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---. ‘Who Watched That Masked Man? Hollywood’s Serial Audiences in the 1930S’. Historical Journal of Film, Radio and Television 31.2 (2011): 167–190. Web.
Beaty, Bart. ‘The Blockbuster Superhero: Chapter’. American Film History: Selected Readings, 1960 to the Present. Ed. Cynthia A. Barto Lucia, Roy Grundmann, and Arthur Simon. Hoboken, New Jersey: Wiley Blackwell, 2016. 423–437. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665537880002746&institutionId=2746&customerId=2745>.
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Bordwell, David. ‘Feuillade, or Storytelling: Chapter’. Figures Traced in Light: On Cinematic Staging. Berkeley: University of California Press, 2005. 43–82. Print.
Brasch, Ilka, and Ruth Mayer. ‘Modernity Management: 1920s Cinema, Mass Culture and the Film Serial’. Screen 57.3 (2016): 302–315. Web.
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Butler, Kristine J. ‘Irma Vep: Vamp in the City: Mapping the Criminal Feminine in Early French Serials: Chapter’. A Feminist Reader in Early Cinema. Camera obscura book. Durham, N.C.: Duke University Press, 2002. 195–220. Print.
Callahan, Vicki. Zones of Anxiety: Movement, Musidora, and the Crime Serials of Louis Feuillade. Contemporary approaches to film and television series. Detroit, Mich: Wayne State University Press, 2005. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664737070002746&institutionId=2746&customerId=2745>.
Campion, Jane. ‘Top of the Lake’. 2013. Web. <http://www.moviemail.com/film/dvd/Top-of-the-Lake/>.
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---. Serial Television: Big Drama on the Small Screen. London: BFI Publishing, 2004. Print.
---. ‘‘"Taking Our Personal Lives Seriously”: Intimacy, Continuity and Memory in the Television Drama Serial’’. (2001): n. pag. Web. <http://mcs.sagepub.com.ezproxy3.lib.le.ac.uk/content/23/4/439>.
Dahlquist, Marina. Exporting Perilous Pauline: Pearl White and the Serial Film Craze. Women and film history international. Urbana, Ill: University of Illinois Press, 2013. Web. <http://site.ebrary.com/lib/leicester/Doc?id=10722961>.
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Dickens, Charles. Bleak House. London: Electric Book Co, 2001. Web. <http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10015080>.
‘Dickens Journals Online’. N.p., n.d. Web. <http://www.djo.org.uk/>.
Douglas, Bill. ‘Bill Douglas Trilogy [DVD Blu-Ray]’. : n. pag. Print.
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Eco, Umberto. ‘Interpreting Serials: Chapter’. The Limits of Interpretation. Advances in semiotics. Bloomington, Ind: Indiana University Press, 1990. 83–100. Print.
---. ‘The Myth of Superman, Chapter’. The Role of the Reader: Explorations in the Semiotics of Texts. Advances in semiotics. London: Indiana U.P., 1979. 107–124. Print.
Ed Wiltse. ‘“So Constant an Expectation”: Sherlock Holmes and Seriality’. Narrative 6.2 (1998): 105–122. Web. <http://www.jstor.org/stable/20107142?seq=1#page_scan_tab_contents>.
English, John, William Witney, and Reed Hadley. ‘Zorro’s Fighting Legion’. 2004 : n. pag. Print.
Fabrizi, Aldo, and Roberto Rossellini. ‘Roma, Citta Aperta =: Rome, Open City’. 2005 : n. pag. Print.
Favreau, Jon et al. ‘Iron Man’. 2008 : n. pag. Print.
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Feuillade, Louis, Édouard Mathé, and Musidora. ‘Les Vampires: Disc 1: Episodes 1-5’. : n. pag. Print.
Flanagan, Martin, Andrew Livingstone, and Mike McKenny. The Marvel Studios Phenomenon: Inside a Transmedia Universe. New York: Bloomsbury Academic, 2016. Web. <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4460222>.
Gardner, Jared. ‘Serial Pleasures, 1907-1938’ Chapter’. Projections: Comics and the History of Twenty-First-Century Storytelling. Post 45. Stanford, Calif: Stanford University Press, 2012. 29–67. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665221460002746&institutionId=2746&customerId=2745>.
Geraghty, C. ‘“Aesthetics and Quality in Popular Television Drama” International Journal of Cultural Studies 6,’. (2003): 25–45. Web. <http://ics.sagepub.com.ezproxy4.lib.le.ac.uk/content/6/1/25.full.pdf+html>.
Geraghty, Christine. Bleak House. BFI TV classics. London: BFI, 2012. Print.
---. ‘The Continuous Serial: A Defintion’. Ed. Richard Dyer. Coronation Street 1981 : 9–26. Web. <https://core.ac.uk/download/files/42/1393833.pdf>.
---. Women and Soap Opera: A Study of Prime Time Soaps. Oxford: Polity Press, 1990. Print.
Giddings, Robert. ‘Soft Soaping Dickens: Andres Davies, BBC-1 and “Bleak House”’. N.p., n.d. Web. <http://charlesdickenspage.com/Soft_Soaping_Dickens.html>.
Giddings, Robert, and Keith Selby. The Classic Serial on Television and Radio. Basingstoke: Palgrave, 2001. Print.
Gordon, Ian, Mark Jancovich, and Matthew P. McAllister. Film and Comic Books. Jackson: University Press of Mississippi, 2007. Web. <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=840334>.
Gray, Richard J., and Betty Kaklamanidou. The 21st Century Superhero: Essays on Gender, Genre and Globalization in Film. Jefferson: McFarland & Company, Inc., Publishers, 2011. Web. <https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/detail.action?docID=768108>.
Guy Barefoot. ‘Autobiography and the Autobiographical in the Bill Douglas Trilogy’. Author(s):Guy BarefootDocument types:CommentaryDocument features:References, PhotographsPublication title:Biography. Honolulu: Winter 2006. Vol. 29, Iss. 1; pg. 14, 18 pgsSource type:Periodical Text Word Count6448 29.1 (2006): n. pag. Web. <https://literature.proquest.com/searchFulltext.do?id=R03843266&divLevel=0&queryId=3001292647300&trailId=15CCAFEECC7&area=abell&forward=critref_ft>.
Hagedorn, Roger. ‘Doubtless to Be Continued: A Brief History of Serial Narrative: Chapter’. To Be Continued: Soap Operas around the World. London: Routledge, 1995. 27–48. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665573550002746&institutionId=2746&customerId=2745>.
Hayward, Jennifer. ‘Introduction: Chapter’. Consuming Pleasures: Active Audiences and Serial Fictions from Dickens to the Soap Opera. Lexington, Ky: University Press of Kentucky, 1997. 1–20. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665538550002746&institutionId=2746&customerId=2745>.
Higgins, S. Matinee Melodrama. New Brunswick, NJ: Rutgers University Press, 2016. Web. <http://web.b.ebscohost.com/ehost/detail/detail?vid=0&sid=f5e891e2-df1e-4fcc-b00d-bfcfb20c48a8%40sessionmgr101&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=1163236&db=nlebk>.
Higgins, Scott. ‘Seriality’s Ludic Promise: Film Serials and the Pre-History of Digital Gaming’. Eludamos. Journal for Computer Game Culture 8.1 (2014): n. pag. Web. <http://www.eludamos.org/index.php/eludamos/article/viewArticle/vol8no1-7>.
---. ‘Suspenseful Situations: Melodramatic Narrative and the Contemporary Action Film’. Cinema Journal 47.2 (2007): 74–96. Web.
---. ‘The Inevitability of Chance: Time in the Sound Serial: Chapter’. Media of Serial Narrative. Ohio State University Press, 2017. 93–107. Web. <https://ebookcentral-proquest-com.ezproxy4.lib.le.ac.uk/lib/leicester/detail.action?docID=4854569>.
Hills, Matt. ‘“From the Box in the Corner to the Box Set on the Shelf”: TVIII and the Cultural/Textual Valorisations of the DVD’’. (2007): n. pag. Web. <http://www.tandfonline.com.ezproxy3.lib.le.ac.uk/doi/pdf/10.1080/17400300601140167>.
---. ‘“Television Aesthetics: A Pre-Structuralist Danger?”’ (2011): n. pag. Web. <http://www.euppublishing.com/doi/pdfplus/10.3366/jbctv.2011.0008>.
Holdsworth, Amy. ‘“Televisual Memory”’. Screen (London) Vol.51 (2) (2010): n. pag. Web. <http://ezproxy.lib.le.ac.uk/login?url=https://academic.oup.com/screen/article/51/2/129/1684514>.
Holmes, Sherlock. Adventure of Sherlock Holmes. Delhi: Global Media, 2006. Web. <https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/detail.action?docID=3011077>.
Hurst, Richard Maurice. Republic Studios: Between Poverty Row and the Majors. Updated ed. Lanham, Md: Scarecrow Press, 2007. Print.
Jackson, Peter et al. ‘The Lord of the Rings: The Fellowship of the Ring’. 2002 : n. pag. Print.
Jacobs, Jason. ‘“Issues of Judgement and Value in Television Studies” International Journal of Cultural Studies’. N.p., 2001. Web. <http://ics.sagepub.com.ezproxy4.lib.le.ac.uk/content/4/4/427.full.pdf+html>.
Jenkins, Henry. ‘Searching for the Origami Unicorn: The Matrix and Transmedia Storytelling: Chapter’. Convergence Culture: Where Old and New Media Collide. New York: New York University Press, 2006. 95–134. Print.
Johnson, Cathy. ‘“Tele-Branding in TVIII: The Network as Brand and the Programme as Brand”’. (2007): n. pag. Web. <http://www.tandfonline.com.ezproxy3.lib.le.ac.uk/doi/pdf/10.1080/17400300601140126>.
Kackman, M. ‘“Quality Television, Melodrama, and Cultural Complexity”’. (2008): n. pag. Web. <http://flowtv.org/?p=2101>.
Kallay, Jasmoina. ‘Narrative Architecture: Databases, Labyrinths and Stories That Won’t End: Chapter’. Gaming Film: How Games Are Reshaping Contemporary Cinema. Basingstoke: Palgrave Macmillan, 2013. 32–65. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665936340002746&institutionId=2746&customerId=2745>.
Kate Webb. ‘Bill Douglas among the Philestines: From the Trilogy to Comrades’. Cinéaste 37.3 (2012): 28–32. Web. <http://www.jstor.org/stable/41691154?seq=1#page_scan_tab_contents>.
Kelleter, Frank. Media of Serial Narrative. Ohio State University Press, 2017. Web. <http://ebookcentral.proquest.com.ezproxy4.lib.le.ac.uk/lib/leicester/detail.action?docID=4854569>.
---. Serial Agencies: The Wire and Its Readers. Winchester: Zero Books, 2014. Print.
Kennedy, Liam, and Stephen Shapiro. The Wire: Race, Class, and Genre. Class : culture. Ann Arbor, Mich: University of Michigan Press, 2012. Print.
Kieślowski, Krzysztof, and Juliette Binoche. ‘Trois Couleurs: Bleu =’. : n. pag. Print.
Kinnard, Roy, Tony Crnkovich, and R. J. Vitone. The Flash Gordon Serials, 1936-1940: A Heavily Illustrated Guide. Jefferson, N.C.: McFarland, 2011. Print.
Kompare, Derek. ‘“Publishing Flow: DVD Box Sets and the Reconception of Television”’. (2006): n. pag. Web. <http://tvn.sagepub.com.ezproxy3.lib.le.ac.uk/content/7/4/335>.
Kuhn, Annette. ‘Jam Jars and Cliffhangers: Chapter’. An Everyday Magic: Cinema and Cultural Memory. Cinema and society. London: I.B. Tauris, 2002. 38–65. Print.
---. ‘Memory Texts and Memory Work: Performances of Memory in and with Visual Media’. Memory Studies 3.4 (2010): 298–313. Web.
Lambert, Josh. ‘"Wait for the Next Pictures”: Intertextuality and Cliffhanger Continuity in Early Cinema and Comic Strips.’ Cinema Journal; Winter 48.2 (2009): 3–25. Web. <http://search.ebscohost.com/login.aspx?direct=true&db=aft&AN=505281867&site=ehost-live>.
Lanfield, Sidney et al. ‘The Hound of the Baskervilles’. 2005 : n. pag. Print.
Law, Graham. Serializing Fiction in the Victorian Press. Basingstoke: Palgrave, 2000. Print.
Linklater, Richard et al. ‘Boyhood’. 2014 : n. pag. Print.
‘Literatur in Wissenschaft Und Unterricht’. 47.1/2 (2014): n. pag. Print.
Lugosi, Bela, Albert Herman, and Colbert Clark. ‘The Whispering Shadow’. 2004 : n. pag. Print.
Lynnette R. Porter. Sherlock Holmes for the 21st Century. Jefferson, N.C: McFarland & Company, Inc., Publishers, 2012. Web. <http://ezproxy.lib.le.ac.uk/login?url=http://leicester.eblib.com/patron/FullRecord.aspx?p=995801>.
Marks, Martin, Scott Simmon, and National Film Preservation Foundation (United States). ‘The Hazards of Helen, #26: Audio-Visual Document’. More treasures from American film archives 1894-1931: Program 1 /[ curated by Scott Simmon, music curated by Martin Marks] 2004 : n. pag. Print.
Marlow-Mann, Alex. ‘British Series and Serials in the Silent Era: Chapter’. Young and Innocent?: The Cinema in Britain, 1896-1930. Exeter studies in film history. Exeter: University of Exeter Press, 2002. 147–161. Print.
Mayer, Geoff. Encyclopedia of American Film Serials. Jefferson, North Carolina: McFarland & Company, Inc., Publishers, 2017. Web. <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4801111>.
Mayer, Ruth. Serial Fu Manchu: The Chinese Supervillain and the Spread of Yellow Peril Ideology. Asian American History and Culture. Philadelphia, Pa: Temple University Press, 2013. Print.
Miller, Tim. ‘Deadpool [DVD] [2016]’. 2016 : n. pag. Print.
Mittell, Jason. ‘“Authorship, Intentionality and Intelligent Design”’. (2009): n. pag. Web. <http://justtv.wordpress.com/2009/03/26/authorship-and-intentionality/#more-334>.
---. Complex TV: The Poetics of Contemporary Television Storytelling. New York: New York University Press, 2015. Web. <http://ezproxy.lib.le.ac.uk/login?url=http://leicester.eblib.com/patron/FullRecord.aspx?p=1991882>.
---. Genre and Television: From Cop Shows to Cartoons in American Culture. New York: Routledge, 2004. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=200862>.
---. ‘“Previously On: Prime Time Serials and the Mechanics of Memory”’. (2009): n. pag. Web. <https://justtv.wordpress.com/2009/07/03/previously-on-prime-time-serials-and-the-mechanics-of-memory/>.
---. ‘The Wire, Serial Storytelling and Procedural Logic: Chapter’. Third Person: Authoring and Exploring Vast Narratives. Cambridge, Mass: MIT Press, 2009. 429–437. Print.
Moffat, Stephen. ‘“A Scandal in Belgravia”’. Sherlock: Series 1-3 : n. pag. Print.
Newman, M.Z. ‘“From Beats to Arcs: Towards a Poetics of Television Narrative”’. (2006): n. pag. Web. <http://muse.jhu.edu.ezproxy3.lib.le.ac.uk/journals/the_velvet_light_trap/v058/58.1newman.html>.
Nolan, Christopher. ‘The Dark Knight Trilogy’. : n. pag. Print.
Palmer, Barton, and Amanda Ann Klein. Cycles, Sequels, Spin-Offs, Remakes, and Reboots Multiplicities in Film and Television. University of Texas Press, 2016. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664737140002746&institutionId=2746&customerId=2745>.
Perkins, Claire. ‘Remaking and the Film Trilogy: Whit Stillman’s Authorial Triptych’. The Velvet Light Trap 61.1 (2008): 14–25. Web.
Perkins, Claire, Dr, Dr Verevis, Constantine, and SpringerLink (Online service). Film Trilogies: New Critical Approaches. London: Palgrave Macmillan UK, 2012. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=4393835600002746&institutionId=2746&customerId=2745>.
Poot, Luke Terlaak. ‘On Cliffhangers’. Narrative 24.1 (2016): 50–67. Web.
Potter, Tiffany, and C. W. Marshall. The Wire: Urban Decay and American Television. New York: Continuum, 2009. Web. <http://site.ebrary.com/lib/leicester/Doc?id=10427308>.
Reimer, Mavis et al., eds. Seriality and Texts for Young People: The Compulsion to Repeat. Critical approaches to children’s literature. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2014. Web. <http://ezproxy.lib.le.ac.uk/login?url=http://lib.myilibrary.com?id=727927>.
Reiner, Jeffrey et al. ‘Friday Night Lights: Season 1’. 2012 : n. pag. Print.
Ritchie, Guy et al. ‘Sherlock Holmes’. 2010 : n. pag. Print.
Schaeffer, Armand, and J.P. McGowan. ‘The Hurricane Express, The John Wayne Cliffhanger Collection’. The John Wayne cliffhanger collection 1932 : n. pag. Print.
Scolari, Carlos A. et al. Transmedia Archaeology: Storytelling in the Borderlines of Science Fiction, Comics and Pulp Magazines. London: Palgrave Macmillan UK, 2014. Web. <http://dx.doi.org/10.1057/9781137434371>.
Simon, David, Dominic West, and John Doman. ‘The Target, Pilot Episode of The Wire: Season One’. The wire: Season one: Listen carefully 2005 : n. pag. Print.
---. ‘The Wire: Season Five: Read between the Lines’. 2005 : n. pag. Print.
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---. ‘The Wire: Season Two: A New Case Begins’. 2004 : n. pag. Print.
Singer, Ben. ‘Power and Peril in the Serial-Queen Melodrama: Chapter’. Melodrama and Modernity: Early Sensational Cinema and Its Contexts. Film and culture. New York: Columbia University Press, 2001. 221–262. Print.
---. ‘Serials, Chapter’. The Oxford History of World Cinema. Oxford: Oxford University Press, 1996. 105–111. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665538530002746&institutionId=2746&customerId=2745>.
Spigel, L., and J. Olsson. Television After TV: Essays on a Medium in Transition. Duke University Press., 2004. Web. <http://site.ebrary.com/lib/leicester/detail.action?docID=10207685>.
Stamp, Shelley. ‘An Awful Struggle Between Love and Ambition: Serial Heroines, Serial Stars and Their Female Fans: Chapter’. The Silent Cinema Reader. London: Routledge, 2004. 210–225. Print.
---. Movie-Struck Girls: Women and Motion Picture Culture after the Nickelodeon. Princeton, N.J.: Princeton University Press, 2000. Print.
Stein, Louisa Ellen, and Kristina Busse. Sherlock and Transmedia Fandom: Essays on the BBC Series. Jefferson: McFarland & Company, Inc., Publishers, 2012. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664613360002746&institutionId=2746&customerId=2745>.
Stephani, Frederick et al. ‘Flash Gordon’. 1999 : n. pag. Print.
Telotte, J. P. ‘A Charming Interlude: Of Serials and Hollow Men, Chapter’. Replications: A Robotic History of the Science Fiction Film. Urbana, Ill: University of Illinois Press, 1995. 91–110. Print.
‘The Velvet Light Trap-Number 79, Spring 2017’. 79 n. pag. Web. <http://librarysearch.le.ac.uk/44UOLE_VU1:default_scope:44UOLE_ALMA51125487220002746>.
Truffaut, François et al. ‘Les Quatre Cents Coups =: The 400 Blows’. 2006 : n. pag. Print.
Turnbull, Sue. The TV Crime Drama. Edinburgh: Edinburgh University Press, 2014. Print.
Tuska, Jon. The Vanishing Legion: A History of Mascot Pictures, 1927-1935. McFarland classics. Jefferson, N.C.: McFarland, 2000. Print.
Vincent, James. ‘A Woman in Grey’. 1919 : n. pag. Print.
Walters, J. ‘“Repeat Viewings: Television Analysis in the DVD Age”’. Film and Television After DVD. Ed. James Bennett. Routledge, 2008. Print.
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White, Pearl, Louis J. Gasnier, and Donald MacKenzie. ‘The Perils of Pauline’. 1914 : n. pag. Print.
Whitfield, J. ‘Beginnings and Endings in Films, Film and Film Studies. University of Warwick, 13 June 2008’. Screen 49.4 (2008): 471–476. Web.
Williams, Linda. On the Wire. Durham: Duke University Press, 2014. Web. <http://ezproxy.lib.le.ac.uk/login?url=http://lib.myilibrary.com?id=634245>.
Wolf, Mark J. P. ‘World-Building in Watchmen’. Cinema Journal 56.2 (2017): 119–125. Web.
