Bibliography for HA2224 American Film and Visual Culture

[1]
Belton, John, American cinema/American culture, 4th ed. International edition. London: McGraw-Hill Higher Education, 2013.

[2]
Barsam, Richard Meran, Monahan, Dave, and Gocsik, Karen M., Looking at movies: an introduction to film, 3rd ed. New York, N.Y.: W.W. Norton, 2010.

[3]
Bordwell, David and Thompson, Kristin, Film art: an introduction, 9th ed. New York, N.Y.: McGraw-Hill, 2010.

[4]
Hill, John and Gibson, Pamela Church, American cinema and Hollywood: critical approaches. Oxford: Oxford University Press, 2000.

[5]
Maltby, Richard, Hollywood cinema: an introduction, 2nd ed. Oxford: Blackwell Publishers, 2003.

[6]
Hill, John and Gibson, Pamela Church, The Oxford guide to film studies. Oxford: Oxford University Press, 1998.

[7]
Sklar, Robert, Movie-made America: a cultural history of American movies. London: Chappell, 1978.

[8]
Benshoff, Harry M. and Griffin, Sean, America on film: representing race, class, gender, and sexuality at the movies, 2nd ed. Oxford: Wiley-Blackwell, 2009.

[9]
Rawlinson, Mark, American visual culture. Oxford: Berg, 2009.

[10]
Lewis, Jon, American film: a history. New York: W.W. Norton, 2008.

[11]
Musser, Charles, The emergence of cinema: the American screen to 1907, vol. History of the American cinema. New York: Charles Scribner’s Sons, 1990 [Online]. Available: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662275660002746&institutionId=2746&customerId=2745

[12]
Bowser, Eileen, The transformation of cinema, 1907-1915, vol. History of the American cinema. New York: Macmillan, 1990 [Online]. Available: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5661323400002746&institutionId=2746&customerId=2745

[13]
Gaudreault, André, American cinema, 1890-1909: themes and variations, vol. Screen decades: American culture / American cinema. New Brunswick, N.J.: Rutgers University Press, 2009.

[14]
Whalan, Mark, American culture in the 1910s, vol. Twentieth-century American culture. Edinburgh: Edinburgh University Press, 2010 [Online]. Available: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664142110002746&institutionId=2746&customerId=2745

[15]
‘Film Studies For Free’. [Online]. Available: http://filmstudiesforfree.blogspot.co.uk/

[16]
D. W. Griffith, ‘Musketeers of Pig Alley: Audio-visual document’, Biograph shorts, vol. Griffith masterworks. Kino Video, New York, 1912.

[17]
C. Chase, ‘His Wooden Wedding: Audio-visual document’, The Charley Chase collection: Vol. 2, vol. Slapstick symposium. Kino on Video, New York, 1925.

[18]
Keaton, Buster, ‘Sherlock Jr.’, vol. Art of Buster Keaton. Kino Video, [S.l.], 1924.

[19]
D. Bordwell and K. Thompson, ‘The Development of the Classical Hollywood Cinema: Chapter’, in Film art: an introduction, 10th ed., International ed., New York, N.Y.: McGraw-Hill, 2013, pp. 466–469.

[20]
Agee, James, ‘Comedy’s Greatest Era (1949) in Agee on film: [Vol.1]: [Criticism]’, in Agee on film: [Vol.1]: [Criticism], London: P. Owen, 1963.

[21]
J. Belton, ‘The Emergence of Cinema as an Institution in American cinema/American culture’, in American cinema/American culture, 4th ed. International edition., London: McGraw-Hill [distributor], 2013.

[22]
K. Brownlow, ‘Buster Keaton in The parade’s gone by’, in The parade’s gone by, London: Secker & Warburg, 1968.

[23]
D. Crafton, ‘Pie and Chase: Gag, Spectacle and Narrative in Slapstick Comedy in Classical Hollywood comedy’, in Classical Hollywood comedy, vol. AFI film readers, London: Routledge, 1995, pp. 106–119 [Online]. Available: https://blackboard.le.ac.uk/bbcswebdav/pid-425102-dt-content-rid-586329_5/library/eReserves/HA2224/HA2224%20-%20Doc%2014.pdf

[24]
Crafton, Donald, The talkies: American cinema’s transition to sound, 1926-1931, vol. History of the American cinema. New York, N.Y.: Charles Scribner’s Sons, 1997 [Online]. Available: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5663963630002746&institutionId=2746&customerId=2745

[25]
Currell, Susan, American culture in the 1920s, vol. Twentieth-century American culture. Edinburgh: Edinburgh University Press, 2009.

[26]
Currell, Susan, American culture in the 1920s, vol. Twentieth-century American culture. Edinburgh: Edinburgh University Press, 2009.

[27]
Dale, Alan S., Comedy is a man in trouble: slapstick in American movies. Minneapolis: University of Minnesota Press, 2000.

[28]
Dardis, Tom, Keaton: the man who wouldn’t lie down. London: Deutsch, 1979.

[29]
Elsaesser, Thomas and Barker, Adam, Early cinema: space, frame, narrative. London: BFI Publishing, 1990.

[30]
H. Gladfelder, ‘Sherlock Jr.: The Screen and the Mirror: Chapter’, in Film analysis: a Norton reader, New York: W.W. Norton, 2005, pp. 138–157.

[31]
Grieveson, Lee and Krämer, Peter, The silent cinema reader. London: Routledge, 2004.

[32]
Gunning, Tom, D.W. Griffith and the origins of American narrative film: the early years at Biograph. Urbana, Ill: University of Illinois Press, 1994.

[33]
T. Gunning, ‘Early American Film in The Oxford guide to film studies’, in The Oxford guide to film studies, Oxford: Oxford University Press, 1998.

[34]
Tom Gunning, ‘Buster Keaton or the work of comedy in the age of mechanical reproduction’, Cineaste, vol. 21, no. 3, 1995.

[35]
Henderson, Robert M., D.W. Griffith: the years at Biograph. London: Secker and Warburg, 1971.

[36]
Horton, Andrew, Buster Keaton’s Sherlock Jr, vol. Cambridge film handbooks. Cambridge: Cambridge University Press, 1997.

[37]
Horton, Andrew, Comedy/cinema/theory. Berkeley, Calif: University of California Press, 1991.

[38]
Keil, Charlie and Singer, Ben, American cinema of the 1910s: themes and variations, vol. Screen decades: American culture / American cinema. London: Rutgers University Press, 2009 [Online]. Available: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664141100002746&institutionId=2746&customerId=2745

[39]
Paulus, Tom and King, Rob, Slapstick comedy, vol. AFI film readers. London: Routledge, 2010 [Online]. Available: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5663966290002746&institutionId=2746&customerId=2745

[40]
Koszarski, Richard, An evening’s entertainment: the age of the silent feature picture, 1915-1928, vol. History of the American cinema. New York: Charles Scribner’s Sons, 1990 [Online]. Available: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5661323260002746&institutionId=2746&customerId=2745

[41]
Krutnik, Frank, Hollywood comedians, the film reader, vol. Film readers. London: Routledge, 2002.

[42]
May, Lary, Screening out the past: the birth of mass culture and the motion picture industry. New York: Oxford University Press, 1980.

[43]
Moews, Daniel, Keaton: the silent features close up. Berkeley: University of California Press, 1977.

[44]
North, Michael, Machine-age comedy, vol. Modernist literature and culture. Oxford: Oxford University Press, 2009 [Online]. Available: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5663612600002746&institutionId=2746&customerId=2745

[45]
Rickman, Gregg, The film comedy reader. New York: Limelight Editions, 2001.

[46]
Schickel, Richard, D.W. Griffith: an American life. New York: Limelight Editions, 1996.

[47]
R. Sklar, ‘Chaos, Magic, Physical Genius and the Art of Silent Comedy in Movie-made America: a cultural history of American movies’, in Movie-made America: a cultural history of American movies, London: Chappell, 1978, pp. 104–121 [Online]. Available: https://blackboard.le.ac.uk/bbcswebdav/pid-672716-dt-content-rid-870966_5/library/eReserves/HA2224/HA2224%20-%20Doc%2020459.pdf

[48]
Trahair, Lisa, The comedy of philosophy: sense and nonsense in early cinematic slapstick, vol. SUNY series, insituations : philosophy, psychoanalysis, literature. Albany, N.Y.: State University of New York Press, 2007 [Online]. Available: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664014140002746&institutionId=2746&customerId=2745

[49]
Griffith, D. W., Israel, Robert, Merritt, Russell, Booth, Elmer, and Gish, Lillian, ‘D.W. Griffith: years of discovery 1909-1913’. Image Entertainment, [S.l.], 2002.

[50]
Griffith, D. W., Woods, Frank E., Dixon, Thomas, Gish, Lillian, Marsh, Mae, and Walthall, Henry B., ‘The birth of a nation’. Eureka Video, [S.l.], 1915.

[51]
Griffith, D. W. and Gish, Lillian, ‘Intolerance’. Eureka Video, [S.l.], 1916.

[52]
Brownlow, Kevin, Gill, David, and Anderson, Lindsay, ‘D.W. Griffith: father of film’. Connoisseur Video, [S.l.], 1994.

[53]
Marks, Martin, Simmon, Scott, and National Film Preservation Foundation (United States), ‘More treasures from American film archives 1894-1931: Program 1 /[ curated by Scott Simmon, music curated by Martin Marks]’. National Film Preservation Foundation, [S.l.], 2004.

[54]
Marks, Martin, Simmon, Scott, and National Film Preservation Foundation (United States), ‘More treasures from American film archives 1894-1931: Program 2 /[ curated by Scott Simmon, music curated by Martin Marks]’. National Film Preservation Foundation, [S.l.], 2004.

[55]
Marks, Martin, Simmon, Scott, and National Film Preservation Foundation (United States), ‘More treasures from American film archives 1894-1931: Program 3 /[ curated by Scott Simmon, music curated by Martin Marks]’. National Film Preservation Foundation, [S.l.], 2004.

[56]
Marks, Martin, Simmon, Scott, and National Film Preservation Foundation (United States), More treasures from American film archives 1894-1931: fifty films, film notes by Scott Simmon, music notes by Martin Marks: Program notes. San Francisco, Calif: National Film Preservation Foundation, 2004.

[57]
Keaton, Buster, Blystone, John G., Talmadge, Natalie, and McGuire, Kathryn, ‘Our hospitality; directed by Buster Keaton and John G. Blystone’, Our hospitality; directed by Buster Keaton and John G. Blystone. Sherlock Jnr.; directed by Buster Keaton. Kino Video, [S.l.], 1922.

[58]
Keaton, Buster and Cline, Edward, ‘Buster Keaton: the complete short films 1917-1923, Disc 4’, vol. Masters of cinema. Eureka Video, [S.l.], 2006.

[59]
Keaton, Buster, ‘Buster Keaton: the complete short films 1917-1923, Accompanying book’, vol. Masters of cinema. Eureka Video, [S.l.], 2006.

[60]
Keaton, Buster, Cline, Edward, and St. Clair, Mal, ‘Buster Keaton: the complete short films 1917-1923, Disc 3’, vol. Masters of cinema. Eureka Video, [S.l.], 2006.

[61]
Arbuckle, Roscoe, Keaton, Buster, and Cline, Edward, ‘Buster Keaton: the complete short films 1917-1923, Disc 2’, vol. Masters of cinema. Eureka Video, [S.l.], 2006.

[62]
Arbuckle, Roscoe and Keaton, Buster, ‘Buster Keaton: the complete short films 1917-1923, Disc 1’, vol. Masters of cinema. Eureka Video, [S.l.], 2006.

[63]
Keaton, Buster, Bruckman, Clyde, Mack, Marion, Cavender, Glen, and Hisaishi, Joe, ‘The General’. 2 entertain Video / Cinema Club, [S.l.], 1926.

[64]
Keaton, Buster, Cline, Eddie, and O’Neil, Sally, ‘Battling Butler’, vol. Art of Buster Keaton. Kino Video, [S.l.], 1926.

[65]
Keaton, Buster, Blaché, Herbert, Cline, Eddie, and Crane, Walter H., ‘The saphead’, vol. Art of Buster Keaton. Kino Video, [S.l.], 1920.

[66]
Keaton, Buster, Myers, Kathleen, and Cline, Eddie, ‘Go west’, vol. Art of Buster Keaton. Kino Video, [S.l.], 1925.

[67]
McGuire, Kathryn, Crisp, Donald, Keaton, Buster, and Cline, Eddie, ‘The navigator’, vol. Art of Buster Keaton. Kino Video, [S.l.], 1924.

[68]
Keaton, Buster, Torrence, Ernest, Reisner, Charles F., and Cline, Eddie, ‘Steamboat Bill Jr’, vol. Art of Buster Keaton. Kino Video, [S.l.], 1928.

[69]
Keaton, Buster, Horne, James W., St. Clair, Mal, Cornwall, Anne, and Cline, Eddie, ‘College’, vol. Art of Buster Keaton. Kino Video, [S.l.], 1927.

[70]
Keaton, Buster, Dwyer, Ruth, and Cline, Eddie, ‘Seven chances’, vol. Art of Buster Keaton. Kino Video, [S.l.], 1925.

[71]
Keaton, Buster, Leahy, Margaret, Cline, Eddie, and St. Clair, Mal, ‘Three ages’, vol. Art of Buster Keaton. Kino Video, [S.l.], 1923.

[72]
Brownlow, Kevin, Gill, David, Keaton, Buster, and Anderson, Lindsay, ‘Buster Keaton, a hard act to follow’. An Academy Video release from the British Film Institute, [London], 1987.

[73]
Kennedy, Merna and Chaplin, Charles, ‘The circus’, vol. Chaplin collection. mk2/Warner Brothers Home Video, [S.l.], 1928.

[74]
Coogan, Jackie and Chaplin, Charles, ‘The kid’, vol. Chaplin collection. mk2/Warner Brothers Home Video, [S.l.], 1921.

[75]
Chaplin, Charles and Swain, Mack, ‘The gold rush’, vol. Chaplin collection. mk2/Warner Brothers Home Video, [S.l.], 1925.

[76]
C. Chaplin, ‘The Mutual Films (Vol 2)’. Spring 1916.

[77]
C. Chaplin, ‘The Mutual Films (Vol 1)’. Spring 1916.

[78]
C. Chaplin, ‘Chaplin at Keystone’. BFI, 1914.

[79]
C. Chaplin, ‘Charlie Chaplin - The Essanay Films (Vol 1)’. BFI, 1915.

[80]
C. Chaplin, ‘Charlie Chaplin - The Essanay Films (Vol 2)’. BFI, Summer 1915.

[81]
Newmeyer, Fred et al., ‘Harold Lloyd: the definitive collection, Disc 7’. Optimum, [S.l.], 1920.

[82]
Bruckman, Clyde, St. Clair, Mal, Lloyd, Harold, Cummings, Constance, Kent, Barbara, and Young, Noah, ‘Harold Lloyd: the definitive collection, Disc 8’. Optimum, [S.l.], 1929.

[83]
Walker, H. M. et al., ‘Harold Lloyd: the definitive collection, Disc 9’. Optimum, [S.l.], 1913.

[84]
Wilde, Ted et al., ‘Harold Lloyd: the definitive collection, Disc 6’. Optimum, [S.l.], 1921.

[85]
Newmeyer, Fred et al., ‘Harold Lloyd: the definitive collection, Disc 5’. Optimum, [S.l.], Winter 1920.

[86]
Newmeyer, Fred et al., ‘Harold Lloyd: the definitive collection, Disc 1’. Optimum, [S.l.], Winter 1920.

[87]
Newmeyer, Fred et al., ‘Harold Lloyd: the definitive collection, Disc 3’. Optimum, [S.l.], 1922.

[88]
Capra, Frank, Langdon, Harry, Bonner, Priscilla, and Astor, Gertrude, ‘The strong man’, vol. Harry Langdon ... the forgotten clown. Blackhorse Entertainment, S.l, 1926.

[89]
Capra, Frank, Langdon, Harry, Brockwell, Gladys, and Roscoe, Albert, ‘Long pants’, vol. Harry Langdon ... the forgotten clown. Blackhorse Entertainment, S.l, 1927.

[90]
Edwards, Harry, Langdon, Harry, Crawford, Joan, and Davis, Edwards, ‘Tramp, tramp, tramp’, vol. Harry Langdon ... the forgotten clown. Blackhorse Entertainment, S.l, 1926.

[91]
McCarey, Leo, Ceder, Ralph, Chase, Charley, Sleeper, Martha, and Hardy, Oliver, ‘The Charley Chase collection: [Vol. 1]’, vol. Slapstick Symposium. Kino on Video, New York, 1924.

[92]
Roach, Hal and Münchner Stadtmuseum, ‘Female comedy teams’, vol. Hal Roach. Editions filmmuseum, [S.l.], 2010.

[93]
British Film Institute, ‘Early cinema: primitives and pioneers’. British Film Institute, S.l.].

[94]
LeRoy, Mervyn et al., ‘Gold diggers of 1933’, vol. The Busby Berkeley collection. Warner Home Video, Burbank, Calif, 2006.

[95]
D. Eldridge, ‘Film and Photography, Chapter’, in American culture in the 1930s, vol. Twentieth-century American culture, Edinburgh: Edinburgh University Press, 2008, pp. 61–92 [Online]. Available: http://site.ebrary.com/lib/leicester/Doc?id=10257689

[96]
Altman, Rick, The American film musical. Bloomington: Indiana University Press, 1987.

[97]
Balio, Tino, The American film industry, Rev.ed. London: University of Wisconsin Press, 1985 [Online]. Available: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5663338460002746&institutionId=2746&customerId=2745

[98]
Balio, Tino, Grand design: Hollywood as a modern business enterprise, 1930-1939, vol. History of the American cinema. New York, N.Y.: Charles Scribners’ Sons, 1993 [Online]. Available: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5660663510002746&institutionId=2746&customerId=2745

[99]
Balio, Tino, Grand design: Hollywood as a modern business enterprise, 1930-1939, vol. History of the American cinema. New York, N.Y.: Charles Scribners’ Sons, 1993 [Online]. Available: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5660663200002746&institutionId=2746&customerId=2745

[100]
J. Belton, ‘The Musical in American cinema/American culture’, in American cinema/American culture, 3rd ed. rev., Boston, Mass: McGraw-Hill, 2009.

[101]
J. Belton, ‘The Studio System in American cinema/American culture’, in American cinema/American culture, 3rd ed. rev., Boston, Mass: McGraw-Hill, 2009.

[102]
Bergman, Andrew, We’re in the money: depression America and its films, vol. Harper colophon books. London: Harper and Row, 1972.

[103]
Cohan, Steven, Hollywood musicals, the film reader, vol. In focus: Routledge film readers. London: Routledge, 2002.

[104]
R. Dyer, ‘Entertainment and Utopia in Movies and methods II: an anthology’, in Movies and methods: an anthology, Berkeley, Calif: University of California Press, 1976, pp. 220–232 [Online]. Available: https://blackboard.le.ac.uk/bbcswebdav/pid-340753-dt-content-rid-499834_5/library/eReserves/HA2224/HA2224%20-%20Doc%2012.pdf

[105]
Feuer, Jane and British Film Institute, The Hollywood musical, 2nd ed., vol. BFI cinema series. Basingstoke: Macmillan, 1993.

[106]
D. Gomery, ‘The classic studio era: The Hollywood studio system: a history’, in The Hollywood studio system: a history, [New ed.]., London: BFI, 2005, pp. 71–80 [Online]. Available: https://blackboard.le.ac.uk/bbcswebdav/pid-522058-dt-content-rid-641021_5/library/eReserves/HA2224/HA2224%20-%20Doc%2007.pdf

[107]
Grant, Barry Keith, The Hollywood film musical, vol. New approaches to film genre. Oxford: Wiley-Blackwell, 2012 [Online]. Available: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664139230002746&institutionId=2746&customerId=2745

[108]
Hark, Ina Rae and ebrary, Inc, American cinema of the 1930s: themes and variations, vol. Screen decades. New Brunswick, N.J.: Rutgers University Press, 2007.

[109]
Hove, Arthur, Gold diggers of 1933, vol. Wisconsin/Warner Bros. screenplay series. Madison, Wis: Published for the Wisconsin Center for Film and Theater Research by the University of Wisconsin Press, 1980.

[110]
J. L. Lorence, ‘Making It in Depression America: The Street or the Stage in The Gold Diggers of 1933 in Screening America: United States history through film since 1900’, in Screening America: United States history through film since 1900, New York: Pearson Longman, 2006.

[111]
R. Maltby, ‘Entertainment I in Hollywood cinema: an introduction’, in Hollywood cinema: an introduction, 2nd ed., Oxford: Blackwell Publishers, 2003, pp. 33–53 [Online]. Available: https://blackboard.le.ac.uk/bbcswebdav/pid-522055-dt-content-rid-2061401_5/library/eReserves/HA2224/HA2224_26388.pdf

[112]
N. Roddick, ‘Warner Brothers and the Studio System in A new deal in entertainment: Warner Brothers in the 1930s’, in A new deal in entertainment: Warner Brothers in the 1930s, London: British Film Institute, 1983, pp. 16–28 [Online]. Available: https://blackboard.le.ac.uk/bbcswebdav/pid-814204-dt-content-rid-2056649_5/library/eReserves/HA2224/HA2224_26734.pdf

[113]
T. Schatz, ‘The whole equation of pictures: The genius of the system: Hollywood filmmaking in the studio era’, in The genius of the system: Hollywood filmmaking in the studio era, London: Faber and Faber, 1998, pp. 3–12 [Online]. Available: https://blackboard.le.ac.uk/bbcswebdav/pid-522059-dt-content-rid-642114_5/library/eReserves/HA2224/HA2224%20Doc%2008.pdf

[114]
T. Schatz, ‘The Musical in Hollywood genres: formulas, filmmaking, and the studio system’, in Hollywood genres: formulas, filmmaking, and the studio system, Boston, Mass: McGraw-Hill, 1981, pp. 186–220.

[115]
Shindler, Colin, Hollywood in crisis: cinema and American society, 1929-1939, vol. Cinema and society. London: Routledge, 1996.

[116]
Staiger, Janet, The studio system. New Brunswick, N.J.: Rutgers University Press, 1995.

[117]
J. Staiger, ‘The Hollywood Mode of Production, 1930-1960 in The classical Hollywood cinema: film style & mode of production to 1960’, in The classical Hollywood cinema: film style & mode of production to 1960, London: Routledge & Kegan Paul, 1985.

[118]
Shindler, Colin, Hollywood in crisis: cinema and American society, 1929-1939, vol. Cinema and society. London: Routledge, 1996 [Online]. Available: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5661396860002746&institutionId=2746&customerId=2745

[119]
Spivak, Jeffrey, Buzz: the life and art of Busby Berkeley, vol. Screen classics. Lexington: University Press of Kentucky, 2010 [Online]. Available: http://site.ebrary.com/lib/leicester/Doc?id=10443242

[120]
Becker, Karin E. and Lange, Dorothea, Dorothea Lange and the documentary tradition. Baton Rouge: Louisiana State University Press, 1980.

[121]
Curtis, James, Mind’s eye, minds’s truth: FSA photography reconsidered. Philadelphia, Pa: Temple University Press, 1989.

[122]
Daniel, Pete, Official images: New Deal photography. London: Smithsonian Institution Press, 1987.

[123]
Davidov, Judith Fryer, Women’s camera work: self/body/other in American visual culture, vol. New Americanists. Durham, N.C.: Duke University Press, 1998.

[124]
Harris, Jonathan, Federal art and national culture: the politics of identity in New Deal America, vol. Cambridge studies in American visual culture. Cambridge: Cambridge University Press, 1995.

[125]
Evans, Walker, Hambourg, Maria Morris, Metropolitan Museum of Art, San Francisco Museum of Modern Art, and Museum of Fine Arts, Houston, Walker Evans. New York: Metropolitan Museum of Art in association with Princeton University Press, Princeton, 2000.

[126]
Lesy, Michael and United States, Long time coming: a photographic portrait of America, 1935-1943. New York: Norton, 2002.

[127]
Trachtenberg, Alan, Reading American photographs: images as history : Mathew Brady to Walker Evans. New York: Noonday Press, 1989.

[128]
Gordon, Colin, ‘Responding to the Crash in Major problems in American history, 1920-1945: documents and essays’, in Major problems in American history, 1920-1945: documents and essays, vol. Major problems in American history, Boston: Houghton Mifflin, 1999.

[129]
Vials, Chris, Realism for the masses: aesthetics, popular front pluralism, and U.S. culture, 1935-1947. Jackson: University Press of Mississippi, 2009.

[130]
Bacon, Lloyd et al., ‘42nd Street’, vol. The Busby Berkeley collection. Warner Home Video, Burbank, Calif, 2006.

[131]
Enright, Ray et al., ‘Dames’, vol. The Busby Berkeley collection. Warner Home Video, Burbank, Calif, 2006.

[132]
Bacon, Lloyd et al., ‘Footlight parade’, vol. The Busby Berkeley collection. Warner Home Video, Burbank, Calif, 2006.

[133]
Berkeley, Busby, Warren, Harry, Dubin, Al, Powell, Dick, Menjou, Adolphe, and Stuart, Gloria, ‘Gold diggers of 1935’, vol. The Busby Berkeley collection. Warner Home Video, Burbank, Calif, 2006.

[134]
Berkeley, Busby, Warren, Harry, Dubin, Al, Fain, Sammy, and Kahal, Irving, ‘The Busby Berkeley disc’, vol. The Busby Berkeley collection. Warner Home Video, Burbank, Calif, 2006.

[135]
Curtiz, Michael et al., ‘The adventures of Robin Hood [1938]’. Warner Home Video, [S.l.], 1938.

[136]
Curtiz, Michael, Cagney, James, O’Brien, Pat, Bogart, Humphrey, Sheridan, Ann, and Polan, Dana B., ‘Angels with dirty faces’. Warner Home Video, [S.l.], 2005.

[137]
Green, Alfred E., Stanwyck, Barbara, and Brent, George, ‘Baby face’, vol. Forbidden Hollywood collection. Warner Home Video / Turner Entertainment, [S.l.], 1933.

[138]
Farrell, Glenda, Muni, Paul, and LeRoy, Mervyn, ‘I am a fugitive from a chain gang’. Motion picture, broadcast 12:45 18/05/2005, TCM.

[139]
Wellman, William A., Cagney, James, Harlow, Jean, Blondell, Joan, and Sklar, Robert, The public enemy. [S.l.]: Warner Home Video, 2005.

[140]
Ford, John, Steinbeck, John, Fonda, Henry, and Darwell, Jane, ‘The grapes of wrath’, vol. Ford at Fox. Twentieth Century Fox Home Entertainment, [S.l.], 2007.

[141]
Capra, Frank, Adams, Samuel Hopkins, Gable, Clark, and Colbert, Claudette, ‘It happened one night’, vol. Columbia classics. Columbia Tristar Home Video, [S.l.], 1934.

[142]
Capra, Frank, Stewart, James, Arthur, Jean, and Rains, Claude, ‘Mr Smith goes to Washington’. Columbia Tristar Home Video, [S.l.], 1939.

[143]
Lorentz, Pare, Ivens, Joris, and McClure, H. B., ‘New Deal documentaries’. A Connoisseur/Academy video release from the British Film Institute, [S.l.], 1999.

[144]
Vidor, King, Mankiewicz, Joseph L., Morley, Karen, and Keene, Tom, ‘Our daily bread’. Synergy, [S.l.], 1934.

[145]
La Cava, Gregory, Powell, William, Lombard, Carole, and Hatch, Eric, ‘My man Godfrey’. Elstree Hill Entertainment, [S.l.], 1936.

[146]
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Randolph, Joyce, Gleason, Jackie, Carney, Art, Meadows, Audrey, and Satenstein, Frank, ‘The honeymooners [TV Series 1955-1956]: “classic 39” episodes’. Paramount /CBS DVD, [S.l.], 1955.

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Daniels, Marc, Ball, Lucille, and Arnaz, Desi, ‘I love Lucy: the complete first season, Discs 5 and 6’. CBS DVD, [S.l.], 1952.

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J. Belton, ‘The 1960s: The Counterculture Strikes Back in American cinema/American culture’, in American cinema/American culture, 3rd ed. rev., Boston, Mass: McGraw-Hill, 2009.

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Biskind, Peter, Easy riders, raging bulls: how the sex ‘n’ drugs ‘n’ rock ‘n’ roll generation saved Hollywood. London: Bloomsbury, 1998.

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Cohan, Steven and Hark, Ina Rae, The road movie book. London: Routledge, 1997.

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Gair, Christopher, The American counterculture. Edinburgh: Edinburgh University Press, 2007 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=286991

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Grant, Barry Keith, American cinema of the 1960s: themes and variations, vol. Screen decades: American culture / American cinema. London: Rutgers University Press, 2008.

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Laderman, David, Driving visions: exploring the road movie, 1st ed. Austin, TX: University of Texas Press, 2002.

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Mann, Glenn, Radical visions : American film renaissance, 1967-1976: No. 41. Westport: Greenwood Pr, 1994.

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