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Barefoot G. The Serial and the Cliffhanger: Definitions and Origins: Chapter. In: The Lost Jungle: Cliffhanger Action and Hollywood Serials of the 1930s and 1940s. Vol Exeter Studies in Film History. University of Exeter Press; 2016:11-39.
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Eco U. Interpreting Serials: Chapter. In: The Limits of Interpretation. Vol Advances in semiotics. Indiana University Press; 1990:83-100.
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Eco U. The Myth of Superman, Chapter. In: The Role of the Reader: Explorations in the Semiotics of Texts. Vol Advances in semiotics. Indiana U.P.; 1979:107-124.
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Hagedorn R. Doubtless to be Continued: A Brief History of Serial Narrative: Chapter. In: To Be Continued: Soap Operas around the World. Routledge; 1995:27-48. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665573550002746&institutionId=2746&customerId=2745
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Poot LT. On Cliffhangers. Narrative. 2016;24(1):50-67. doi:10.1353/nar.2016.0001
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Geraghty C. The Continuous Serial: A Defintion. Dyer R, ed. Coronation Street. Published online 1981:9-26. https://core.ac.uk/download/files/42/1393833.pdf
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Giddings R. Soft Soaping Dickens: Andres Davies, BBC-1 and ‘Bleak House’. http://charlesdickenspage.com/Soft_Soaping_Dickens.html
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Giddings R, Selby K. The Classic Serial on Television and Radio. Palgrave; 2001.
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Dickens C. Bleak House. Electric Book Co; 2001. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10015080
12.
Hayward J. Introduction: Chapter. In: Consuming Pleasures: Active Audiences and Serial Fictions from Dickens to the Soap Opera. University Press of Kentucky; 1997:1-20. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665538550002746&institutionId=2746&customerId=2745
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Geraghty C. Bleak House. Vol BFI TV classics. BFI; 2012.
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15.
Law G. Serializing Fiction in the Victorian Press. Palgrave; 2000.
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Moffat S. ‘A Scandal in Belgravia’. Sherlock: Series 1-3. 2(1).
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Ed Wiltse. ‘So Constant an Expectation’: Sherlock Holmes and Seriality. Narrative. 1998;6(2):105-122. http://www.jstor.org/stable/20107142?seq=1#page_scan_tab_contents
18.
Mayer R. Serial Fu Manchu: The Chinese Supervillain and the Spread of Yellow Peril Ideology. Vol Asian American History and Culture. Temple University Press; 2013.
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Stein LE, Busse K. Sherlock and Transmedia Fandom: Essays on the BBC Series. McFarland & Company, Inc., Publishers; 2012. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664613360002746&institutionId=2746&customerId=2745
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Lynnette R. Porter. Sherlock Holmes for the 21st Century. McFarland & Company, Inc., Publishers; 2012. http://ezproxy.lib.le.ac.uk/login?url=http://leicester.eblib.com/patron/FullRecord.aspx?p=995801
21.
Holmes S. Adventure of Sherlock Holmes. Global Media; 2006. https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/detail.action?docID=3011077
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Ritchie G, Downey R, Law J, McAdams R, Strong M, Doyle AC. Sherlock Holmes. Published online 2010.
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Lanfield S, Greene R, Rathbone B, Barrie W, Bruce N, Doyle AC. The hound of the Baskervilles. 2005;Sherlock Holmes : the definitive collection.
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Newman MZ. ‘From Beats to Arcs: Towards a Poetics of Television Narrative’. Published online 2006. http://muse.jhu.edu.ezproxy3.lib.le.ac.uk/journals/the_velvet_light_trap/v058/58.1newman.html
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Booth P. ‘Memories, Temporalities, Fictions: Temporal displacement in Contemporary Television’. Published online 2011. http://tvn.sagepub.com.ezproxy3.lib.le.ac.uk/content/12/4/370
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Geraghty C. ‘Aesthetics and quality in popular television drama’ International Journal of Cultural Studies 6,. Published online 2003:25-45. http://ics.sagepub.com.ezproxy4.lib.le.ac.uk/content/6/1/25.full.pdf+html
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Mittell J. Genre and Television: From Cop Shows to Cartoons in American Culture. Routledge; 2004. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=200862
29.
Mittell J. ‘Previously On: Prime Time Serials and the Mechanics of Memory’. Published online 2009. https://justtv.wordpress.com/2009/07/03/previously-on-prime-time-serials-and-the-mechanics-of-memory/
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Creeber G. ‘"Taking our personal lives seriously”: intimacy, continuity and memory in the television drama serial’. Published online 2001. http://mcs.sagepub.com.ezproxy3.lib.le.ac.uk/content/23/4/439
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Johnson C. ‘Tele-branding in TVIII: the network as brand and the programme as brand’. Published online 2007. http://www.tandfonline.com.ezproxy3.lib.le.ac.uk/doi/pdf/10.1080/17400300601140126
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Corner J. ‘Narrative’ in Critical ideas in television studies. In: Vol Oxford television studies. Oxford University Press; 1998.
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Creeber G. ‘Analysing Television: Issues and Methods in Textual Analysis’ in Tele-Visions: An Introduction to Studying Television. BFI; 2006.
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Reiner J, Chandler K, Britton C, Kitsch T, Berg P, Bissinger HG. Friday night lights: Season 1. Published online 2012.
35.
Campion J. Top of the Lake. Published online 2013. http://www.moviemail.com/film/dvd/Top-of-the-Lake/
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Hills M. ‘From the box in the corner to the box set on the shelf’: TVIII and the cultural/textual valorisations of the DVD’. Published online 2007. http://www.tandfonline.com.ezproxy3.lib.le.ac.uk/doi/pdf/10.1080/17400300601140167
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Hills M. ‘Television Aesthetics: A Pre-structuralist Danger?’ Published online 2011. http://www.euppublishing.com/doi/pdfplus/10.3366/jbctv.2011.0008
38.
Spigel L, Olsson J. Television After TV: Essays on a Medium in Transition. Duke University Press.; 2004. http://site.ebrary.com/lib/leicester/detail.action?docID=10207685
39.
Kompare D. ‘Publishing flow: DVD box sets and the reconception of television’. Published online 2006. http://tvn.sagepub.com.ezproxy3.lib.le.ac.uk/content/7/4/335
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Holdsworth A. ‘Televisual Memory’. Screen (London). 2010;Vol.51 (2). http://ezproxy.lib.le.ac.uk/login?url=https://academic.oup.com/screen/article/51/2/129/1684514
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Kackman M. ‘Quality Television, Melodrama, and Cultural Complexity’. Published online 2008. http://flowtv.org/?p=2101
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Mittell J. ‘Authorship, intentionality and intelligent design’. Published online 2009. http://justtv.wordpress.com/2009/03/26/authorship-and-intentionality/#more-334
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Walters J. ‘Repeat Viewings: Television Analysis in the DVD Age’. In: Bennett J, ed. Film and Television After DVD. Routledge; 2008.
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Jacobs J. ‘Issues of Judgement and Value in Television Studies’ International Journal of Cultural Studies. Published 2001. http://ics.sagepub.com.ezproxy4.lib.le.ac.uk/content/4/4/427.full.pdf+html
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Simon D, West D, Doman J. The Target, pilot episode of The wire: Season one. The wire: Season one: Listen carefully. Published online 2005.
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Mittell J. The Wire, Serial Storytelling and Procedural Logic: Chapter. In: Third Person: Authoring and Exploring Vast Narratives. MIT Press; 2009:429-437.
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Kelleter F. Serial Agencies: The Wire and Its Readers. Zero Books; 2014.
48.
Mittell J. Complex TV: The Poetics of Contemporary Television Storytelling. New York University Press; 2015. http://ezproxy.lib.le.ac.uk/login?url=http://leicester.eblib.com/patron/FullRecord.aspx?p=1991882
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Kennedy L, Shapiro S. The Wire: Race, Class, and Genre. Vol Class : culture. University of Michigan Press; 2012.
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Potter T, Marshall CW. The Wire: Urban Decay and American Television. Continuum; 2009. http://site.ebrary.com/lib/leicester/Doc?id=10427308
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Turnbull S. The TV Crime Drama. Edinburgh University Press; 2014.
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Whitfield J. Beginnings and Endings in Films, Film and Film Studies. University of Warwick, 13 June 2008. Screen. 2008;49(4):471-476. doi:10.1093/screen/hjn069
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Williams L. On the Wire. Duke University Press; 2014. http://ezproxy.lib.le.ac.uk/login?url=http://lib.myilibrary.com?id=634245
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Corkin S. Connecting The Wire: Race, Space, and Postindustrial Baltimore. Vol Texas film and media studies series. First edition. University of Texas Press; 2017.
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Simon D, West D, Doman J. The wire: Season two: A new case begins. Published online 2004.
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Simon D, West D, Doman J. The wire: Season four. Published online 2005.
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Simon D, West D, Doman J. The wire: Season five: Read between the lines. Published online 2005.
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Singer B. Power and Peril in the Serial-Queen Melodrama: Chapter. In: Melodrama and Modernity: Early Sensational Cinema and Its Contexts. Vol Film and culture. Columbia University Press; 2001:221-262.
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Gardner J. Serial Pleasures, 1907-1938’ Chapter. In: Projections: Comics and the History of Twenty-First-Century Storytelling. Vol Post 45. Stanford University Press; 2012:29-67. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665221460002746&institutionId=2746&customerId=2745
63.
Dahlquist M. Exporting Perilous Pauline: Pearl White and the Serial Film Craze. Vol Women and film history international. University of Illinois Press; 2013. http://site.ebrary.com/lib/leicester/Doc?id=10722961
64.
Stamp S. Movie-Struck Girls: Women and Motion Picture Culture after the Nickelodeon. Princeton University Press; 2000.
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Canjels R. Distributing Silent Film Serials: Local Practices, Changing Forms, Cultural Transformation. Vol Routledge advances in film studies. Routledge; 2010.
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Lambert, Josh. "Wait for the Next Pictures”: Intertextuality and Cliffhanger Continuity in Early Cinema and Comic Strips. Cinema Journal; Winter. 2009;48(2):3-25. doi:10.1353/cj.0.0076
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Singer B. Serials, Chapter. In: The Oxford History of World Cinema. Oxford University Press; 1996:105-111. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665538530002746&institutionId=2746&customerId=2745
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Bordwell D. Feuillade, or Storytelling: Chapter. In: Figures Traced in Light: On Cinematic Staging. University of California Press; 2005:43-82.
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Brasch I, Mayer R. Modernity management: 1920s cinema, mass culture and the film serial. Screen. 2016;57(3):302-315. doi:10.1093/screen/hjw031
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Butler KJ. Irma Vep: Vamp in the City: Mapping the Criminal Feminine in Early French Serials: Chapter. In: A Feminist Reader in Early Cinema. Vol Camera obscura book. Duke University Press; 2002:195-220.
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Callahan V. Zones of Anxiety: Movement, Musidora, and the Crime Serials of Louis Feuillade. Vol Contemporary approaches to film and television series. Wayne State University Press; 2005. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664737070002746&institutionId=2746&customerId=2745
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Marlow-Mann A. British Series and Serials in the Silent Era: Chapter. In: Young and Innocent?: The Cinema in Britain, 1896-1930. Vol Exeter studies in film history. University of Exeter Press; 2002:147-161.
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Stamp S. An Awful Struggle Between Love and Ambition: Serial Heroines, Serial Stars and Their Female Fans: Chapter. In: The Silent Cinema Reader. Routledge; 2004:210-225.
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White P, Gasnier LJ, MacKenzie D. The perils of Pauline. Published online 1914.
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Vincent J. A Woman in Grey. Published online 1919.
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Feuillade L, Breon E, Navarre R, Allain M, Souvestre P. Fantômas. Artificial eye.
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Eason B, Brower O, Autry G, Darro F. The phantom empire. Published online 2935.
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Higgins S. The Inevitability of Chance: Time in the Sound Serial: Chapter. In: Media of Serial Narrative. Ohio State University Press; 2017:93-107. https://ebookcentral-proquest-com.ezproxy4.lib.le.ac.uk/lib/leicester/detail.action?docID=4854569
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Telotte JP. A Charming Interlude: Of Serials and Hollow Men, Chapter. In: Replications: A Robotic History of the Science Fiction Film. University of Illinois Press; 1995:91-110.
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Kinnard R, Crnkovich T, Vitone RJ. The Flash Gordon Serials, 1936-1940: A Heavily Illustrated Guide. McFarland; 2011.
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Barefoot G. Who Watched that Masked Man? Hollywood’s Serial Audiences in the 1930S. Historical Journal of Film, Radio and Television. 2011;31(2):167-190. doi:10.1080/01439685.2011.572604
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Kuhn A. Jam Jars and Cliffhangers: Chapter. In: An Everyday Magic: Cinema and Cultural Memory. Vol Cinema and society. I.B. Tauris; 2002:38-65.
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Hurst RM. Republic Studios: Between Poverty Row and the Majors. Updated ed. Scarecrow Press; 2007.
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Higgins S. Seriality’s Ludic Promise: Film Serials and the Pre-History of Digital Gaming. Eludamos Journal for Computer Game Culture. 2014;8(1). http://www.eludamos.org/index.php/eludamos/article/viewArticle/vol8no1-7
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Higgins S. Matinee Melodrama. Rutgers University Press; 2016. http://web.b.ebscohost.com/ehost/detail/detail?vid=0&sid=f5e891e2-df1e-4fcc-b00d-bfcfb20c48a8%40sessionmgr101&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=1163236&db=nlebk
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Higgins S. Suspenseful Situations: Melodramatic Narrative and the Contemporary Action Film. Cinema Journal. 2007;47(2):74-96. doi:10.1353/cj.2008.0010
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Mayer G. Encyclopedia of American Film Serials. McFarland & Company, Inc., Publishers; 2017. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4801111
88.
Tuska J. The Vanishing Legion: A History of Mascot Pictures, 1927-1935. Vol McFarland classics. McFarland; 2000.
89.
Barefoot G. The Lost Jungle: Cliffhanger Action and Hollywood Serials of the 1930s and 1940s. Vol Exeter Studies in Film History. University of Exeter Press; 2016.
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Beebe F, Goodkind SA, Crabbe B. Buck Rogers. Published online 2003.
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Stephani F, Crabbe B, Rogers J, Middleton C. Flash Gordon. 1999;Flash Gordon.
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Beebe F, Crabbe B, Rogers J, Middleton C. Flash Gordon’s trip to Mars. 2000;Flash Gordon.
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Beebe F, Taylor R, Crabbe B, Hughes C, Middleton C. Flash Gordon conquers the universe. 2000;Flash Gordon.
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Brower O, Eason B, Kane J, et al. The science fiction cliffhanger collection. Published online 2006.
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Schaeffer A, McGowan JP. The Hurricane Express, The John Wayne cliffhanger collection. The John Wayne cliffhanger collection. Published online 1932.
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Lugosi B, Herman A, Clark C. The whispering shadow. 2004;Classic movie serials.
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English J, Witney W, Hadley R. Zorro’s fighting legion. Published online 2004.
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Douglas B. Bill Douglas Trilogy [DVD Blu-ray].
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Perkins, Claire D, Verevis, Constantine D, SpringerLink (Online service). Film Trilogies: New Critical Approaches. Palgrave Macmillan UK; 2012. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=4393835600002746&institutionId=2746&customerId=2745
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Kate Webb. Bill Douglas among the Philestines: From the Trilogy to Comrades. Cinéaste. 2012;37(3):28-32. http://www.jstor.org/stable/41691154?seq=1#page_scan_tab_contents
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Guy Barefoot. Autobiography and the autobiographical in the Bill Douglas trilogy. Author(s):Guy BarefootDocument types:CommentaryDocument features:References, PhotographsPublication title:Biography Honolulu: Winter 2006 Vol 29, Iss 1; pg 14, 18 pgsSource type:Periodical Text Word Count6448. 2006;29(1). https://literature.proquest.com/searchFulltext.do?id=R03843266&divLevel=0&queryId=3001292647300&trailId=15CCAFEECC7&area=abell&forward=critref_ft
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Bill Douglas: A Lanternist’s Account. BFI in association with the Scottish Film Council; 1993.
103.
Kuhn A. Memory texts and memory work: Performances of memory in and with visual media. Memory Studies. 2010;3(4):298-313. doi:10.1177/1750698010370034
104.
Perkins Claire. Remaking and the Film Trilogy: Whit Stillman’s Authorial Triptych. The Velvet Light Trap. 2008;61(1):14-25. doi:10.1353/vlt.2008.0010
105.
Bruzzi S. Seven Up. Vol BFI tv classics. BFI; 2007.
106.
Kieślowski K, Binoche J. Trois couleurs: bleu =. Artificial eye.
107.
Bannerjee K, Bannerjee K, Ray S. Pather panchali =: Song of the road. Apu trilogy.
108.
Fabrizi A, Rossellini R. Roma, citta aperta =: Rome, open city. 2005;Roberto Rossellini’s war trilogy.
109.
Jackson P, Tolkien JRR, Walsh F, et al. The lord of the rings: the fellowship of the ring. Published online 2002.
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Linklater R, Arquette P, Coltrane E, Linklater L, Hawke E. Boyhood. Published online 2014.
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Truffaut F, Léaud JP, Maurier C, Rémy A. Les quatre cents coups =: The 400 blows. 2006;François Truffaut-the films.
112.
Miller T. Deadpool [DVD] [2016]. Published online 2016.
113.
Jenkins H. Searching for the Origami Unicorn: The Matrix and Transmedia Storytelling: Chapter. In: Convergence Culture: Where Old and New Media Collide. New York University Press; 2006:95-134.
114.
Brooker W. Hunting the Dark Knight: Twenty-First Century Batman. I.B. Tauris; 2012. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664375810002746&institutionId=2746&customerId=2745
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Beaty B. The Blockbuster Superhero: Chapter. In: Lucia CAB, Grundmann R, Simon A, eds. American Film History: Selected Readings, 1960 to the Present. Wiley Blackwell; 2016:423-437. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665537880002746&institutionId=2746&customerId=2745
116.
Gordon I, Jancovich M, McAllister MP. Film and Comic Books. University Press of Mississippi; 2007. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=840334
117.
Kallay J. Narrative Architecture: Databases, Labyrinths and Stories That Won’t End: Chapter. In: Gaming Film: How Games Are Reshaping Contemporary Cinema. Palgrave Macmillan; 2013:32-65. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665936340002746&institutionId=2746&customerId=2745
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Gray RJ, Kaklamanidou B. The 21st Century Superhero: Essays on Gender, Genre and Globalization in Film. McFarland & Company, Inc., Publishers; 2011. https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/detail.action?docID=768108
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Scolari CA, Bertetti P, Freeman M, SpringerLink (Online service). Transmedia Archaeology: Storytelling in the Borderlines of Science Fiction, Comics and Pulp Magazines. Palgrave Macmillan UK; 2014. http://dx.doi.org/10.1057/9781137434371
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Flanagan M, Livingstone A, McKenny M. The Marvel Studios Phenomenon: Inside a Transmedia Universe. Bloomsbury Academic; 2016. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4460222
121.
Wolf MJP. World-Building in Watchmen. Cinema Journal. 2017;56(2):119-125. doi:10.1353/cj.2017.0006
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Nolan C. The Dark Knight Trilogy.
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Favreau J, Downey R, Howard T, Bridges J, Paltrow G. Iron Man. Published online 2008.
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Whedon J, Downey R, Evans C, et al. Avengers assemble. Published online 2012.
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Denson S. »To be continued...«: Seriality and Serialization in Interdisciplinary Perspective [What Happens Next: The Mechanics of Serialization. Graduate Conference at the University of Amsterdam, March 25–26, 2011.]. JLTonline Conference Proceedings. Published online 2011. http://www.jltonline.de/index.php/conferences/article/view/346/1004
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Allen R, Berg T van den. Serialization in Popular Culture. Vol Routledge research in cultural and media studies. Routledge; 2014.
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Creeber G. Serial Television: Big Drama on the Small Screen. BFI Publishing; 2004.
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Reimer M, Ali N, England D, Unrau MD, eds. Seriality and Texts for Young People: The Compulsion to Repeat. Vol Critical approaches to children’s literature. Palgrave Macmillan; 2014. http://ezproxy.lib.le.ac.uk/login?url=http://lib.myilibrary.com?id=727927
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Literatur in Wissenschaft und Unterricht. 2014;47(1/2).
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Kelleter F. Media of Serial Narrative. Ohio State University Press; 2017. http://ebookcentral.proquest.com.ezproxy4.lib.le.ac.uk/lib/leicester/detail.action?docID=4854569
131.
The Velvet Light Trap-Number 79, Spring 2017. (79). http://librarysearch.le.ac.uk/44UOLE_VU1:default_scope:44UOLE_ALMA51125487220002746
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Palmer B, Klein AA. Cycles, Sequels, Spin-Offs, Remakes, and Reboots Multiplicities in Film and Television. University of Texas Press; 2016. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664737140002746&institutionId=2746&customerId=2745
