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Hayward J. Introduction: Chapter. Consuming pleasures: active audiences and serial fictions from Dickens to the soap opera [Internet]. Lexington, Ky: University Press of Kentucky; 1997. p. 1–20. Available from: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665538550002746&institutionId=2746&customerId=2745
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Lynnette R. Porter. Sherlock Holmes for the 21st century [Internet]. Jefferson, N.C: McFarland & Company, Inc., Publishers; 2012. Available from: http://ezproxy.lib.le.ac.uk/login?url=http://leicester.eblib.com/patron/FullRecord.aspx?p=995801
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Mittell J. ‘Previously On: Prime Time Serials and the Mechanics of Memory’. 2009; Available from: https://justtv.wordpress.com/2009/07/03/previously-on-prime-time-serials-and-the-mechanics-of-memory/
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Kackman M. ‘Quality Television, Melodrama, and Cultural Complexity’. 2008; Available from: http://flowtv.org/?p=2101
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Telotte JP. A Charming Interlude: Of Serials and Hollow Men, Chapter. Replications: a robotic history of the science fiction film. Urbana, Ill: University of Illinois Press; 1995. p. 91–110.
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Tuska J. The vanishing legion: a history of Mascot Pictures, 1927-1935. Jefferson, N.C.: McFarland; 2000.
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Barefoot G. The lost jungle: cliffhanger action and Hollywood serials of the 1930s and 1940s. Exeter: University of Exeter Press; 2016.
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Kate Webb. Bill Douglas among the Philestines: From the Trilogy to Comrades. Cinéaste [Internet]. Cineaste Publishers, Inc.Cineaste Publishers, Inc.; 2012;37(3):28–32. Available from: http://www.jstor.org/stable/41691154?seq=1#page_scan_tab_contents
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Guy Barefoot. Autobiography and the autobiographical in the Bill Douglas trilogy. Author(s):Guy BarefootDocument types:CommentaryDocument features:References,  PhotographsPublication title:Biography Honolulu: Winter 2006 Vol 29, Iss  1;  pg 14, 18 pgsSource type:Periodical Text Word Count6448 [Internet]. 2006;29(1). Available from: https://literature.proquest.com/searchFulltext.do?id=R03843266&divLevel=0&queryId=3001292647300&trailId=15CCAFEECC7&area=abell&forward=critref_ft
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Jenkins H. Searching for the Origami Unicorn: The Matrix and Transmedia Storytelling: Chapter. Convergence culture: where old and new media collide. New York: New York University Press; 2006. p. 95–134.
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Kallay J. Narrative Architecture: Databases, Labyrinths and Stories That Won’t End: Chapter. Gaming film: How games are reshaping contemporary cinema [Internet]. Basingstoke: Palgrave Macmillan; 2013. p. 32–65. Available from: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665936340002746&institutionId=2746&customerId=2745
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Gray RJ, Kaklamanidou B. The 21st Century Superhero: Essays on Gender, Genre and Globalization in Film [Internet]. Jefferson: McFarland & Company, Inc., Publishers; 2011. Available from: https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/detail.action?docID=768108
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Scolari CA, Bertetti P, Freeman M, SpringerLink (Online service). Transmedia Archaeology: Storytelling in the Borderlines of Science Fiction, Comics and Pulp Magazines [Internet]. London: Palgrave Macmillan UK; 2014. Available from: http://dx.doi.org/10.1057/9781137434371
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Wolf MJP. World-Building in Watchmen. Cinema Journal. 2017;56(2):119–125.
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The Velvet Light Trap-Number 79, Spring 2017. (79). Available from: http://librarysearch.le.ac.uk/44UOLE_VU1:default_scope:44UOLE_ALMA51125487220002746
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