer, Fred, Roach, Hal, Taylor, Sam, et al. Harold Lloyd: the definitive collection, Disc 7. Published online 1920.

82.
Bruckman, Clyde, St. Clair, Mal, Lloyd, Harold, Cummings, Constance, Kent, Barbara, Young, Noah. Harold Lloyd: the definitive collection, Disc 8. Published online 1929.

83.
Walker, H. M., Goulding, Alfred, Roach, Hal, et al. Harold Lloyd: the definitive collection, Disc 9. Published online 1913.

84.
Wilde, Ted, Newmeyer, Fred, Goulding, Alfred, et al. Harold Lloyd: the definitive collection, Disc 6. Published online 1921.

85.
Newmeyer, Fred, Taylor, Sam, Roach, Hal, et al. Harold Lloyd: the definitive collection, Disc 5. Published online Winter 1920.

86.
Newmeyer, Fred, Taylor, Sam, Roach, Hal, et al. Harold Lloyd: the definitive collection, Disc 1. Published online Winter 1920.

87.
Newmeyer, Fred, Taylor, Sam, Bruckman, Clyde, et al. Harold Lloyd: the definitive collection, Disc 3. Published online 1922.

88.
Capra, Frank, Langdon, Harry, Bonner, Priscilla, Astor, Gertrude. The strong man. 1926;Harry Langdon ... the forgotten clown.

89.
Capra, Frank, Langdon, Harry, Brockwell, Gladys, Roscoe, Albert. Long pants. 1927;Harry Langdon ... the forgotten clown.

90.
Edwards, Harry, Langdon, Harry, Crawford, Joan, Davis, Edwards. Tramp, tramp, tramp. 1926;Harry Langdon ... the forgotten clown.

91.
McCarey, Leo, Ceder, Ralph, Chase, Charley, Sleeper, Martha, Hardy, Oliver. The Charley Chase collection: [Vol. 1]. 1924;Slapstick Symposium.

92.
Roach, Hal, Münchner Stadtmuseum. Female comedy teams. 2010;Hal Roach.

93.
British Film Institute. Early cinema: primitives and pioneers.

94.
LeRoy, Mervyn, Berkeley, Busby, Warren, Harry, et al. Gold diggers of 1933. 2006;The Busby Berkeley collection.

95.
Eldridge D. Film and Photography, Chapter. In: American Culture in the 1930s. Vol Twentieth-century American culture. Edinburgh University Press; 2008:61-92. http://site.ebrary.com/lib/leicester/Doc?id=10257689

96.
Altman, Rick. The American Film Musical. Indiana University Press; 1987.

97.
Balio, Tino. The American Film Industry. Rev.ed. University of Wisconsin Press; 1985. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5663338460002746&institutionId=2746&customerId=2745

98.
Balio, Tino. Grand Design: Hollywood as a Modern Business Enterprise, 1930-1939. Vol History of the American cinema. Charles Scribners’ Sons; 1993. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5660663510002746&institutionId=2746&customerId=2745

99.
Balio, Tino. Grand Design: Hollywood as a Modern Business Enterprise, 1930-1939. Vol History of the American cinema. Charles Scribners’ Sons; 1993. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5660663200002746&institutionId=2746&customerId=2745

100.
Belton J. The Musical in American cinema/American culture. In: American Cinema/American Culture. 3rd ed. rev. McGraw-Hill; 2009.

101.
Belton J. The Studio System in American cinema/American culture. In: American Cinema/American Culture. 3rd ed. rev. McGraw-Hill; 2009.

102.
Bergman, Andrew. We’re in the Money: Depression America and Its Films. Vol Harper colophon books. Harper and Row; 1972.

103.
Cohan, Steven. Hollywood Musicals, the Film Reader. Vol In focus: Routledge film readers. Routledge; 2002.

104.
Dyer R. Entertainment and Utopia in Movies and methods II: an anthology. In: Movies and Methods: An Anthology. University of California Press; 1976:220-232. https://blackboard.le.ac.uk/bbcswebdav/pid-340753-dt-content-rid-499834_5/library/eReserves/HA2224/HA2224%20-%20Doc%2012.pdf

105.
Feuer, Jane, British Film Institute. The Hollywood Musical. Vol BFI cinema series. 2nd ed. Macmillan; 1993.

106.
Gomery D. The classic studio era: The Hollywood studio system: a history. In: The Hollywood Studio System: A History. [New ed.]. BFI; 2005:71-80. https://blackboard.le.ac.uk/bbcswebdav/pid-522058-dt-content-rid-641021_5/library/eReserves/HA2224/HA2224%20-%20Doc%2007.pdf

107.
Grant, Barry Keith. The Hollywood Film Musical. Vol New approaches to film genre. Wiley-Blackwell; 2012. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664139230002746&institutionId=2746&customerId=2745

108.
Hark, Ina Rae, ebrary, Inc. American Cinema of the 1930s: Themes and Variations. Vol Screen decades. Rutgers University Press; 2007.

109.
Hove, Arthur. Gold Diggers of 1933. Vol Wisconsin/Warner Bros. screenplay series. Published for the Wisconsin Center for Film and Theater Research by the University of Wisconsin Press; 1980.

110.
Lorence JL. Making It in Depression America: The Street or the Stage in The Gold Diggers of 1933 in Screening America: United States history through film since 1900. In: Screening America: United States History through Film since 1900. Pearson Longman; 2006.

111.
Maltby R. Entertainment I in Hollywood cinema: an introduction. In: Hollywood Cinema: An Introduction. 2nd ed. Blackwell Publishers; 2003:33-53. https://blackboard.le.ac.uk/bbcswebdav/pid-522055-dt-content-rid-2061401_5/library/eReserves/HA2224/HA2224_26388.pdf

112.
Roddick N. Warner Brothers and the Studio System in A new deal in entertainment: Warner Brothers in the 1930s. In: A New Deal in Entertainment: Warner Brothers in the 1930s. British Film Institute; 1983:16-28. https://blackboard.le.ac.uk/bbcswebdav/pid-814204-dt-content-rid-2056649_5/library/eReserves/HA2224/HA2224_26734.pdf

113.
Schatz T. The whole equation of pictures: The genius of the system: Hollywood filmmaking in the studio era. In: The Genius of the System: Hollywood Filmmaking in the Studio Era. Faber and Faber; 1998:3-12. https://blackboard.le.ac.uk/bbcswebdav/pid-522059-dt-content-rid-642114_5/library/eReserves/HA2224/HA2224%20Doc%2008.pdf

114.
Schatz T. The Musical in Hollywood genres: formulas, filmmaking, and the studio system. In: Hollywood Genres: Formulas, Filmmaking, and the Studio System. McGraw-Hill; 1981:186-220.

115.
Shindler, Colin. Hollywood in Crisis: Cinema and American Society, 1929-1939. Vol Cinema and society. Routledge; 1996.

116.
Staiger, Janet. The Studio System. Rutgers University Press; 1995.

117.
Staiger J. The Hollywood Mode of Production, 1930-1960 in The classical Hollywood cinema: film style & mode of production to 1960. In: The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. Routledge & Kegan Paul; 1985.

118.
Shindler, Colin. Hollywood in Crisis: Cinema and American Society, 1929-1939. Vol Cinema and society. Routledge; 1996. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5661396860002746&institutionId=2746&customerId=2745

119.
Spivak, Jeffrey. Buzz: The Life and Art of Busby Berkeley. Vol Screen classics. University Press of Kentucky; 2010. http://site.ebrary.com/lib/leicester/Doc?id=10443242

120.
Becker, Karin E., Lange, Dorothea. Dorothea Lange and the Documentary Tradition. Louisiana State University Press; 1980.

121.
Curtis, James. Mind’s Eye, Minds’s Truth: FSA Photography Reconsidered. Temple University Press; 1989.

122.
Daniel, Pete. Official Images: New Deal Photography. Smithsonian Institution Press; 1987.

123.
Davidov, Judith Fryer. Women’s Camera Work: Self/Body/Other in American Visual Culture. Vol New Americanists. Duke University Press; 1998.

124.
Harris, Jonathan. Federal Art and National Culture: The Politics of Identity in New Deal America. Vol Cambridge studies in American visual culture. Cambridge University Press; 1995.

125.
Evans, Walker, Hambourg, Maria Morris, Metropolitan Museum of Art, San Francisco Museum of Modern Art, Museum of Fine Arts, Houston. Walker Evans. Metropolitan Museum of Art in association with Princeton University Press, Princeton; 2000.

126.
Lesy, Michael, United States. Long Time Coming: A Photographic Portrait of America, 1935-1943. Norton; 2002.

127.
Trachtenberg, Alan. Reading American Photographs: Images as History : Mathew Brady to Walker Evans. Noonday Press; 1989.

128.
Gordon, Colin. Responding to the Crash in Major problems in American history, 1920-1945: documents and essays. In: Major Problems in American History, 1920-1945: Documents and Essays. Vol Major problems in American history. Houghton Mifflin; 1999.

129.
Vials, Chris. Realism for the Masses: Aesthetics, Popular Front Pluralism, and U.S. Culture, 1935-1947. University Press of Mississippi; 2009.

130.
Bacon, Lloyd, Ropes, Bradford, Berkeley, Busby, et al. 42nd Street. 2006;The Busby Berkeley collection.

131.
Enright, Ray, Berkeley, Busby, Fain, Sammy, et al. Dames. 2006;The Busby Berkeley collection.

132.
Bacon, Lloyd, Berkeley, Busby, Fain, Sammy, et al. Footlight parade. 2006;The Busby Berkeley collection.

133.
Berkeley, Busby, Warren, Harry, Dubin, Al, Powell, Dick, Menjou, Adolphe, Stuart, Gloria. Gold diggers of 1935. 2006;The Busby Berkeley collection.

134.
Berkeley, Busby, Warren, Harry, Dubin, Al, Fain, Sammy, Kahal, Irving. The Busby Berkeley disc. 2006;The Busby Berkeley collection.

135.
Curtiz, Michael, Keighley, William, Flynn, Errol, et al. The adventures of Robin Hood [1938]. Published online 1938.

136.
Curtiz, Michael, Cagney, James, O’Brien, Pat, Bogart, Humphrey, Sheridan, Ann, Polan, Dana B. Angels with dirty faces. Published online 2005.

137.
Green, Alfred E., Stanwyck, Barbara, Brent, George. Baby face. 1933;Forbidden Hollywood collection.

138.
Farrell, Glenda, Muni, Paul, LeRoy, Mervyn. I am a fugitive from a chain gang.

139.
Wellman, William A., Cagney, James, Harlow, Jean, Blondell, Joan, Sklar, Robert. The Public Enemy. Warner Home Video; 2005.

140.
Ford, John, Steinbeck, John, Fonda, Henry, Darwell, Jane. The grapes of wrath. 2007;Ford at Fox.

141.
Capra, Frank, Adams, Samuel Hopkins, Gable, Clark, Colbert, Claudette. It happened one night. 1934;Columbia classics.

142.
Capra, Frank, Stewart, James, Arthur, Jean, Rains, Claude. Mr Smith goes to Washington. Published online 1939.

143.
Lorentz, Pare, Ivens, Joris, McClure, H. B. New Deal documentaries. Published online 1999.

144.
Vidor, King, Mankiewicz, Joseph L., Morley, Karen, Keene, Tom. Our daily bread. Published online 1934.

145.
La Cava, Gregory, Powell, William, Lombard, Carole, Hatch, Eric. My man Godfrey. Published online 1936.

146.
Siodmak, Robert, Hemingway, Ernest, Lancaster, Burt, Gardner, Ava. The killers. 1946;Universal Cinema Classics.

147.
Bordwell D. Classical Narration: the Hollywood example: Chapter. In: Narration in the Fiction Film. Methuen; 1985:156-166. http://site.ebrary.com/lib/leicester/Doc?id=10769162

148.
Baker, M. Joyce. Images of Women in Film: The War Years, 1941-1945. Vol Studies in American history and culture. UMI Research Press; 1980.

149.
Dixon, Wheeler Winston. American Cinema of the 1940’s: Themes and Variations. Vol Screen decades: American culture / American cinema. Berg; 2006.

150.
Foertsch, Jacqueline, EBSCO ebook. American Culture in the 1940s. Vol Twentieth-century American culture. Edinburgh University Press; 2008.

151.
Foertsch, Jacqueline. American Culture in the 1940s. Vol Twentieth-century American culture. Edinburgh University Press; 2008. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664157320002746&institutionId=2746&customerId=2745

152.
Polan, Dana B. Power and Paranoia: History, Narrative and the American Cinema, 1940-1950. Columbia University Press; 1986.

153.
Schatz, Thomas. Boom and Bust: American Cinema in the 1940s. Vol History of the American cinema. University of California Press; 1997.

154.
Bordwell D. An Excessively Obvious Cinema in The classical Hollywood cinema: film style & mode of production to 1960. In: The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. Routledge & Kegan Paul; 1985:3-12. https://blackboard.le.ac.uk/bbcswebdav/pid-522062-dt-content-rid-641026_5/library/eReserves/HA2224/HA2224%20-%20Doc%2013.pdf

155.
Bordwell D, Thompson K. Narrative as a Formal System in Film art: an introduction. In: Film Art: An Introduction. 7th ed. McGraw-Hill; 2004.

156.
Belton J. Classical Hollywood Cinema: Narration in American cinema/American culture. In: American Cinema/American Culture. 4th ed. International edition. McGraw-Hill [distributor]; 2013.

157.
Cowie E. Storytelling: Classical Hollywood Cinema and Classical Narrative: Contemporary Hollywood cinema. In: Contemporary Hollywood Cinema. Routledge; 1998:178-190. http://site.ebrary.com/lib/leicester/Doc?id=10688216

158.
Kuhn A. Classical Hollywood Narrative in The cinema book. In: The Cinema Book. 3rd ed. British Film Institute; 2007:45-48.

159.
Maltby R. Narrative in Hollywood cinema: an introduction. In: Hollywood Cinema: An Introduction. Blackwell Publishers; 1995.

160.
Neale, Stephen. The Classical Hollywood Reader. Routledge; 2012.

161.
Ray R. A Certain Tendency of the American Cinema: Hollywood’s Formal and Thematic Paradigms in A certain tendency of the Hollywood cinema, 1930-1980. In: A Certain Tendency of the Hollywood Cinema, 1930-1980. Princeton University Press; 1985:25-69.

162.
Thompson K. Modern Classicism in Storytelling in the new Hollywood: understanding classical narrative technique. In: Storytelling in the New Hollywood: Understanding Classical Narrative Technique. Harvard University Press; 1999:1-49. https://blackboard.le.ac.uk/bbcswebdav/pid-419032-dt-content-rid-583738_5/library/eReserves/HA2224/HA2224%20-%20Doc%2016.pdf

163.
Belton J. Film Noir: Something in the Night in American cinema/American culture. In: American Cinema/American Culture. 3rd ed. rev. McGraw-Hill; 2009.

164.
Biesen, Sheri Chinen. Blackout: World War II and the Origins of Film Noir. Johns Hopkins University Press; 2005.

165.
Bould, Mark. Film Noir: From Berlin to Sin City. Vol Short cuts. Wallflower; 2005.

166.
Brook, Vincent. Driven to Darkness: Jewish Émigré Directors and the Rise of Film Noir. Rutgers University Press; 2009. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10367248

167.
Cameron, Ian. The Movie Book of Film Noir. Studio Vista; 1992.

168.
Cochran, David. America Noir: Underground Writers and Filmmakers of the Postwar Era. Smithsonian Institution Press; 2000.

169.
Copjec, Joan. Shades of Noir: A Reader. Verso; 1993.

170.
Dimendberg, Edward. Film Noir and the Spaces of Modernity. Harvard University Press; 2004.

171.
Fay, Jennifer, Nieland, Justus. Film Noir: Hard-Boiled Modernity and the Cultures of Globalization. Vol Routledge film guidebooks. Routledge; 2010.

172.
Hillis K. Film Noir and the American Dream: The Dark Side of Enlightenment. The Velvet Light Trap. 2005;55(1):3-18. doi:10.1353/vlt.2005.0004

173.
Jarvie I. Knowledge, Morality and Tragedy in The Killers and Out of the Past: The philosophy of film noir. In: The Philosophy of Film Noir. University Press of Kentucky; 2006:163-185. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10438034

174.
Kaplan, E. Ann. Women in Film Noir. Rev. and expanded ed. British Film Institute; 1998.

175.
Siegfried Kracauer. Hollywood’s Terror Films: Do They Reflect an American State of Mind? New German Critique. 2003;(89):105-111. http://www.jstor.org/stable/3211147

176.
Lutz Koepnick. Doubling the Double: Robert Siodmak in Hollywood. New German Critique. 2003;(89):81-104. http://www.jstor.org/stable/3211146

177.
McArthur, Colin, British Film Institute. Underworld U.S.A. Vol Cinema one. Secker and Warburg [for] the British Film Institute; 1972.

178.
Richard Maltby. ‘Film Noir’: The Politics of the Maladjusted Text. Journal of American Studies. 18(1):49-71.

179.
Naremore, James. More than Night: Film Noir in Its Contexts. Updated and expanded ed. University of California Press; 2008. http://ezproxy.lib.le.ac.uk/login?url=http://www.myilibrary.com?id=235939

180.
Palmer, R. Barton. Hollywood’s Dark Cinema: The American Film Noir. Vol Twayne’s filmmakers series. Twayne Publishers/Prentice Hall International; 1994.

181.
Palmer, R. Barton. Perspectives on Film Noir. Vol Perspectives on film. Prentice Hall International; 1996.

182.
Place JA, Peterson L. Some Visual Motifs in Film Noir in Movies and methods: an anthology. In: Movies and Methods: An Anthology. University of California Press; 1976:325-338. https://blackboard.le.ac.uk/bbcswebdav/pid-672713-dt-content-rid-870973_5/library/eReserves/HA2224/HA2224%20-%20Doc%2020456.pdf

183.
Silver, Alain, Ursini, James. Film Noir Reader. Limelight Editions; 1996.

184.
Silver, Alain, Ursini, James. Film Noir Reader 2. 2nd Limelight editions. Limelight Editions; 2003.

185.
Silver, Alain, Ursini, James, Porfirio, Robert. Film Noir Reader 3: Interviews with Filmmakers of the Classic Noir Period. Limelight; 2001.

186.
Silver, Alain, Ursini, James. Film Noir Reader 4: The Crucial Films and Themes. Limelight Editions; 2004.

187.
Spicer, Andrew. Film Noir. Vol Inside film. Longman; 2002.

188.
Silver, Alain, Ward, Elizabeth. Film Noir: An Encyclopedic Reference to the American Style. Overlook Press; 1979.

189.
Telotte, J. P. Voices in the Dark: The Narrative Patterns of Film Noir. University of Illinois Press; 1989.

190.
Tuska, Jon. Dark Cinema: American ‘Film Noir’ in Cultural Perspective. Vol Contributions to the study of popular culture. Greenwood Press; 1984.

191.
Wager, Jans B. Dames in the Driver’s Seat: Rereading Film Noir. 1st ed. University of Texas Press; 2005. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10245789

192.
Curtiz, Michael, Bergman, Ingrid, Bogart, Humphrey, et al. Casablanca. Published online 1942.

193.
Hawks, Howard, Grant, Cary, Russell, Rosalind, Lederer, Charles. His girl Friday. Published online 1940.

194.
Ford, John, Wayne, John, Trevor, Claire, Devine, Andy, Nichols, Dudley, Haycox, Ernest. Stagecoach. Published online 1939.

195.
Hawks, Howard, Chandler, Raymond, Faulkner, William, et al. The big sleep. Bogie and Bacall : the signature collection.

196.
Rossen, Robert, Garfield, John, Palmer, Lilli. Body and soul.

197.
Dmytryk, Edward, Paxton, John, Brooks, Richard, et al. Crossfire. Turner Home Entertainment; 2005.

198.
Ulmer, Edgar G., Goldsmith, Martin, Neal, Tom, Savage, Ann, Drake, Claudia. Detour. 1945;Film noir thrillers.

199.
Wilder, Billy, Cain, James M., MacMurray, Fred, Stanwyck, Barbara, Robinson, Edward G., Chandler, Raymond. Double indemnity. Published online 2005.

200.
Polonsky, Abraham, Wolfert, Ira, Garfield, John, Pearson, Beatrice, Gomez, Thomas. Force of evil.

201.
Hayworth, Rita, King, Sherwood, Welles, Orson, Sloane, Everett, Bogdanovich, Peter. The lady from Shanghai. 1948;Columbia classics.

202.
Curtiz, Michael, Cain, James M., MacDougall, Ranald, et al. Mildred Pierce [1945]. 1945;Joan Crawford : the signature collection.

203.
Powell, Dick, Trevor, Claire, Dmytryk, Edward, Chandler, Raymond. Murder my sweet. 2008;Universal cinema classics.

204.
Fitzgerald, Barry, Duff, Howard, Dassin, Jules. The naked city. 2007;Criterion collection.

205.
Tourneur, Jacques, Homes, Geoffrey, Mitchum, Robert, Douglas, Kirk, Greer, Jane, Fleming, Rhonda. Out of the past. Published online 2007.

206.
Siodmak R. Phantom Lady. Published online 1944.

207.
Garnett, Tay, Turner, Lana, Garfield, John, Cain, James M. The postman always rings twice. Published online 2009.

208.
Lang, Fritz, Robinson, Edward G., Bennett, Joan. Scarlet Street.

209.
Ray, Nicholas, O’Donnell, Cathy, Granger, Farley, Da Silva, Howard. They live by night, and Side street. 1948;Film noir classic collection.

210.
Dassin, Jules, Bezzerides, A. I., Conte, Richard, Cobb, Lee J., Dassin, Jules. Thieves’ highway. Published online 2012.

211.
Lang, Fritz, Robinson, Edward G., Bennett, Joan, Massey, Raymond. The woman in the window. Published online 2008.

212.
Sirk, Douglas, Zuckerman, George, Wilder, Robert, et al. Written on the wind. 1956;Criterion collection.

213.
Connelly, Joe, Mathers, Jerry. The Black Eye, episode. Leave it to Beaver: the complete first season. Published online 2005.

214.
Schatz T. The Family Melodrama: Chapter. In: Hollywood Genres: Formulas, Filmmaking, and the Studio System. McGraw-Hill; 1981:221-260. https://blackboard.le.ac.uk/bbcswebdav/library/eReserves/HA2224/HA2224_32731.pdf

215.
Anderson, Christopher. Hollywood TV: The Studio System in the Fifies. Vol Texas film studies series. University of Texas Press; 1994.

216.
Biskind, Peter. Seeing Is Believing: How Hollywood Taught Us to Stop Worrying and Love the Fifties. Pluto Press; 1984.

217.
Boddy W. The Studios Move into Prime Time: Hollywood and the Television Industry in the 1950s: Hollywood: critical concepts in media and cultural studies, Volume 1: Historical dimensions: the development of the American film industry. In: Hollywood: Critical Concepts in Media and Cultural Studies, Volume 1: Historical Dimensions: The Development of the American Film Industry. Vol Critical concepts in media and cultural studies. Routledge; 2004:255-269.

218.
Bruzzi, Stella. Bringing up Daddy: Fatherhood and Masculinity in Post-War Hollywood. bfi publishing; 2005.

219.
Chopra-Gant, Mike. Hollywood Genres and Postwar America: Masculinity, Family and Nation in Popular Movies and Film Noir. Vol Cinema and society. I.B. Tauris; 2006.

220.
Halliwell M. American Culture in the 1950s. Edinburgh University Press; 2007. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=292360

221.
Lev, Peter. Transforming the Screen, 1950-1959. Vol History of the American cinema. University of California Press; 2003.

222.
Pomerance, Murray. American Cinema of the 1950s: Themes and Variations. Berg; 2005.

223.
Pomerance, Murray. A Family Affair: Cinema Calls Home. Wallflower; 2008.

224.
Spigel, Lynn. Make Room for TV: Television and the Family Ideal in Postwar America. Chicago University Press; 1992.

225.
Spigel, Lynn. Welcome to the Dreamhouse: Popular Media and Postwar Suburbs. Vol Console-ing passions. Duke University Press; 2001.

226.
Thumim, Janet. Small Screens, Big Ideas: Television in the 1950s. I.B. Tauris; 2002. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10133030

227.
Bratton, J. S., Cook, Jim, Gledhill, Christine. Melodrama: Stage, Picture, Screen. British Film Institute; 1994.

228.
Byars, Jackie. All That Hollywood Allows: Re-Reading Gender in 1950s Melodrama. Routledge; 1991.

229.
Cook, Pam, British Film Institute. The Cinema Book. 3rd ed. British Film Institute; 2007.

230.
Cossar H. Emerging Stylistic Norms in CinemaScope: Genre and Authorship in the Films of Otto Preminger, Nicholas Ray, Frank Tashlin and Douglas Sirk: Chapter. In: Letterboxed: The Evolution of Widescreen Cinema. University Press of Kentucky; 2011:95-84. http://site.ebrary.com/lib/leicester/Doc?id=10481057

231.
Elsaesser T. Tales of sound and fury: Some observations on the family melodrama: Chapter. In: Home Is Where the Heart Is: Studies in Melodrama and the Woman’s Film. BFI Publishing; 1987:43-69.

232.
Evans, Peter William. Written on the Wind. Vol BFI film classics. A BFI book published by Palgrave Macmillan; 2013.

233.
Fischer, Lucy. Imitation of Life: Douglas Sirk, Director. Vol Rutgers films in print. Rutgers University Press; 1991.

234.
Gledhill, Christine, British Film Institute. Home Is Where the Heart Is: Studies in Melodrama and the Woman’s Film. BFI Publishing; 1987.

235.
Kelleter, Frank, Krah, Barbara, Mayer, Ruth. Melodrama!: The Mode of Excess from Early America to Hollywood. Vol American studies monograph series. Winter; 2007.

236.
Klinger, Barbara. Melodrama and Meaning: History, Culture, and the Films of Douglas Sirk. Indiana University Press; 1994.

237.
Landy, Marcia. Imitations of Life: A Reader on Film & Television Melodrama. Vol Contemporary film and television series. Wayne State University Press; 1991.

238.
Lang, Robert. American Film Melodrama: Griffith, Vidor, Minnelli. Princeton University Press; 1989.

239.
Mercer, John, Shingler, Martin. Melodrama: Genre, Style Sensibility. Vol Short cuts. Wallflower; 2004.

240.
Sirk, Douglas, Halliday, Jon. Sirk on Sirk: Conversations with Jon Halliday. New and rev. ed. Faber and Faber; 1997.

241.
Belton J. Glorious Technicolor, Breathtaking CinemaScope and Stereophonic Sound: Hollywood in the age of television. In: Hollywood in the Age of Television. Unwin Hyman; 1990:185-211.

242.
Belton, John. Widescreen Cinema. Harvard University Press; 1992.

243.
Marling, Karal Ann. As Seen on TV: The Visual Culture of Everyday Life in the 1950s. Harvard University Press; 1994.

244.
Sirk, Douglas, Gunn, James, Blees, Robert, et al. All I desire. 1953;Directed by Douglas Sirk.

245.
Sirk, Douglas, Fenwick, Peg, Wyman, Jane, Hudson, Rock, Moorehead, Agnes. All that heaven allows. 1955;Directed by Douglas Sirk.

246.
Sirk, Douglas, Hurst, Fannie, Turner, Lana, Gavin, John, Dee, Sandra, Moore, Juanita. Imitation of life [1959]. 1959;Cinema classics.

247.
Sirk, Douglas, Douglas, Lloyd C., Blees, Robert, et al. Magnificent Obsession [1954]. Vol Criterion collection. Restored high-definition digital transfer. Universal; 1954.

248.
Sirk, Douglas, Faulkner, William, Zuckerman, George, Hudson, Rock, Stack, Robert, Malone, Dorothy. The tarnished angels. 1958;Directed by Douglas Sirk.

249.
Sirk, Douglas, Stanwyck, Barbara, MacMurray, Fred, Bennett, Joan, Parrott, Ursula. There’s always tomorrow. 1956;Masters of cinema.

250.
Ray, Nicholas, Hume, Cyril, Maibaum, Richard, Mason, James, Rush, Barbara, Matthau, Walter. Bigger than life. Published online 1956.

251.
Minnelli, Vincente, Widmark, Richard, Bacall, Lauren, et al. The cobweb. Published online 1955.

252.
Minnelli, Vincente, Humphrey, William, Mitchum, Robert, Parker, Eleanor, Peppard, George. Home from the Hill. Warner Home Video; 1960.

253.
Ritt, Martin, Newman, Paul, Woodward, Joanne, Franciosa, Anthony. The long hot summer. Published online 1958.

254.
Logan, Joshua, Inge, William, Holden, William, et al. Picnic. Vol Columbia classics. Columbia Pictures; 1955.

255.
Robson, Mark, Turner, Lana, Nolan, Lloyd, Metalious, Grace. Peyton Place. 1957;Studio classics.

256.
Ray, Nicholas, Dean, James, Wood, Natalie. Rebel without a cause. Published online 1955.

257.
Mann, Delbert, Cook, Fielder, Segal, Alex, et al. The golden age of television: Disc 1: Marty (Delbert Mann), Patterns (Fielder Cook), No time for sergeants (Alex Segal). Published online 2009.

258.
Frankenheimer, John, Rooney, Mickey, Hunter, Kim, Robertson, Cliff, Laurie, Piper. The golden age of television: Disc 3: The comedian, Days of wine and roses. Published online 2009.

259.
Petrie, Daniel, Nelson, Ralph, Harris, Mark, et al. The golden age of television: Disc 2: A wind from the south (Daniel Petrie), Bang the drum slowly (Daniel Petrie), Requiem for a heavyweight (Ralph Nelson). Published online 2009.

260.
Randolph, Joyce, Gleason, Jackie, Carney, Art, Meadows, Audrey, Satenstein, Frank. The honeymooners [TV Series 1955-1956]: ‘classic 39’ episodes. Published online 1955.

261.
Daniels, Marc, Levy, Ralph, Ball, Lucille, Arnaz, Desi. I love Lucy: the complete first season, Discs 1 and 2. Published online 1951.

262.
Daniels, Marc, Asher, William, Ball, Lucille, Arnaz, Desi. I love Lucy: the complete first season, Discs 3 and 4. Published online 1951.

263.
Daniels, Marc, Ball, Lucille, Arnaz, Desi. I love Lucy: the complete first season, Discs 5 and 6. Published online 1952.

264.
Daniels, Marc, Ball, Lucille, Arnaz, Desi. I love Lucy: the complete first season, Disc 7. Published online 1952.

265.
Webb, Jack, Soule, Olan. Dragnet [1951-1954]. Published online 1951.

266.
Penn, Arthur, Beatty, Warren, Dunaway, Faye, Pollard, Michael J., Hackman, Gene, Parsons, Estelle. Bonnie and Clyde. Published online 1998.

267.
Ray R. The 1960s: Frontier Metaphors, Developing Self-Consciousness, and New Waves in A certain tendency of the Hollywood cinema, 1930-1980. In: A Certain Tendency of the Hollywood Cinema, 1930-1980. Princeton University Press; 1985. https://blackboard.le.ac.uk/bbcswebdav/pid-672715-dt-content-rid-870965_5/library/eReserves/HA2224/HA2224%20-%20Doc%2020458.pdf

268.
Belton J. The 1960s: The Counterculture Strikes Back in American cinema/American culture. In: American Cinema/American Culture. 3rd ed. rev. McGraw-Hill; 2009.

269.
Biskind, Peter. Easy Riders, Raging Bulls: How the Sex ‘n’ Drugs ‘n’ Rock ‘n’ Roll Generation Saved Hollywood. Bloomsbury; 1998.

270.
Braunstein, Peter, Doyle, Michael W. Imagine Nation: The American Counterculture of the 1960s and ’70s. Routledge; 2002.

271.
Cagin, Seth, Dray, Philip, Cagin, Seth. Born to Be Wild: Hollywood and the Sixties Generation. 2nd ed. Coyote Books; 1994.

272.
Casper, Drew. Hollywood Film 1963-1976: Years of Revolution and Reaction. Wiley-Blackwell; 2011. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=675252

273.
Cohan, Steven, Hark, Ina Rae. The Road Movie Book. Routledge; 1997.

274.
Cook D. The New American Cinema in A history of narrative film. In: A History of Narrative Film. 3rd ed. W.W. Norton; 1996.

275.
Corrigan T. Genre, Gender and Hysteria: The Road Movie in Outer Space in A cinema without walls: movies and culture after Vietnam. In: A Cinema without Walls: Movies and Culture after Vietnam. Routledge; 1991.

276.
Friedman, Lester D., Penn, Arthur. Arthur Penn’s ‘Bonnie and Clyde’. Vol Cambridge film handbooks. Cambridge University Press; 2000.

277.
Friedman, Lester D. Bonnie and Clyde. Vol BFI film classics. BFI Publishing; 2000.

278.
Gair, Christopher. The American Counterculture. Edinburgh University Press; 2007. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=286991

279.
Grant, Barry Keith. American Cinema of the 1960s: Themes and Variations. Vol Screen decades: American culture / American cinema. Rutgers University Press; 2008.

280.
Hammond, Michael, Williams, Linda Ruth. Contemporary American Cinema. Open University Press; 2006. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662275430002746&institutionId=2746&customerId=2745

281.
King N. New Hollywood in The cinema book. In: The Cinema Book. 3rd ed. British Film Institute; 2007.

282.
Kolker, Robert Phillip. A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg, Altman. 3rd ed. Oxford University Press; 2000.

283.
Krämer, Peter. New Hollywood: From Bonnie and Clyde to Star Wars. Vol Short cuts. Wallflower; 2005. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1763952

284.
Laderman, David. Driving Visions: Exploring the Road Movie. 1st ed. University of Texas Press; 2002.

285.
Laderman, David. Driving Visions: Exploring the Road Movie. Combined Academic; 2002. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5663025080002746&institutionId=2746&customerId=2745

286.
Mann, Glenn. Radical Visions : American Film Renaissance, 1967-1976: No. 41. Greenwood Pr; 1994.

287.
Monaco, Paul. The Sixties, 1960-1969. Vol History of the American cinema. Charles Scribner’s Sons / University of California; 2001.

288.
Monteith, Sharon. American Culture in the 1960s. Vol Twentieth-century American culture. Edinburgh University Press; 2008.

289.
Neale S. ”The Last Good Time We Ever Had?” Revising the Hollywood Renaissance in Contemporary American cinema. In: Contemporary American Cinema. Open University Press; 2006.

290.
Neale S. ”The Last Good Time We Ever Had?” Revising the Hollywood Renaissance in Contemporary American cinema. In: Contemporary American Cinema. Open University Press; 2006. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664681840002746&institutionId=2746&customerId=2745

291.
Prince, Stephen. Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 1930-1968. Rutgers University Press; 2003.

292.
Rosenbaum J. New Hollywood and the Sixties Melting Pot in The last great American picture show: new Hollywood cinema in the 1970s. In: The Last Great American Picture Show: New Hollywood Cinema in the 1970s. Amsterdam University Press; 2004. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664681820002746&institutionId=2746&customerId=2745

293.
Rosenbaum J. New Hollywood and the Sixties Melting Pot in The last great American picture show: new Hollywood cinema in the 1970s. In: The Last Great American Picture Show: New Hollywood Cinema in the 1970s. Amsterdam University Press; 2003. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664952180002746&institutionId=2746&customerId=2745

294.
Peiss, Kathy Lee. Sexual Revolution(s) in Major problems in the history of American sexuality: documents and essays. In: Major Problems in the History of American Sexuality: Documents and Essays. Vol Major problems in American history. Houghton Mifflin Co; 2002.

295.
Sklar, Robert. Hollywood’s Collapse in Movie-made America: a cultural history of American movies. In: Movie-Made America: A Cultural History of American Movies. Chappell; 1978.

296.
Swingrover, E. A. The Counterculture Reader. Vol Longman topics. Pearson/Longman; 2004.

297.
Tasker Y. Approaches to the New Hollywood in Cultural studies and communications. In: Cultural Studies and Communications. Arnold; 1996. https://blackboard.le.ac.uk/bbcswebdav/pid-522067-dt-content-rid-641036_5/library/eReserves/HA2224/HA2224%20-%20Doc%2024.pdf

298.
Williams, Linda Ruth, Hammond, Michael. Contemporary American Cinema. Open University Press; 2006.

299.
Mankiewicz, Joseph L., Franzero, Carlo Maria, Taylor, Elizabeth, Burton, Richard, Harrison, Rex. Cleopatra. Published online 2002.

300.
Wise, Robert, Rodgers, Richard, Hammerstein, Oscar, Andrews, Julie, Plummer, Christopher. The sound of music. Published online 2001.

301.
Nichols, Mike, Bancroft, Anne, Hoffman, Dustin, et al. The graduate. Published online 2008.

302.
Fonda, Peter, Hopper, Dennis, Southern, Terry, Nicholson, Jack. Easy rider. Published online 1999.

303.
Penn, Arthur, Brando, Marlon, Fonda, Jane, Redford, Robert, Hellman, Lillian, Foote, Horton. The chase. Published online 2004.

304.
Dexter, Maury, Corman, Roger, Fonda, Peter, Sinatra, Nancy, Slate, Jeremy, Roarke, Adam. The wild angels. ‘The wild angels’ and ‘Hell’s belles’. 2004;Midnite movies.

305.
Fonda, Peter, Strasberg, Susan, Dern, Bruce, Hopper, Dennis, Nicholson, Jack, Corman, Roger. The trip. Published online 2004.

306.
Rafelson, Bob, Nicholson, Jack, Tork, Peter, Jones, Davy, Dolenz, Micky, Nesmith, Michael. Head. America lost and found : the BBS story.

307.
Schlesinger, John, Hoffman, Dustin, Voight, Jon, Herlihy, James Leo. Midnight cowboy. Published online 2001.

308.
Peckinpah, Sam, Holden, William, Borgnine, Ernest, Ryan, Robert, O’Brien, Edmond. The wild bunch. Published online 2006.

309.
Hill, George Roy, Newman, Paul, Redford, Robert. Butch Cassidy and the Sundance Kid.

310.
Mazursky, Paul, Wood, Natalie, Culp, Robert, Gould, Elliott, Cannon, Dyan. Bob and Carol and Ted and Alice. Published online 2006.

311.
Penn, Arthur, Guthrie, Arlo, Quinn, Patricia, Broderick, James. Alice’s Restaurant. Published online 2004.

312.
Demme, Ted, LaGravenese, Richard. A decade under the influence: the 70’s films that changed everything. Published online 2004.

313.
Bowser, Kenneth, Biskind, Peter, Macy, William H. Easy riders, raging bulls: how the sex ‘n’ drugs ‘n’ rock ‘n’ roll generation saved Hollywood. Published online 2006.

314.
Morgen, Brett, Burstein, Nanette, Evans, Robert. The kid stays in the picture. Published online 2003.

315.
Spielberg, Steven, Scheider, Roy, Shaw, Robert, Dreyfuss, Richard, Benchley, Peter. Jaws. Published online 1975.

316.
Schatz T. The New Hollywood in Film theory goes to the movies. In: Film Theory Goes to the Movies. Vol AFI film readers. Routledge; 1993. https://blackboard.le.ac.uk/bbcswebdav/pid-522056-dt-content-rid-641020_5/library/eReserves/HA2224/HA2224-doc%2005.pdf

317.
Belton J. The Film School Generation in American cinema/American culture. In: American Cinema/American Culture. 3rd ed. rev. McGraw-Hill; 2009.

318.
Biskind P. Jaws Between the teeth. Jump Cut: a review of contemporary media. 1975;(9):1-26.

319.
Bruzzi S. Revolution and Feminist Unrest: Fatherhood Under Attack in the 1960s and 1970s in Bringing up daddy: fatherhood and masculinity in post-war Hollywood. In: Bringing up Daddy: Fatherhood and Masculinity in Post-War Hollywood. bfi publishing; 2005.

320.
Buckland, Warren. Directed by Steven Spielberg: Poetics of the Contemporary Hollywood Blockbuster. Continuum; 2006.

321.
Cook, David A. Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970-1979. Vol History of the American cinema. University of California Press; 2002.

322.
Friedman, Lester D. American Cinema of the 1970s: Themes and Variations. Vol Screen decades. Rutgers University Press; 2007.

323.
Friedman, Lester D. American Cinema of the 1970s: Themes and Variations. Berg; 2007.

324.
Hillier, Jim. The New Hollywood. Continuum; 1992.

325.
Hoberman J. Nashville contra Jaws, or "The Imagination of Disaster” Revisited in The last great American picture show: new Hollywood cinema in the 1970s. In: The Last Great American Picture Show: New Hollywood Cinema in the 1970s. Amsterdam University Press; 2004. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664782130002746&institutionId=2746&customerId=2745

326.
Hoberman J. Nashville contra Jaws, or "The Imagination of Disaster” Revisited in The last great American picture show: new Hollywood cinema in the 1970s. In: The Last Great American Picture Show: New Hollywood Cinema in the 1970s. Amsterdam University Press; 2003. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664782110002746&institutionId=2746&customerId=2745

327.
Kaufman, Will. American Culture in the 1970s. Vol Twentieth-century American culture. Edinburgh University Press; 2009.

328.
King, Geoff. New Hollywood Cinema: An Introduction. I.B. Tauris; 2002.

329.
King, Geoff. New Hollywood Cinema: An Introduction. I.B. Tauris; 2002.

330.
King, Geoff. Spectacular Narratives: Hollywood in the Age of the Blockbuster. I.B. Tauris; 2000.

331.
King, Geoff. Spectacular Narratives: Hollywood in the Age of the Blockbuster. Vol Cinema and society series. I.B. Tauris; 2000.

332.
King N. New Hollywood in The cinema book. In: The Cinema Book. 3rd ed. British Film Institute; 2007.

333.
Wyatt, Justin. Marketing the Image: High Concept and the Development of Marketing in High concept: movies and marketing in Hollywood. In: High Concept: Movies and Marketing in Hollywood. Vol Texas film and media studies series. University of Texas Press; 1994. https://blackboard.le.ac.uk/bbcswebdav/pid-522060-dt-content-rid-641024_5/library/eReserves/HA2224/HA2224-doc%2010.pdf

334.
Kolker, Robert Phillip. A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg, Altman. 3rd ed. Oxford University Press; 2000.

335.
Lewis, Jon. The New American Cinema. Duke University Press; 1998.

336.
Morris, Nigel. The Cinema of Steven Spielberg: Empire of Light. Vol Directors’ cuts. Wallflower; 2007. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664470540002746&institutionId=2746&customerId=2745

337.
Quirke, Antonia. Jaws. Vol BFI modern classics. British Film Institute; 2002.

338.
Ryan, Michael, Kellner, Douglas. Camera Politica: The Politics and Ideology of Contemporary Hollywood Film. Indiana University Press; 1988.

339.
Shiel M. American Cinema, 1970-75 in Contemporary American cinema. In: Contemporary American Cinema. Open University Press; 2006.

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Shiel M. American Cinema, 1970-75 in Contemporary American cinema. In: Contemporary American Cinema. Open University Press; 2006. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665081310002746&institutionId=2746&customerId=2745

341.
Spielberg, Steven, Friedman, Lester D., Notbohm, Brent. Steven Spielberg: Interviews. Vol Conversations with filmmakers series. University Press of Mississippi; 2000.

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Wyatt J. Marketing the Image: High Concept and the Development of Marketing: High concept: movies and marketing in Hollywood. In: High Concept: Movies and Marketing in Hollywood. Vol Texas film and media studies series. University of Texas Press; 1994:110-154. https://blackboard.le.ac.uk/bbcswebdav/pid-522060-dt-content-rid-641024_5/library/eReserves/HA2224/HA2224-doc%2010.pdf

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Denzin NK. The Cinematic Racial Order: Reading race: Hollywood and the cinema of racial violence. In: Reading Race: Hollywood and the Cinema of Racial Violence. Vol Theory, culture&society (Unnumbered). SAGE; 2002:17-45. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665911760002746&institutionId=2746&customerId=2745

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362.
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365.
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366.
Mirzoeff, Nicholas. DuBois, W.E.B. Double Consciousness [1903] in The visual culture reader. In: The Visual Culture Reader. Routledge; 1998.

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372.
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373.
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382.
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Pines J. The Black Presence in American Cinema in The Oxford history of world cinema. In: The Oxford History of World Cinema. Oxford University Press; 1996. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664681680002746&institutionId=2746&customerId=2745

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385.
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386.
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387.
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Purse, Lisa. Contemporary Action Cinema. Edinburgh University Press; 2011. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664157200002746&institutionId=2746&customerId=2745

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Slocum, J. David. Hollywood and War: The Film Reader. Routledge; 2006.

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Telotte JP. Heinlein, Verhoeven, and the problem of the real: Starship Troopers. Literature/Film Quarterly. 2001;29(3):196-202.

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Capra, Frank. Why we fight: The Battle of China and War comes to America. 2000;Why we fight : World War II.

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Film Quarterly - special issue on The Wire. 2008;62(2).

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Fiske, John. Television Culture. 2nd ed. Routledge; 2011. http://ezproxy.lib.le.ac.uk/login?url=http://www.myilibrary.com?id=292966

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Fiske, John. Television Culture. 2nd ed. Routledge; 2011. http://ezproxy.lib.le.ac.uk/login?url=http://www.myilibrary.com?id=292966

477.
Gillan, Jennifer. Television and New Media: Must-Click TV. Routledge; 2011.

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Gomery, Douglas, Hockley, Luke. Television Industries. BFI/British Film Institute; 2006.

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485.
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486.
Kompare, Derek. CSI. Vol Wiley-Blackwell studies in film and television. Wiley-Blackwell; 2010.

487.
Lavery, David. Reading the Sopranos: Hit TV from HBO. Vol Reading contemporary television. I.B. Tauris; 2006.

488.
Gripsrud, Jostein. Lavik, Erlend Forward to the Past: The Strange Case of The Wire in Relocating television: television in the digital context. In: Relocating Television: Television in the Digital Context. Vol Comedia. Routledge; 2010.

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McCabe, Janet, Akass, Kim. Quality TV: Contemporary American Television and Beyond. I.B. Tauris; 2007.

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491.
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492.
Martin, Brett. Difficult Men : From The Sopranos and The Wire to Mad Men and Breaking Bad. Brett Martin. Faber and Faber; 2013.

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Miller, Toby. Television Studies. BFI Publishing; 2002.

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Mittell J. All in the Game: The Wire, Serial Storytelling, and Procedural Logic: Chapter. In: Third Person: Authoring and Exploring Vast Narratives. MIT Press; 2009:429-438.

495.
Mittell, Jason. Television and American Culture. Oxford University Press; 2010.

496.
Mullen, Megan Gwynne. The Rise of Cable Programming in the United States: Revolution or Evolution? Vol Texas film and media studies series. 1st ed. University of Texas Press; 2003.

497.
Munt S. A Queer Undertaking: Uncanny attachments in the HBO Television drama series, Six Feet Under, Chapter. In: Queer Attachments: The Cultural Politics of Shame. Vol Queer interventions. Ashgate; 2008:161-179. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10234643

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Nichols-Pethick, Jonathan. TV Cops: The Contemporary American Television Police Drama. Routledge; 2012. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664019020002746&institutionId=2746&customerId=2745

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Potter, Tiffany, Marshall, C. W. The Wire: Urban Decay and American Television. Continuum; 2009.

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Strinati, Dominic. Popular and Cult Television, Postmodernism and Twin Peaks. Vol Discussion papers in sociology / University of Leicester, Department of Sociology. University of Leicester, Department of Sociology; 1996.

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Thompson, Kristin. Storytelling in Film and Television. Harvard University Press; 2003.

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Treviño L. The Independent Film Channel: Creating a Genre and Brand Across Small Screens, Big Screens, and the Virtual World in The shifting definitions of genre: essays on labeling films, television shows and media. In: The Shifting Definitions of Genre: Essays on Labeling Films, Television Shows and Media. McFarland; 2008. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664681670002746&institutionId=2746&customerId=2745

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Ball, Alan, Krause, Peter, Hall, Michael C., Conroy, Frances, Ambrose, Lauren. Six feet under: the complete second series. Published online 2004.

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Ball, Alan, Krause, Peter, Hall, Michael C., Conroy, Frances, Ambrose, Lauren. Six feet under: the complete fourth series. Published online 2005.

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Ball, Alan, Krause, Peter, Hall, Michael C., Conroy, Frances, Ambrose, Lauren. Six feet under: the complete fifth series. Published online 2006.

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Simon, David, West, Dominic, Doman, John. The wire: Season two: A new case begins. Published online 2004.

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Weiner, Matthew, Hamm, Jon, Moss, Elisabeth, et al. Mad men: Season 1. Published online 2008.

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Ryan, Shawn, Dent, Catherine, Chiklis, Michael. The shield: Season one. Published online 2007.

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Ball, Alan, Paquin, Anna, Moyer, Stephen, Skarsgård, Alexander, Harris, Charlaine. True blood: the complete first season. Published online 2008.

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Tavinor G. Videogames and Narrative, Chapter. In: The Art of Videogames. Vol New directions in aesthetics. Wiley-Blackwell; 2009:110-129. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664732680002746&institutionId=2746&customerId=2745

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Cassidy SB. The Videogame as Narrative. Quarterly Review of Film and Video. 2011;28(4):292-306. doi:10.1080/10509200902820266

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Bibliography for HA2224 American Film and Visual Culture BETA