Bibliography for HA2224 American Film and Visual Culture BETA

‘“A World That Works”: Fascism and Media Globalization in Starship Troopers’, Film & History: An Interdisciplinary Journal of Film and Television Studies, 39.2 (2009), 17–25 <https://doi.org/10.1353/flm.0.0105>

Agee, James, ‘Comedy’s Greatest Era (1949) in Agee on Film: [Vol.1]: [Criticism]’, in Agee on Film: [Vol.1]: [Criticism] (London: P. Owen, 1963)

Akass, Kim and McCabe, Janet, Reading Six Feet under: TV to Die For (London: I.B. Tauris, 2005)

Allen, Michael, Contemporary US Cinema (Harlow: Longman, 2003), Inside film

Allen, Robert Clyde, Channels of Discourse, Reassembled: Television and Contemporary Criticism, 2nd ed (London: Routledge, 1992)

Altman, Rick, The American Film Musical (Bloomington: Indiana University Press, 1987)

Altman, Robert, Carradine, Keith, Chaplin, Geraldine, and Black, Karen, Nashville ([S.l.]: Paramount, 2000)

Altman, Robert, Naughton, Edmund, and Foster, David, ‘McCabe and Mrs. Miller’ ([S.l.]: Warner Home Video, 2003)

Anderson, Christopher, Hollywood TV: The Studio System in the Fifies (Austin, Texas: University of Texas Press, 1994), Texas film studies series

Arbuckle, Roscoe and Keaton, Buster, ‘Buster Keaton: The Complete Short Films 1917-1923, Disc 1’ ([S.l.]: Eureka Video, 2006)

Arbuckle, Roscoe, Keaton, Buster, and Cline, Edward, ‘Buster Keaton: The Complete Short Films 1917-1923, Disc 2’ ([S.l.]: Eureka Video, 2006)

Avildsen, John G., Stallone, Sylvester, Shire, Talia, and Young, Burt, ‘Rocky’ ([S.l.]: MGM, 1976)

Avilés, Angel and Anders, Allison, ‘Mi Vida Loca =: My Crazy Life’ (S.l.]: Tartan video)

Bacon, Lloyd, Berkeley, Busby, Fain, Sammy, Warren, Harry, Dubin, Al, Cagney, James, and others, ‘Footlight Parade’ (Burbank, Calif: Warner Home Video, 2006)

Bacon, Lloyd, Ropes, Bradford, Berkeley, Busby, Warren, Harry, Dubin, Al, Keeler, Ruby, and others, ‘42nd Street’ (Burbank, Calif: Warner Home Video, 2006)

Badham, John, Wexler, Norman, Cohn, Nik, Travolta, John, and Gorney, Karen Lynn, ‘Saturday Night Fever’ ([S.l.]: Paramount, 2002)

Baker, M. Joyce, Images of Women in Film: The War Years, 1941-1945 (Ann Arbor, Mich: UMI Research Press, 1980), Studies in American history and culture

Balio, Tino, Grand Design: Hollywood as a Modern Business Enterprise, 1930-1939 (New York, N.Y.: Charles Scribners’ Sons, 1993), History of the American cinema <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5660663510002746&institutionId=2746&customerId=2745>

———, Grand Design: Hollywood as a Modern Business Enterprise, 1930-1939 (New York, N.Y.: Charles Scribners’ Sons, 1993), History of the American cinema <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5660663200002746&institutionId=2746&customerId=2745>

———, The American Film Industry, Rev.ed (London: University of Wisconsin Press, 1985) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5663338460002746&institutionId=2746&customerId=2745>

Ball, Alan, Krause, Peter, Hall, Michael C., Conroy, Frances, and Ambrose, Lauren, ‘Six Feet under: The Complete Fifth Series’ ([S.l.]: Warner Home Video, 2006)

———, ‘Six Feet under: The Complete First Series’ ([S.l.]: HBO Video, 2003)

———, ‘Six Feet under: The Complete Fourth Series’ ([S.l.]: Warner Home Video, 2005)

———, ‘Six Feet under: The Complete Second Series’ ([S.l.]: Warner Home Video, 2004)

———, ‘Six Feet under: The Complete Third Series’ ([S.l.]: Warner Home Video, 2005)

Ball, Alan, Paquin, Anna, Moyer, Stephen, Skarsgård, Alexander, and Harris, Charlaine, ‘True Blood: The Complete First Season’ ([S.l.]: Warner Home Video, 2008)

Barsam, Richard Meran, Monahan, Dave, and Gocsik, Karen M., Looking at Movies: An Introduction to Film, 3rd ed (New York, N.Y.: W.W. Norton, 2010)

Baudrillard, Jean, The Gulf War Did Not Take Place (Sudney: Power Publishers, 1995)

Becker, Karin E. and Lange, Dorothea, Dorothea Lange and the Documentary Tradition (Baton Rouge: Louisiana State University Press, 1980)

Belton, John, American Cinema/American Culture, 4th ed. International edition (London: McGraw-Hill Higher Education, 2013)

Belton, John, ‘Classical Hollywood Cinema: Narration in American Cinema/American Culture’, in American Cinema/American Culture, 4th ed. International edition (London: McGraw-Hill [distributor], 2013)

———, ‘Film Noir: Something in the Night in American Cinema/American Culture’, in American Cinema/American Culture, 3rd ed. rev (Boston, Mass: McGraw-Hill, 2009)

———, ‘Glorious Technicolor, Breathtaking CinemaScope and Stereophonic Sound: Hollywood in the Age of Television’, in Hollywood in the Age of Television (Boston, Mass: Unwin Hyman, 1990), pp. 185–211

———, ‘The 1960s: The Counterculture Strikes Back in American Cinema/American Culture’, in American Cinema/American Culture, 3rd ed. rev (Boston, Mass: McGraw-Hill, 2009)

———, ‘The Emergence of Cinema as an Institution in American Cinema/American Culture’, in American Cinema/American Culture, 4th ed. International edition (London: McGraw-Hill [distributor], 2013)

———, ‘The Film School Generation in American Cinema/American Culture’, in American Cinema/American Culture, 3rd ed. rev (Boston, Mass: McGraw-Hill, 2009)

———, ‘The Musical in American Cinema/American Culture’, in American Cinema/American Culture, 3rd ed. rev (Boston, Mass: McGraw-Hill, 2009)

———, ‘The Studio System in American Cinema/American Culture’, in American Cinema/American Culture, 3rd ed. rev (Boston, Mass: McGraw-Hill, 2009)

Belton, John, Widescreen Cinema (Cambridge, Mass: Harvard University Press, 1992)

Benshoff, Harry M. and Griffin, Sean, America on Film: Representing Race, Class, Gender, and Sexuality at the Movies, 2nd ed (Oxford: Wiley-Blackwell, 2009)

———, America on Film: Representing Race, Class, Gender, and Sexuality at the Movies, 2nd ed (Oxford: Wiley-Blackwell, 2009)

Bergman, Andrew, We’re in the Money: Depression America and Its Films (London: Harper and Row, 1972), Harper colophon books

Berkeley, Busby, Warren, Harry, Dubin, Al, Fain, Sammy, and Kahal, Irving, ‘The Busby Berkeley Disc’ (Burbank, Calif: Warner Home Video, 2006)

Berkeley, Busby, Warren, Harry, Dubin, Al, Powell, Dick, Menjou, Adolphe, and Stuart, Gloria, ‘Gold Diggers of 1935’ (Burbank, Calif: Warner Home Video, 2006)

Bernardi, Daniel, The Persistence of Whiteness: Race and Contemporary Hollywood Cinema (London: Routledge, 2008)

Biesen, Sheri Chinen, Blackout: World War II and the Origins of Film Noir (Baltimore, Md: Johns Hopkins University Press, 2005)

Bigelow, Kathryn, Cameron, James, Fiennes, Ralph, Bassett, Angela, Lewis, Juliette, and Sizemore, Tom, ‘Strange Days’ ([S.l.]: Universal, 1995)

Biskind, Peter, Easy Riders, Raging Bulls: How the Sex ‘n’ Drugs ‘n’ Rock ‘n’ Roll Generation Saved Hollywood (London: Bloomsbury, 1998)

Biskind, Peter, ‘Jaws Between the Teeth’, Jump Cut: A Review of Contemporary Media, 9, 1975, 1–26

Biskind, Peter, Seeing Is Believing: How Hollywood Taught Us to Stop Worrying and Love the Fifties (London: Pluto Press, 1984)

Boddy, William, ‘The Studios Move into Prime Time: Hollywood and the Television Industry in the 1950s: Hollywood: Critical Concepts in Media and Cultural Studies, Volume 1: Historical Dimensions: The Development of the American Film Industry’, in Hollywood: Critical Concepts in Media and Cultural Studies, Volume 1: Historical Dimensions: The Development of the American Film Industry (London: Routledge, 2004), Critical concepts in media and cultural studies, 255–69

Bogdanovich, Peter, McMurtry, Larry, Bridges, Jeff, Burstyn, Ellen, Quaid, Randy, and Shepherd, Cybill, ‘The Last Picture Show’ ([S.l.]: Criterion Collection, 2010)

Bogost, Ian, Persuasive Games: The Expressive Power of Videogames (Cambridge, MA: MIT Press, 2007) <http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10190451>

Bordwell, David, ‘An Excessively Obvious Cinema in The Classical Hollywood Cinema: Film Style & Mode of Production to 1960’, in The Classical Hollywood Cinema: Film Style & Mode of Production to 1960 (London: Routledge & Kegan Paul, 1985), pp. 3–12 <https://blackboard.le.ac.uk/bbcswebdav/pid-522062-dt-content-rid-641026_5/library/eReserves/HA2224/HA2224%20-%20Doc%2013.pdf>

———, ‘Classical Narration: The Hollywood Example: Chapter’, in Narration in the Fiction Film (London: Methuen, 1985), pp. 156–66 <http://site.ebrary.com/lib/leicester/Doc?id=10769162>

Bordwell, David and Thompson, Kristin, Film Art: An Introduction, 9th ed (New York, N.Y.: McGraw-Hill, 2010)

Bordwell, David, and Kristin Thompson, ‘Narrative as a Formal System in Film Art: An Introduction’, in Film Art: An Introduction, 7th ed (Boston, Mass: McGraw-Hill, 2004)

———, ‘The Development of the Classical Hollywood Cinema: Chapter’, in Film Art: An Introduction, 10th ed., international ed (New York, N.Y.: McGraw-Hill, 2013), pp. 466–69

Bould, Mark, Film Noir: From Berlin to Sin City (London: Wallflower, 2005), Short cuts

Bowser, Eileen, The Transformation of Cinema, 1907-1915 (New York: Macmillan, 1990), History of the American cinema <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5661323400002746&institutionId=2746&customerId=2745>

Bowser, Kenneth, Biskind, Peter, and Macy, William H., ‘Easy Riders, Raging Bulls: How the Sex “n” Drugs “n” Rock “n” Roll Generation Saved Hollywood’ ([S.l.]: in2film, 2006)

Bratton, J. S., Cook, Jim, and Gledhill, Christine, Melodrama: Stage, Picture, Screen (London: British Film Institute, 1994)

Braunstein, Peter and Doyle, Michael W., Imagine Nation: The American Counterculture of the 1960s and ’70s (New York: Routledge, 2002)

British Film Institute, ‘Early Cinema: Primitives and Pioneers’ (S.l.]: British Film Institute)

Brook, Vincent, Driven to Darkness: Jewish Émigré Directors and the Rise of Film Noir (New Brunswick, N.J.: Rutgers University Press, 2009) <http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10367248>

Brownlow, Kevin, ‘Buster Keaton in The Parade’s Gone By’, in The Parade’s Gone By (London: Secker & Warburg, 1968)

Brownlow, Kevin, Gill, David, and Anderson, Lindsay, ‘D.W. Griffith: Father of Film’ ([S.l.]: Connoisseur Video, 1994)

Brownlow, Kevin, Gill, David, Keaton, Buster, and Anderson, Lindsay, ‘Buster Keaton, a Hard Act to Follow’ ([London]: An Academy Video release from the British Film Institute, 1987)

Bruckman, Clyde, St. Clair, Mal, Lloyd, Harold, Cummings, Constance, Kent, Barbara, and Young, Noah, ‘Harold Lloyd: The Definitive Collection, Disc 8’ ([S.l.]: Optimum, 1929)

Bruzzi, Stella, Bringing up Daddy: Fatherhood and Masculinity in Post-War Hollywood (London: bfi publishing, 2005)

Bruzzi, Stella, ‘Revolution and Feminist Unrest: Fatherhood Under Attack in the 1960s and 1970s in Bringing up Daddy: Fatherhood and Masculinity in Post-War Hollywood’, in Bringing up Daddy: Fatherhood and Masculinity in Post-War Hollywood (London: bfi publishing, 2005)

Buckland, Warren, Directed by Steven Spielberg: Poetics of the Contemporary Hollywood Blockbuster (London: Continuum, 2006)

———, Film Theory and Contemporary Hollywood Movies (London: Routledge, 2009)

Burnett, Charles, ‘Killer of Sheep’, ‘Killer of Sheep’ and ‘My Brother’s Wedding’ ([S.l.]: Milestone Film and Video, 1979)

Burnett, Charles, Glover, Danny, Butler, Paul, and Alice, Mary, ‘To Sleep with Anger’ (S.l.]: BFI, 1990)

Burton, Tim, Nicholson, Jack, Close, Glenn, Bening, Annette, Brosnan, Pierce, and DeVito, Danny, ‘Mars Attacks!’ ([S.l.]: Warner Home Video, 1998)

Byars, Jackie, All That Hollywood Allows: Re-Reading Gender in 1950s Melodrama (London: Routledge, 1991)

Cagin, Seth, Dray, Philip, and Cagin, Seth, Born to Be Wild: Hollywood and the Sixties Generation, 2nd ed (Boca Raton, Fla: Coyote Books, 1994)

Cameron, Ian, The Movie Book of Film Noir (London: Studio Vista, 1992)

Cameron, James, Hamilton, Linda, and Schwarzenegger, Arnold, ‘The Terminator’ ([S.l.]: MGM, 1984)

Cameron, James, Schwarzenegger, Arnold, Hamilton, Linda, Furlong, Edward, and Patrick, Robert, ‘Terminator 2: Judgment Day’ ([S.l.]: Optimum Home Entertainment, 1991)

Cameron, James, Weaver, Sigourney, Biehn, Michael, Henriksen, Lance, and Paxton, Bill, ‘Aliens’ ([S.l.]: Twentieth Century Fox, 2000)

Capra, Frank, ‘Why We Fight: Divide and Conquer and The Battle of Britain’ ([S.l.]: GoodTimes DVD, 2000)

———, ‘Why We Fight: Prelude to War and The Nazis Strike’ ([S.l.]: GoodTimes DVD, 2000)

———, ‘Why We Fight: The Battle of China and War Comes to America’ ([S.l.]: GoodTimes DVD, 2000)

———, ‘Why We Fight: The Battle of Russia’ ([S.l.]: GoodTimes DVD, 2000)

Capra, Frank, Adams, Samuel Hopkins, Gable, Clark, and Colbert, Claudette, ‘It Happened One Night’ ([S.l.]: Columbia Tristar Home Video, 1934)

Capra, Frank, Langdon, Harry, Bonner, Priscilla, and Astor, Gertrude, ‘The Strong Man’ (S.l: Blackhorse Entertainment, 1926)

Capra, Frank, Langdon, Harry, Brockwell, Gladys, and Roscoe, Albert, ‘Long Pants’ (S.l: Blackhorse Entertainment, 1927)

Capra, Frank, Stewart, James, Arthur, Jean, and Rains, Claude, ‘Mr Smith Goes to Washington’ ([S.l.]: Columbia Tristar Home Video, 1939)

Carter, Helena, Hunt, Jimmy, and Menzies, William Cameron, ‘Invaders from Mars’ (S.l.]: MPIC Video, 1953)

Casper, Drew, Hollywood Film 1963-1976: Years of Revolution and Reaction (Oxford: Wiley-Blackwell, 2011) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=675252>

Cassidy, Scott Brendan, ‘The Videogame as Narrative’, Quarterly Review of Film and Video, 28.4 (2011), 292–306 <https://doi.org/10.1080/10509200902820266>

Chambers, Samuel A., ‘Telepistemology of the Closet; or, The Queer Politics of Six Feet Under’, The Journal of American Culture, 26.1 (2003), 24–41 <https://doi.org/10.1111/1542-734X.00071>

Chaplin, Charles and Swain, Mack, ‘The Gold Rush’ ([S.l.]: mk2/Warner Brothers Home Video, 1925)

Chaplin, Charlie, ‘Chaplin at Keystone’ (BFI, 1914)

———, ‘Charlie Chaplin - The Essanay Films (Vol 1)’ (BFI, 1915)

———, ‘Charlie Chaplin - The Essanay Films (Vol 2)’ (BFI, 1915)

———, ‘The Mutual Films (Vol 1)’, 1916

———, ‘The Mutual Films (Vol 2)’, 1916

Chapman, James, War and Film (London: Reaktion, 2007), Locations <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664525050002746&institutionId=2746&customerId=2745>

Chase, Charley, ‘His Wooden Wedding: Audio-Visual Document’, The Charley Chase Collection: Vol. 2 (New York: Kino on Video, 1925)

Chase, David, Gandolfini, James, and Bracco, Lorraine, ‘The Sopranos: Complete Series 1’ ([S.l.]: HBO Video, 2007)

Chopra-Gant, Mike, Hollywood Genres and Postwar America: Masculinity, Family and Nation in Popular Movies and Film Noir (London: I.B. Tauris, 2006), Cinema and society

Cochran, David, America Noir: Underground Writers and Filmmakers of the Postwar Era (Washington [D.C.]: Smithsonian Institution Press, 2000)

Cohan, Steven, Hollywood Musicals, the Film Reader (London: Routledge, 2002), In focus: Routledge film readers

Cohan, Steven and Hark, Ina Rae, The Road Movie Book (London: Routledge, 1997)

Collins, Jim, ‘Genericity in the Nineties: Eclectic Irony and the New Sincerity: Chapter’, in Film Theory Goes to the Movies (New York: Routledge, 1993), AFI film readers, 242–63 <http://ezproxy.lib.le.ac.uk/login?url=http://lib.myilibrary.com?id=395546>

Connelly, Joe and Mathers, Jerry, ‘The Black Eye, Episode’, Leave It to Beaver: The Complete First Season (Universal City, Calif: Universal Studios Home Entertainment, 2005)

Coogan, Jackie and Chaplin, Charles, ‘The Kid’ ([S.l.]: mk2/Warner Brothers Home Video, 1921)

Cook, David, ‘The New American Cinema in A History of Narrative Film’, in A History of Narrative Film, 3rd ed (London: W.W. Norton, 1996)

Cook, David A., Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970-1979 (Berkeley, Calif: University of California Press, 2002), History of the American cinema

Cook, Pam and British Film Institute, The Cinema Book, 3rd ed (London: British Film Institute, 2007)

Copjec, Joan, Shades of Noir: A Reader (London: Verso, 1993)

Coppola, Francis Ford, Brando, Marlon, Pacino, Al, Caan, James, and Puzo, Mario, ‘The Godfather’ ([S.l.]: Paramount, 2001)

Coppola, Francis Ford, Pacino, Al, Duvall, Robert, Keaton, Diane, De Niro, Robert, and Puzo, Mario, ‘The Godfather: Part II’ ([S.l.]: Paramount, 2001)

Cornea, Christine, Science Fiction Cinema: Between Fantasy and Reality (Edinburgh: Edinburgh University Press, 2007)

———, Science Fiction Cinema: Between Fantasy and Reality (Edinburgh: Edinburgh University Press, 2007) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664142130002746&institutionId=2746&customerId=2745>

Corrigan, Timothy, ‘Genre, Gender and Hysteria: The Road Movie in Outer Space in A Cinema without Walls: Movies and Culture after Vietnam’, in A Cinema without Walls: Movies and Culture after Vietnam (London: Routledge, 1991)

Cossar, Harper, ‘Emerging Stylistic Norms in CinemaScope: Genre and Authorship in the Films of Otto Preminger, Nicholas Ray, Frank Tashlin and Douglas Sirk: Chapter’, in Letterboxed: The Evolution of Widescreen Cinema (Lexington, Ky: University Press of Kentucky, 2011), pp. 95–84 <http://site.ebrary.com/lib/leicester/Doc?id=10481057>

Cowie, Elizabeth, ‘Storytelling: Classical Hollywood Cinema and Classical Narrative: Contemporary Hollywood Cinema’, in Contemporary Hollywood Cinema (London: Routledge, 1998), pp. 178–90 <http://site.ebrary.com/lib/leicester/Doc?id=10688216>

Crafton, Donald, ‘Pie and Chase: Gag, Spectacle and Narrative in Slapstick Comedy in Classical Hollywood Comedy’, in Classical Hollywood Comedy (London: Routledge, 1995), AFI film readers, 106–19 <https://blackboard.le.ac.uk/bbcswebdav/pid-425102-dt-content-rid-586329_5/library/eReserves/HA2224/HA2224%20-%20Doc%2014.pdf>

Crafton, Donald, The Talkies: American Cinema’s Transition to Sound, 1926-1931 (New York, N.Y.: Charles Scribner’s Sons, 1997), History of the American cinema <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5663963630002746&institutionId=2746&customerId=2745>

Creeber, Glen, Serial Television: Big Drama on the Small Screen (London: BFI Publishing, 2004)

———, Small Screen Aesthetics: From Tv to the Internet ([Houndmills]: British Film Institute book published by Palgrave Macmillan, 2013)

Creeber, Glen, Miller, Toby, Tulloch, John, and British Film Institute, The Television Genre Book (London: British Film Institute, 2001)

Cripps, Thomas, Making Movies Black: The Hollywood Message Movie from World War Two to the Civil Rights Era (New York: Oxford University Press, 1993) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662839650002746&institutionId=2746&customerId=2745>

Crogan, Patrick, Gameplay Mode: War, Simulation, and Technoculture (Minneapolis: University of Minnesota Press, 2011), Electronic mediations <http://site.ebrary.com/lib/leicester/Doc?id=10534335>

Cronenberg, David, Harry, Deborah, and Woods, James, ‘Videodrome’ ([S.l.]: Universal, 1983)

Cruise, Tom, Fanning, Dakota, Spielberg, Steven, and Wells, H. G., ‘War of the Worlds [2005]’ (S.l.]: Paramount)

Currell, Susan, American Culture in the 1920s (Edinburgh: Edinburgh University Press, 2009), Twentieth-century American culture

———, American Culture in the 1920s (Edinburgh: Edinburgh University Press, 2009), Twentieth-century American culture

Curtin, Michael and Shattuc, Jane, The American Television Industry (London: BFI, 2009), International screen industries

Curtis, James, Mind’s Eye, Minds’s Truth: FSA Photography Reconsidered (Philadelphia, Pa: Temple University Press, 1989)

Curtiz, Michael, Bergman, Ingrid, Bogart, Humphrey, Henreid, Paul, Rains, Claude, Greenstreet, Sydney, and others, ‘Casablanca’ ([S.l.]: Warner Home Video, 1942)

Curtiz, Michael, Cagney, James, O’Brien, Pat, Bogart, Humphrey, Sheridan, Ann, and Polan, Dana B., ‘Angels with Dirty Faces’ ([S.l.]: Warner Home Video, 2005)

Curtiz, Michael, Cain, James M., MacDougall, Ranald, Crawford, Joan, Carson, Jack, Scott, Zachary, and others, ‘Mildred Pierce [1945]’ ([S.l.]: Warner Home Video, 1945)

Curtiz, Michael, Keighley, William, Flynn, Errol, De Havilland, Olivia, Rathbone, Basil, Rains, Claude, and others, ‘The Adventures of Robin Hood [1938]’ ([S.l.]: Warner Home Video, 1938)

Dale, Alan S., Comedy Is a Man in Trouble: Slapstick in American Movies (Minneapolis: University of Minnesota Press, 2000)

Daniel, Pete, Official Images: New Deal Photography (London: Smithsonian Institution Press, 1987)

Daniels, Marc, Asher, William, Ball, Lucille, and Arnaz, Desi, ‘I Love Lucy: The Complete First Season, Discs 3 and 4’ ([S.l.]: CBS DVD, 1951)

Daniels, Marc, Ball, Lucille, and Arnaz, Desi, ‘I Love Lucy: The Complete First Season, Disc 7’ ([S.l.]: CBS DVD, 1952)

———, ‘I Love Lucy: The Complete First Season, Discs 5 and 6’ ([S.l.]: CBS DVD, 1952)

Daniels, Marc, Levy, Ralph, Ball, Lucille, and Arnaz, Desi, ‘I Love Lucy: The Complete First Season, Discs 1 and 2’ ([S.l.]: CBS DVD, 1951)

Dardis, Tom, Keaton: The Man Who Wouldn’t Lie Down (London: Deutsch, 1979)

Darley, Andrew, Visual Digital Culture: Surface Play and Spectacle in New Media Genres (London: Routledge, 2000), Sussex studies in culture and communication <http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=5001435>

Dassin, Jules, Bezzerides, A. I., Conte, Richard, Cobb, Lee J., and Dassin, Jules, ‘Thieves’ Highway’ ([S.l.]: 20th Century Fox Home Entertainment, 2012)

Davidov, Judith Fryer, Women’s Camera Work: Self/Body/Other in American Visual Culture (Durham, N.C.: Duke University Press, 1998), New Americanists

Davies, Jude, Gender, Ethnicity and Sexuality in Contemporary American Film (Edinburgh: Keele University Press, 1997), British Association for American Studies paperbacks

Davis, Peter, ‘Hearts and Minds’ ([S.l.]: Metrodome, 1974)

Demme, Ted and LaGravenese, Richard, ‘A Decade under the Influence: The 70’s Films That Changed Everything’ (London: Video Collection International, 2004)

Denzin, Norman K., ‘Do the Right Thing: Race in the USA in Images of Postmodern Society: Social Theory and Contemporary Cinema’, in Images of Postmodern Society: Social Theory and Contemporary Cinema (London: Sage Publications, 1991), Theory, culture&society

Denzin, Norman K., ‘The Cinematic Racial Order: Reading Race: Hollywood and the Cinema of Racial Violence’, in Reading Race: Hollywood and the Cinema of Racial Violence (London: SAGE, 2002), Theory, culture&society (Unnumbered), 17–45 <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665911760002746&institutionId=2746&customerId=2745>

Dexter, Maury, Corman, Roger, Fonda, Peter, Sinatra, Nancy, Slate, Jeremy, and Roarke, Adam, ‘The Wild Angels’, ‘The Wild Angels’ and ‘Hell’s Belles’ ([S.l.]: MGM, 2004)

Diawara, Manthia, Black American Cinema (London: Routledge, 1993), AFI film readers

Dimendberg, Edward, Film Noir and the Spaces of Modernity (Cambridge, Mass: Harvard University Press, 2004)

Dixon, Wheeler Winston, American Cinema of the 1940’s: Themes and Variations (Oxford: Berg, 2006), Screen decades: American culture / American cinema

Dmytryk, Edward, Paxton, John, Brooks, Richard, Young, Robert, Mitchum, Robert, Ryan, Robert, and others, Crossfire ([S.l.]: Turner Home Entertainment, 2005)

Donalson, Melvin Burke, Black Directors in Hollywood, 1st ed (Austin: University of Texas Press, 2003)

Donovan, Tristan, Replay: The History of Video Games (Lewes: Yellow Ant, 2010)

Dyer, Richard, ‘Entertainment and Utopia in Movies and Methods II: An Anthology’, in Movies and Methods: An Anthology (Berkeley, Calif: University of California Press, 1976), pp. 220–32 <https://blackboard.le.ac.uk/bbcswebdav/pid-340753-dt-content-rid-499834_5/library/eReserves/HA2224/HA2224%20-%20Doc%2012.pdf>

Dyson, Michael Eric, Reflecting Black: African-American Cultural Criticism (Minneapolis: University of Minnesota Press, 1993), American culture

———, Reflecting Black: African-American Cultural Criticism (London: University of Minnesota Press, 1993), American culture <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5660640790002746&institutionId=2746&customerId=2745>

Ebert, Roger, ‘Okay, Kids, Play on My Lawn | Roger Ebert’s Journal | Roger Ebert’, 1AD <http://www.rogerebert.com/rogers-journal/okay-kids-play-on-my-lawn>

Edgerton, Gary R. and Jones, Jeffrey P., The Essential HBO Reader (Lexington, KY.: University Press of Kentucky, 2008), Essential readers in contemporary media and culture <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1250652>

Edwards, Harry, Langdon, Harry, Crawford, Joan, and Davis, Edwards, ‘Tramp, Tramp, Tramp’ (S.l: Blackhorse Entertainment, 1926)

Eldridge, David, ‘Film and Photography, Chapter’, in American Culture in the 1930s (Edinburgh: Edinburgh University Press, 2008), Twentieth-century American culture, 61–92 <http://site.ebrary.com/lib/leicester/Doc?id=10257689>

Elsaesser, Thomas, ‘Tales of Sound and Fury: Some Observations on the Family Melodrama: Chapter’, in Home Is Where the Heart Is: Studies in Melodrama and the Woman’s Film (London: BFI Publishing, 1987), pp. 43–69

———, ‘The Mind-Game Film, Chapter’, in Puzzle Films: Complex Storytelling in Contemporary Cinema (Malden, Mass: Wiley-Blackwell, 2009), pp. 13–41 <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664681640002746&institutionId=2746&customerId=2745>

Elsaesser, Thomas and Barker, Adam, Early Cinema: Space, Frame, Narrative (London: BFI Publishing, 1990)

Enright, Ray, Berkeley, Busby, Fain, Sammy, Warren, Harry, Dubin, Al, Dixon, Mort, and others, ‘Dames’ (Burbank, Calif: Warner Home Video, 2006)

Evans, Peter William, Written on the Wind ([London]: A BFI book published by Palgrave Macmillan, 2013), BFI film classics

Evans, Walker, Hambourg, Maria Morris, Metropolitan Museum of Art, San Francisco Museum of Modern Art, and Museum of Fine Arts, Houston, Walker Evans (New York: Metropolitan Museum of Art in association with Princeton University Press, Princeton, 2000)

Farrell, Glenda, Muni, Paul, and LeRoy, Mervyn, ‘I Am a Fugitive from a Chain Gang’ (TCM: Motion picture, broadcast 12:45 18/05/2005)

Fay, Jennifer and Nieland, Justus, Film Noir: Hard-Boiled Modernity and the Cultures of Globalization (London: Routledge, 2010), Routledge film guidebooks

Feuer, Jane and British Film Institute, The Hollywood Musical, 2nd ed (Basingstoke: Macmillan, 1993), BFI cinema series

‘Film Quarterly - Special Issue on The Wire’, 62.2 (2008)

‘Film Studies For Free’ <http://filmstudiesforfree.blogspot.co.uk/>

Fischer, Lucy, Imitation of Life: Douglas Sirk, Director (New Brunswick, N.J.: Rutgers University Press, 1991), Rutgers films in print

Fiske, John, Television Culture, 2nd ed (London: Routledge, 2011) <http://ezproxy.lib.le.ac.uk/login?url=http://www.myilibrary.com?id=292966>

———, Television Culture, 2nd ed (London: Routledge, 2011) <http://ezproxy.lib.le.ac.uk/login?url=http://www.myilibrary.com?id=292966>

Fitzgerald, Barry, Duff, Howard, and Dassin, Jules, ‘The Naked City’ ([S.l.]: Criterion, 2007)

Foertsch, Jacqueline, American Culture in the 1940s (Edinburgh: Edinburgh University Press, 2008), Twentieth-century American culture <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664157320002746&institutionId=2746&customerId=2745>

Foertsch, Jacqueline and EBSCO ebook, American Culture in the 1940s (Edinburgh: Edinburgh University Press, 2008), Twentieth-century American culture

Fonda, Peter, Hopper, Dennis, Southern, Terry, and Nicholson, Jack, ‘Easy Rider’ ([S.l.]: Columbia Tristar Home Video, 1999)

Fonda, Peter, Strasberg, Susan, Dern, Bruce, Hopper, Dennis, Nicholson, Jack, and Corman, Roger, ‘The Trip’ ([S.l.]: MGM Home Entertainment, 2004)

Ford, Harrison, Hauer, Rutger, Scott, Ridley, and Dick, Philip K., ‘Blade Runner: The Final Cut’ ([S.l.]: Warner Home Video, 1982)

Ford, John, Steinbeck, John, Fonda, Henry, and Darwell, Jane, ‘The Grapes of Wrath’ ([S.l.]: Twentieth Century Fox Home Entertainment, 2007)

Ford, John, Wayne, John, Trevor, Claire, Devine, Andy, Nichols, Dudley, and Haycox, Ernest, ‘Stagecoach’ ([S.l.]: Universal, 1939)

Frankenheimer, John, Rooney, Mickey, Hunter, Kim, Robertson, Cliff, and Laurie, Piper, ‘The Golden Age of Television: Disc 3: The Comedian, Days of Wine and Roses’ ([S.l.]: Criterion collection, 2009)

Friedman, Lester D., American Cinema of the 1970s: Themes and Variations (New Brunswick, N.J.: Rutgers University Press, 2007), Screen decades

———, American Cinema of the 1970s: Themes and Variations (Oxford: Berg, 2007)

———, Bonnie and Clyde (London: BFI Publishing, 2000), BFI film classics

———, Unspeakable Images: Ethnicity and the American Cinema (Urbana, Ill: University of Illinois Press, 1991)

Friedman, Lester D. and Penn, Arthur, Arthur Penn’s ‘Bonnie and Clyde’ (Cambridge: Cambridge University Press, 2000), Cambridge film handbooks

Gabbard, Krin, Black Magic: White Hollywood and African American Culture (London: Rutgers University Press, 2004)

Gair, Christopher, The American Counterculture (Edinburgh: Edinburgh University Press, 2007) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=286991>

Galloway, Alexander R., Gaming: Essays on Algorithmic Culture (Minneapolis, Minn: University of Minnesota Press, 2006), Electronic mediations <http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10151343>

Garnett, Tay, Turner, Lana, Garfield, John, and Cain, James M., ‘The Postman Always Rings Twice’ ([S.l.]: Warner home video, 2009)

Gaudreault, André, American Cinema, 1890-1909: Themes and Variations (New Brunswick, N.J.: Rutgers University Press, 2009), Screen decades: American culture / American cinema

Geraghty, Lincoln, American Science Fiction Film and Television (New York: Berg, 2009)

———, American Science Fiction Film and Television (Oxford: Berg, 2009)

Gillan, Jennifer, Television and New Media: Must-Click TV (New York: Routledge, 2011)

Gladfelder, Hal, ‘Sherlock Jr.: The Screen and the Mirror: Chapter’, in Film Analysis: A Norton Reader (New York: W.W. Norton, 2005), pp. 138–57

Gledhill, Christine and British Film Institute, Home Is Where the Heart Is: Studies in Melodrama and the Woman’s Film (London: BFI Publishing, 1987)

Gomery, Douglas, ‘The Classic Studio Era: The Hollywood Studio System: A History’, in The Hollywood Studio System: A History, [New ed.] (London: BFI, 2005), pp. 71–80 <https://blackboard.le.ac.uk/bbcswebdav/pid-522058-dt-content-rid-641021_5/library/eReserves/HA2224/HA2224%20-%20Doc%2007.pdf>

Gomery, Douglas and Hockley, Luke, Television Industries (London: BFI/British Film Institute, 2006)

Gordon, Colin, ‘Responding to the Crash in Major Problems in American History, 1920-1945: Documents and Essays’, in Major Problems in American History, 1920-1945: Documents and Essays (Boston: Houghton Mifflin, 1999), Major problems in American history

Grant, Barry Keith, American Cinema of the 1960s: Themes and Variations (London: Rutgers University Press, 2008), Screen decades: American culture / American cinema

———, The Hollywood Film Musical (Oxford: Wiley-Blackwell, 2012), New approaches to film genre <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664139230002746&institutionId=2746&customerId=2745>

Green, Alfred E., Stanwyck, Barbara, and Brent, George, ‘Baby Face’ ([S.l.]: Warner Home Video / Turner Entertainment, 1933)

Grieveson, Lee and Krämer, Peter, The Silent Cinema Reader (London: Routledge, 2004)

Griffith, D. W. and Gish, Lillian, ‘Intolerance’ ([S.l.]: Eureka Video, 1916)

Griffith, D. W., Israel, Robert, Merritt, Russell, Booth, Elmer, and Gish, Lillian, ‘D.W. Griffith: Years of Discovery 1909-1913’ ([S.l.]: Image Entertainment, 2002)

Griffith, D. W., Woods, Frank E., Dixon, Thomas, Gish, Lillian, Marsh, Mae, and Walthall, Henry B., ‘The Birth of a Nation’ ([S.l.]: Eureka Video, 1915)

Griffith, D.W., ‘Musketeers of Pig Alley: Audio-Visual Document’, Biograph Shorts (New York: Kino Video, 1912)

Gripsrud, Jostein, ‘Lavik, Erlend Forward to the Past: The Strange Case of The Wire in Relocating Television: Television in the Digital Context’, in Relocating Television: Television in the Digital Context (London: Routledge, 2010), Comedia

Guerrero, Ed, ‘A Circus of Dreams and Lies: The Black Film Wave at Middle Age in The New American Cinema’, in The New American Cinema (Durham, N.C.: Duke University Press, 1998)

Guerrero, Ed and Lee, Spike, Do the Right Thing (London: British Film Institute, 2001), British Film Institute

Gunning, Tom, D.W. Griffith and the Origins of American Narrative Film: The Early Years at Biograph (Urbana, Ill: University of Illinois Press, 1994)

Gunning, Tom, ‘Early American Film in The Oxford Guide to Film Studies’, in The Oxford Guide to Film Studies (Oxford: Oxford University Press, 1998)

Halliwell, Martin, American Culture in the 1950s (Edinburgh: Edinburgh University Press, 2007) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=292360>

Hammond, Michael and Mazdon, Lucy, The Contemporary Television Series (Edinburgh: Edinburgh University Press, 2005)

Hammond, Michael and Williams, Linda Ruth, Contemporary American Cinema (London: Open University Press, 2006) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662275430002746&institutionId=2746&customerId=2745>

Hansen, Lene, ‘Feminism in the Fascist Utopia: Gender and World Order in Starship Troopers’, International Feminist Journal of Politics, 3.2 (2001), 275–83 <https://doi.org/10.1080/14616740110053065>

Hark, Ina Rae and ebrary, Inc, American Cinema of the 1930s: Themes and Variations (New Brunswick, N.J.: Rutgers University Press, 2007), Screen decades

Harris, Jonathan, Federal Art and National Culture: The Politics of Identity in New Deal America (Cambridge: Cambridge University Press, 1995), Cambridge studies in American visual culture

Harrison, Colin, American Culture in the 1990s (Edinburgh: Edinburgh University Press, 2010), Twentieth-century American culture <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664015000002746&institutionId=2746&customerId=2745>

Hawks, Howard, Chandler, Raymond, Faulkner, William, Brackett, Leigh, Furthman, Jules, Bogart, Humphrey, and others, ‘The Big Sleep’ (S.l.]: Warner Home Video)

Hawks, Howard, Grant, Cary, Russell, Rosalind, and Lederer, Charles, ‘His Girl Friday’ ([S.l.]: Columbia, 1940)

Haynes, Todd, Winslet, Kate, Pearce, Guy, Leo, Melissa, and Cain, James M., ‘Mildred Pierce [2011]’ ([S.l.]: Home Box Office, 2011)

Hayworth, Rita, King, Sherwood, Welles, Orson, Sloane, Everett, and Bogdanovich, Peter, ‘The Lady from Shanghai’ (S.l.]: Tristar Home Entertainment, 1948)

Henderson, Robert M., D.W. Griffith: The Years at Biograph (London: Secker and Warburg, 1971)

Hill, George Roy, Newman, Paul, and Redford, Robert, ‘Butch Cassidy and the Sundance Kid’ (S.l.]: 20th Century Fox Home Entertainment)

Hill, John and Gibson, Pamela Church, American Cinema and Hollywood: Critical Approaches (Oxford: Oxford University Press, 2000)

———, The Oxford Guide to Film Studies (Oxford: Oxford University Press, 1998)

Hillier, Jim, The New Hollywood (New York: Continuum, 1992)

Hillis, Ken, ‘Film Noir and the American Dream: The Dark Side of Enlightenment’, The Velvet Light Trap, 55.1 (2005), 3–18 <https://doi.org/10.1353/vlt.2005.0004>

Hoberman, J, ‘Nashville Contra Jaws, or "The Imagination of Disaster” Revisited in The Last Great American Picture Show: New Hollywood Cinema in the 1970s’, in The Last Great American Picture Show: New Hollywood Cinema in the 1970s (Amsterdam: Amsterdam University Press, 2004) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664782130002746&institutionId=2746&customerId=2745>

———, ‘Nashville Contra Jaws, or "The Imagination of Disaster” Revisited in The Last Great American Picture Show: New Hollywood Cinema in the 1970s’, in The Last Great American Picture Show: New Hollywood Cinema in the 1970s (Amsterdam: Amsterdam University Press, 2003) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664782110002746&institutionId=2746&customerId=2745>

Holmlund, Chris, American Cinema of the 1990s: Themes and Variations (New Brunswick, N.J.: Rutgers University Press, 2008), Screen decades

———, American Cinema of the 1990s: Themes and Variations (New Brunswick, N.J.: Rutgers University Press, 2008) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664141110002746&institutionId=2746&customerId=2745>

hooks, bell, Reel to Real: Race, Sex, and Class at the Movies (London: Routledge, 1996)

Horton, Andrew, Buster Keaton’s Sherlock Jr (Cambridge: Cambridge University Press, 1997), Cambridge film handbooks

———, Comedy/Cinema/Theory (Berkeley, Calif: University of California Press, 1991)

Hove, Arthur, Gold Diggers of 1933 (Madison, Wis: Published for the Wisconsin Center for Film and Theater Research by the University of Wisconsin Press, 1980), Wisconsin/Warner Bros. screenplay series

Hughes, Albert, Hughes, Allen, Turner, Tyrin, Smith, Jada Pinkett, and Tate, Larenz, ‘Menace II Society’ (S.l.]: Entertainment in Video, 1993)

J. P. Telotte, ‘Verhoeven, Virilio, and “Cinematic Derealization”’, Film Quarterly, 53.2 (1999), 30–38

Jacobs, Jason, Deadwood (London: BFI, 2011), BFI tv classics

Jaffe, Ira, Hollywood Hybrids: Mixing Genres in Contemporary Films (Lanham, Md: Rowman and Littlefield, 2008), Genre and beyond

Jancovich & Lyons, ‘Introduction’, in Quality Popular Television: Cult TV, the Industry and Fans (London: BFI Publishing, 2003)

Jancovich, Mark, Lyons, James, and British Film Institute, Quality Popular Television: Cult TV, the Industry and Fans (London: BFI Publishing, 2003)

Jarvie, Ian, ‘Knowledge, Morality and Tragedy in The Killers and Out of the Past: The Philosophy of Film Noir’, in The Philosophy of Film Noir (Lexington, Ky: University Press of Kentucky, 2006), pp. 163–85 <http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10438034>

Johnson, Catherine, Branding Television (London: Routledge, 2012), Comedia

Johnson, Catherine, ‘It’s Not TV, It’s HBO!” Branding US Pay TV in Branding Television’, in Branding Television (London: Routledge, 2012), Comedia

Kaplan, E. Ann, Women in Film Noir, Rev. and expanded ed (London: British Film Institute, 1998)

Kaufman, Will, American Culture in the 1970s (Edinburgh: Edinburgh University Press, 2009), Twentieth-century American culture

Kaveney, Roz, ‘The Director as Parodist: Paul Verhoeven’s Starship Troopers in From Alien to The Matrix: Reading Science Fiction Film’, in From Alien to The Matrix: Reading Science Fiction Film (London: I.B. Tauris, 2005)

Keaton, Buster, ‘Buster Keaton: The Complete Short Films 1917-1923, Accompanying Book’ ([S.l.]: Eureka Video, 2006)

———, ‘Sherlock Jr.’ ([S.l.]: Kino Video, 1924)

Keaton, Buster, Blaché, Herbert, Cline, Eddie, and Crane, Walter H., ‘The Saphead’ ([S.l.]: Kino Video, 1920)

Keaton, Buster, Blystone, John G., Talmadge, Natalie, and McGuire, Kathryn, ‘Our Hospitality; Directed by Buster Keaton and John G. Blystone’, Our Hospitality; Directed by Buster Keaton and John G. Blystone. Sherlock Jnr.; Directed by Buster Keaton ([S.l.]: Kino Video, 1922)

Keaton, Buster, Bruckman, Clyde, Mack, Marion, Cavender, Glen, and Hisaishi, Joe, ‘The General’ ([S.l.]: 2 entertain Video / Cinema Club, 1926)

Keaton, Buster, Cline, Eddie, and O’Neil, Sally, ‘Battling Butler’ ([S.l.]: Kino Video, 1926)

Keaton, Buster and Cline, Edward, ‘Buster Keaton: The Complete Short Films 1917-1923, Disc 4’ ([S.l.]: Eureka Video, 2006)

Keaton, Buster, Cline, Edward, and St. Clair, Mal, ‘Buster Keaton: The Complete Short Films 1917-1923, Disc 3’ ([S.l.]: Eureka Video, 2006)

Keaton, Buster, Dwyer, Ruth, and Cline, Eddie, ‘Seven Chances’ ([S.l.]: Kino Video, 1925)

Keaton, Buster, Horne, James W., St. Clair, Mal, Cornwall, Anne, and Cline, Eddie, ‘College’ ([S.l.]: Kino Video, 1927)

Keaton, Buster, Leahy, Margaret, Cline, Eddie, and St. Clair, Mal, ‘Three Ages’ ([S.l.]: Kino Video, 1923)

Keaton, Buster, Myers, Kathleen, and Cline, Eddie, ‘Go West’ ([S.l.]: Kino Video, 1925)

Keaton, Buster, Torrence, Ernest, Reisner, Charles F., and Cline, Eddie, ‘Steamboat Bill Jr’ ([S.l.]: Kino Video, 1928)

Keil, Charlie and Singer, Ben, American Cinema of the 1910s: Themes and Variations (London: Rutgers University Press, 2009), Screen decades: American culture / American cinema <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664141100002746&institutionId=2746&customerId=2745>

Kelleter, Frank, Serial Agencies : The Wire and Its Readers (Ropley: John Hunt Publishing, 2014)

Kelleter, Frank, Krah, Barbara, and Mayer, Ruth, Melodrama!: The Mode of Excess from Early America to Hollywood (Heidelberg: Winter, 2007), American studies monograph series

Kennedy, Liam and Shapiro, Stephen, The Wire: Race, Class, and Genre (Ann Arbor, Mich: University of Michigan Press, 2012), Class : culture

Kennedy, Merna and Chaplin, Charles, ‘The Circus’ ([S.l.]: mk2/Warner Brothers Home Video, 1928)

King, Geoff, New Hollywood Cinema: An Introduction (London: I.B. Tauris, 2002)

———, New Hollywood Cinema: An Introduction (London: I.B. Tauris, 2002)

———, Spectacle of the Real: From Hollywood to Reality TV and Beyond (Bristol: Intellect Books, 2005)

———, Spectacular Narratives: Hollywood in the Age of the Blockbuster (London: I.B. Tauris, 2000)

———, Spectacular Narratives: Hollywood in the Age of the Blockbuster (London: I.B. Tauris, 2000), Cinema and society series

———, Spectacular Narratives: Hollywood in the Age of the Blockbuster (London: I.B. Tauris, 2000)

———, Spectacular Narratives: Hollywood in the Age of the Blockbuster (London: I.B. Tauris, 2000), Cinema and society series

King, Noel, ‘New Hollywood in The Cinema Book’, in The Cinema Book, 3rd ed (London: British Film Institute, 2007)

———, ‘New Hollywood in The Cinema Book’, in The Cinema Book, 3rd ed (London: British Film Institute, 2007)

Klinger, Barbara, Melodrama and Meaning: History, Culture, and the Films of Douglas Sirk (Bloomington: Indiana University Press, 1994)

Kolker, Robert Phillip, A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg, Altman, 3rd ed (Oxford: Oxford University Press, 2000)

———, A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg, Altman, 3rd ed (Oxford: Oxford University Press, 2000)

Kompare, Derek, CSI (Oxford: Wiley-Blackwell, 2010), Wiley-Blackwell studies in film and television

Koszarski, Richard, An Evening’s Entertainment: The Age of the Silent Feature Picture, 1915-1928 (New York: Charles Scribner’s Sons, 1990), History of the American cinema <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5661323260002746&institutionId=2746&customerId=2745>

Krämer, Peter, New Hollywood: From Bonnie and Clyde to Star Wars (London: Wallflower, 2005), Short cuts <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1763952>

Krutnik, Frank, Hollywood Comedians, the Film Reader (London: Routledge, 2002), Film readers

Kuhn, Annette, Alien Zone: Cultural Theory and Contemporary Science Fiction Cinema (London: Verso, 1990)

———, Alien Zone Two: The Spaces of Science-Fiction Cinema (London: Verso, 1999)

Kuhn, Annette, ‘Classical Hollywood Narrative in The Cinema Book’, in The Cinema Book, 3rd ed (London: British Film Institute, 2007), pp. 45–48

La Cava, Gregory, Powell, William, Lombard, Carole, and Hatch, Eric, ‘My Man Godfrey’ ([S.l.]: Elstree Hill Entertainment, 1936)

Laderman, David, Driving Visions: Exploring the Road Movie, 1st ed (Austin, TX: University of Texas Press, 2002)

———, Driving Visions: Exploring the Road Movie (Austin, Tex: Combined Academic, 2002) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5663025080002746&institutionId=2746&customerId=2745>

Landy, Marcia, Imitations of Life: A Reader on Film & Television Melodrama (Detroit, MIch: Wayne State University Press, 1991), Contemporary film and television series

Lang, Fritz, Robinson, Edward G., and Bennett, Joan, ‘Scarlet Street’ (S.l.]: Matinée)

Lang, Fritz, Robinson, Edward G., Bennett, Joan, and Massey, Raymond, ‘The Woman in the Window’ ([S.l.]: Optimum Classic, 2008)

Lang, Robert, American Film Melodrama: Griffith, Vidor, Minnelli (Princeton, N.J.: Princeton University Press, 1989)

Lavery, David, Reading the Sopranos: Hit TV from HBO (London: I.B. Tauris, 2006), Reading contemporary television

Lawrence, Novotny, Blaxploitation Films of the 1970s: Blackness and Genre (London: Routledge, 2008), Studies in African American history and culture

Leab, Daniel J., From Sambo to Superspade: The Black Experience in Motion Pictures (London: Secker and Warburg, 1975)

Lee, Spike, Aiello, Danny, Turturro, John, and Perez, Rosie, ‘Do the Right Thing’ ([S.l.]: Universal, 2001)

Lee, Spike, Fishburne, Laurence, and Esposito, Giancarlo, ‘School Daze’ ([S.l.]: Universal, 1988)

Lee, Spike, Haley, Alex, X, Malcolm, Washington, Denzel, and Bassett, Angela, ‘Malcom X’ ([S.l.]: Pathé, 2001)

Lee, Spike and Johns, Tracy Camilla, ‘She’s Gotta Have It’ ([S.l.]: MGM, 2006)

Lee, Spike, Snipes, Wesley, Sciorra, Annabella, Jackson, Samuel L., Turturro, John, and Quinn, Anthony, ‘Jungle Fever’ ([S.l.]: Universal, 2001)

Lee, Spike, Washington, Denzel, Snipes, Wesley, and Esposito, Giancarlo, ‘Mo’ Better Blues’ ([S.l.]: Universal, 1990)

Lee, Spike, Wayans, Damon, and Glover, Savion, ‘Bamboozled’ (S.l.]: Entertainment in video)

LeRoy, Mervyn, Berkeley, Busby, Warren, Harry, Dubin, Al, Blondell, Joan, Keeler, Ruby, and others, ‘Gold Diggers of 1933’ (Burbank, Calif: Warner Home Video, 2006)

Lesy, Michael and United States, Long Time Coming: A Photographic Portrait of America, 1935-1943 (New York: Norton, 2002)

Lev, Peter, Transforming the Screen, 1950-1959 (Berkeley, Calif: University of California Press, 2003), History of the American cinema

Leverette, Ott & Buckley and MacCabe & Akass, ‘It’s Not TV’, in It’s Not TV: Watching HBO in the Post-Television Era (New York, N.Y.: Routledge, 2008)

Lewis, Jon, American Film: A History (New York: W.W. Norton, 2008)

———, The End of Cinema as We Know It: American Film in the Nineties (London: Pluto, 2001)

———, The New American Cinema (Durham, N.C.: Duke University Press, 1998)

Logan, Joshua, Inge, William, Holden, William, Novak, Kim, Field, Betty, Strasberg, Susan, and others, Picnic ([S.l.]: Columbia Pictures, 1955), Columbia classics

Lorence, James J., ‘Unfinished Business: Do the Right Thing (1989) and the Escalation of Social Tension in Screening America: United States History through Film since 1900’, in Screening America: United States History through Film since 1900 (New York: Pearson Longman, 2006), pp. 182–94

Lorence, James L., ‘Making It in Depression America: The Street or the Stage in The Gold Diggers of 1933 in Screening America: United States History through Film since 1900’, in Screening America: United States History through Film since 1900 (New York: Pearson Longman, 2006)

Lorentz, Pare, Ivens, Joris, and McClure, H. B., ‘New Deal Documentaries’ ([S.l.]: A Connoisseur/Academy video release from the British Film Institute, 1999)

Lott, Tommy L., ‘Hollywood and Independent Black Cinema in Contemporary Hollywood Cinema’, in Contemporary Hollywood Cinema (London: Routledge, 1998)

Lucas, George, Duvall, Robert, and Pleasence, Donald, ‘THX 1138’ ([S.l.]: Warner Bros, 2004)

Lucas, George, Hamill, Mark, Ford, Harrison, and Fisher, Carrie, ‘Star Wars’ ([S.l.]: 20th Century Fox, 2004)

Lutz Koepnick, ‘Doubling the Double: Robert Siodmak in Hollywood’, New German Critique, 89, 2003, 81–104 <http://www.jstor.org/stable/3211146>

Lynch, David, Frost, Mark, MacLachlan, Kyle, and Ontkean, Michael, ‘Twin Peaks: Season One and Season Two’ ([S.l.]: Universal, 1990)

Maltby, Richard, ‘Entertainment I in Hollywood Cinema: An Introduction’, in Hollywood Cinema: An Introduction, 2nd ed (Oxford: Blackwell Publishers, 2003), pp. 33–53 <https://blackboard.le.ac.uk/bbcswebdav/pid-522055-dt-content-rid-2061401_5/library/eReserves/HA2224/HA2224_26388.pdf>

Maltby, Richard, Hollywood Cinema: An Introduction, 2nd ed (Oxford: Blackwell Publishers, 2003)

Maltby, Richard, ‘Narrative in Hollywood Cinema: An Introduction’, in Hollywood Cinema: An Introduction (Oxford: Blackwell Publishers, 1995)

Mankiewicz, Joseph L., Franzero, Carlo Maria, Taylor, Elizabeth, Burton, Richard, and Harrison, Rex, ‘Cleopatra’ ([S.l.]: 20th Century Fox Home Entertainment, 2002)

Mann, Delbert, Cook, Fielder, Segal, Alex, Hyman, Mac, Steiger, Rod, Marchand, Nancy, and others, ‘The Golden Age of Television: Disc 1: Marty (Delbert Mann), Patterns (Fielder Cook), No Time for Sergeants (Alex Segal)’ ([S.l.]: Criterion collection, 2009)

Mann, Glenn, Radical Visions : American Film Renaissance, 1967-1976: No. 41 (Westport: Greenwood Pr, 1994)

Marks, Martin, Simmon, Scott, and National Film Preservation Foundation (United States), More Treasures from American Film Archives 1894-1931: Fifty Films, Film Notes by Scott Simmon, Music Notes by Martin Marks: Program Notes (San Francisco, Calif: National Film Preservation Foundation, 2004)

———, ‘More Treasures from American Film Archives 1894-1931: Program 1 /[ Curated by Scott Simmon, Music Curated by Martin Marks]’ ([S.l.]: National Film Preservation Foundation, 2004)

———, ‘More Treasures from American Film Archives 1894-1931: Program 2 /[ Curated by Scott Simmon, Music Curated by Martin Marks]’ ([S.l.]: National Film Preservation Foundation, 2004)

———, ‘More Treasures from American Film Archives 1894-1931: Program 3 /[ Curated by Scott Simmon, Music Curated by Martin Marks]’ ([S.l.]: National Film Preservation Foundation, 2004)

Marling, Karal Ann, As Seen on TV: The Visual Culture of Everyday Life in the 1950s (Cambridge, Mass: Harvard University Press, 1994)

Martin, Brett, Difficult Men : From The Sopranos and The Wire to Mad Men and Breaking Bad. Brett Martin (London: Faber and Faber, 2013)

Massood, Paula J., Black City Cinema: African American Urban Experiences in Film (Philadelphia: Temple University Press, 2003), Culture and the moving image

———, The Spike Lee Reader (Philadelphia, Pa: Temple University Press, 2008)

Mateas, Michael, ‘A Preliminary Poetics for Interactive Drama and Games, Chapter’, in FirstPerson: New Media as Story, Performance, and Game (Cambridge, Mass: MIT, 2004)

May, Lary, Screening out the Past: The Birth of Mass Culture and the Motion Picture Industry (New York: Oxford University Press, 1980)

Mazursky, Paul, Wood, Natalie, Culp, Robert, Gould, Elliott, and Cannon, Dyan, ‘Bob and Carol and Ted and Alice’ ([S.l.]: Sony Pictures Home Entertainment, 2006)

McArthur, Colin and British Film Institute, Underworld U.S.A (London: Secker and Warburg [for] the British Film Institute, 1972), Cinema one

McCabe, Janet and Akass, Kim, Quality TV: Contemporary American Television and Beyond (London: I.B. Tauris, 2007)

———, Quality TV: Contemporary American Television and Beyond (London: I.B. Tauris, 2007)

———, Reading Desperate Housewives: Beyond the White Picket Fence (London: In the United States and Canada distributed by Palgrave Macmillan, 2006), Reading contemporary television

McCarey, Leo, Ceder, Ralph, Chase, Charley, Sleeper, Martha, and Hardy, Oliver, ‘The Charley Chase Collection: [Vol. 1]’ (New York: Kino on Video, 1924)

McGuire, Kathryn, Crisp, Donald, Keaton, Buster, and Cline, Eddie, ‘The Navigator’ ([S.l.]: Kino Video, 1924)

Mercer, John and Shingler, Martin, Melodrama: Genre, Style Sensibility (London: Wallflower, 2004), Short cuts

Miller, Toby, Television Studies (London: BFI Publishing, 2002)

Minnelli, Vincente, Humphrey, William, Mitchum, Robert, Parker, Eleanor, and Peppard, George, Home from the Hill ([S.l.]: Warner Home Video, 1960)

Minnelli, Vincente, Widmark, Richard, Bacall, Lauren, Boyer, Charles, Grahame, Gloria, Gish, Lillian, and others, ‘The Cobweb’ ([S.l.]: Feel Films, 1955)

Mirzoeff, Nicholas, ‘DuBois, W.E.B. Double Consciousness [1903] in The Visual Culture Reader’, in The Visual Culture Reader (London: Routledge, 1998)

Mittell, Jason, ‘All in the Game: The Wire, Serial Storytelling, and Procedural Logic: Chapter’, in Third Person: Authoring and Exploring Vast Narratives (Cambridge, Mass: MIT Press, 2009), pp. 429–38

———, ‘Narrative Complexity in Contemporary American Television’, The Velvet Light Trap, 58.1 (2006), 29–40 <https://doi.org/10.1353/vlt.2006.0032>

Mittell, Jason, Television and American Culture (New York, N.Y.: Oxford University Press, 2010)

Moews, Daniel, Keaton: The Silent Features Close Up (Berkeley: University of California Press, 1977)

Monaco, Paul, The Sixties, 1960-1969 (New York: Charles Scribner’s Sons / University of California, 2001), History of the American cinema

Monteith, Sharon, American Culture in the 1960s (Edinburgh: Edinburgh University Press, 2008), Twentieth-century American culture

Morgen, Brett, Burstein, Nanette, and Evans, Robert, ‘The Kid Stays in the Picture’ ([S.l.]: Momentum Pictures, 2003)

Morris, Nigel, The Cinema of Steven Spielberg: Empire of Light (London: Wallflower, 2007), Directors’ cuts <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664470540002746&institutionId=2746&customerId=2745>

Mullen, Megan Gwynne, The Rise of Cable Programming in the United States: Revolution or Evolution?, 1st ed (Austin, Tex: University of Texas Press, 2003), Texas film and media studies series

Munt, Sally, ‘A Queer Undertaking: Uncanny Attachments in the HBO Television Drama Series, Six Feet Under, Chapter’, in Queer Attachments: The Cultural Politics of Shame (Aldershot, England: Ashgate, 2008), Queer interventions, 161–79 <http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10234643>

Murray, Janet Horowitz, Hamlet on the Holodeck: The Future of Narrative in Cyberspace (Cambridge, Mass: MIT Press, 1997)

Musser, Charles, The Emergence of Cinema: The American Screen to 1907 (New York: Charles Scribner’s Sons, 1990), History of the American cinema <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662275660002746&institutionId=2746&customerId=2745>

Naremore, James, More than Night: Film Noir in Its Contexts, Updated and expanded ed (Berkeley, Calif: University of California Press, 2008) <http://ezproxy.lib.le.ac.uk/login?url=http://www.myilibrary.com?id=235939>

Naughty Dog Inc, ‘The Last of Us’ (London: Sony Computer Entertainment Europe, 2013)

Nava, Gregory, Gutiérrez, Zaide Silvia, and Villalpando, David, ‘El Norte =: The North’ ([S.l.]: Criterion, 1983)

Neale, Stephen, Genre and Contemporary Hollywood (London: BFI Publishing)

———, Genre and Hollywood (London: Routledge, 2000), Sightlines <http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10099088>

———, The Classical Hollywood Reader (London: Routledge, 2012)

Neale, Steve, ‘”The Last Good Time We Ever Had?” Revising the Hollywood Renaissance in Contemporary American Cinema’, in Contemporary American Cinema (Boston: Open University Press, 2006)

———, ‘”The Last Good Time We Ever Had?” Revising the Hollywood Renaissance in Contemporary American Cinema’, in Contemporary American Cinema (London: Open University Press, 2006) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664681840002746&institutionId=2746&customerId=2745>

Newmeyer, Fred, Roach, Hal, Taylor, Sam, Lloyd, Harold, Davis, Mildred B., Young, Noah, and others, ‘Harold Lloyd: The Definitive Collection, Disc 7’ ([S.l.]: Optimum, 1920)

Newmeyer, Fred, Taylor, Sam, Bruckman, Clyde, Lloyd, Harold, Ralston, Jobyna, Davis, Mildred B., and others, ‘Harold Lloyd: The Definitive Collection, Disc 3’ ([S.l.]: Optimum, 1922)

Newmeyer, Fred, Taylor, Sam, Roach, Hal, Lloyd, Harold, Davis, Mildred B., Young, Noah, and others, ‘Harold Lloyd: The Definitive Collection, Disc 1’ ([S.l.]: Optimum, 1920)

Newmeyer, Fred, Taylor, Sam, Roach, Hal, Lloyd, Harold, Ralston, Jobyna, Davis, Mildred B., and others, ‘Harold Lloyd: The Definitive Collection, Disc 5’ ([S.l.]: Optimum, 1920)

Nichols, Mike, Bancroft, Anne, Hoffman, Dustin, Ross, Katharine, Webb, Charles Richard, Willingham, Calder, and others, ‘The Graduate’ ([S.l.]: Optimum Classic, 2008)

Nicholson, Jack, Tepper, William, Black, Karen, and Margotta, Michael, ‘Drive, He Said’

Nichols-Pethick, Jonathan, TV Cops: The Contemporary American Television Police Drama (London: Routledge, 2012) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664019020002746&institutionId=2746&customerId=2745>

North, Michael, Machine-Age Comedy (Oxford: Oxford University Press, 2009), Modernist literature and culture <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5663612600002746&institutionId=2746&customerId=2745>

Pakula, Alan J., Bernstein, Carl, Woodward, Bob, Redford, Robert, Hoffman, Dustin, and Robards, Jason, ‘All the President’s Men’ ([S.l.]: Warner Bros Home Entertainment, 1998)

Palmer, R. Barton, Hollywood’s Dark Cinema: The American Film Noir (London: Twayne Publishers/Prentice Hall International, 1994), Twayne’s filmmakers series

———, Perspectives on Film Noir (London: Prentice Hall International, 1996), Perspectives on film

Parks, Gordon, Tidyman, Ernest, and Roundtree, Richard, ‘Shaft’ ([S.l.]: Warner Home Video, 1971)

Paulus, Tom and King, Rob, Slapstick Comedy (London: Routledge, 2010), AFI film readers <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5663966290002746&institutionId=2746&customerId=2745>

Peckinpah, Sam, Holden, William, Borgnine, Ernest, Ryan, Robert, and O’Brien, Edmond, ‘The Wild Bunch’ ([S.l.]: Warner Bros. Entertainment, 2006)

Peiss, Kathy Lee, ‘Sexual Revolution(s) in Major Problems in the History of American Sexuality: Documents and Essays’, in Major Problems in the History of American Sexuality: Documents and Essays (Boston, Mass: Houghton Mifflin Co, 2002), Major problems in American history

Penn, Arthur, Beatty, Warren, Dunaway, Faye, Pollard, Michael J., Hackman, Gene, and Parsons, Estelle, ‘Bonnie and Clyde’ ([S.l.]: Warner Bros. Home Video, 1998)

Penn, Arthur, Brando, Marlon, Fonda, Jane, Redford, Robert, Hellman, Lillian, and Foote, Horton, ‘The Chase’ ([S.l.]: Columbia Tristar Home Entertainment, 2004)

Penn, Arthur, Guthrie, Arlo, Quinn, Patricia, and Broderick, James, ‘Alice’s Restaurant’ ([S.l.]: MGM, 2004)

Petrie, Daniel, Nelson, Ralph, Harris, Mark, Harris, Julie, Woods, Donald, Newman, Paul, and others, ‘The Golden Age of Television: Disc 2: A Wind from the South (Daniel Petrie), Bang the Drum Slowly (Daniel Petrie), Requiem for a Heavyweight (Ralph Nelson)’ ([S.l.]: Criterion collection, 2009)

Pines, Jim, ‘The Black Presence in American Cinema in The Oxford History of World Cinema’, in The Oxford History of World Cinema (Oxford: Oxford University Press, 1996) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664781990002746&institutionId=2746&customerId=2745>

———, ‘The Black Presence in American Cinema in The Oxford History of World Cinema’, in The Oxford History of World Cinema (Oxford: Oxford University Press, 1996) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664681680002746&institutionId=2746&customerId=2745>

Place, J.A., and L. Peterson, ‘Some Visual Motifs in Film Noir in Movies and Methods: An Anthology’, in Movies and Methods: An Anthology (Berkeley, Calif: University of California Press, 1976), pp. 325–38 <https://blackboard.le.ac.uk/bbcswebdav/pid-672713-dt-content-rid-870973_5/library/eReserves/HA2224/HA2224%20-%20Doc%2020456.pdf>

Polan, Dana B., Power and Paranoia: History, Narrative and the American Cinema, 1940-1950 (New York, N.Y.: Columbia University Press, 1986)

Polonsky, Abraham, Wolfert, Ira, Garfield, John, Pearson, Beatrice, and Gomez, Thomas, ‘Force of Evil’ (S.l.]: Second Sight)

Pomerance, Murray, A Family Affair: Cinema Calls Home (London: Wallflower, 2008)

———, American Cinema of the 1950s: Themes and Variations (Oxford: Berg, 2005)

Potter, Tiffany and Marshall, C. W., The Wire: Urban Decay and American Television (New York: Continuum, 2009)

———, The Wire: Urban Decay and American Television (New York, N.Y.: Continuum, 2009) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664013330002746&institutionId=2746&customerId=2745>

Powell, Dick, Trevor, Claire, Dmytryk, Edward, and Chandler, Raymond, ‘Murder My Sweet’ ([S.l.]: Universal, 2008)

Powell, Richard J., Black Art and Culture in the 20th Century (London: Thames & Hudson, 1997), World of art

Prince, Stephen, A New Pot of Gold: Hollywood under the Electronic Rainbow, 1980-1989 (Berkeley: University of California Press), History of the American cinema

———, Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 1930-1968 (New Brunswick, N.J.: Rutgers University Press, 2003)

———, Digital Visual Effects in Cinema: (The Seduction of Reality) (London: Rutgers University Press, 2012)

Purse, Lisa, Contemporary Action Cinema (Edinburgh: Edinburgh University Press, 2011) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664157200002746&institutionId=2746&customerId=2745>

Quirke, Antonia, Jaws (London: British Film Institute, 2002), BFI modern classics

Rafelson, Bob, Nicholson, Jack, Black, Karen, and Anspach, Susan, ‘Five Easy Pieces’ ([S.l.]: Columbia Tristar, 2004)

Rafelson, Bob, Nicholson, Jack, Dern, Bruce, and Burstyn, Ellen, ‘The King of Marvin Gardens’

Rafelson, Bob, Nicholson, Jack, Tork, Peter, Jones, Davy, Dolenz, Micky, and Nesmith, Michael, ‘Head’

Randolph, Joyce, Gleason, Jackie, Carney, Art, Meadows, Audrey, and Satenstein, Frank, ‘The Honeymooners [TV Series 1955-1956]: “Classic 39” Episodes’ ([S.l.]: Paramount /CBS DVD, 1955)

Rawlinson, Mark, American Visual Culture (Oxford: Berg, 2009)

———, ‘Introduction [Inc. Notes]’, in American Visual Culture (Oxford: Berg, 2009)

Ray, Nicholas, Dean, James, and Wood, Natalie, ‘Rebel without a Cause’ (S.l.]: Warner Home Video, 1955)

Ray, Nicholas, Hume, Cyril, Maibaum, Richard, Mason, James, Rush, Barbara, and Matthau, Walter, ‘Bigger than Life’ ([S.l.]: British Film Institute/Twentieth Century Fox Home Entertainment, 1956)

Ray, Nicholas, O’Donnell, Cathy, Granger, Farley, and Da Silva, Howard, ‘They Live by Night, and Side Street’ ([S.l.]: Warner Bros, 1948)

Ray, Robert, ‘A Certain Tendency of the American Cinema: Hollywood’s Formal and Thematic Paradigms in A Certain Tendency of the Hollywood Cinema, 1930-1980’, in A Certain Tendency of the Hollywood Cinema, 1930-1980 (Chichester: Princeton University Press, 1985), pp. 25–69

———, ‘The 1960s: Frontier Metaphors, Developing Self-Consciousness, and New Waves in A Certain Tendency of the Hollywood Cinema, 1930-1980’, in A Certain Tendency of the Hollywood Cinema, 1930-1980 (Chichester: Princeton University Press, 1985) <https://blackboard.le.ac.uk/bbcswebdav/pid-672715-dt-content-rid-870965_5/library/eReserves/HA2224/HA2224%20-%20Doc%2020458.pdf>

Reid, Mark, Redefining Black Film (Berkeley, Calif: University of California Press, 1993)

———, Spike Lee’s ‘Do the Right Thing’ (Cambridge: Cambridge University Press, 1997), Cambridge film handbooks

Richard Maltby, ‘“Film Noir”: The Politics of the Maladjusted Text’, Journal of American Studies, 18.1, 49–71

Rickman, Gregg, The Film Comedy Reader (New York: Limelight Editions, 2001)

Riefenstahl, Leni, ‘Triumph Des Willens: = Triumph of the Will’ ([S.l.]: DD video, 2001)

Ritt, Martin, Newman, Paul, Woodward, Joanne, and Franciosa, Anthony, ‘The Long Hot Summer’ ([S.l.]: Optimum Home Entertainment, 1958)

Roach, Hal and Münchner Stadtmuseum, ‘Female Comedy Teams’ ([S.l.]: Editions filmmuseum, 2010)

Robson, Mark, Turner, Lana, Nolan, Lloyd, and Metalious, Grace, ‘Peyton Place’ ([S.l.]: Twentieth Century Fox Home Entertainment, 1957)

Rockstar Games (Firm), ‘Red Dead Redemption’ (Windsor: [Take-Two interactive], 2011)

Roddick, Nick, ‘Warner Brothers and the Studio System in A New Deal in Entertainment: Warner Brothers in the 1930s’, in A New Deal in Entertainment: Warner Brothers in the 1930s (London: British Film Institute, 1983), pp. 16–28 <https://blackboard.le.ac.uk/bbcswebdav/pid-814204-dt-content-rid-2056649_5/library/eReserves/HA2224/HA2224_26734.pdf>

Rose, Frank, The Art of Immersion: How the Digital Generation Is Remaking Hollywood, Madison Avenue, and the Way We Tell Stories (New York: W.W. Norton, 2012)

Rosenbaum, Jonathan, ‘New Hollywood and the Sixties Melting Pot in The Last Great American Picture Show: New Hollywood Cinema in the 1970s’, in The Last Great American Picture Show: New Hollywood Cinema in the 1970s (Amsterdam: Amsterdam University Press, 2004) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664681820002746&institutionId=2746&customerId=2745>

———, ‘New Hollywood and the Sixties Melting Pot in The Last Great American Picture Show: New Hollywood Cinema in the 1970s’, in The Last Great American Picture Show: New Hollywood Cinema in the 1970s (Amsterdam: Amsterdam University Press, 2003) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664952180002746&institutionId=2746&customerId=2745>

Rossen, Robert, Garfield, John, and Palmer, Lilli, ‘Body and Soul’ (S.l.]: Second Sight)

Ruggill, Judd Ethan and McAllister, Ken S., Gaming Matters: Art, Science, Magic, and the Computer Game Medium (Tuscaloosa: University of Alabama Press, 2011) <http://site.ebrary.com/lib/leicester/Doc?id=10527805>

Ryan, Marie-Laur, ‘Beyond Myth and Metaphor: The Case of Narrative in Digital Media’, Game Studies <http://www.gamestudies.org/0101/ryan/>

Ryan, Michael and Kellner, Douglas, Camera Politica: The Politics and Ideology of Contemporary Hollywood Film (Bloomington, Ind: Indiana University Press, 1988)

Ryan, Shawn, Dent, Catherine, and Chiklis, Michael, ‘The Shield: Season One’ ([S.l.]: Sony Pictures Home Entertainment, 2007)

Schatz, Thomas, Boom and Bust: American Cinema in the 1940s (Berkeley, Calif: University of California Press, 1997), History of the American cinema

Schatz, Thomas, ‘The Family Melodrama: Chapter’, in Hollywood Genres: Formulas, Filmmaking, and the Studio System (Boston, Mass: McGraw-Hill, 1981), pp. 221–60 <https://blackboard.le.ac.uk/bbcswebdav/library/eReserves/HA2224/HA2224_32731.pdf>

———, ‘The Musical in Hollywood Genres: Formulas, Filmmaking, and the Studio System’, in Hollywood Genres: Formulas, Filmmaking, and the Studio System (Boston, Mass: McGraw-Hill, 1981), pp. 186–220

———, ‘The New Hollywood in Film Theory Goes to the Movies’, in Film Theory Goes to the Movies (London: Routledge, 1993), AFI film readers <https://blackboard.le.ac.uk/bbcswebdav/pid-522056-dt-content-rid-641020_5/library/eReserves/HA2224/HA2224-doc%2005.pdf>

———, ‘The Whole Equation of Pictures: The Genius of the System: Hollywood Filmmaking in the Studio Era’, in The Genius of the System: Hollywood Filmmaking in the Studio Era (London: Faber and Faber, 1998), pp. 3–12 <https://blackboard.le.ac.uk/bbcswebdav/pid-522059-dt-content-rid-642114_5/library/eReserves/HA2224/HA2224%20Doc%2008.pdf>

Scheers, Rob van, Paul Verhoeven: The Authorized Biography (London: Faber, 1998)

Schickel, Richard, D.W. Griffith: An American Life (New York: Limelight Editions, 1996)

Schlesinger, John, Hoffman, Dustin, Voight, Jon, and Herlihy, James Leo, ‘Midnight Cowboy’ ([S.l.]: MGM, 2001)

Scorsese, Martin, Schrader, Paul, De Niro, Robert, Foster, Jodie, Brooks, Albert, and Keitel, Harvey, ‘Taxi Driver’ ([S.l.]: Columbia Tristar Home Entertainment, 1999)

Shary, Timothy, Millennial Masculinity: Men in Contemporary American Cinema (Detroit: Wayne State University Press, 2013), Contemporary approaches to film and media series <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664083560002746&institutionId=2746&customerId=2745>

Shiel, Mark, ‘American Cinema, 1970-75 in Contemporary American Cinema’, in Contemporary American Cinema (Boston: Open University Press, 2006)

———, ‘American Cinema, 1970-75 in Contemporary American Cinema’, in Contemporary American Cinema (London: Open University Press, 2006) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665081310002746&institutionId=2746&customerId=2745>

Shindler, Colin, Hollywood in Crisis: Cinema and American Society, 1929-1939 (London: Routledge, 1996), Cinema and society

———, Hollywood in Crisis: Cinema and American Society, 1929-1939 (London: Routledge, 1996), Cinema and society <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5661396860002746&institutionId=2746&customerId=2745>

Siegfried Kracauer, ‘Hollywood’s Terror Films: Do They Reflect an American State of Mind?’, New German Critique, 89, 2003, 105–11 <http://www.jstor.org/stable/3211147>

Silver, Alain and Ursini, James, Film Noir Reader (New York: Limelight Editions, 1996)

———, Film Noir Reader 2, 2nd Limelight editions (New York, N.Y.: Limelight Editions, 2003)

———, Film Noir Reader 4: The Crucial Films and Themes (New York: Limelight Editions, 2004)

Silver, Alain, Ursini, James, and Porfirio, Robert, Film Noir Reader 3: Interviews with Filmmakers of the Classic Noir Period (New York: Limelight, 2001)

Silver, Alain and Ward, Elizabeth, Film Noir: An Encyclopedic Reference to the American Style (Woodstock, N.Y.: Overlook Press, 1979)

Simon, David, West, Dominic, and Doman, John, ‘The Wire: Season Five: Read between the Lines’ ([S.l.]: HBO Video, 2005)

———, ‘The Wire: Season Four’ ([S.l.]: HBO Video, 2005)

———, ‘The Wire: Season One: Listen Carefully’ ([S.l.]: HBO Video, 2001)

———, ‘The Wire: Season Three’ ([S.l.]: HBO Video, 2005)

———, ‘The Wire: Season Two: A New Case Begins’ ([S.l.]: HBO Video, 2004)

Singleton, John, Ice Cube, Gooding, Cuba, Chestnut, Morris, and Fishburne, Laurence, ‘Boyz n the Hood: Increase the Peace’ ([S.l.]: Columbia Tri-Star Home Video, 1991)

Siodmak, Robert, ‘Phantom Lady’, 1944

Siodmak, Robert, Hemingway, Ernest, Lancaster, Burt, and Gardner, Ava, ‘The Killers’ ([S.l.]: Universal, 1946)

Sirk, Douglas, Douglas, Lloyd C., Blees, Robert, Wyman, Jane, Hudson, Rock, Rush, Barbara, and others, Magnificent Obsession [1954], Restored high-definition digital transfer ([S.l.]: Universal, 1954), Criterion collection

Sirk, Douglas, Faulkner, William, Zuckerman, George, Hudson, Rock, Stack, Robert, and Malone, Dorothy, ‘The Tarnished Angels’ ([S.l.]: Universal, 1958)

Sirk, Douglas, Fenwick, Peg, Wyman, Jane, Hudson, Rock, and Moorehead, Agnes, ‘All That Heaven Allows’ ([S.l.]: Universal, 1955)

Sirk, Douglas, Gunn, James, Blees, Robert, Brink, Carol Ryrie, Stanwyck, Barbara, Carlson, Richard, and others, ‘All I Desire’ ([S.l.]: Universal, 1953)

Sirk, Douglas and Halliday, Jon, Sirk on Sirk: Conversations with Jon Halliday, New and rev. ed (London: Faber and Faber, 1997)

Sirk, Douglas, Hurst, Fannie, Turner, Lana, Gavin, John, Dee, Sandra, and Moore, Juanita, ‘Imitation of Life [1959]’ ([S.l.]: Universal, 1959)

Sirk, Douglas and Jon Halliday, ‘America II: 1950-1959’, in Sirk on Sirk: Conversations with Jon Halliday, New and rev. ed (London: Faber and Faber, 1997)

Sirk, Douglas, Stanwyck, Barbara, MacMurray, Fred, Bennett, Joan, and Parrott, Ursula, ‘There’s Always Tomorrow’ ([S.l.]: Eureka!, 1956)

Sirk, Douglas, Zuckerman, George, Wilder, Robert, Hudson, Rock, Bacall, Lauren, Stack, Robert, and others, ‘Written on the Wind’ ([S.l.]: Criterion Collection, 1956)

Sklar, Robert, ‘Chaos, Magic, Physical Genius and the Art of Silent Comedy in Movie-Made America: A Cultural History of American Movies’, in Movie-Made America: A Cultural History of American Movies (London: Chappell, 1978), pp. 104–21 <https://blackboard.le.ac.uk/bbcswebdav/pid-672716-dt-content-rid-870966_5/library/eReserves/HA2224/HA2224%20-%20Doc%2020459.pdf>

Sklar, Robert, ‘Hollywood’s Collapse in Movie-Made America: A Cultural History of American Movies’, in Movie-Made America: A Cultural History of American Movies (London: Chappell, 1978)

———, Movie-Made America: A Cultural History of American Movies (London: Chappell, 1978)

Slocum, J. David, Hollywood and War: The Film Reader (London: Routledge, 2006)

Sobchack, Vivian Carol and Sobchack, Vivian Carol, Screening Space: The American Science Fiction Film, 2nd, enl. ed edn (New Brunswick, N.J.: Rutgers University Press)

Spicer, Andrew, Film Noir (Harlow: Longman, 2002), Inside film

Spielberg, Steven, Dreyfuss, Richard, Garr, Teri, and Truffaut, François, ‘Close Encounters of the Third Kind’ ([S.l.]: Columbia Tristar, 2001)

Spielberg, Steven, Friedman, Lester D., and Notbohm, Brent, Steven Spielberg: Interviews (Jackson, Miss: University Press of Mississippi, 2000), Conversations with filmmakers series

Spielberg, Steven, Scheider, Roy, Shaw, Robert, Dreyfuss, Richard, and Benchley, Peter, ‘Jaws’ (S.l.]: Columbia Tristart Home Video U.K., 1975)

Spigel, Lynn, Make Room for TV: Television and the Family Ideal in Postwar America (Chicago, Ill: Chicago University Press, 1992)

———, Welcome to the Dreamhouse: Popular Media and Postwar Suburbs (Durham, N.C.: Duke University Press, 2001), Console-ing passions

Spivak, Jeffrey, Buzz: The Life and Art of Busby Berkeley (Lexington: University Press of Kentucky, 2010), Screen classics <http://site.ebrary.com/lib/leicester/Doc?id=10443242>

Staiger, Janet, ‘The Hollywood Mode of Production, 1930-1960 in The Classical Hollywood Cinema: Film Style & Mode of Production to 1960’, in The Classical Hollywood Cinema: Film Style & Mode of Production to 1960 (London: Routledge & Kegan Paul, 1985)

Staiger, Janet, The Studio System (New Brunswick, N.J.: Rutgers University Press, 1995)

Strinati, Dominic, Popular and Cult Television, Postmodernism and Twin Peaks (Leicester: University of Leicester, Department of Sociology, 1996), Discussion papers in sociology / University of Leicester, Department of Sociology

Strzelczyk, Florentine, ‘Our Future—Our Past: Fascism, Postmodernism, and Starship Troopers (1997)’, Modernism/Modernity, 15.1 (2008), 87–99 <https://doi.org/10.1353/mod.2008.0012>

Swingrover, E. A., The Counterculture Reader (New York: Pearson/Longman, 2004), Longman topics

Take Two Interactive and Irrational Games, ‘Bioshock Infinite’ ([S.l.]: Take Two Interactive, 2013)

Tasker, Yvonne, ‘Approaches to the New Hollywood in Cultural Studies and Communications’, in Cultural Studies and Communications (London: Arnold, 1996) <https://blackboard.le.ac.uk/bbcswebdav/pid-522067-dt-content-rid-641036_5/library/eReserves/HA2224/HA2224%20-%20Doc%2024.pdf>

Tavinor, Grant, ‘Videogames and Narrative, Chapter’, in The Art of Videogames (Malden, MA: Wiley-Blackwell, 2009), New directions in aesthetics, 110–29 <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664732680002746&institutionId=2746&customerId=2745>

Telotte, J P, ‘Heinlein, Verhoeven, and the Problem of the Real: Starship Troopers’, Literature/Film Quarterly, 29.3 (2001), 196–202

Telotte, J. P., Science Fiction Film (Cambridge: Cambridge University Press, 2001), Genres in American cinema

———, Voices in the Dark: The Narrative Patterns of Film Noir (Urbana, Ill: University of Illinois Press, 1989)

Thompson, Graham, American Culture in the 1980s (Edinburgh: Edinburgh University Press, 2007), Twentieth-century American culture <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5663962640002746&institutionId=2746&customerId=2745>

———, American Culture in the 1980s (Edinburgh: Edinburgh University Press, 2007), Twentieth-century American culture

Thompson, Kristin, ‘Modern Classicism in Storytelling in the New Hollywood: Understanding Classical Narrative Technique’, in Storytelling in the New Hollywood: Understanding Classical Narrative Technique (Cambridge, Mass: Harvard University Press, 1999), pp. 1–49 <https://blackboard.le.ac.uk/bbcswebdav/pid-419032-dt-content-rid-583738_5/library/eReserves/HA2224/HA2224%20-%20Doc%2016.pdf>

Thompson, Kristin, Storytelling in Film and Television (Cambridge, Mass: Harvard University Press, 2003)

Thornham, Sue and Purvis, Tony, Television Drama: Theories and Identities (Basingstoke: Palgrave Macmillan, 2005)

Thumim, Janet, Small Screens, Big Ideas: Television in the 1950s (London: I.B. Tauris, 2002) <http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10133030>

Thurman, Tom, ‘Movies of Color: Black Southern Cinema’ (New York: Wellspring Media, 2002)

Tom Gunning, ‘Buster Keaton or the Work of Comedy in the Age of Mechanical Reproduction’, Cineaste, 21.3 (1995)

Tourneur, Jacques, Homes, Geoffrey, Mitchum, Robert, Douglas, Kirk, Greer, Jane, and Fleming, Rhonda, ‘Out of the Past’ ([S.l.]: Universal Studios, 2007)

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