Allen R and Berg T van den, Serialization in Popular Culture, vol Routledge research in cultural and media studies (Routledge 2014)
Bannerjee K, Bannerjee K and Ray S, ‘Pather Panchali =: Song of the Road’
Barefoot G, ‘Who Watched That Masked Man? Hollywood’s Serial Audiences in the 1930S’ (2011) 31 Historical Journal of Film, Radio and Television 167
——, The Lost Jungle: Cliffhanger Action and Hollywood Serials of the 1930s and 1940s, vol Exeter Studies in Film History (University of Exeter Press 2016)
——, ‘The Serial and the Cliffhanger: Definitions and Origins: Chapter’, The lost jungle: cliffhanger action and Hollywood serials of the 1930s and 1940s, vol Exeter Studies in Film History (University of Exeter Press 2016)
Beaty B, ‘The Blockbuster Superhero: Chapter’ in Cynthia A Barto Lucia, Roy Grundmann and Arthur Simon (eds), American film history: selected readings, 1960 to the present (Wiley Blackwell 2016) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665537880002746&institutionId=2746&customerId=2745>
Beebe F and others, ‘Flash Gordon Conquers the Universe’
——, ‘Flash Gordon’s Trip to Mars’
Beebe F, Goodkind SA and Crabbe B, ‘Buck Rogers’
Bill Douglas: A Lanternist’s Account (BFI in association with the Scottish Film Council 1993)
Booth P, ‘“Memories, Temporalities, Fictions: Temporal Displacement in Contemporary Television”’ <http://tvn.sagepub.com.ezproxy3.lib.le.ac.uk/content/12/4/370>
Bordwell D, ‘Feuillade, or Storytelling: Chapter’, Figures traced in light: on cinematic staging (University of California Press 2005)
Brasch I and Mayer R, ‘Modernity Management: 1920s Cinema, Mass Culture and the Film Serial’ (2016) 57 Screen 302
Brooker W, Hunting the Dark Knight: Twenty-First Century Batman (IB Tauris 2012) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664375810002746&institutionId=2746&customerId=2745>
Brower O and others, ‘The Science Fiction Cliffhanger Collection’
Bruzzi S, Seven Up, vol BFI tv classics (BFI 2007)
Butler KJ, ‘Irma Vep: Vamp in the City: Mapping the Criminal Feminine in Early French Serials: Chapter’, A feminist reader in early cinema, vol Camera obscura book (Duke University Press 2002)
Callahan V, Zones of Anxiety: Movement, Musidora, and the Crime Serials of Louis Feuillade, vol Contemporary approaches to film and television series (Wayne State University Press 2005) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664737070002746&institutionId=2746&customerId=2745>
Campion J, ‘Top of the Lake’ <http://www.moviemail.com/film/dvd/Top-of-the-Lake/>
Canjels R, Distributing Silent Film Serials: Local Practices, Changing Forms, Cultural Transformation, vol Routledge advances in film studies (Routledge 2010)
Chadwick J and others, ‘First Episode’
Corkin S, Connecting The Wire: Race, Space, and Postindustrial Baltimore, vol Texas film and media studies series (First edition, University of Texas Press 2017)
Corner J, ‘“Narrative” in Critical Ideas in Television Studies’, vol Oxford television studies (Oxford University Press 1998)
Creeber G, ‘‘"Taking Our Personal Lives Seriously”: Intimacy, Continuity and Memory in the Television Drama Serial’’ <http://mcs.sagepub.com.ezproxy3.lib.le.ac.uk/content/23/4/439>
——, Serial Television: Big Drama on the Small Screen (BFI Publishing 2004)
——, ‘Analysing Television: Issues and Methods in Textual Analysis’ in Tele-Visions: An Introduction to Studying Television (BFI 2006)
Dahlquist M, Exporting Perilous Pauline: Pearl White and the Serial Film Craze, vol Women and film history international (University of Illinois Press 2013) <http://site.ebrary.com/lib/leicester/Doc?id=10722961>
Daniels L, ‘Empire: Season 1 [DVD]’
Denson S, ‘»To Be Continued...«: Seriality and Serialization in Interdisciplinary Perspective [What Happens Next: The Mechanics of Serialization. Graduate Conference at the University of Amsterdam, March 25–26, 2011.]’ [2011] JLTonline Conference Proceedings <http://www.jltonline.de/index.php/conferences/article/view/346/1004>
Dickens C, Bleak House (Electric Book Co 2001) <http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10015080>
‘Dickens Journals Online’ <http://www.djo.org.uk/>
Douglas B, ‘Bill Douglas Trilogy [DVD Blu-Ray]’
Eason B and others, ‘The Phantom Empire’
Eco U, ‘The Myth of Superman, Chapter’, The role of the reader: explorations in the semiotics of texts, vol Advances in semiotics (Indiana UP 1979)
——, ‘Interpreting Serials: Chapter’, The limits of interpretation, vol Advances in semiotics (Indiana University Press 1990)
Ed Wiltse, ‘“So Constant an Expectation”: Sherlock Holmes and Seriality’ (1998) 6 Narrative 105 <http://www.jstor.org/stable/20107142?seq=1#page_scan_tab_contents>
English J, Witney W and Hadley R, ‘Zorro’s Fighting Legion’
Fabrizi A and Rossellini R, ‘Roma, Citta Aperta =: Rome, Open City’
Favreau J and others, ‘Iron Man’
Feuillade L and others, ‘Fantômas’
Feuillade L, Mathé É, and Musidora, ‘Les Vampires: Disc 1: Episodes 1-5’
Flanagan M, Livingstone A and McKenny M, The Marvel Studios Phenomenon: Inside a Transmedia Universe (Bloomsbury Academic 2016) <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4460222>
Gardner J, ‘Serial Pleasures, 1907-1938’ Chapter’, Projections: comics and the history of twenty-first-century storytelling, vol Post 45 (Stanford University Press 2012) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665221460002746&institutionId=2746&customerId=2745>
Geraghty C, ‘The Continuous Serial: A Defintion’ 9 <https://core.ac.uk/download/files/42/1393833.pdf>
——, Women and Soap Opera: A Study of Prime Time Soaps (Polity Press 1990)
Geraghty C, ‘“Aesthetics and Quality in Popular Television Drama” International Journal of Cultural Studies 6,’ 25 <http://ics.sagepub.com.ezproxy4.lib.le.ac.uk/content/6/1/25.full.pdf+html>
Geraghty C, Bleak House, vol BFI TV classics (BFI 2012)
Giddings R, ‘Soft Soaping Dickens: Andres Davies, BBC-1 and “Bleak House”’ <http://charlesdickenspage.com/Soft_Soaping_Dickens.html>
Giddings R and Selby K, The Classic Serial on Television and Radio (Palgrave 2001)
Gordon I, Jancovich M and McAllister MP, Film and Comic Books (University Press of Mississippi 2007) <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=840334>
Gray RJ and Kaklamanidou B, The 21st Century Superhero: Essays on Gender, Genre and Globalization in Film (McFarland & Company, Inc, Publishers 2011) <https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/detail.action?docID=768108>
Guy Barefoot, ‘Autobiography and the Autobiographical in the Bill Douglas Trilogy’ (2006) 29 Author(s):Guy BarefootDocument types:CommentaryDocument features:References, PhotographsPublication title:Biography. Honolulu: Winter 2006. Vol. 29, Iss. 1; pg. 14, 18 pgsSource type:Periodical Text Word Count6448 <https://literature.proquest.com/searchFulltext.do?id=R03843266&divLevel=0&queryId=3001292647300&trailId=15CCAFEECC7&area=abell&forward=critref_ft>
Hagedorn R, ‘Doubtless to Be Continued: A Brief History of Serial Narrative: Chapter’, To be continued: soap operas around the world (Routledge 1995) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665573550002746&institutionId=2746&customerId=2745>
Hayward J, ‘Introduction: Chapter’, Consuming pleasures: active audiences and serial fictions from Dickens to the soap opera (University Press of Kentucky 1997) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665538550002746&institutionId=2746&customerId=2745>
Higgins S, ‘Suspenseful Situations: Melodramatic Narrative and the Contemporary Action Film’ (2007) 47 Cinema Journal 74
——, ‘Seriality’s Ludic Promise: Film Serials and the Pre-History of Digital Gaming’ (2014) 8 Eludamos. Journal for Computer Game Culture <http://www.eludamos.org/index.php/eludamos/article/viewArticle/vol8no1-7>
Higgins S, Matinee Melodrama (Rutgers University Press 2016) <http://web.b.ebscohost.com/ehost/detail/detail?vid=0&sid=f5e891e2-df1e-4fcc-b00d-bfcfb20c48a8%40sessionmgr101&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=1163236&db=nlebk>
Higgins S, ‘The Inevitability of Chance: Time in the Sound Serial: Chapter’, Media of Serial Narrative (Ohio State University Press 2017) <https://ebookcentral-proquest-com.ezproxy4.lib.le.ac.uk/lib/leicester/detail.action?docID=4854569>
Hills M, ‘“From the Box in the Corner to the Box Set on the Shelf”: TVIII and the Cultural/Textual Valorisations of the DVD’’ <http://www.tandfonline.com.ezproxy3.lib.le.ac.uk/doi/pdf/10.1080/17400300601140167>
——, ‘“Television Aesthetics: A Pre-Structuralist Danger?”’ <http://www.euppublishing.com/doi/pdfplus/10.3366/jbctv.2011.0008>
Holdsworth A, ‘“Televisual Memory”’ (2010) Vol.51 (2) Screen (London) <http://ezproxy.lib.le.ac.uk/login?url=https://academic.oup.com/screen/article/51/2/129/1684514>
Holmes S, Adventure of Sherlock Holmes (Global Media 2006) <https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/detail.action?docID=3011077>
Hurst RM, Republic Studios: Between Poverty Row and the Majors (Updated ed, Scarecrow Press 2007)
Jackson P and others, ‘The Lord of the Rings: The Fellowship of the Ring’
Jacobs J, ‘“Issues of Judgement and Value in Television Studies” International Journal of Cultural Studies’ (2001) 427 <http://ics.sagepub.com.ezproxy4.lib.le.ac.uk/content/4/4/427.full.pdf+html>
Jenkins H, ‘Searching for the Origami Unicorn: The Matrix and Transmedia Storytelling: Chapter’, Convergence culture: where old and new media collide (New York University Press 2006)
Johnson C, ‘“Tele-Branding in TVIII: The Network as Brand and the Programme as Brand”’ <http://www.tandfonline.com.ezproxy3.lib.le.ac.uk/doi/pdf/10.1080/17400300601140126>
Kackman M, ‘“Quality Television, Melodrama, and Cultural Complexity”’ <http://flowtv.org/?p=2101>
Kallay J, ‘Narrative Architecture: Databases, Labyrinths and Stories That Won’t End: Chapter’, Gaming film: How games are reshaping contemporary cinema (Palgrave Macmillan 2013) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665936340002746&institutionId=2746&customerId=2745>
Kate Webb, ‘Bill Douglas among the Philestines: From the Trilogy to Comrades’ (2012) 37 Cinéaste 28 <http://www.jstor.org/stable/41691154?seq=1#page_scan_tab_contents>
Kelleter F, Serial Agencies: The Wire and Its Readers (Zero Books 2014)
——, Media of Serial Narrative (Ohio State University Press 2017) <http://ebookcentral.proquest.com.ezproxy4.lib.le.ac.uk/lib/leicester/detail.action?docID=4854569>
Kennedy L and Shapiro S, The Wire: Race, Class, and Genre, vol Class : culture (University of Michigan Press 2012)
Kieślowski K and Binoche J, ‘Trois Couleurs: Bleu =’
Kinnard R, Crnkovich T and Vitone RJ, The Flash Gordon Serials, 1936-1940: A Heavily Illustrated Guide (McFarland 2011)
Kompare D, ‘“Publishing Flow: DVD Box Sets and the Reconception of Television”’ <http://tvn.sagepub.com.ezproxy3.lib.le.ac.uk/content/7/4/335>
Kuhn A, ‘Jam Jars and Cliffhangers: Chapter’, An everyday magic: cinema and cultural memory, vol Cinema and society (IB Tauris 2002)
——, ‘Memory Texts and Memory Work: Performances of Memory in and with Visual Media’ (2010) 3 Memory Studies 298
Lambert, Josh, ‘"Wait for the Next Pictures”: Intertextuality and Cliffhanger Continuity in Early Cinema and Comic Strips.’ (2009) 48 Cinema Journal; Winter 3 <http://search.ebscohost.com/login.aspx?direct=true&db=aft&AN=505281867&site=ehost-live>
Lanfield S and others, ‘The Hound of the Baskervilles’
Law G, Serializing Fiction in the Victorian Press (Palgrave 2000)
Linklater R and others, ‘Boyhood’
‘Literatur in Wissenschaft Und Unterricht’ (2014) 47
Lugosi B, Herman A and Clark C, ‘The Whispering Shadow’
Lynnette R. Porter, Sherlock Holmes for the 21st Century (McFarland & Company, Inc, Publishers 2012) <http://ezproxy.lib.le.ac.uk/login?url=http://leicester.eblib.com/patron/FullRecord.aspx?p=995801>
Marks M, Simmon S, and National Film Preservation Foundation (United States), ‘The Hazards of Helen, #26: Audio-Visual Document’
Marlow-Mann A, ‘British Series and Serials in the Silent Era: Chapter’, Young and innocent?: the cinema in Britain, 1896-1930, vol Exeter studies in film history (University of Exeter Press 2002)
Mayer G, Encyclopedia of American Film Serials (McFarland & Company, Inc, Publishers 2017) <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4801111>
Mayer R, Serial Fu Manchu: The Chinese Supervillain and the Spread of Yellow Peril Ideology, vol Asian American History and Culture (Temple University Press 2013)
Miller T, ‘Deadpool [DVD] [2016]’
Mittell J, Genre and Television: From Cop Shows to Cartoons in American Culture (Routledge 2004) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=200862>
——, ‘“Authorship, Intentionality and Intelligent Design”’ <http://justtv.wordpress.com/2009/03/26/authorship-and-intentionality/#more-334>
——, ‘“Previously On: Prime Time Serials and the Mechanics of Memory”’ <https://justtv.wordpress.com/2009/07/03/previously-on-prime-time-serials-and-the-mechanics-of-memory/>
——, ‘The Wire, Serial Storytelling and Procedural Logic: Chapter’, Third person: authoring and exploring vast narratives (MIT Press 2009)
——, Complex TV: The Poetics of Contemporary Television Storytelling (New York University Press 2015) <http://ezproxy.lib.le.ac.uk/login?url=http://leicester.eblib.com/patron/FullRecord.aspx?p=1991882>
Moffat S, ‘“A Scandal in Belgravia”’
Newman MZ, ‘“From Beats to Arcs: Towards a Poetics of Television Narrative”’ <http://muse.jhu.edu.ezproxy3.lib.le.ac.uk/journals/the_velvet_light_trap/v058/58.1newman.html>
Nolan C, ‘The Dark Knight Trilogy’
Palmer B and Klein AA, Cycles, Sequels, Spin-Offs, Remakes, and Reboots Multiplicities in Film and Television (University of Texas Press 2016) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664737140002746&institutionId=2746&customerId=2745>
Perkins Claire, ‘Remaking and the Film Trilogy: Whit Stillman’s Authorial Triptych’ (2008) 61 The Velvet Light Trap 14
Perkins, Claire D, Verevis, Constantine D, and SpringerLink (Online service), Film Trilogies: New Critical Approaches (Palgrave Macmillan UK 2012) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=4393835600002746&institutionId=2746&customerId=2745>
Poot LT, ‘On Cliffhangers’ (2016) 24 Narrative 50
Potter T and Marshall CW, The Wire: Urban Decay and American Television (Continuum 2009) <http://site.ebrary.com/lib/leicester/Doc?id=10427308>
Reimer M and others (eds), Seriality and Texts for Young People: The Compulsion to Repeat, vol Critical approaches to children’s literature (Palgrave Macmillan 2014) <http://ezproxy.lib.le.ac.uk/login?url=http://lib.myilibrary.com?id=727927>
Reiner J and others, ‘Friday Night Lights: Season 1’
Ritchie G and others, ‘Sherlock Holmes’
Schaeffer A and McGowan JP, ‘The Hurricane Express, The John Wayne Cliffhanger Collection’
Scolari CA and others, Transmedia Archaeology: Storytelling in the Borderlines of Science Fiction, Comics and Pulp Magazines (Palgrave Macmillan UK 2014) <http://dx.doi.org/10.1057/9781137434371>
Simon D, West D and Doman J, ‘The Wire: Season Two: A New Case Begins’
——, ‘The Target, Pilot Episode of The Wire: Season One’
——, ‘The Wire: Season Five: Read between the Lines’
——, ‘The Wire: Season Four’
——, ‘The Wire: Season Three’
Singer B, ‘Serials, Chapter’, The Oxford history of world cinema (Oxford University Press 1996) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665538530002746&institutionId=2746&customerId=2745>
——, ‘Power and Peril in the Serial-Queen Melodrama: Chapter’, Melodrama and modernity: early sensational cinema and its contexts, vol Film and culture (Columbia University Press 2001)
Spigel L and Olsson J, Television After TV: Essays on a Medium in Transition. (Duke University Press 2004) <http://site.ebrary.com/lib/leicester/detail.action?docID=10207685>
Stamp S, Movie-Struck Girls: Women and Motion Picture Culture after the Nickelodeon (Princeton University Press 2000)
——, ‘An Awful Struggle Between Love and Ambition: Serial Heroines, Serial Stars and Their Female Fans: Chapter’, The silent cinema reader (Routledge 2004)
Stein LE and Busse K, Sherlock and Transmedia Fandom: Essays on the BBC Series (McFarland & Company, Inc, Publishers 2012) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664613360002746&institutionId=2746&customerId=2745>
Stephani F and others, ‘Flash Gordon’
Telotte JP, ‘A Charming Interlude: Of Serials and Hollow Men, Chapter’, Replications: a robotic history of the science fiction film (University of Illinois Press 1995)
‘The Velvet Light Trap-Number 79, Spring 2017’ <http://librarysearch.le.ac.uk/44UOLE_VU1:default_scope:44UOLE_ALMA51125487220002746>
Truffaut F and others, ‘Les Quatre Cents Coups =: The 400 Blows’
Turnbull S, The TV Crime Drama (Edinburgh University Press 2014)
Tuska J, The Vanishing Legion: A History of Mascot Pictures, 1927-1935, vol McFarland classics (McFarland 2000)
Vincent J, ‘A Woman in Grey’
Walters J, ‘“Repeat Viewings: Television Analysis in the DVD Age”’ in James Bennett (ed), Film and Television After DVD (Routledge 2008)
Whedon J and others, ‘Avengers Assemble’
White P, Gasnier LJ and MacKenzie D, ‘The Perils of Pauline’
Whitfield J, ‘Beginnings and Endings in Films, Film and Film Studies. University of Warwick, 13 June 2008’ (2008) 49 Screen 471
Williams L, On the Wire (Duke University Press 2014) <http://ezproxy.lib.le.ac.uk/login?url=http://lib.myilibrary.com?id=634245>
Wolf MJP, ‘World-Building in Watchmen’ (2017) 56 Cinema Journal 119
