Allen, Rob, and Thijs van den Berg. 2014. Serialization in Popular Culture. Vol. Routledge research in cultural and media studies. London: Routledge.
Anon. 1993. Bill Douglas: A Lanternist’s Account. London: BFI in association with the Scottish Film Council.
Anon. 2014. ‘Literatur in Wissenschaft Und Unterricht’. 47(1/2).
Anon. n.d.-a. ‘Dickens Journals Online’. Retrieved (http://www.djo.org.uk/).
Anon. n.d.-b. ‘The Velvet Light Trap-Number 79, Spring 2017’. (79).
Bannerjee, Karuna, Kanu Bannerjee, and Satyajit Ray. n.d. ‘Pather Panchali =: Song of the Road’. Apu trilogy.
Barefoot, Guy. 2011. ‘Who Watched That Masked Man? Hollywood’s Serial Audiences in the 1930S’. Historical Journal of Film, Radio and Television 31(2):167–90. doi: 10.1080/01439685.2011.572604.
Barefoot, Guy. 2016a. The Lost Jungle: Cliffhanger Action and Hollywood Serials of the 1930s and 1940s. Vol. Exeter Studies in Film History. Exeter: University of Exeter Press.
Barefoot, Guy. 2016b. ‘The Serial and the Cliffhanger: Definitions and Origins: Chapter’. Pp. 11–39 in The lost jungle: cliffhanger action and Hollywood serials of the 1930s and 1940s. Vol. Exeter Studies in Film History. Exeter: University of Exeter Press.
Beaty, Bart. 2016. ‘The Blockbuster Superhero: Chapter’. Pp. 423–37 in American film history: selected readings, 1960 to the present, edited by C. A. B. Lucia, R. Grundmann, and A. Simon. Hoboken, New Jersey: Wiley Blackwell.
Beebe, Ford, Buster Crabbe, Jean Rogers, and Charles Middleton. 2000. ‘Flash Gordon’s Trip to Mars’. Flash Gordon.
Beebe, Ford, Saul A. Goodkind, and Buster Crabbe. 2003. ‘Buck Rogers’.
Beebe, Ford, Ray Taylor, Buster Crabbe, Carol Hughes, and Charles Middleton. 2000. ‘Flash Gordon Conquers the Universe’. Flash Gordon.
Booth, Paul. 2011. ‘“Memories, Temporalities, Fictions: Temporal Displacement in Contemporary Television”’.
Bordwell, David. 2005. ‘Feuillade, or Storytelling: Chapter’. Pp. 43–82 in Figures traced in light: on cinematic staging. Berkeley: University of California Press.
Brasch, Ilka, and Ruth Mayer. 2016. ‘Modernity Management: 1920s Cinema, Mass Culture and the Film Serial’. Screen 57(3):302–15. doi: 10.1093/screen/hjw031.
Brooker, Will. 2012. Hunting the Dark Knight: Twenty-First Century Batman. London: I.B. Tauris.
Brower, Otto, Breezy Eason, Joseph Kane, Fred C. Brannon, Gene Autry, Frankie Darro, Ray Corrigan, Lois Wilde, George Wallace, and Aline Towne. 2006. ‘The Science Fiction Cliffhanger Collection’.
Bruzzi, Stella. 2007. Seven Up. Vol. BFI tv classics. London: BFI.
Butler, Kristine J. 2002. ‘Irma Vep: Vamp in the City: Mapping the Criminal Feminine in Early French Serials: Chapter’. Pp. 195–220 in A feminist reader in early cinema. Vol. Camera obscura book. Durham, N.C.: Duke University Press.
Callahan, Vicki. 2005. Zones of Anxiety: Movement, Musidora, and the Crime Serials of Louis Feuillade. Vol. Contemporary approaches to film and television series. Detroit, Mich: Wayne State University Press.
Campion, Jane. 2013. ‘Top of the Lake’.
Canjels, Rudmer. 2010. Distributing Silent Film Serials: Local Practices, Changing Forms, Cultural Transformation. Vol. Routledge advances in film studies. London: Routledge.
Chadwick, Justin, Susanna White, Andrew Davies, Charles Dickens, Gillian Anderson, Denis Lawson, Charles Dance, and Anna Maxwell Martin. 2006. ‘First Episode’. Bleak House.
Corkin, Stanley. 2017. Connecting The Wire: Race, Space, and Postindustrial Baltimore. Vol. Texas film and media studies series. First edition. Austin: University of Texas Press.
Corner, John. 1998. ‘“Narrative” in Critical Ideas in Television Studies’. in Vol. Oxford television studies. Oxford: Oxford University Press.
Creeber, Glen. 2001. ‘‘"Taking Our Personal Lives Seriously”: Intimacy, Continuity and Memory in the Television Drama Serial’’.
Creeber, Glen. 2004. Serial Television: Big Drama on the Small Screen. London: BFI Publishing.
Creeber, Glen. 2006. ‘Analysing Television: Issues and Methods in Textual Analysis’ in Tele-Visions: An Introduction to Studying Television. London: BFI.
Dahlquist, Marina. 2013. Exporting Perilous Pauline: Pearl White and the Serial Film Craze. Vol. Women and film history international. Urbana, Ill: University of Illinois Press.
Daniels, Lee. 2015. ‘Empire: Season 1 [DVD]’.
Denson, Shane. 2011. ‘»To Be Continued...«: Seriality and Serialization in Interdisciplinary Perspective [What Happens Next: The Mechanics of Serialization. Graduate Conference at the University of Amsterdam, March 25–26, 2011.]’. JLTonline Conference Proceedings.
Dickens, Charles. 2001. Bleak House. London: Electric Book Co.
Douglas, Bill. n.d. ‘Bill Douglas Trilogy [DVD Blu-Ray]’.
Eason, Breezy, Otto Brower, Gene Autry, and Frankie Darro. 2935. ‘The Phantom Empire’.
Eco, Umberto. 1979. ‘The Myth of Superman, Chapter’. Pp. 107–24 in The role of the reader: explorations in the semiotics of texts. Vol. Advances in semiotics. London: Indiana U.P.
Eco, Umberto. 1990. ‘Interpreting Serials: Chapter’. Pp. 83–100 in The limits of interpretation. Vol. Advances in semiotics. Bloomington, Ind: Indiana University Press.
Ed Wiltse. 1998. ‘“So Constant an Expectation”: Sherlock Holmes and Seriality’. Narrative 6(2):105–22.
English, John, William Witney, and Reed Hadley. 2004. ‘Zorro’s Fighting Legion’.
Fabrizi, Aldo, and Roberto Rossellini. 2005. ‘Roma, Citta Aperta =: Rome, Open City’. Roberto Rossellini’s war trilogy.
Favreau, Jon, Robert Downey, Terrence Howard, Jeff Bridges, and Gwyneth Paltrow. 2008. ‘Iron Man’.
Feuillade, Louis, Edmund Breon, René Navarre, Marcel Allain, and Pierre Souvestre. n.d. ‘Fantômas’. Artificial eye.
Feuillade, Louis, Édouard Mathé, and Musidora. n.d. ‘Les Vampires: Disc 1: Episodes 1-5’. Artificial eye.
Flanagan, Martin, Andrew Livingstone, and Mike McKenny. 2016. The Marvel Studios Phenomenon: Inside a Transmedia Universe. New York: Bloomsbury Academic.
Gardner, Jared. 2012. ‘Serial Pleasures, 1907-1938’ Chapter’. Pp. 29–67 in Projections: comics and the history of twenty-first-century storytelling. Vol. Post 45. Stanford, Calif: Stanford University Press.
Geraghty, C. 2003. ‘“Aesthetics and Quality in Popular Television Drama” International Journal of Cultural Studies 6,’. 25–45.
Geraghty, Christine. 1981. ‘The Continuous Serial: A Defintion’ edited by R. Dyer. Coronation Street 9–26.
Geraghty, Christine. 1990. Women and Soap Opera: A Study of Prime Time Soaps. Oxford: Polity Press.
Geraghty, Christine. 2012. Bleak House. Vol. BFI TV classics. London: BFI.
Giddings, Robert. n.d. ‘Soft Soaping Dickens: Andres Davies, BBC-1 and “Bleak House”’. Retrieved (http://charlesdickenspage.com/Soft_Soaping_Dickens.html).
Giddings, Robert, and Keith Selby. 2001. The Classic Serial on Television and Radio. Basingstoke: Palgrave.
Gordon, Ian, Mark Jancovich, and Matthew P. McAllister. 2007. Film and Comic Books. Jackson: University Press of Mississippi.
Gray, Richard J., and Betty Kaklamanidou. 2011. The 21st Century Superhero: Essays on Gender, Genre and Globalization in Film. Jefferson: McFarland & Company, Inc., Publishers.
Guy Barefoot. 2006. ‘Autobiography and the Autobiographical in the Bill Douglas Trilogy’. Author(s):Guy BarefootDocument Types:CommentaryDocument Features:References, PhotographsPublication Title:Biography. Honolulu: Winter 2006. Vol. 29, Iss. 1; Pg. 14, 18 pgsSource Type:Periodical Text Word Count6448 29(1).
Hagedorn, Roger. 1995. ‘Doubtless to Be Continued: A Brief History of Serial Narrative: Chapter’. Pp. 27–48 in To be continued: soap operas around the world. London: Routledge.
Hayward, Jennifer. 1997. ‘Introduction: Chapter’. Pp. 1–20 in Consuming pleasures: active audiences and serial fictions from Dickens to the soap opera. Lexington, Ky: University Press of Kentucky.
Higgins, S. 2016. Matinee Melodrama. New Brunswick, NJ: Rutgers University Press.
Higgins, Scott. 2007. ‘Suspenseful Situations: Melodramatic Narrative and the Contemporary Action Film’. Cinema Journal 47(2):74–96. doi: 10.1353/cj.2008.0010.
Higgins, Scott. 2014. ‘Seriality’s Ludic Promise: Film Serials and the Pre-History of Digital Gaming’. Eludamos. Journal for Computer Game Culture 8(1).
Higgins, Scott. 2017. ‘The Inevitability of Chance: Time in the Sound Serial: Chapter’. Pp. 93–107 in Media of Serial Narrative. Ohio State University Press.
Hills, Matt. 2007. ‘“From the Box in the Corner to the Box Set on the Shelf”: TVIII and the Cultural/Textual Valorisations of the DVD’’.
Hills, Matt. 2011. ‘“Television Aesthetics: A Pre-Structuralist Danger?”’
Holdsworth, Amy. 2010. ‘“Televisual Memory”’. Screen (London) Vol.51 (2).
Holmes, Sherlock. 2006. Adventure of Sherlock Holmes. Delhi: Global Media.
Hurst, Richard Maurice. 2007. Republic Studios: Between Poverty Row and the Majors. Updated ed. Lanham, Md: Scarecrow Press.
Jackson, Peter, J. R. R. Tolkien, Fran Walsh, Philippa Boyens, Elijah Wood, Ian McKellen, Viggo Mortensen, Sean Bean, Hugo Weaving, Ian Holm, John Rhys-Davies, Cate Blanchett, and Andy Serkis. 2002. ‘The Lord of the Rings: The Fellowship of the Ring’.
Jacobs, Jason. 2001. ‘“Issues of Judgement and Value in Television Studies” International Journal of Cultural Studies’. 427–47. Retrieved (http://ics.sagepub.com.ezproxy4.lib.le.ac.uk/content/4/4/427.full.pdf+html).
Jenkins, Henry. 2006. ‘Searching for the Origami Unicorn: The Matrix and Transmedia Storytelling: Chapter’. Pp. 95–134 in Convergence culture: where old and new media collide. New York: New York University Press.
Johnson, Cathy. 2007. ‘“Tele-Branding in TVIII: The Network as Brand and the Programme as Brand”’.
Kackman, M. 2008. ‘“Quality Television, Melodrama, and Cultural Complexity”’.
Kallay, Jasmoina. 2013. ‘Narrative Architecture: Databases, Labyrinths and Stories That Won’t End: Chapter’. Pp. 32–65 in Gaming film: How games are reshaping contemporary cinema. Basingstoke: Palgrave Macmillan.
Kate Webb. 2012. ‘Bill Douglas among the Philestines: From the Trilogy to Comrades’. Cinéaste 37(3):28–32.
Kelleter, Frank. 2014. Serial Agencies: The Wire and Its Readers. Winchester: Zero Books.
Kelleter, Frank. 2017. Media of Serial Narrative. Ohio State University Press.
Kennedy, Liam, and Stephen Shapiro. 2012. The Wire: Race, Class, and Genre. Vol. Class : culture. Ann Arbor, Mich: University of Michigan Press.
Kieślowski, Krzysztof, and Juliette Binoche. n.d. ‘Trois Couleurs: Bleu =’. Artificial eye.
Kinnard, Roy, Tony Crnkovich, and R. J. Vitone. 2011. The Flash Gordon Serials, 1936-1940: A Heavily Illustrated Guide. Jefferson, N.C.: McFarland.
Kompare, Derek. 2006. ‘“Publishing Flow: DVD Box Sets and the Reconception of Television”’.
Kuhn, Annette. 2002. ‘Jam Jars and Cliffhangers: Chapter’. Pp. 38–65 in An everyday magic: cinema and cultural memory. Vol. Cinema and society. London: I.B. Tauris.
Kuhn, Annette. 2010. ‘Memory Texts and Memory Work: Performances of Memory in and with Visual Media’. Memory Studies 3(4):298–313. doi: 10.1177/1750698010370034.
Lambert, Josh. 2009. ‘"Wait for the Next Pictures”: Intertextuality and Cliffhanger Continuity in Early Cinema and Comic Strips.’ Cinema Journal; Winter 48(2):3–25. doi: 10.1353/cj.0.0076.
Lanfield, Sidney, Richard Greene, Basil Rathbone, Wendy Barrie, Nigel Bruce, and Arthur Conan Doyle. 2005. ‘The Hound of the Baskervilles’. Sherlock Holmes : the definitive collection.
Law, Graham. 2000. Serializing Fiction in the Victorian Press. Basingstoke: Palgrave.
Linklater, Richard, Patricia Arquette, Ellar Coltrane, Lorelei Linklater, and Ethan Hawke. 2014. ‘Boyhood’.
Lugosi, Bela, Albert Herman, and Colbert Clark. 2004. ‘The Whispering Shadow’. Classic movie serials.
Lynnette R. Porter. 2012. Sherlock Holmes for the 21st Century. Jefferson, N.C: McFarland & Company, Inc., Publishers.
Marks, Martin, Scott Simmon, and National Film Preservation Foundation (United States). 2004. ‘The Hazards of Helen, #26: Audio-Visual Document’. More Treasures from American Film Archives 1894-1931: Program 1 /[ Curated by Scott Simmon, Music Curated by Martin Marks].
Marlow-Mann, Alex. 2002. ‘British Series and Serials in the Silent Era: Chapter’. Pp. 147–61 in Young and innocent?: the cinema in Britain, 1896-1930. Vol. Exeter studies in film history. Exeter: University of Exeter Press.
Mayer, Geoff. 2017. Encyclopedia of American Film Serials. Jefferson, North Carolina: McFarland & Company, Inc., Publishers.
Mayer, Ruth. 2013. Serial Fu Manchu: The Chinese Supervillain and the Spread of Yellow Peril Ideology. Vol. Asian American History and Culture. Philadelphia, Pa: Temple University Press.
Miller, Tim. 2016. ‘Deadpool [DVD] [2016]’.
Mittell, Jason. 2004. Genre and Television: From Cop Shows to Cartoons in American Culture. New York: Routledge.
Mittell, Jason. 2009a. ‘“Authorship, Intentionality and Intelligent Design”’.
Mittell, Jason. 2009b. ‘“Previously On: Prime Time Serials and the Mechanics of Memory”’.
Mittell, Jason. 2009c. ‘The Wire, Serial Storytelling and Procedural Logic: Chapter’. Pp. 429–37 in Third person: authoring and exploring vast narratives. Cambridge, Mass: MIT Press.
Mittell, Jason. 2015. Complex TV: The Poetics of Contemporary Television Storytelling. New York: New York University Press.
Moffat, Stephen. n.d. ‘“A Scandal in Belgravia”’. Sherlock: Series 1-3 2(1).
Newman, M. Z. 2006. ‘“From Beats to Arcs: Towards a Poetics of Television Narrative”’.
Nolan, Christopher. n.d. ‘The Dark Knight Trilogy’.
Palmer, Barton, and Amanda Ann Klein. 2016. Cycles, Sequels, Spin-Offs, Remakes, and Reboots Multiplicities in Film and Television. University of Texas Press.
Perkins, Claire. 2008. ‘Remaking and the Film Trilogy: Whit Stillman’s Authorial Triptych’. The Velvet Light Trap 61(1):14–25. doi: 10.1353/vlt.2008.0010.
Perkins, Claire, Dr, Dr Verevis, Constantine, and SpringerLink (Online service). 2012. Film Trilogies: New Critical Approaches. London: Palgrave Macmillan UK.
Poot, Luke Terlaak. 2016. ‘On Cliffhangers’. Narrative 24(1):50–67. doi: 10.1353/nar.2016.0001.
Potter, Tiffany, and C. W. Marshall. 2009. The Wire: Urban Decay and American Television. New York: Continuum.
Reimer, Mavis, Nyala Ali, Deanna England, and Melanie Dennis Unrau, eds. 2014. Seriality and Texts for Young People: The Compulsion to Repeat. Vol. Critical approaches to children’s literature. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan.
Reiner, Jeffrey, Kyle Chandler, Connie Britton, Taylor Kitsch, Peter Berg, and H. G. Bissinger. 2012. ‘Friday Night Lights: Season 1’.
Ritchie, Guy, Robert Downey, Jude Law, Rachel McAdams, Mark Strong, and Arthur Conan Doyle. 2010. ‘Sherlock Holmes’.
Schaeffer, Armand, and J. P. McGowan. 1932. ‘The Hurricane Express, The John Wayne Cliffhanger Collection’. The John Wayne Cliffhanger Collection.
Scolari, Carlos A., Paolo Bertetti, Matthew Freeman, and SpringerLink (Online service). 2014. Transmedia Archaeology: Storytelling in the Borderlines of Science Fiction, Comics and Pulp Magazines. London: Palgrave Macmillan UK.
Simon, David, Dominic West, and John Doman. 2004. ‘The Wire: Season Two: A New Case Begins’.
Simon, David, Dominic West, and John Doman. 2005a. ‘The Target, Pilot Episode of The Wire: Season One’. The Wire: Season One: Listen Carefully.
Simon, David, Dominic West, and John Doman. 2005b. ‘The Wire: Season Five: Read between the Lines’.
Simon, David, Dominic West, and John Doman. 2005c. ‘The Wire: Season Four’.
Simon, David, Dominic West, and John Doman. 2005d. ‘The Wire: Season Three’.
Singer, Ben. 1996. ‘Serials, Chapter’. Pp. 105–11 in The Oxford history of world cinema. Oxford: Oxford University Press.
Singer, Ben. 2001. ‘Power and Peril in the Serial-Queen Melodrama: Chapter’. Pp. 221–62 in Melodrama and modernity: early sensational cinema and its contexts. Vol. Film and culture. New York: Columbia University Press.
Spigel, L., and J. Olsson. 2004. Television After TV: Essays on a Medium in Transition. Duke University Press.
Stamp, Shelley. 2000. Movie-Struck Girls: Women and Motion Picture Culture after the Nickelodeon. Princeton, N.J.: Princeton University Press.
Stamp, Shelley. 2004. ‘An Awful Struggle Between Love and Ambition: Serial Heroines, Serial Stars and Their Female Fans: Chapter’. Pp. 210–25 in The silent cinema reader. London: Routledge.
Stein, Louisa Ellen, and Kristina Busse. 2012. Sherlock and Transmedia Fandom: Essays on the BBC Series. Jefferson: McFarland & Company, Inc., Publishers.
Stephani, Frederick, Buster Crabbe, Jean Rogers, and Charles Middleton. 1999. ‘Flash Gordon’. Flash Gordon.
Telotte, J. P. 1995. ‘A Charming Interlude: Of Serials and Hollow Men, Chapter’. Pp. 91–110 in Replications: a robotic history of the science fiction film. Urbana, Ill: University of Illinois Press.
Truffaut, François, Jean-Pierre Léaud, Claire Maurier, and Albert Rémy. 2006. ‘Les Quatre Cents Coups =: The 400 Blows’. François Truffaut-the films.
Turnbull, Sue. 2014. The TV Crime Drama. Edinburgh: Edinburgh University Press.
Tuska, Jon. 2000. The Vanishing Legion: A History of Mascot Pictures, 1927-1935. Vol. McFarland classics. Jefferson, N.C.: McFarland.
Vincent, James. 1919. ‘A Woman in Grey’.
Walters, J. 2008. ‘“Repeat Viewings: Television Analysis in the DVD Age”’. in Film and Television After DVD, edited by J. Bennett. Routledge.
Whedon, Joss, Robert Downey, Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, Tom Hiddleston, and Samuel L. Jackson. 2012. ‘Avengers Assemble’.
White, Pearl, Louis J. Gasnier, and Donald MacKenzie. 1914. ‘The Perils of Pauline’.
Whitfield, J. 2008. ‘Beginnings and Endings in Films, Film and Film Studies. University of Warwick, 13 June 2008’. Screen 49(4):471–76. doi: 10.1093/screen/hjn069.
Williams, Linda. 2014. On the Wire. Durham: Duke University Press.
Wolf, Mark J. P. 2017. ‘World-Building in Watchmen’. Cinema Journal 56(2):119–25. doi: 10.1353/cj.2017.0006.
