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Keaton, Buster. Sherlock Jr. 1924;Art of Buster Keaton.
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Brownlow K. Buster Keaton in The parade’s gone by. In: The parade’s gone by. London: : Secker & Warburg 1968.
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Crafton D. Pie and Chase: Gag, Spectacle and Narrative in Slapstick Comedy in Classical Hollywood comedy. In: Classical Hollywood comedy. London: : Routledge 1995. 106–19.https://blackboard.le.ac.uk/bbcswebdav/pid-425102-dt-content-rid-586329_5/library/eReserves/HA2224/HA2224%20-%20Doc%2014.pdf
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Crafton, Donald. The talkies: American cinema’s transition to sound, 1926-1931. New York, N.Y.: : Charles Scribner’s Sons 1997. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5663963630002746&institutionId=2746&customerId=2745
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Currell, Susan. American culture in the 1920s. Edinburgh: : Edinburgh University Press 2009.
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Dale, Alan S. Comedy is a man in trouble: slapstick in American movies. Minneapolis: : University of Minnesota Press 2000.
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Horton, Andrew. Buster Keaton’s Sherlock Jr. Cambridge: : Cambridge University Press 1997.
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Horton, Andrew. Comedy/cinema/theory. Berkeley, Calif: : University of California Press 1991.
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Keil, Charlie, Singer, Ben. American cinema of the 1910s: themes and variations. London: : Rutgers University Press 2009. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664141100002746&institutionId=2746&customerId=2745
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Paulus, Tom, King, Rob. Slapstick comedy. London: : Routledge 2010. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5663966290002746&institutionId=2746&customerId=2745
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Koszarski, Richard. An evening’s entertainment: the age of the silent feature picture, 1915-1928. New York: : Charles Scribner’s Sons 1990. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5661323260002746&institutionId=2746&customerId=2745
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Krutnik, Frank. Hollywood comedians, the film reader. London: : Routledge 2002.
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May, Lary. Screening out the past: the birth of mass culture and the motion picture industry. New York: : Oxford University Press 1980.
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Moews, Daniel. Keaton: the silent features close up. Berkeley: : University of California Press 1977.
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North, Michael. Machine-age comedy. Oxford: : Oxford University Press 2009. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5663612600002746&institutionId=2746&customerId=2745
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Rickman, Gregg. The film comedy reader. New York: : Limelight Editions 2001.
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Schickel, Richard. D.W. Griffith: an American life. New York: : Limelight Editions 1996.
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Sklar R. Chaos, Magic, Physical Genius and the Art of Silent Comedy in Movie-made America: a cultural history of American movies. In: Movie-made America: a cultural history of American movies. London: : Chappell 1978. 104–21.https://blackboard.le.ac.uk/bbcswebdav/pid-672716-dt-content-rid-870966_5/library/eReserves/HA2224/HA2224%20-%20Doc%2020459.pdf
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Trahair, Lisa. The comedy of philosophy: sense and nonsense in early cinematic slapstick. Albany, N.Y.: : State University of New York Press 2007. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664014140002746&institutionId=2746&customerId=2745
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Griffith, D. W., Israel, Robert, Merritt, Russell, et al. D.W. Griffith: years of discovery 1909-1913. 2002.
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Griffith, D. W., Woods, Frank E., Dixon, Thomas, et al. The birth of a nation. 1915.
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Griffith, D. W., Gish, Lillian. Intolerance. 1916.
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Brownlow, Kevin, Gill, David, Anderson, Lindsay. D.W. Griffith: father of film. 1994.
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Marks, Martin, Simmon, Scott, National Film Preservation Foundation (United States). More treasures from American film archives 1894-1931: Program 1 /[ curated by Scott Simmon, music curated by Martin Marks]. 2004.
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Marks, Martin, Simmon, Scott, National Film Preservation Foundation (United States). More treasures from American film archives 1894-1931: Program 2 /[ curated by Scott Simmon, music curated by Martin Marks]. 2004.
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Marks, Martin, Simmon, Scott, National Film Preservation Foundation (United States). More treasures from American film archives 1894-1931: Program 3 /[ curated by Scott Simmon, music curated by Martin Marks]. 2004.
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Marks, Martin, Simmon, Scott, National Film Preservation Foundation (United States). More treasures from American film archives 1894-1931: fifty films, film notes by Scott Simmon, music notes by Martin Marks: Program notes. San Francisco, Calif: : National Film Preservation Foundation 2004.
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Keaton, Buster, Blystone, John G., Talmadge, Natalie, et al. Our hospitality; directed by Buster Keaton and John G. Blystone. Our hospitality; directed by Buster Keaton and John G. Blystone. Sherlock Jnr.; directed by Buster Keaton. 1922.
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Keaton, Buster, Cline, Edward. Buster Keaton: the complete short films 1917-1923, Disc 4. 2006;Masters of cinema.
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Keaton, Buster. Buster Keaton: the complete short films 1917-1923, Accompanying book. 2006;Masters of cinema.
60
Keaton, Buster, Cline, Edward, St. Clair, Mal. Buster Keaton: the complete short films 1917-1923, Disc 3. 2006;Masters of cinema.
61
Arbuckle, Roscoe, Keaton, Buster, Cline, Edward. Buster Keaton: the complete short films 1917-1923, Disc 2. 2006;Masters of cinema.
62
Arbuckle, Roscoe, Keaton, Buster. Buster Keaton: the complete short films 1917-1923, Disc 1. 2006;Masters of cinema.
63
Keaton, Buster, Bruckman, Clyde, Mack, Marion, et al. The General. 1926.
64
Keaton, Buster, Cline, Eddie, O’Neil, Sally. Battling Butler. 1926;Art of Buster Keaton.
65
Keaton, Buster, Blaché, Herbert, Cline, Eddie, et al. The saphead. 1920;Art of Buster Keaton.
66
Keaton, Buster, Myers, Kathleen, Cline, Eddie. Go west. 1925;Art of Buster Keaton.
67
McGuire, Kathryn, Crisp, Donald, Keaton, Buster, et al. The navigator. 1924;Art of Buster Keaton.
68
Keaton, Buster, Torrence, Ernest, Reisner, Charles F., et al. Steamboat Bill Jr. 1928;Art of Buster Keaton.
69
Keaton, Buster, Horne, James W., St. Clair, Mal, et al. College. 1927;Art of Buster Keaton.
70
Keaton, Buster, Dwyer, Ruth, Cline, Eddie. Seven chances. 1925;Art of Buster Keaton.
71
Keaton, Buster, Leahy, Margaret, Cline, Eddie, et al. Three ages. 1923;Art of Buster Keaton.
72
Brownlow, Kevin, Gill, David, Keaton, Buster, et al. Buster Keaton, a hard act to follow. 1987.
73
Kennedy, Merna, Chaplin, Charles. The circus. 1928;Chaplin collection.
74
Coogan, Jackie, Chaplin, Charles. The kid. 1921;Chaplin collection.
75
Chaplin, Charles, Swain, Mack. The gold rush. 1925;Chaplin collection.
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Chaplin C. The Mutual Films (Vol 2). 1916.
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Chaplin C. The Mutual Films (Vol 1). 1916.
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Chaplin C. Chaplin at Keystone. 1914.
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Chaplin C. Charlie Chaplin - The Essanay Films (Vol 1). 1915.
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Chaplin C. Charlie Chaplin - The Essanay Films (Vol 2). 1915.
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Newmeyer, Fred, Roach, Hal, Taylor, Sam, et al. Harold Lloyd: the definitive collection, Disc 7. 1920.
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Bruckman, Clyde, St. Clair, Mal, Lloyd, Harold, et al. Harold Lloyd: the definitive collection, Disc 8. 1929.
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Walker, H. M., Goulding, Alfred, Roach, Hal, et al. Harold Lloyd: the definitive collection, Disc 9. 1913.
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Wilde, Ted, Newmeyer, Fred, Goulding, Alfred, et al. Harold Lloyd: the definitive collection, Disc 6. 1921.
85
Newmeyer, Fred, Taylor, Sam, Roach, Hal, et al. Harold Lloyd: the definitive collection, Disc 5. 1920.
86
Newmeyer, Fred, Taylor, Sam, Roach, Hal, et al. Harold Lloyd: the definitive collection, Disc 1. 1920.
87
Newmeyer, Fred, Taylor, Sam, Bruckman, Clyde, et al. Harold Lloyd: the definitive collection, Disc 3. 1922.
88
Capra, Frank, Langdon, Harry, Bonner, Priscilla, et al. The strong man. 1926;Harry Langdon ... the forgotten clown.
89
Capra, Frank, Langdon, Harry, Brockwell, Gladys, et al. Long pants. 1927;Harry Langdon ... the forgotten clown.
90
Edwards, Harry, Langdon, Harry, Crawford, Joan, et al. Tramp, tramp, tramp. 1926;Harry Langdon ... the forgotten clown.
91
McCarey, Leo, Ceder, Ralph, Chase, Charley, et al. The Charley Chase collection: [Vol. 1]. 1924;Slapstick Symposium.
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Roach, Hal, Münchner Stadtmuseum. Female comedy teams. 2010;Hal Roach.
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British Film Institute. Early cinema: primitives and pioneers.
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LeRoy, Mervyn, Berkeley, Busby, Warren, Harry, et al. Gold diggers of 1933. 2006;The Busby Berkeley collection.
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Altman, Rick. The American film musical. Bloomington: : Indiana University Press 1987.
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Balio, Tino. The American film industry. Rev.ed. London: : University of Wisconsin Press 1985. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5663338460002746&institutionId=2746&customerId=2745
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Balio, Tino. Grand design: Hollywood as a modern business enterprise, 1930-1939. New York, N.Y.: : Charles Scribners’ Sons 1993. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5660663510002746&institutionId=2746&customerId=2745
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Balio, Tino. Grand design: Hollywood as a modern business enterprise, 1930-1939. New York, N.Y.: : Charles Scribners’ Sons 1993. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5660663200002746&institutionId=2746&customerId=2745
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Belton J. The Studio System in American cinema/American culture. In: American cinema/American culture. Boston, Mass: : McGraw-Hill 2009.
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Feuer, Jane, British Film Institute. The Hollywood musical. 2nd ed. Basingstoke: : Macmillan 1993.
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Grant, Barry Keith. The Hollywood film musical. Oxford: : Wiley-Blackwell 2012. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664139230002746&institutionId=2746&customerId=2745
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Lorence JL. Making It in Depression America: The Street or the Stage in The Gold Diggers of 1933 in Screening America: United States history through film since 1900. In: Screening America: United States history through film since 1900. New York: : Pearson Longman 2006.
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Spivak, Jeffrey. Buzz: the life and art of Busby Berkeley. Lexington: : University Press of Kentucky 2010. http://site.ebrary.com/lib/leicester/Doc?id=10443242
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Daniel, Pete. Official images: New Deal photography. London: : Smithsonian Institution Press 1987.
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Davidov, Judith Fryer. Women’s camera work: self/body/other in American visual culture. Durham, N.C.: : Duke University Press 1998.
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Lesy, Michael, United States. Long time coming: a photographic portrait of America, 1935-1943. New York: : Norton 2002.
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Vials, Chris. Realism for the masses: aesthetics, popular front pluralism, and U.S. culture, 1935-1947. Jackson: : University Press of Mississippi 2009.
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Bacon, Lloyd, Ropes, Bradford, Berkeley, Busby, et al. 42nd Street. 2006;The Busby Berkeley collection.
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Enright, Ray, Berkeley, Busby, Fain, Sammy, et al. Dames. 2006;The Busby Berkeley collection.
132
Bacon, Lloyd, Berkeley, Busby, Fain, Sammy, et al. Footlight parade. 2006;The Busby Berkeley collection.
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Berkeley, Busby, Warren, Harry, Dubin, Al, et al. Gold diggers of 1935. 2006;The Busby Berkeley collection.
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Berkeley, Busby, Warren, Harry, Dubin, Al, et al. The Busby Berkeley disc. 2006;The Busby Berkeley collection.
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Curtiz, Michael, Keighley, William, Flynn, Errol, et al. The adventures of Robin Hood [1938]. 1938.
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Curtiz, Michael, Cagney, James, O’Brien, Pat, et al. Angels with dirty faces. 2005.
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Green, Alfred E., Stanwyck, Barbara, Brent, George. Baby face. 1933;Forbidden Hollywood collection.
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Farrell, Glenda, Muni, Paul, LeRoy, Mervyn. I am a fugitive from a chain gang.
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Wellman, William A., Cagney, James, Harlow, Jean, et al. The public enemy. [S.l.]: : Warner Home Video 2005.
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Ford, John, Steinbeck, John, Fonda, Henry, et al. The grapes of wrath. 2007;Ford at Fox.
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Capra, Frank, Adams, Samuel Hopkins, Gable, Clark, et al. It happened one night. 1934;Columbia classics.
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Capra, Frank, Stewart, James, Arthur, Jean, et al. Mr Smith goes to Washington. 1939.
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Lorentz, Pare, Ivens, Joris, McClure, H. B. New Deal documentaries. 1999.
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Vidor, King, Mankiewicz, Joseph L., Morley, Karen, et al. Our daily bread. 1934.
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La Cava, Gregory, Powell, William, Lombard, Carole, et al. My man Godfrey. 1936.
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Siodmak, Robert, Hemingway, Ernest, Lancaster, Burt, et al. The killers. 1946;Universal Cinema Classics.
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Baker, M. Joyce. Images of women in film: the war years, 1941-1945. Ann Arbor, Mich: : UMI Research Press 1980.
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Polan, Dana B. Power and paranoia: history, narrative and the American cinema, 1940-1950. New York, N.Y.: : Columbia University Press 1986.
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Cowie E. Storytelling: Classical Hollywood Cinema and Classical Narrative: Contemporary Hollywood cinema. In: Contemporary Hollywood cinema. London: : Routledge 1998. 178–90.http://site.ebrary.com/lib/leicester/Doc?id=10688216
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Richard Maltby. ‘Film Noir’: The Politics of the Maladjusted Text. Journal of American Studies;18:49–71.
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Naremore, James. More than night: film noir in its contexts. Updated and expanded ed. Berkeley, Calif: : University of California Press 2008. http://ezproxy.lib.le.ac.uk/login?url=http://www.myilibrary.com?id=235939
180
Palmer, R. Barton. Hollywood’s dark cinema: the American film noir. London: : Twayne Publishers/Prentice Hall International 1994.
181
Palmer, R. Barton. Perspectives on film noir. London: : Prentice Hall International 1996.
182
Place JA, Peterson L. Some Visual Motifs in Film Noir in Movies and methods: an anthology. In: Movies and methods: an anthology. Berkeley, Calif: : University of California Press 1976. 325–38.https://blackboard.le.ac.uk/bbcswebdav/pid-672713-dt-content-rid-870973_5/library/eReserves/HA2224/HA2224%20-%20Doc%2020456.pdf
183
Silver, Alain, Ursini, James. Film noir reader. New York: : Limelight Editions 1996.
184
Silver, Alain, Ursini, James. Film noir reader 2. 2nd Limelight editions. New York, N.Y.: : Limelight Editions 2003.
185
Silver, Alain, Ursini, James, Porfirio, Robert. Film noir reader 3: interviews with filmmakers of the classic noir period. New York: : Limelight 2001.
186
Silver, Alain, Ursini, James. Film noir reader 4: the crucial films and themes. New York: : Limelight Editions 2004.
187
Spicer, Andrew. Film noir. Harlow: : Longman 2002.
188
Silver, Alain, Ward, Elizabeth. Film noir: an encyclopedic reference to the American style. Woodstock, N.Y.: : Overlook Press 1979.
189
Telotte, J. P. Voices in the dark: the narrative patterns of film noir. Urbana, Ill: : University of Illinois Press 1989.
190
Tuska, Jon. Dark cinema: American ‘film noir’ in cultural perspective. London: : Greenwood Press 1984.
191
Wager, Jans B. Dames in the driver’s seat: rereading film noir. 1st ed. Austin: : University of Texas Press 2005. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10245789
192
Curtiz, Michael, Bergman, Ingrid, Bogart, Humphrey, et al. Casablanca. 1942.
193
Hawks, Howard, Grant, Cary, Russell, Rosalind, et al. His girl Friday. 1940.
194
Ford, John, Wayne, John, Trevor, Claire, et al. Stagecoach. 1939.
195
Hawks, Howard, Chandler, Raymond, Faulkner, William, et al. The big sleep. ;Bogie and Bacall : the signature collection.
196
Rossen, Robert, Garfield, John, Palmer, Lilli. Body and soul.
197
Dmytryk, Edward, Paxton, John, Brooks, Richard, et al. Crossfire. [S.l.]: : Turner Home Entertainment 2005.
198
Ulmer, Edgar G., Goldsmith, Martin, Neal, Tom, et al. Detour. 1945;Film noir thrillers.
199
Wilder, Billy, Cain, James M., MacMurray, Fred, et al. Double indemnity. 2005.
200
Polonsky, Abraham, Wolfert, Ira, Garfield, John, et al. Force of evil.
201
Hayworth, Rita, King, Sherwood, Welles, Orson, et al. The lady from Shanghai. 1948;Columbia classics.
202
Curtiz, Michael, Cain, James M., MacDougall, Ranald, et al. Mildred Pierce [1945]. 1945;Joan Crawford : the signature collection.
203
Powell, Dick, Trevor, Claire, Dmytryk, Edward, et al. Murder my sweet. 2008;Universal cinema classics.
204
Fitzgerald, Barry, Duff, Howard, Dassin, Jules. The naked city. 2007;Criterion collection.
205
Tourneur, Jacques, Homes, Geoffrey, Mitchum, Robert, et al. Out of the past. 2007.
206
Siodmak R. Phantom Lady. 1944.
207
Garnett, Tay, Turner, Lana, Garfield, John, et al. The postman always rings twice. 2009.
208
Lang, Fritz, Robinson, Edward G., Bennett, Joan. Scarlet Street.
209
Ray, Nicholas, O’Donnell, Cathy, Granger, Farley, et al. They live by night, and Side street. 1948;Film noir classic collection.
210
Dassin, Jules, Bezzerides, A. I., Conte, Richard, et al. Thieves’ highway. 2012.
211
Lang, Fritz, Robinson, Edward G., Bennett, Joan, et al. The woman in the window. 2008.
212
Sirk, Douglas, Zuckerman, George, Wilder, Robert, et al. Written on the wind. 1956;Criterion collection.
213
Connelly, Joe, Mathers, Jerry. The Black Eye, episode. Leave it to Beaver: the complete first season. 2005.
214
Schatz T. The Family Melodrama: Chapter. In: Hollywood genres: formulas, filmmaking, and the studio system. Boston, Mass: : McGraw-Hill 1981. 221–60.https://blackboard.le.ac.uk/bbcswebdav/library/eReserves/HA2224/HA2224_32731.pdf
215
Anderson, Christopher. Hollywood TV: the studio system in the fifies. Austin, Texas: : University of Texas Press 1994.
216
Biskind, Peter. Seeing is believing: how Hollywood taught us to stop worrying and love the fifties. London: : Pluto Press 1984.
217
Boddy W. The Studios Move into Prime Time: Hollywood and the Television Industry in the 1950s: Hollywood: critical concepts in media and cultural studies, Volume 1: Historical dimensions: the development of the American film industry. In: Hollywood: critical concepts in media and cultural studies, Volume 1: Historical dimensions: the development of the American film industry. London: : Routledge 2004. 255–69.
218
Bruzzi, Stella. Bringing up daddy: fatherhood and masculinity in post-war Hollywood. London: : bfi publishing 2005.
219
Chopra-Gant, Mike. Hollywood genres and postwar America: masculinity, family and nation in popular movies and film noir. London: : I.B. Tauris 2006.
220
Halliwell M. American culture in the 1950s. Edinburgh: : Edinburgh University Press 2007. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=292360
221
Lev, Peter. Transforming the screen, 1950-1959. Berkeley, Calif: : University of California Press 2003.
222
Pomerance, Murray. American cinema of the 1950s: themes and variations. Oxford: : Berg 2005.
223
Pomerance, Murray. A family affair: cinema calls home. London: : Wallflower 2008.
224
Spigel, Lynn. Make room for TV: television and the family ideal in postwar America. Chicago, Ill: : Chicago University Press 1992.
225
Spigel, Lynn. Welcome to the dreamhouse: popular media and postwar suburbs. Durham, N.C.: : Duke University Press 2001.
226
Thumim, Janet. Small screens, big ideas: television in the 1950s. London: : I.B. Tauris 2002. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10133030
227
Bratton, J. S., Cook, Jim, Gledhill, Christine. Melodrama: stage, picture, screen. London: : British Film Institute 1994.
228
Byars, Jackie. All that Hollywood allows: re-reading gender in 1950s melodrama. London: : Routledge 1991.
229
Cook, Pam, British Film Institute. The cinema book. 3rd ed. London: : British Film Institute 2007.
230
Cossar H. Emerging Stylistic Norms in CinemaScope: Genre and Authorship in the Films of Otto Preminger, Nicholas Ray, Frank Tashlin and Douglas Sirk: Chapter. In: Letterboxed: the evolution of widescreen cinema. Lexington, Ky: : University Press of Kentucky 2011. 95–84.http://site.ebrary.com/lib/leicester/Doc?id=10481057
231
Elsaesser T. Tales of sound and fury: Some observations on the family melodrama: Chapter. In: Home is Where the Heart Is: Studies in Melodrama and the Woman’s Film. London: : BFI Publishing 1987. 43–69.
232
Evans, Peter William. Written on the wind. [London]: : A BFI book published by Palgrave Macmillan 2013.
233
Fischer, Lucy. Imitation of life: Douglas Sirk, director. New Brunswick, N.J.: : Rutgers University Press 1991.
234
Gledhill, Christine, British Film Institute. Home is where the heart is: studies in melodrama and the woman’s film. London: : BFI Publishing 1987.
235
Kelleter, Frank, Krah, Barbara, Mayer, Ruth. Melodrama!: the mode of excess from early America to Hollywood. Heidelberg: : Winter 2007.
236
Klinger, Barbara. Melodrama and meaning: history, culture, and the films of Douglas Sirk. Bloomington: : Indiana University Press 1994.
237
Landy, Marcia. Imitations of life: a reader on film & television melodrama. Detroit, MIch: : Wayne State University Press 1991.
238
Lang, Robert. American film melodrama: Griffith, Vidor, Minnelli. Princeton, N.J.: : Princeton University Press 1989.
239
Mercer, John, Shingler, Martin. Melodrama: genre, style sensibility. London: : Wallflower 2004.
240
Sirk, Douglas, Halliday, Jon. Sirk on Sirk: conversations with Jon Halliday. New and rev. ed. London: : Faber and Faber 1997.
241
Belton J. Glorious Technicolor, Breathtaking CinemaScope and Stereophonic Sound: Hollywood in the age of television. In: Hollywood in the age of television. Boston, Mass: : Unwin Hyman 1990. 185–211.
242
Belton, John. Widescreen cinema. Cambridge, Mass: : Harvard University Press 1992.
243
Marling, Karal Ann. As seen on TV: the visual culture of everyday life in the 1950s. Cambridge, Mass: : Harvard University Press 1994.
244
Sirk, Douglas, Gunn, James, Blees, Robert, et al. All I desire. 1953;Directed by Douglas Sirk.
245
Sirk, Douglas, Fenwick, Peg, Wyman, Jane, et al. All that heaven allows. 1955;Directed by Douglas Sirk.
246
Sirk, Douglas, Hurst, Fannie, Turner, Lana, et al. Imitation of life [1959]. 1959;Cinema classics.
247
Sirk, Douglas, Douglas, Lloyd C., Blees, Robert, et al. Magnificent obsession [1954]. Restored high-definition digital transfer. [S.l.]: : Universal 1954.
248
Sirk, Douglas, Faulkner, William, Zuckerman, George, et al. The tarnished angels. 1958;Directed by Douglas Sirk.
249
Sirk, Douglas, Stanwyck, Barbara, MacMurray, Fred, et al. There’s always tomorrow. 1956;Masters of cinema.
250
Ray, Nicholas, Hume, Cyril, Maibaum, Richard, et al. Bigger than life. 1956.
251
Minnelli, Vincente, Widmark, Richard, Bacall, Lauren, et al. The cobweb. 1955.
252
Minnelli, Vincente, Humphrey, William, Mitchum, Robert, et al. Home from the hill. [S.l.]: : Warner Home Video 1960.
253
Ritt, Martin, Newman, Paul, Woodward, Joanne, et al. The long hot summer. 1958.
254
Logan, Joshua, Inge, William, Holden, William, et al. Picnic. [S.l.]: : Columbia Pictures 1955.
255
Robson, Mark, Turner, Lana, Nolan, Lloyd, et al. Peyton Place. 1957;Studio classics.
256
Ray, Nicholas, Dean, James, Wood, Natalie. Rebel without a cause. 1955.
257
Mann, Delbert, Cook, Fielder, Segal, Alex, et al. The golden age of television: Disc 1: Marty (Delbert Mann), Patterns (Fielder Cook), No time for sergeants (Alex Segal). 2009.
258
Frankenheimer, John, Rooney, Mickey, Hunter, Kim, et al. The golden age of television: Disc 3: The comedian, Days of wine and roses. 2009.
259
Petrie, Daniel, Nelson, Ralph, Harris, Mark, et al. The golden age of television: Disc 2: A wind from the south (Daniel Petrie), Bang the drum slowly (Daniel Petrie), Requiem for a heavyweight (Ralph Nelson). 2009.
260
Randolph, Joyce, Gleason, Jackie, Carney, Art, et al. The honeymooners [TV Series 1955-1956]: ‘classic 39’ episodes. 1955.
261
Daniels, Marc, Levy, Ralph, Ball, Lucille, et al. I love Lucy: the complete first season, Discs 1 and 2. 1951.
262
Daniels, Marc, Asher, William, Ball, Lucille, et al. I love Lucy: the complete first season, Discs 3 and 4. 1951.
263
Daniels, Marc, Ball, Lucille, Arnaz, Desi. I love Lucy: the complete first season, Discs 5 and 6. 1952.
264
Daniels, Marc, Ball, Lucille, Arnaz, Desi. I love Lucy: the complete first season, Disc 7. 1952.
265
Webb, Jack, Soule, Olan. Dragnet [1951-1954]. 1951.
266
Penn, Arthur, Beatty, Warren, Dunaway, Faye, et al. Bonnie and Clyde. 1998.
267
Ray R. The 1960s: Frontier Metaphors, Developing Self-Consciousness, and New Waves in A certain tendency of the Hollywood cinema, 1930-1980. In: A certain tendency of the Hollywood cinema, 1930-1980. Chichester: : Princeton University Press 1985. https://blackboard.le.ac.uk/bbcswebdav/pid-672715-dt-content-rid-870965_5/library/eReserves/HA2224/HA2224%20-%20Doc%2020458.pdf
268
Belton J. The 1960s: The Counterculture Strikes Back in American cinema/American culture. In: American cinema/American culture. Boston, Mass: : McGraw-Hill 2009.
269
Biskind, Peter. Easy riders, raging bulls: how the sex ‘n’ drugs ‘n’ rock ‘n’ roll generation saved Hollywood. London: : Bloomsbury 1998.
270
Braunstein, Peter, Doyle, Michael W. Imagine nation: the American counterculture of the 1960s and ’70s. New York: : Routledge 2002.
271
Cagin, Seth, Dray, Philip, Cagin, Seth. Born to be wild: Hollywood and the sixties generation. 2nd ed. Boca Raton, Fla: : Coyote Books 1994.
272
Casper, Drew. Hollywood film 1963-1976: years of revolution and reaction. Oxford: : Wiley-Blackwell 2011. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=675252
273
Cohan, Steven, Hark, Ina Rae. The road movie book. London: : Routledge 1997.
274
Cook D. The New American Cinema in A history of narrative film. In: A history of narrative film. London: : W.W. Norton 1996.
275
Corrigan T. Genre, Gender and Hysteria: The Road Movie in Outer Space in A cinema without walls: movies and culture after Vietnam. In: A cinema without walls: movies and culture after Vietnam. London: : Routledge 1991.
276
Friedman, Lester D., Penn, Arthur. Arthur Penn’s ‘Bonnie and Clyde’. Cambridge: : Cambridge University Press 2000.
277
Friedman, Lester D. Bonnie and Clyde. London: : BFI Publishing 2000.
278
Gair, Christopher. The American counterculture. Edinburgh: : Edinburgh University Press 2007. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=286991
279
Grant, Barry Keith. American cinema of the 1960s: themes and variations. London: : Rutgers University Press 2008.
280
Hammond, Michael, Williams, Linda Ruth. Contemporary American cinema. London: : Open University Press 2006. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662275430002746&institutionId=2746&customerId=2745
281
King N. New Hollywood in The cinema book. In: The cinema book. London: : British Film Institute 2007.
282
Kolker, Robert Phillip. A cinema of loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg, Altman. 3rd ed. Oxford: : Oxford University Press 2000.
283
Krämer, Peter. New Hollywood: from Bonnie and Clyde to Star Wars. London: : Wallflower 2005. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1763952
284
Laderman, David. Driving visions: exploring the road movie. 1st ed. Austin, TX: : University of Texas Press 2002.
285
Laderman, David. Driving visions: exploring the road movie. Austin, Tex: : Combined Academic 2002. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5663025080002746&institutionId=2746&customerId=2745
286
Mann, Glenn. Radical visions : American film renaissance, 1967-1976: No. 41. Westport: : Greenwood Pr 1994.
287
Monaco, Paul. The sixties, 1960-1969. New York: : Charles Scribner’s Sons / University of California 2001.
288
Monteith, Sharon. American culture in the 1960s. Edinburgh: : Edinburgh University Press 2008.
289
Neale S. ”The Last Good Time We Ever Had?” Revising the Hollywood Renaissance in Contemporary American cinema. In: Contemporary American cinema. Boston: : Open University Press 2006.
290
Neale S. ”The Last Good Time We Ever Had?” Revising the Hollywood Renaissance in Contemporary American cinema. In: Contemporary American cinema. London: : Open University Press 2006. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664681840002746&institutionId=2746&customerId=2745
291
Prince, Stephen. Classical film violence: designing and regulating brutality in Hollywood cinema, 1930-1968. New Brunswick, N.J.: : Rutgers University Press 2003.
292
Rosenbaum J. New Hollywood and the Sixties Melting Pot in The last great American picture show: new Hollywood cinema in the 1970s. In: The last great American picture show: new Hollywood cinema in the 1970s. Amsterdam: : Amsterdam University Press 2004. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664681820002746&institutionId=2746&customerId=2745
293
Rosenbaum J. New Hollywood and the Sixties Melting Pot in The last great American picture show: new Hollywood cinema in the 1970s. In: The last great American picture show: new Hollywood cinema in the 1970s. Amsterdam: : Amsterdam University Press 2003. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664952180002746&institutionId=2746&customerId=2745
294
Peiss, Kathy Lee. Sexual Revolution(s) in Major problems in the history of American sexuality: documents and essays. In: Major problems in the history of American sexuality: documents and essays. Boston, Mass: : Houghton Mifflin Co 2002.
295
Sklar, Robert. Hollywood’s Collapse in Movie-made America: a cultural history of American movies. In: Movie-made America: a cultural history of American movies. London: : Chappell 1978.
296
Swingrover, E. A. The counterculture reader. New York: : Pearson/Longman 2004.
297
Tasker Y. Approaches to the New Hollywood in Cultural studies and communications. In: Cultural studies and communications. London: : Arnold 1996. https://blackboard.le.ac.uk/bbcswebdav/pid-522067-dt-content-rid-641036_5/library/eReserves/HA2224/HA2224%20-%20Doc%2024.pdf
298
Williams, Linda Ruth, Hammond, Michael. Contemporary American cinema. Boston: : Open University Press 2006.
299
Mankiewicz, Joseph L., Franzero, Carlo Maria, Taylor, Elizabeth, et al. Cleopatra. 2002.
300
Wise, Robert, Rodgers, Richard, Hammerstein, Oscar, et al. The sound of music. 2001.
301
Nichols, Mike, Bancroft, Anne, Hoffman, Dustin, et al. The graduate. 2008.
302
Fonda, Peter, Hopper, Dennis, Southern, Terry, et al. Easy rider. 1999.
303
Penn, Arthur, Brando, Marlon, Fonda, Jane, et al. The chase. 2004.
304
Dexter, Maury, Corman, Roger, Fonda, Peter, et al. The wild angels. ‘The wild angels’ and ‘Hell’s belles’. 2004;Midnite movies.
305
Fonda, Peter, Strasberg, Susan, Dern, Bruce, et al. The trip. 2004.
306
Rafelson, Bob, Nicholson, Jack, Tork, Peter, et al. Head. ;America lost and found : the BBS story.
307
Schlesinger, John, Hoffman, Dustin, Voight, Jon, et al. Midnight cowboy. 2001.
308
Peckinpah, Sam, Holden, William, Borgnine, Ernest, et al. The wild bunch. 2006.
309
Hill, George Roy, Newman, Paul, Redford, Robert. Butch Cassidy and the Sundance Kid.
310
Mazursky, Paul, Wood, Natalie, Culp, Robert, et al. Bob and Carol and Ted and Alice. 2006.
311
Penn, Arthur, Guthrie, Arlo, Quinn, Patricia, et al. Alice’s Restaurant. 2004.
312
Demme, Ted, LaGravenese, Richard. A decade under the influence: the 70’s films that changed everything. 2004.
313
Bowser, Kenneth, Biskind, Peter, Macy, William H. Easy riders, raging bulls: how the sex ‘n’ drugs ‘n’ rock ‘n’ roll generation saved Hollywood. 2006.
314
Morgen, Brett, Burstein, Nanette, Evans, Robert. The kid stays in the picture. 2003.
315
Spielberg, Steven, Scheider, Roy, Shaw, Robert, et al. Jaws. 1975.
316
Schatz T. The New Hollywood in Film theory goes to the movies. In: Film theory goes to the movies. London: : Routledge 1993. https://blackboard.le.ac.uk/bbcswebdav/pid-522056-dt-content-rid-641020_5/library/eReserves/HA2224/HA2224-doc%2005.pdf
317
Belton J. The Film School Generation in American cinema/American culture. In: American cinema/American culture. Boston, Mass: : McGraw-Hill 2009.
318
Biskind P. Jaws Between the teeth. Jump Cut: a review of contemporary media 1975;:1–26.
319
Bruzzi S. Revolution and Feminist Unrest: Fatherhood Under Attack in the 1960s and 1970s in Bringing up daddy: fatherhood and masculinity in post-war Hollywood. In: Bringing up daddy: fatherhood and masculinity in post-war Hollywood. London: : bfi publishing 2005.
320
Buckland, Warren. Directed by Steven Spielberg: poetics of the contemporary Hollywood blockbuster. London: : Continuum 2006.
321
Cook, David A. Lost illusions: American cinema in the shadow of Watergate and Vietnam, 1970-1979. Berkeley, Calif: : University of California Press 2002.
322
Friedman, Lester D. American cinema of the 1970s: themes and variations. New Brunswick, N.J.: : Rutgers University Press 2007.
323
Friedman, Lester D. American cinema of the 1970s: themes and variations. Oxford: : Berg 2007.
324
Hillier, Jim. The new Hollywood. New York: : Continuum 1992.
325
Hoberman J. Nashville contra Jaws, or "The Imagination of Disaster” Revisited in The last great American picture show: new Hollywood cinema in the 1970s. In: The last great American picture show: new Hollywood cinema in the 1970s. Amsterdam: : Amsterdam University Press 2004. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664782130002746&institutionId=2746&customerId=2745
326
Hoberman J. Nashville contra Jaws, or "The Imagination of Disaster” Revisited in The last great American picture show: new Hollywood cinema in the 1970s. In: The last great American picture show: new Hollywood cinema in the 1970s. Amsterdam: : Amsterdam University Press 2003. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664782110002746&institutionId=2746&customerId=2745
327
Kaufman, Will. American culture in the 1970s. Edinburgh: : Edinburgh University Press 2009.
328
King, Geoff. New Hollywood cinema: an introduction. London: : I.B. Tauris 2002.
329
King, Geoff. New Hollywood cinema: an introduction. London: : I.B. Tauris 2002.
330
King, Geoff. Spectacular narratives: Hollywood in the age of the blockbuster. London: : I.B. Tauris 2000.
331
King, Geoff. Spectacular narratives: Hollywood in the age of the blockbuster. London: : I.B. Tauris 2000.
332
King N. New Hollywood in The cinema book. In: The cinema book. London: : British Film Institute 2007.
333
Wyatt, Justin. Marketing the Image: High Concept and the Development of Marketing in High concept: movies and marketing in Hollywood. In: High concept: movies and marketing in Hollywood. Austin, Tex: : University of Texas Press 1994. https://blackboard.le.ac.uk/bbcswebdav/pid-522060-dt-content-rid-641024_5/library/eReserves/HA2224/HA2224-doc%2010.pdf
334
Kolker, Robert Phillip. A cinema of loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg, Altman. 3rd ed. Oxford: : Oxford University Press 2000.
335
Lewis, Jon. The new American cinema. Durham, N.C.: : Duke University Press 1998.
336
Morris, Nigel. The cinema of Steven Spielberg: empire of light. London: : Wallflower 2007. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664470540002746&institutionId=2746&customerId=2745
337
Quirke, Antonia. Jaws. London: : British Film Institute 2002.
338
Ryan, Michael, Kellner, Douglas. Camera politica: the politics and ideology of contemporary Hollywood film. Bloomington, Ind: : Indiana University Press 1988.
339
Shiel M. American Cinema, 1970-75 in Contemporary American cinema. In: Contemporary American cinema. Boston: : Open University Press 2006.
340
Shiel M. American Cinema, 1970-75 in Contemporary American cinema. In: Contemporary American cinema. London: : Open University Press 2006. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665081310002746&institutionId=2746&customerId=2745
341
Spielberg, Steven, Friedman, Lester D., Notbohm, Brent. Steven Spielberg: interviews. Jackson, Miss: : University Press of Mississippi 2000.
342
Wyatt J. Marketing the Image: High Concept and the Development of Marketing: High concept: movies and marketing in Hollywood. In: High concept: movies and marketing in Hollywood. Austin, Tex: : University of Texas Press 1994. 110–54.https://blackboard.le.ac.uk/bbcswebdav/pid-522060-dt-content-rid-641024_5/library/eReserves/HA2224/HA2224-doc%2010.pdf
343
Pakula, Alan J., Bernstein, Carl, Woodward, Bob, et al. All the President’s men. 1998.
344
Spielberg, Steven, Dreyfuss, Richard, Garr, Teri, et al. Close encounters of the third kind. 2001.
345
Coppola, Francis Ford, Brando, Marlon, Pacino, Al, et al. The Godfather. 2001;The Godfather DVD collection.
346
Coppola, Francis Ford, Pacino, Al, Duvall, Robert, et al. The Godfather: Part II. 2001;The Godfather DVD collection.
347
Lucas, George, Hamill, Mark, Ford, Harrison, et al. Star wars. 2004;Star wars trilogy.
348
Badham, John, Wexler, Norman, Cohn, Nik, et al. Saturday night fever. 2002;Widescreen collection.
349
Avildsen, John G., Stallone, Sylvester, Shire, Talia, et al. Rocky. 1976.
350
Nicholson, Jack, Tepper, William, Black, Karen, et al. Drive, he said. ;America lost and found : the BBS story.
351
Rafelson, Bob, Nicholson, Jack, Black, Karen, et al. Five easy pieces. 2004.
352
Rafelson, Bob, Nicholson, Jack, Dern, Bruce, et al. The king of Marvin Gardens. ;America lost and found : the BBS story.
353
Bogdanovich, Peter, McMurtry, Larry, Bridges, Jeff, et al. The last picture show. 2010;America lost and found : the BBS story.
354
Altman, Robert, Carradine, Keith, Chaplin, Geraldine, et al. Nashville. [S.l.]: : Paramount 2000.
355
Altman, Robert, Naughton, Edmund, Foster, David. McCabe and Mrs. Miller. 2003.
356
Scorsese, Martin, Schrader, Paul, De Niro, Robert, et al. Taxi driver. 1999.
357
Lucas, George, Duvall, Robert, Pleasence, Donald. THX 1138. 2004.
358
Davis, Peter. Hearts and minds. 1974.
359
Lee, Spike, Aiello, Danny, Turturro, John, et al. Do the right thing. 2001;3 Spike Lee joints.
360
Denzin NK. The Cinematic Racial Order: Reading race: Hollywood and the cinema of racial violence. In: Reading race: Hollywood and the cinema of racial violence. London: : SAGE 2002. 17–45.http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665911760002746&institutionId=2746&customerId=2745
361
Benshoff, Harry M., Griffin, Sean. America on film: representing race, class, gender, and sexuality at the movies. 2nd ed. Oxford: : Wiley-Blackwell 2009.
362
Bernardi, Daniel. The persistence of whiteness: race and contemporary Hollywood cinema. London: : Routledge 2008.
363
Cripps, Thomas. Making movies black: the Hollywood message movie from World War Two to the civil rights era. New York: : Oxford University Press 1993. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662839650002746&institutionId=2746&customerId=2745
364
Davies, Jude. Gender, ethnicity and sexuality in contemporary American film. Edinburgh: : Keele University Press 1997.
365
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Martin, Brett. Difficult men : from The Sopranos and The Wire to Mad Men and Breaking Bad. Brett Martin. London: : Faber and Faber 2013.
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Nichols-Pethick, Jonathan. TV cops: the contemporary American television police drama. London: : Routledge 2012. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664019020002746&institutionId=2746&customerId=2745
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