1.
Barefoot, G.: The Serial and the Cliffhanger: Definitions and Origins: Chapter. In: The lost jungle: cliffhanger action and Hollywood serials of the 1930s and 1940s. pp. 11–39. University of Exeter Press, Exeter (2016).
2.
Eco, U.: Interpreting Serials: Chapter. In: The limits of interpretation. pp. 83–100. Indiana University Press, Bloomington, Ind (1990).
3.
Eco, U.: The Myth of Superman, Chapter. In: The role of the reader: explorations in the semiotics of texts. pp. 107–124. Indiana U.P., London (1979).
4.
Hagedorn, R.: Doubtless to be Continued: A Brief History of Serial Narrative: Chapter. In: To be continued: soap operas around the world. pp. 27–48. Routledge, London (1995).
5.
Poot, L.T.: On Cliffhangers. Narrative. 24, 50–67 (2016). https://doi.org/10.1353/nar.2016.0001.
6.
Chadwick, J., White, S., Davies, A., Dickens, C., Anderson, G., Lawson, D., Dance, C., Maxwell Martin, A.: First episode, (2006).
7.
Geraghty, C.: The Continuous Serial: A Defintion, https://core.ac.uk/download/files/42/1393833.pdf, (1981).
8.
Giddings, R.: Soft Soaping Dickens: Andres Davies, BBC-1 and ‘Bleak House’, http://charlesdickenspage.com/Soft_Soaping_Dickens.html.
9.
Dickens Journals Online, http://www.djo.org.uk/.
10.
Giddings, R., Selby, K.: The classic serial on television and radio. Palgrave, Basingstoke (2001).
11.
Dickens, C.: Bleak house. Electric Book Co, London (2001).
12.
Hayward, J.: Introduction: Chapter. In: Consuming pleasures: active audiences and serial fictions from Dickens to the soap opera. pp. 1–20. University Press of Kentucky, Lexington, Ky (1997).
13.
Geraghty, C.: Bleak house. BFI, London (2012).
14.
Geraghty, C.: Women and soap opera: a study of prime time soaps. Polity Press, Oxford (1990).
15.
Law, G.: Serializing fiction in the Victorian press. Palgrave, Basingstoke (2000).
16.
Moffat, S.: ‘A Scandal in Belgravia’.
17.
Ed Wiltse: ‘So Constant an Expectation’: Sherlock Holmes and Seriality. Narrative. 6, 105–122 (1998).
18.
Mayer, R.: Serial Fu Manchu: the Chinese supervillain and the spread of Yellow Peril ideology. Temple University Press, Philadelphia, Pa (2013).
19.
Stein, L.E., Busse, K.: Sherlock and Transmedia Fandom: Essays on the BBC Series. McFarland & Company, Inc., Publishers, Jefferson (2012).
20.
Lynnette R. Porter: Sherlock Holmes for the 21st century. McFarland & Company, Inc., Publishers, Jefferson, N.C (2012).
21.
Holmes, S.: Adventure of Sherlock Holmes. Global Media, Delhi (2006).
22.
Ritchie, G., Downey, R., Law, J., McAdams, R., Strong, M., Doyle, A.C.: Sherlock Holmes, (2010).
23.
Lanfield, S., Greene, R., Rathbone, B., Barrie, W., Bruce, N., Doyle, A.C.: The hound of the Baskervilles, (2005).
24.
Daniels, L.: Empire: Season 1 [DVD], (2015).
25.
Newman, M.Z.: ‘From Beats to Arcs: Towards a Poetics of Television Narrative’. (2006).
26.
Booth, P.: ‘Memories, Temporalities, Fictions: Temporal displacement in Contemporary Television’. (2011).
27.
Geraghty, C.: ‘Aesthetics and quality in popular television drama’ International Journal of Cultural Studies 6,. 25–45 (2003).
28.
Mittell, J.: Genre and television: from cop shows to cartoons in American culture. Routledge, New York (2004).
29.
Mittell, J.: ‘Previously On: Prime Time Serials and the Mechanics of Memory’. (2009).
30.
Creeber, G.: ‘"Taking our personal lives seriously”: intimacy, continuity and memory in the television drama serial’. (2001).
31.
Johnson, C.: ‘Tele-branding in TVIII: the network as brand and the programme as brand’. (2007).
32.
Corner, J.: ‘Narrative’ in Critical ideas in television studies. Presented at the (1998).
33.
Creeber, G.: ‘Analysing Television: Issues and Methods in Textual Analysis’ in Tele-visions: an introduction to studying television. BFI, London (2006).
34.
Reiner, J., Chandler, K., Britton, C., Kitsch, T., Berg, P., Bissinger, H.G.: Friday night lights: Season 1, (2012).
35.
Campion, J.: Top of the Lake, http://www.moviemail.com/film/dvd/Top-of-the-Lake/, (2013).
36.
Hills, M.: ‘From the box in the corner to the box set on the shelf’: TVIII and the cultural/textual valorisations of the DVD’. (2007).
37.
Hills, M.: ‘Television Aesthetics: A Pre-structuralist Danger?’ (2011).
38.
Spigel, L., Olsson, J.: Television After TV: Essays on a Medium in Transition. Duke University Press. (2004).
39.
Kompare, D.: ‘Publishing flow: DVD box sets and the reconception of television’. (2006).
40.
Holdsworth, A.: ‘Televisual Memory’. Screen (London). Vol.51 (2), (2010).
41.
Kackman, M.: ‘Quality Television, Melodrama, and Cultural Complexity’. (2008).
42.
Mittell, J.: ‘Authorship, intentionality and intelligent design’. (2009).
43.
Walters, J.: ‘Repeat Viewings: Television Analysis in the DVD Age’. In: Bennett, J. (ed.) Film and Television After DVD. Routledge (2008).
44.
Jacobs, J.: ‘Issues of Judgement and Value in Television Studies’ International Journal of Cultural Studies, http://ics.sagepub.com.ezproxy4.lib.le.ac.uk/content/4/4/427.full.pdf+html.
45.
Simon, D., West, D., Doman, J.: The Target, pilot episode of The wire: Season one, (2005).
46.
Mittell, J.: The Wire, Serial Storytelling and Procedural Logic: Chapter. In: Third person: authoring and exploring vast narratives. pp. 429–437. MIT Press, Cambridge, Mass (2009).
47.
Kelleter, F.: Serial agencies: The wire and its readers. Zero Books, Winchester (2014).
48.
Mittell, J.: Complex TV: the poetics of contemporary television storytelling. New York University Press, New York (2015).
49.
Kennedy, L., Shapiro, S.: The wire: race, class, and genre. University of Michigan Press, Ann Arbor, Mich (2012).
50.
Potter, T., Marshall, C.W.: The wire: urban decay and American television. Continuum, New York (2009).
51.
Turnbull, S.: The TV crime drama. Edinburgh University Press, Edinburgh (2014).
52.
Whitfield, J.: Beginnings and Endings in Films, Film and Film Studies. University of Warwick, 13 June 2008. Screen. 49, 471–476 (2008). https://doi.org/10.1093/screen/hjn069.
53.
Williams, L.: On the Wire. Duke University Press, Durham (2014).
54.
Corkin, S.: Connecting The wire: race, space, and postindustrial Baltimore. University of Texas Press, Austin (2017).
55.
Simon, D., West, D., Doman, J.: The wire: Season two: A new case begins, (2004).
56.
Simon, D., West, D., Doman, J.: The wire: Season three, (2005).
57.
Simon, D., West, D., Doman, J.: The wire: Season four, (2005).
58.
Simon, D., West, D., Doman, J.: The wire: Season five: Read between the lines, (2005).
59.
Feuillade, L., Mathé, É., Musidora: Les vampires: Disc 1: Episodes 1-5.
60.
Marks, M., Simmon, S., National Film Preservation Foundation (United States): The Hazards of Helen, #26: Audio-visual document, (2004).
61.
Singer, B.: Power and Peril in the Serial-Queen Melodrama: Chapter. In: Melodrama and modernity: early sensational cinema and its contexts. pp. 221–262. Columbia University Press, New York (2001).
62.
Gardner, J.: Serial Pleasures, 1907-1938’ Chapter. In: Projections: comics and the history of twenty-first-century storytelling. pp. 29–67. Stanford University Press, Stanford, Calif (2012).
63.
Dahlquist, M.: Exporting Perilous Pauline: Pearl White and the serial film craze. University of Illinois Press, Urbana, Ill (2013).
64.
Stamp, S.: Movie-struck girls: women and motion picture culture after the nickelodeon. Princeton University Press, Princeton, N.J. (2000).
65.
Canjels, R.: Distributing silent film serials: local practices, changing forms, cultural transformation. Routledge, London (2010).
66.
Lambert, Josh: "Wait for the Next Pictures”: Intertextuality and Cliffhanger Continuity in Early Cinema and Comic Strips. Cinema Journal; Winter. 48, 3–25 (2009). https://doi.org/10.1353/cj.0.0076.
67.
Singer, B.: Serials, Chapter. In: The Oxford history of world cinema. pp. 105–111. Oxford University Press, Oxford (1996).
68.
Bordwell, D.: Feuillade, or Storytelling: Chapter. In: Figures traced in light: on cinematic staging. pp. 43–82. University of California Press, Berkeley (2005).
69.
Brasch, I., Mayer, R.: Modernity management: 1920s cinema, mass culture and the film serial. Screen. 57, 302–315 (2016). https://doi.org/10.1093/screen/hjw031.
70.
Butler, K.J.: Irma Vep: Vamp in the City: Mapping the Criminal Feminine in Early French Serials: Chapter. In: A feminist reader in early cinema. pp. 195–220. Duke University Press, Durham, N.C. (2002).
71.
Callahan, V.: Zones of anxiety: movement, Musidora, and the crime serials of Louis Feuillade. Wayne State University Press, Detroit, Mich (2005).
72.
Marlow-Mann, A.: British Series and Serials in the Silent Era: Chapter. In: Young and innocent?: the cinema in Britain, 1896-1930. pp. 147–161. University of Exeter Press, Exeter (2002).
73.
Stamp, S.: An Awful Struggle Between Love and Ambition: Serial Heroines, Serial Stars and Their Female Fans: Chapter. In: The silent cinema reader. pp. 210–225. Routledge, London (2004).
74.
White, P., Gasnier, L.J., MacKenzie, D.: The perils of Pauline, (1914).
75.
Vincent, J.: A Woman in Grey, (1919).
76.
Feuillade, L., Breon, E., Navarre, R., Allain, M., Souvestre, P.: Fantômas.
77.
Eason, B., Brower, O., Autry, G., Darro, F.: The phantom empire, (2935).
78.
Higgins, S.: The Inevitability of Chance: Time in the Sound Serial: Chapter. In: Media of Serial Narrative. pp. 93–107. Ohio State University Press (2017).
79.
Telotte, J.P.: A Charming Interlude: Of Serials and Hollow Men, Chapter. In: Replications: a robotic history of the science fiction film. pp. 91–110. University of Illinois Press, Urbana, Ill (1995).
80.
Kinnard, R., Crnkovich, T., Vitone, R.J.: The Flash Gordon serials, 1936-1940: a heavily illustrated guide. McFarland, Jefferson, N.C. (2011).
81.
Barefoot, G.: Who Watched that Masked Man? Hollywood’s Serial Audiences in the 1930S. Historical Journal of Film, Radio and Television. 31, 167–190 (2011). https://doi.org/10.1080/01439685.2011.572604.
82.
Kuhn, A.: Jam Jars and Cliffhangers: Chapter. In: An everyday magic: cinema and cultural memory. pp. 38–65. I.B. Tauris, London (2002).
83.
Hurst, R.M.: Republic Studios: between poverty row and the majors. Scarecrow Press, Lanham, Md (2007).
84.
Higgins, S.: Seriality’s Ludic Promise: Film Serials and the Pre-History of Digital Gaming. Eludamos. Journal for Computer Game Culture. 8, (2014).
85.
Higgins, S.: Matinee Melodrama. Rutgers University Press, New Brunswick, NJ (2016).
86.
Higgins, S.: Suspenseful Situations: Melodramatic Narrative and the Contemporary Action Film. Cinema Journal. 47, 74–96 (2007). https://doi.org/10.1353/cj.2008.0010.
87.
Mayer, G.: Encyclopedia of american film serials. McFarland & Company, Inc., Publishers, Jefferson, North Carolina (2017).
88.
Tuska, J.: The vanishing legion: a history of Mascot Pictures, 1927-1935. McFarland, Jefferson, N.C. (2000).
89.
Barefoot, G.: The lost jungle: cliffhanger action and Hollywood serials of the 1930s and 1940s. University of Exeter Press, Exeter (2016).
90.
Beebe, F., Goodkind, S.A., Crabbe, B.: Buck Rogers, (2003).
91.
Stephani, F., Crabbe, B., Rogers, J., Middleton, C.: Flash Gordon, (1999).
92.
Beebe, F., Crabbe, B., Rogers, J., Middleton, C.: Flash Gordon’s trip to Mars, (2000).
93.
Beebe, F., Taylor, R., Crabbe, B., Hughes, C., Middleton, C.: Flash Gordon conquers the universe, (2000).
94.
Brower, O., Eason, B., Kane, J., Brannon, F.C., Autry, G., Darro, F., Corrigan, R., Wilde, L., Wallace, G., Towne, A.: The science fiction cliffhanger collection, (2006).
95.
Schaeffer, A., McGowan, J.P.: The Hurricane Express, The John Wayne cliffhanger collection, (1932).
96.
Lugosi, B., Herman, A., Clark, C.: The whispering shadow, (2004).
97.
English, J., Witney, W., Hadley, R.: Zorro’s fighting legion, (2004).
98.
Douglas, B.: Bill Douglas Trilogy [DVD Blu-ray].
99.
Perkins, Claire, D., Verevis, Constantine, D., SpringerLink (Online service): Film Trilogies: New Critical Approaches. Palgrave Macmillan UK, London (2012).
100.
Kate Webb: Bill Douglas among the Philestines: From the Trilogy to Comrades. Cinéaste. 37, 28–32 (2012).
101.
Guy Barefoot: Autobiography and the autobiographical in the Bill Douglas trilogy. Author(s):Guy BarefootDocument types:CommentaryDocument features:References, PhotographsPublication title:Biography. Honolulu: Winter 2006. Vol. 29, Iss. 1; pg. 14, 18 pgsSource type:Periodical Text Word Count6448. 29, (2006).
102.
Bill Douglas: a lanternist’s account. BFI in association with the Scottish Film Council, London (1993).
103.
Kuhn, A.: Memory texts and memory work: Performances of memory in and with visual media. Memory Studies. 3, 298–313 (2010). https://doi.org/10.1177/1750698010370034.
104.
Perkins, Claire.: Remaking and the Film Trilogy: Whit Stillman’s Authorial Triptych. The Velvet Light Trap. 61, 14–25 (2008). https://doi.org/10.1353/vlt.2008.0010.
105.
Bruzzi, S.: Seven up. BFI, London (2007).
106.
Kieślowski, K., Binoche, J.: Trois couleurs: bleu =.
107.
Bannerjee, K., Bannerjee, K., Ray, S.: Pather panchali =: Song of the road.
108.
Fabrizi, A., Rossellini, R.: Roma, citta aperta =: Rome, open city, (2005).
109.
Jackson, P., Tolkien, J.R.R., Walsh, F., Boyens, P., Wood, E., McKellen, I., Mortensen, V., Bean, S., Weaving, H., Holm, I., Rhys-Davies, J., Blanchett, C., Serkis, A.: The lord of the rings: the fellowship of the ring, (2002).
110.
Linklater, R., Arquette, P., Coltrane, E., Linklater, L., Hawke, E.: Boyhood, (2014).
111.
Truffaut, F., Léaud, J.-P., Maurier, C., Rémy, A.: Les quatre cents coups =: The 400 blows, (2006).
112.
Miller, T.: Deadpool [DVD] [2016], (2016).
113.
Jenkins, H.: Searching for the Origami Unicorn: The Matrix and Transmedia Storytelling: Chapter. In: Convergence culture: where old and new media collide. pp. 95–134. New York University Press, New York (2006).
114.
Brooker, W.: Hunting the Dark Knight: twenty-first century Batman. I.B. Tauris, London (2012).
115.
Beaty, B.: The Blockbuster Superhero: Chapter. In: Lucia, C.A.B., Grundmann, R., and Simon, A. (eds.) American film history: selected readings, 1960 to the present. pp. 423–437. Wiley Blackwell, Hoboken, New Jersey (2016).
116.
Gordon, I., Jancovich, M., McAllister, M.P.: Film and Comic Books. University Press of Mississippi, Jackson (2007).
117.
Kallay, J.: Narrative Architecture: Databases, Labyrinths and Stories That Won’t End: Chapter. In: Gaming film: How games are reshaping contemporary cinema. pp. 32–65. Palgrave Macmillan, Basingstoke (2013).
118.
Gray, R.J., Kaklamanidou, B.: The 21st Century Superhero: Essays on Gender, Genre and Globalization in Film. McFarland & Company, Inc., Publishers, Jefferson (2011).
119.
Scolari, C.A., Bertetti, P., Freeman, M., SpringerLink (Online service): Transmedia Archaeology: Storytelling in the Borderlines of Science Fiction, Comics and Pulp Magazines. Palgrave Macmillan UK, London (2014).
120.
Flanagan, M., Livingstone, A., McKenny, M.: The Marvel Studios phenomenon: inside a transmedia universe. Bloomsbury Academic, New York (2016).
121.
Wolf, M.J.P.: World-Building in Watchmen. Cinema Journal. 56, 119–125 (2017). https://doi.org/10.1353/cj.2017.0006.
122.
Nolan, C.: The Dark Knight Trilogy.
123.
Favreau, J., Downey, R., Howard, T., Bridges, J., Paltrow, G.: Iron Man, (2008).
124.
Whedon, J., Downey, R., Evans, C., Ruffalo, M., Hemsworth, C., Johansson, S., Renner, J., Hiddleston, T., Jackson, S.L.: Avengers assemble, (2012).
125.
Denson, S.: »To be continued...«: Seriality and Serialization in Interdisciplinary Perspective [What Happens Next: The Mechanics of Serialization. Graduate Conference at the University of Amsterdam, March 25–26, 2011.]. JLTonline Conference Proceedings. (2011).
126.
Allen, R., Berg, T. van den: Serialization in popular culture. Routledge, London (2014).
127.
Creeber, G.: Serial television: big drama on the small screen. BFI Publishing, London (2004).
128.
Reimer, M., Ali, N., England, D., Unrau, M.D. eds: Seriality and texts for young people: the compulsion to repeat. Palgrave Macmillan, Houndmills, Basingstoke, Hampshire (2014).
129.
Literatur in Wissenschaft und Unterricht. 47, (2014).
130.
Kelleter, F.: Media of Serial Narrative. Ohio State University Press (2017).
131.
The Velvet Light Trap-Number 79, Spring 2017.
132.
Palmer, B., Klein, A.A.: Cycles, Sequels, Spin-offs, Remakes, and Reboots Multiplicities in Film and Television. University of Texas Press (2016).
