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Barefoot G. The Serial and the Cliffhanger: Definitions and Origins: Chapter. In: The lost jungle: cliffhanger action and Hollywood serials of the 1930s and 1940s. Exeter: : University of Exeter Press 2016. 11–39.
2
Eco U. Interpreting Serials: Chapter. In: The limits of interpretation. Bloomington, Ind: : Indiana University Press 1990. 83–100.
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Eco U. The Myth of Superman, Chapter. In: The role of the reader: explorations in the semiotics of texts. London: : Indiana U.P. 1979. 107–24.
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Hagedorn R. Doubtless to be Continued: A Brief History of Serial Narrative: Chapter. In: To be continued: soap operas around the world. London: : Routledge 1995. 27–48.http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665573550002746&institutionId=2746&customerId=2745
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Poot LT. On Cliffhangers. Narrative 2016;24:50–67. doi:10.1353/nar.2016.0001
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Chadwick J, White S, Davies A, et al. First episode. Bleak House. 2006.
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Geraghty C. The Continuous Serial: A Defintion. Coronation Street. 1981;:9–26.https://core.ac.uk/download/files/42/1393833.pdf
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Giddings R. Soft Soaping Dickens: Andres Davies, BBC-1 and ‘Bleak House’. http://charlesdickenspage.com/Soft_Soaping_Dickens.html
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Dickens Journals Online. http://www.djo.org.uk/
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Giddings R, Selby K. The classic serial on television and radio. Basingstoke: : Palgrave 2001.
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Dickens C. Bleak house. London: : Electric Book Co 2001. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10015080
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Hayward J. Introduction: Chapter. In: Consuming pleasures: active audiences and serial fictions from Dickens to the soap opera. Lexington, Ky: : University Press of Kentucky 1997. 1–20.http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665538550002746&institutionId=2746&customerId=2745
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Geraghty C. Bleak house. London: : BFI 2012.
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Geraghty C. Women and soap opera: a study of prime time soaps. Oxford: : Polity Press 1990.
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Law G. Serializing fiction in the Victorian press. Basingstoke: : Palgrave 2000.
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Moffat S. ‘A Scandal in Belgravia’. Sherlock: Series 1-3. ;2.
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Ed Wiltse. ‘So Constant an Expectation’: Sherlock Holmes and Seriality. Narrative 1998;6:105–22.http://www.jstor.org/stable/20107142?seq=1#page_scan_tab_contents
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Mayer R. Serial Fu Manchu: the Chinese supervillain and the spread of Yellow Peril ideology. Philadelphia, Pa: : Temple University Press 2013.
19
Stein LE, Busse K. Sherlock and Transmedia Fandom: Essays on the BBC Series. Jefferson: : McFarland & Company, Inc., Publishers 2012. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664613360002746&institutionId=2746&customerId=2745
20
Lynnette R. Porter. Sherlock Holmes for the 21st century. Jefferson, N.C: : McFarland & Company, Inc., Publishers 2012. http://ezproxy.lib.le.ac.uk/login?url=http://leicester.eblib.com/patron/FullRecord.aspx?p=995801
21
Holmes S. Adventure of Sherlock Holmes. Delhi: : Global Media 2006. https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/detail.action?docID=3011077
22
Ritchie G, Downey R, Law J, et al. Sherlock Holmes. 2010.
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Lanfield S, Greene R, Rathbone B, et al. The hound of the Baskervilles. 2005;Sherlock Holmes : the definitive collection.
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Daniels L. Empire: Season 1 [DVD]. 2015.
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Newman MZ. ‘From Beats to Arcs: Towards a Poetics of Television Narrative’. Published Online First: 2006.http://muse.jhu.edu.ezproxy3.lib.le.ac.uk/journals/the_velvet_light_trap/v058/58.1newman.html
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Booth P. ‘Memories, Temporalities, Fictions: Temporal displacement in Contemporary Television’. Published Online First: 2011.http://tvn.sagepub.com.ezproxy3.lib.le.ac.uk/content/12/4/370
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Geraghty C. ‘Aesthetics and quality in popular television drama’ International Journal of Cultural Studies 6,. 2003;:25–45.http://ics.sagepub.com.ezproxy4.lib.le.ac.uk/content/6/1/25.full.pdf+html
28
Mittell J. Genre and television: from cop shows to cartoons in American culture. New York: : Routledge 2004. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=200862
29
Mittell J. ‘Previously On: Prime Time Serials and the Mechanics of Memory’. Published Online First: 2009.https://justtv.wordpress.com/2009/07/03/previously-on-prime-time-serials-and-the-mechanics-of-memory/
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Creeber G. ‘"Taking our personal lives seriously”: intimacy, continuity and memory in the television drama serial’. Published Online First: 2001.http://mcs.sagepub.com.ezproxy3.lib.le.ac.uk/content/23/4/439
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Johnson C. ‘Tele-branding in TVIII: the network as brand and the programme as brand’. Published Online First: 2007.http://www.tandfonline.com.ezproxy3.lib.le.ac.uk/doi/pdf/10.1080/17400300601140126
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Corner J. ‘Narrative’ in Critical ideas in television studies. Oxford: : Oxford University Press 1998.
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Creeber G. ‘Analysing Television: Issues and Methods in Textual Analysis’ in Tele-visions: an introduction to studying television. London: : BFI 2006.
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Reiner J, Chandler K, Britton C, et al. Friday night lights: Season 1. 2012.
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Campion J. Top of the Lake. 2013.http://www.moviemail.com/film/dvd/Top-of-the-Lake/
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Hills M. ‘From the box in the corner to the box set on the shelf’: TVIII and the cultural/textual valorisations of the DVD’. Published Online First: 2007.http://www.tandfonline.com.ezproxy3.lib.le.ac.uk/doi/pdf/10.1080/17400300601140167
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Hills M. ‘Television Aesthetics: A Pre-structuralist Danger?’ Published Online First: 2011.http://www.euppublishing.com/doi/pdfplus/10.3366/jbctv.2011.0008
38
Spigel L, Olsson J. Television After TV: Essays on a Medium in Transition. Duke University Press. 2004. http://site.ebrary.com/lib/leicester/detail.action?docID=10207685
39
Kompare D. ‘Publishing flow: DVD box sets and the reconception of television’. Published Online First: 2006.http://tvn.sagepub.com.ezproxy3.lib.le.ac.uk/content/7/4/335
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Holdsworth A. ‘Televisual Memory’. Screen (London) 2010;Vol.51 (2).http://ezproxy.lib.le.ac.uk/login?url=https://academic.oup.com/screen/article/51/2/129/1684514
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Kackman M. ‘Quality Television, Melodrama, and Cultural Complexity’. Published Online First: 2008.http://flowtv.org/?p=2101
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Mittell J. ‘Authorship, intentionality and intelligent design’. Published Online First: 2009.http://justtv.wordpress.com/2009/03/26/authorship-and-intentionality/#more-334
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Walters J. ‘Repeat Viewings: Television Analysis in the DVD Age’. In: Bennett J, ed. Film and Television After DVD. Routledge 2008.
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Jacobs J. ‘Issues of Judgement and Value in Television Studies’ International Journal of Cultural Studies. 2001;:427–47.http://ics.sagepub.com.ezproxy4.lib.le.ac.uk/content/4/4/427.full.pdf+html
45
Simon D, West D, Doman J. The Target, pilot episode of The wire: Season one. The wire: Season one: Listen carefully. 2005.
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Mittell J. The Wire, Serial Storytelling and Procedural Logic: Chapter. In: Third person: authoring and exploring vast narratives. Cambridge, Mass: : MIT Press 2009. 429–37.
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Kelleter F. Serial agencies: The wire and its readers. Winchester: : Zero Books 2014.
48
Mittell J. Complex TV: the poetics of contemporary television storytelling. New York: : New York University Press 2015. http://ezproxy.lib.le.ac.uk/login?url=http://leicester.eblib.com/patron/FullRecord.aspx?p=1991882
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Kennedy L, Shapiro S. The wire: race, class, and genre. Ann Arbor, Mich: : University of Michigan Press 2012.
50
Potter T, Marshall CW. The wire: urban decay and American television. New York: : Continuum 2009. http://site.ebrary.com/lib/leicester/Doc?id=10427308
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Turnbull S. The TV crime drama. Edinburgh: : Edinburgh University Press 2014.
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Whitfield J. Beginnings and Endings in Films, Film and Film Studies. University of Warwick, 13 June 2008. Screen 2008;49:471–6. doi:10.1093/screen/hjn069
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Williams L. On the Wire. Durham: : Duke University Press 2014. http://ezproxy.lib.le.ac.uk/login?url=http://lib.myilibrary.com?id=634245
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Corkin S. Connecting The wire: race, space, and postindustrial Baltimore. First edition. Austin: : University of Texas Press 2017.
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Simon D, West D, Doman J. The wire: Season two: A new case begins. 2004.
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Simon D, West D, Doman J. The wire: Season three. 2005.
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Simon D, West D, Doman J. The wire: Season four. 2005.
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Simon D, West D, Doman J. The wire: Season five: Read between the lines. 2005.
59
Feuillade L, Mathé É, Musidora. Les vampires: Disc 1: Episodes 1-5. ;Artificial eye.
60
Marks M, Simmon S, National Film Preservation Foundation (United States). The Hazards of Helen, #26: Audio-visual document. More treasures from American film archives 1894-1931: Program 1 /[ curated by Scott Simmon, music curated by Martin Marks]. 2004.
61
Singer B. Power and Peril in the Serial-Queen Melodrama: Chapter. In: Melodrama and modernity: early sensational cinema and its contexts. New York: : Columbia University Press 2001. 221–62.
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Gardner J. Serial Pleasures, 1907-1938’ Chapter. In: Projections: comics and the history of twenty-first-century storytelling. Stanford, Calif: : Stanford University Press 2012. 29–67.http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665221460002746&institutionId=2746&customerId=2745
63
Dahlquist M. Exporting Perilous Pauline: Pearl White and the serial film craze. Urbana, Ill: : University of Illinois Press 2013. http://site.ebrary.com/lib/leicester/Doc?id=10722961
64
Stamp S. Movie-struck girls: women and motion picture culture after the nickelodeon. Princeton, N.J.: : Princeton University Press 2000.
65
Canjels R. Distributing silent film serials: local practices, changing forms, cultural transformation. London: : Routledge 2010.
66
Lambert, Josh. "Wait for the Next Pictures”: Intertextuality and Cliffhanger Continuity in Early Cinema and Comic Strips. Cinema Journal; Winter 2009;48:3–25. doi:10.1353/cj.0.0076
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Singer B. Serials, Chapter. In: The Oxford history of world cinema. Oxford: : Oxford University Press 1996. 105–11.http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665538530002746&institutionId=2746&customerId=2745
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Bordwell D. Feuillade, or Storytelling: Chapter. In: Figures traced in light: on cinematic staging. Berkeley: : University of California Press 2005. 43–82.
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Brasch I, Mayer R. Modernity management: 1920s cinema, mass culture and the film serial. Screen 2016;57:302–15. doi:10.1093/screen/hjw031
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Butler KJ. Irma Vep: Vamp in the City: Mapping the Criminal Feminine in Early French Serials: Chapter. In: A feminist reader in early cinema. Durham, N.C.: : Duke University Press 2002. 195–220.
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Callahan V. Zones of anxiety: movement, Musidora, and the crime serials of Louis Feuillade. Detroit, Mich: : Wayne State University Press 2005. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664737070002746&institutionId=2746&customerId=2745
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Marlow-Mann A. British Series and Serials in the Silent Era: Chapter. In: Young and innocent?: the cinema in Britain, 1896-1930. Exeter: : University of Exeter Press 2002. 147–61.
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Stamp S. An Awful Struggle Between Love and Ambition: Serial Heroines, Serial Stars and Their Female Fans: Chapter. In: The silent cinema reader. London: : Routledge 2004. 210–25.
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White P, Gasnier LJ, MacKenzie D. The perils of Pauline. 1914.
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Vincent J. A Woman in Grey. 1919.
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Feuillade L, Breon E, Navarre R, et al. Fantômas. ;Artificial eye.
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Eason B, Brower O, Autry G, et al. The phantom empire. 2935.
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Higgins S. The Inevitability of Chance: Time in the Sound Serial: Chapter. In: Media of Serial Narrative. Ohio State University Press 2017. 93–107.https://ebookcentral-proquest-com.ezproxy4.lib.le.ac.uk/lib/leicester/detail.action?docID=4854569
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Telotte JP. A Charming Interlude: Of Serials and Hollow Men, Chapter. In: Replications: a robotic history of the science fiction film. Urbana, Ill: : University of Illinois Press 1995. 91–110.
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Kinnard R, Crnkovich T, Vitone RJ. The Flash Gordon serials, 1936-1940: a heavily illustrated guide. Jefferson, N.C.: : McFarland 2011.
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Barefoot G. Who Watched that Masked Man? Hollywood’s Serial Audiences in the 1930S. Historical Journal of Film, Radio and Television 2011;31:167–90. doi:10.1080/01439685.2011.572604
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Kuhn A. Jam Jars and Cliffhangers: Chapter. In: An everyday magic: cinema and cultural memory. London: : I.B. Tauris 2002. 38–65.
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Hurst RM. Republic Studios: between poverty row and the majors. Updated ed. Lanham, Md: : Scarecrow Press 2007.
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Higgins S. Seriality’s Ludic Promise: Film Serials and the Pre-History of Digital Gaming. Eludamos Journal for Computer Game Culture 2014;8.http://www.eludamos.org/index.php/eludamos/article/viewArticle/vol8no1-7
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Higgins S. Matinee Melodrama. New Brunswick, NJ: : Rutgers University Press 2016. http://web.b.ebscohost.com/ehost/detail/detail?vid=0&sid=f5e891e2-df1e-4fcc-b00d-bfcfb20c48a8%40sessionmgr101&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=1163236&db=nlebk
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Higgins S. Suspenseful Situations: Melodramatic Narrative and the Contemporary Action Film. Cinema Journal 2007;47:74–96. doi:10.1353/cj.2008.0010
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Mayer G. Encyclopedia of american film serials. Jefferson, North Carolina: : McFarland & Company, Inc., Publishers 2017. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4801111
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Tuska J. The vanishing legion: a history of Mascot Pictures, 1927-1935. Jefferson, N.C.: : McFarland 2000.
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Barefoot G. The lost jungle: cliffhanger action and Hollywood serials of the 1930s and 1940s. Exeter: : University of Exeter Press 2016.
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Beebe F, Goodkind SA, Crabbe B. Buck Rogers. 2003.
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Stephani F, Crabbe B, Rogers J, et al. Flash Gordon. 1999;Flash Gordon.
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Beebe F, Crabbe B, Rogers J, et al. Flash Gordon’s trip to Mars. 2000;Flash Gordon.
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Beebe F, Taylor R, Crabbe B, et al. Flash Gordon conquers the universe. 2000;Flash Gordon.
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Brower O, Eason B, Kane J, et al. The science fiction cliffhanger collection. 2006.
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Schaeffer A, McGowan JP. The Hurricane Express, The John Wayne cliffhanger collection. The John Wayne cliffhanger collection. 1932.
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Lugosi B, Herman A, Clark C. The whispering shadow. 2004;Classic movie serials.
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English J, Witney W, Hadley R. Zorro’s fighting legion. 2004.
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Douglas B. Bill Douglas Trilogy [DVD Blu-ray].
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Perkins, Claire D, Verevis, Constantine D, SpringerLink (Online service). Film Trilogies: New Critical Approaches. London: : Palgrave Macmillan UK 2012. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=4393835600002746&institutionId=2746&customerId=2745
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Kate Webb. Bill Douglas among the Philestines: From the Trilogy to Comrades. Cinéaste 2012;37:28–32.http://www.jstor.org/stable/41691154?seq=1#page_scan_tab_contents
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Guy Barefoot. Autobiography and the autobiographical in the Bill Douglas trilogy. Author(s):Guy BarefootDocument types:CommentaryDocument features:References, PhotographsPublication title:Biography Honolulu: Winter 2006 Vol 29, Iss 1; pg 14, 18 pgsSource type:Periodical Text Word Count6448 2006;29.https://literature.proquest.com/searchFulltext.do?id=R03843266&divLevel=0&queryId=3001292647300&trailId=15CCAFEECC7&area=abell&forward=critref_ft
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Bill Douglas: a lanternist’s account. London: : BFI in association with the Scottish Film Council 1993.
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Kuhn A. Memory texts and memory work: Performances of memory in and with visual media. Memory Studies 2010;3:298–313. doi:10.1177/1750698010370034
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Perkins Claire. Remaking and the Film Trilogy: Whit Stillman’s Authorial Triptych. The Velvet Light Trap 2008;61:14–25. doi:10.1353/vlt.2008.0010
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Bruzzi S. Seven up. London: : BFI 2007.
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Kieślowski K, Binoche J. Trois couleurs: bleu =. ;Artificial eye.
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Bannerjee K, Bannerjee K, Ray S. Pather panchali =: Song of the road. ;Apu trilogy.
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Fabrizi A, Rossellini R. Roma, citta aperta =: Rome, open city. 2005;Roberto Rossellini’s war trilogy.
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Jackson P, Tolkien JRR, Walsh F, et al. The lord of the rings: the fellowship of the ring. 2002.
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Linklater R, Arquette P, Coltrane E, et al. Boyhood. 2014.
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Truffaut F, Léaud J-P, Maurier C, et al. Les quatre cents coups =: The 400 blows. 2006;François Truffaut-the films.
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Miller T. Deadpool [DVD] [2016]. 2016.
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Jenkins H. Searching for the Origami Unicorn: The Matrix and Transmedia Storytelling: Chapter. In: Convergence culture: where old and new media collide. New York: : New York University Press 2006. 95–134.
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Brooker W. Hunting the Dark Knight: twenty-first century Batman. London: : I.B. Tauris 2012. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664375810002746&institutionId=2746&customerId=2745
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Beaty B. The Blockbuster Superhero: Chapter. In: Lucia CAB, Grundmann R, Simon A, eds. American film history: selected readings, 1960 to the present. Hoboken, New Jersey: : Wiley Blackwell 2016. 423–37.http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665537880002746&institutionId=2746&customerId=2745
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Gordon I, Jancovich M, McAllister MP. Film and Comic Books. Jackson: : University Press of Mississippi 2007. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=840334
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Kallay J. Narrative Architecture: Databases, Labyrinths and Stories That Won’t End: Chapter. In: Gaming film: How games are reshaping contemporary cinema. Basingstoke: : Palgrave Macmillan 2013. 32–65.http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665936340002746&institutionId=2746&customerId=2745
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Gray RJ, Kaklamanidou B. The 21st Century Superhero: Essays on Gender, Genre and Globalization in Film. Jefferson: : McFarland & Company, Inc., Publishers 2011. https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/detail.action?docID=768108
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Scolari CA, Bertetti P, Freeman M, et al. Transmedia Archaeology: Storytelling in the Borderlines of Science Fiction, Comics and Pulp Magazines. London: : Palgrave Macmillan UK 2014. http://dx.doi.org/10.1057/9781137434371
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Flanagan M, Livingstone A, McKenny M. The Marvel Studios phenomenon: inside a transmedia universe. New York: : Bloomsbury Academic 2016. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4460222
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Wolf MJP. World-Building in Watchmen. Cinema Journal 2017;56:119–25. doi:10.1353/cj.2017.0006
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Nolan C. The Dark Knight Trilogy.
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Favreau J, Downey R, Howard T, et al. Iron Man. 2008.
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Whedon J, Downey R, Evans C, et al. Avengers assemble. 2012.
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Denson S. »To be continued...«: Seriality and Serialization in Interdisciplinary Perspective [What Happens Next: The Mechanics of Serialization. Graduate Conference at the University of Amsterdam, March 25–26, 2011.]. JLTonline Conference Proceedings Published Online First: 2011.http://www.jltonline.de/index.php/conferences/article/view/346/1004
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Allen R, Berg T van den. Serialization in popular culture. London: : Routledge 2014.
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Creeber G. Serial television: big drama on the small screen. London: : BFI Publishing 2004.
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Reimer M, Ali N, England D, et al., editors. Seriality and texts for young people: the compulsion to repeat. Houndmills, Basingstoke, Hampshire: : Palgrave Macmillan 2014. http://ezproxy.lib.le.ac.uk/login?url=http://lib.myilibrary.com?id=727927
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Literatur in Wissenschaft und Unterricht. 2014;47.
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Kelleter F. Media of Serial Narrative. Ohio State University Press 2017. http://ebookcentral.proquest.com.ezproxy4.lib.le.ac.uk/lib/leicester/detail.action?docID=4854569
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The Velvet Light Trap-Number 79, Spring 2017. http://librarysearch.le.ac.uk/44UOLE_VU1:default_scope:44UOLE_ALMA51125487220002746
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Palmer B, Klein AA. Cycles, Sequels, Spin-offs, Remakes, and Reboots Multiplicities in Film and Television. University of Texas Press 2016. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664737140002746&institutionId=2746&customerId=2745
