Allen, R., & Berg, T. van den. (2014). Serialization in popular culture: Vol. Routledge research in cultural and media studies. Routledge.
Bannerjee, K., Bannerjee, K., & Ray, S. (n.d.). Pather panchali =: Song of the road: Vol. Apu trilogy. Artificial eye.
Barefoot, G. (2011). Who Watched that Masked Man? Hollywood’s Serial Audiences in the 1930S. Historical Journal of Film, Radio and Television, 31(2), 167–190. https://doi.org/10.1080/01439685.2011.572604
Barefoot, G. (2016a). The lost jungle: cliffhanger action and Hollywood serials of the 1930s and 1940s: Vol. Exeter Studies in Film History. University of Exeter Press.
Barefoot, G. (2016b). The Serial and the Cliffhanger: Definitions and Origins: Chapter. In The lost jungle: cliffhanger action and Hollywood serials of the 1930s and 1940s: Vol. Exeter Studies in Film History (pp. 11–39). University of Exeter Press.
Beaty, B. (2016). The Blockbuster Superhero: Chapter. In C. A. B. Lucia, R. Grundmann, & A. Simon (Eds.), American film history: selected readings, 1960 to the present (pp. 423–437). Wiley Blackwell. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665537880002746&institutionId=2746&customerId=2745
Beebe, F., Crabbe, B., Rogers, J., & Middleton, C. (2000). Flash Gordon’s trip to Mars: Vol. Flash Gordon. Image Entertainment.
Beebe, F., Goodkind, S. A., & Crabbe, B. (2003). Buck Rogers. VCI Entertainment.
Beebe, F., Taylor, R., Crabbe, B., Hughes, C., & Middleton, C. (2000). Flash Gordon conquers the universe: Vol. Flash Gordon. Image Entertainment.
Bill Douglas: a lanternist’s account. (1993). BFI in association with the Scottish Film Council.
Booth, P. (2011). ‘Memories, Temporalities, Fictions: Temporal displacement in Contemporary Television’. http://tvn.sagepub.com.ezproxy3.lib.le.ac.uk/content/12/4/370
Bordwell, D. (2005). Feuillade, or Storytelling: Chapter. In Figures traced in light: on cinematic staging (pp. 43–82). University of California Press.
Brasch, I., & Mayer, R. (2016). Modernity management: 1920s cinema, mass culture and the film serial. Screen, 57(3), 302–315. https://doi.org/10.1093/screen/hjw031
Brooker, W. (2012). Hunting the Dark Knight: twenty-first century Batman. I.B. Tauris. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664375810002746&institutionId=2746&customerId=2745
Brower, O., Eason, B., Kane, J., Brannon, F. C., Autry, G., Darro, F., Corrigan, R., Wilde, L., Wallace, G., & Towne, A. (2006). The science fiction cliffhanger collection. Passport Video.
Bruzzi, S. (2007). Seven up: Vol. BFI tv classics. BFI.
Butler, K. J. (2002). Irma Vep: Vamp in the City: Mapping the Criminal Feminine in Early French Serials: Chapter. In A feminist reader in early cinema: Vol. Camera obscura book (pp. 195–220). Duke University Press.
Callahan, V. (2005). Zones of anxiety: movement, Musidora, and the crime serials of Louis Feuillade: Vol. Contemporary approaches to film and television series. Wayne State University Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664737070002746&institutionId=2746&customerId=2745
Campion, J. (2013). Top of the Lake. http://www.moviemail.com/film/dvd/Top-of-the-Lake/
Canjels, R. (2010). Distributing silent film serials: local practices, changing forms, cultural transformation: Vol. Routledge advances in film studies. Routledge.
Chadwick, J., White, S., Davies, A., Dickens, C., Anderson, G., Lawson, D., Dance, C., & Maxwell Martin, A. (2006). First episode. In Bleak House (Special edition). BBC.
Corkin, S. (2017). Connecting The wire: race, space, and postindustrial Baltimore: Vol. Texas film and media studies series (First edition). University of Texas Press.
Corner, J. (1998). ‘Narrative’ in Critical ideas in television studies: Vol. Oxford television studies. Oxford University Press.
Creeber, G. (2001). ‘"Taking our personal lives seriously”: intimacy, continuity and memory in the television drama serial’. http://mcs.sagepub.com.ezproxy3.lib.le.ac.uk/content/23/4/439
Creeber, G. (2004). Serial television: big drama on the small screen. BFI Publishing.
Creeber, G. (2006). ‘Analysing Television: Issues and Methods in Textual Analysis’ in Tele-visions: an introduction to studying television. BFI.
Dahlquist, M. (2013). Exporting Perilous Pauline: Pearl White and the serial film craze: Vol. Women and film history international. University of Illinois Press. http://site.ebrary.com/lib/leicester/Doc?id=10722961
Daniels, L. (2015). Empire: Season 1 [DVD].
Denson, S. (2011). »To be continued...«: Seriality and Serialization in Interdisciplinary Perspective [What Happens Next: The Mechanics of Serialization. Graduate Conference at the University of Amsterdam, March 25–26, 2011.]. JLTonline Conference Proceedings. http://www.jltonline.de/index.php/conferences/article/view/346/1004
Dickens, C. (2001). Bleak house. Electric Book Co. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10015080
Dickens Journals Online. (n.d.). http://www.djo.org.uk/
Douglas, B. (n.d.). Bill Douglas Trilogy [DVD Blu-ray]. BFI.
Eason, B., Brower, O., Autry, G., & Darro, F. (2935). The phantom empire. VCI entertainment.
Eco, U. (1979). The Myth of Superman, Chapter. In The role of the reader: explorations in the semiotics of texts: Vol. Advances in semiotics (pp. 107–124). Indiana U.P.
Eco, U. (1990). Interpreting Serials: Chapter. In The limits of interpretation: Vol. Advances in semiotics (pp. 83–100). Indiana University Press.
Ed Wiltse. (1998). ‘So Constant an Expectation’: Sherlock Holmes and Seriality. Narrative, 6(2), 105–122. http://www.jstor.org/stable/20107142?seq=1#page_scan_tab_contents
English, J., Witney, W., & Hadley, R. (2004). Zorro’s fighting legion (Studio Roan edition). Studio Roan.
Fabrizi, A., & Rossellini, R. (2005). Roma, citta aperta =: Rome, open city: Vol. Roberto Rossellini’s war trilogy. Arrow.
Favreau, J., Downey, R., Howard, T., Bridges, J., & Paltrow, G. (2008). Iron Man. Paramount.
Feuillade, L., Breon, E., Navarre, R., Allain, M., & Souvestre, P. (n.d.). Fantômas: Vol. Artificial eye. [Artificial eye].
Feuillade, L., Mathé, É., & Musidora. (n.d.). Les vampires: Disc 1: Episodes 1-5: Vol. Artificial eye. Artificial Eye.
Flanagan, M., Livingstone, A., & McKenny, M. (2016). The Marvel Studios phenomenon: inside a transmedia universe. Bloomsbury Academic. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4460222
Gardner, J. (2012). Serial Pleasures, 1907-1938’ Chapter. In Projections: comics and the history of twenty-first-century storytelling: Vol. Post 45 (pp. 29–67). Stanford University Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665221460002746&institutionId=2746&customerId=2745
Geraghty, C. (1981). The Continuous Serial: A Defintion. In R. Dyer (Ed.), Coronation Street (pp. 9–26). BFI. https://core.ac.uk/download/files/42/1393833.pdf
Geraghty, C. (1990). Women and soap opera: a study of prime time soaps. Polity Press.
Geraghty, C. (2003). ‘Aesthetics and quality in popular television drama’ International Journal of Cultural Studies 6,. 25–45. http://ics.sagepub.com.ezproxy4.lib.le.ac.uk/content/6/1/25.full.pdf+html
Geraghty, C. (2012). Bleak house: Vol. BFI TV classics. BFI.
Giddings, R. (n.d.). Soft Soaping Dickens: Andres Davies, BBC-1 and ‘Bleak House’. http://charlesdickenspage.com/Soft_Soaping_Dickens.html
Giddings, R., & Selby, K. (2001). The classic serial on television and radio. Palgrave.
Gordon, I., Jancovich, M., & McAllister, M. P. (2007). Film and Comic Books. University Press of Mississippi. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=840334
Gray, R. J., & Kaklamanidou, B. (2011). The 21st Century Superhero: Essays on Gender, Genre and Globalization in Film. McFarland & Company, Inc., Publishers. https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/detail.action?docID=768108
Guy Barefoot. (2006). Autobiography and the autobiographical in the Bill Douglas trilogy. Author(s):Guy BarefootDocument Types:CommentaryDocument Features:References, PhotographsPublication Title:Biography. Honolulu: Winter 2006. Vol. 29, Iss. 1; Pg. 14, 18 pgsSource Type:Periodical Text Word Count6448, 29(1). https://literature.proquest.com/searchFulltext.do?id=R03843266&divLevel=0&queryId=3001292647300&trailId=15CCAFEECC7&area=abell&forward=critref_ft
Hagedorn, R. (1995). Doubtless to be Continued: A Brief History of Serial Narrative: Chapter. In To be continued: soap operas around the world (pp. 27–48). Routledge. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665573550002746&institutionId=2746&customerId=2745
Hayward, J. (1997). Introduction: Chapter. In Consuming pleasures: active audiences and serial fictions from Dickens to the soap opera (pp. 1–20). University Press of Kentucky. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665538550002746&institutionId=2746&customerId=2745
Higgins, S. (2007). Suspenseful Situations: Melodramatic Narrative and the Contemporary Action Film. Cinema Journal, 47(2), 74–96. https://doi.org/10.1353/cj.2008.0010
Higgins, S. (2014). Seriality’s Ludic Promise: Film Serials and the Pre-History of Digital Gaming. Eludamos. Journal for Computer Game Culture, 8(1). http://www.eludamos.org/index.php/eludamos/article/viewArticle/vol8no1-7
Higgins, S. (2016). Matinee Melodrama. Rutgers University Press. http://web.b.ebscohost.com/ehost/detail/detail?vid=0&sid=f5e891e2-df1e-4fcc-b00d-bfcfb20c48a8%40sessionmgr101&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=1163236&db=nlebk
Higgins, S. (2017). The Inevitability of Chance: Time in the Sound Serial: Chapter. In Media of Serial Narrative (pp. 93–107). Ohio State University Press. https://ebookcentral-proquest-com.ezproxy4.lib.le.ac.uk/lib/leicester/detail.action?docID=4854569
Hills, M. (2007). ‘From the box in the corner to the box set on the shelf’: TVIII and the cultural/textual valorisations of the DVD’. http://www.tandfonline.com.ezproxy3.lib.le.ac.uk/doi/pdf/10.1080/17400300601140167
Hills, M. (2011). ‘Television Aesthetics: A Pre-structuralist Danger?’ http://www.euppublishing.com/doi/pdfplus/10.3366/jbctv.2011.0008
Holdsworth, A. (2010). ‘Televisual Memory’. Screen (London), Vol.51 (2). http://ezproxy.lib.le.ac.uk/login?url=https://academic.oup.com/screen/article/51/2/129/1684514
Holmes, S. (2006). Adventure of Sherlock Holmes. Global Media. https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/detail.action?docID=3011077
Hurst, R. M. (2007). Republic Studios: between poverty row and the majors (Updated ed). Scarecrow Press.
Jackson, P., Tolkien, J. R. R., Walsh, F., Boyens, P., Wood, E., McKellen, I., Mortensen, V., Bean, S., Weaving, H., Holm, I., Rhys-Davies, J., Blanchett, C., & Serkis, A. (2002). The lord of the rings: the fellowship of the ring ([Theatrical version]). Entertainment in Video.
Jacobs, J. (2001). ‘Issues of Judgement and Value in Television Studies’ International Journal of Cultural Studies. http://ics.sagepub.com.ezproxy4.lib.le.ac.uk/content/4/4/427.full.pdf+html
Jenkins, H. (2006). Searching for the Origami Unicorn: The Matrix and Transmedia Storytelling: Chapter. In Convergence culture: where old and new media collide (pp. 95–134). New York University Press.
Johnson, C. (2007). ‘Tele-branding in TVIII: the network as brand and the programme as brand’. http://www.tandfonline.com.ezproxy3.lib.le.ac.uk/doi/pdf/10.1080/17400300601140126
Kackman, M. (2008). ‘Quality Television, Melodrama, and Cultural Complexity’. http://flowtv.org/?p=2101
Kallay, J. (2013). Narrative Architecture: Databases, Labyrinths and Stories That Won’t End: Chapter. In Gaming film: How games are reshaping contemporary cinema (pp. 32–65). Palgrave Macmillan. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665936340002746&institutionId=2746&customerId=2745
Kate Webb. (2012). Bill Douglas among the Philestines: From the Trilogy to Comrades. Cinéaste, 37(3), 28–32. http://www.jstor.org/stable/41691154?seq=1#page_scan_tab_contents
Kelleter, F. (2014). Serial agencies: The wire and its readers. Zero Books.
Kelleter, F. (2017). Media of Serial Narrative. Ohio State University Press. http://ebookcentral.proquest.com.ezproxy4.lib.le.ac.uk/lib/leicester/detail.action?docID=4854569
Kennedy, L., & Shapiro, S. (2012). The wire: race, class, and genre: Vol. Class : culture. University of Michigan Press.
Kieślowski, K., & Binoche, J. (n.d.). Trois couleurs: bleu =: Vol. Artificial eye. Artificial Eye.
Kinnard, R., Crnkovich, T., & Vitone, R. J. (2011). The Flash Gordon serials, 1936-1940: a heavily illustrated guide. McFarland.
Kompare, D. (2006). ‘Publishing flow: DVD box sets and the reconception of television’. http://tvn.sagepub.com.ezproxy3.lib.le.ac.uk/content/7/4/335
Kuhn, A. (2002). Jam Jars and Cliffhangers: Chapter. In An everyday magic: cinema and cultural memory: Vol. Cinema and society (pp. 38–65). I.B. Tauris.
Kuhn, A. (2010). Memory texts and memory work: Performances of memory in and with visual media. Memory Studies, 3(4), 298–313. https://doi.org/10.1177/1750698010370034
Lambert, Josh. (2009). "Wait for the Next Pictures”: Intertextuality and Cliffhanger Continuity in Early Cinema and Comic Strips. Cinema Journal; Winter, 48(2), 3–25. https://doi.org/10.1353/cj.0.0076
Lanfield, S., Greene, R., Rathbone, B., Barrie, W., Bruce, N., & Doyle, A. C. (2005). The hound of the Baskervilles: Vol. Sherlock Holmes : the definitive collection. Optimum Home Entertainment.
Law, G. (2000). Serializing fiction in the Victorian press. Palgrave.
Linklater, R., Arquette, P., Coltrane, E., Linklater, L., & Hawke, E. (2014). Boyhood. Universal Pictures.
Literatur in Wissenschaft und Unterricht. (2014). 47(1/2).
Lugosi, B., Herman, A., & Clark, C. (2004). The whispering shadow: Vol. Classic movie serials. Alpha Video.
Lynnette R. Porter. (2012). Sherlock Holmes for the 21st century. McFarland & Company, Inc., Publishers. http://ezproxy.lib.le.ac.uk/login?url=http://leicester.eblib.com/patron/FullRecord.aspx?p=995801
Marks, M., Simmon, S., & National Film Preservation Foundation (United States). (2004). The Hazards of Helen, #26: Audio-visual document. In More treasures from American film archives 1894-1931: Program 1 /[ curated by Scott Simmon, music curated by Martin Marks]. National Film Preservation Foundation.
Marlow-Mann, A. (2002). British Series and Serials in the Silent Era: Chapter. In Young and innocent?: the cinema in Britain, 1896-1930: Vol. Exeter studies in film history (pp. 147–161). University of Exeter Press.
Mayer, G. (2017). Encyclopedia of american film serials. McFarland & Company, Inc., Publishers. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4801111
Mayer, R. (2013). Serial Fu Manchu: the Chinese supervillain and the spread of Yellow Peril ideology: Vol. Asian American History and Culture. Temple University Press.
Miller, T. (2016). Deadpool [DVD] [2016]. 20th Century Fox Home Entertainment.
Mittell, J. (2004). Genre and television: from cop shows to cartoons in American culture. Routledge. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=200862
Mittell, J. (2009a). ‘Authorship, intentionality and intelligent design’. http://justtv.wordpress.com/2009/03/26/authorship-and-intentionality/#more-334
Mittell, J. (2009b). ‘Previously On: Prime Time Serials and the Mechanics of Memory’. https://justtv.wordpress.com/2009/07/03/previously-on-prime-time-serials-and-the-mechanics-of-memory/
Mittell, J. (2009c). The Wire, Serial Storytelling and Procedural Logic: Chapter. In Third person: authoring and exploring vast narratives (pp. 429–437). MIT Press.
Mittell, J. (2015). Complex TV: the poetics of contemporary television storytelling. New York University Press. http://ezproxy.lib.le.ac.uk/login?url=http://leicester.eblib.com/patron/FullRecord.aspx?p=1991882
Moffat, S. (n.d.). ‘A Scandal in Belgravia’. In Sherlock: Series 1-3 (Vol. 2, Issue 1).
Newman, M. Z. (2006). ‘From Beats to Arcs: Towards a Poetics of Television Narrative’. http://muse.jhu.edu.ezproxy3.lib.le.ac.uk/journals/the_velvet_light_trap/v058/58.1newman.html
Nolan, C. (n.d.). The Dark Knight Trilogy.
Palmer, B., & Klein, A. A. (2016). Cycles, Sequels, Spin-offs, Remakes, and Reboots Multiplicities in Film and Television. University of Texas Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664737140002746&institutionId=2746&customerId=2745
Perkins, Claire. (2008). Remaking and the Film Trilogy: Whit Stillman’s Authorial Triptych. The Velvet Light Trap, 61(1), 14–25. https://doi.org/10.1353/vlt.2008.0010
Perkins, Claire, D., Verevis, Constantine, D., & SpringerLink (Online service). (2012). Film Trilogies: New Critical Approaches. Palgrave Macmillan UK. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=4393835600002746&institutionId=2746&customerId=2745
Poot, L. T. (2016). On Cliffhangers. Narrative, 24(1), 50–67. https://doi.org/10.1353/nar.2016.0001
Potter, T., & Marshall, C. W. (2009). The wire: urban decay and American television. Continuum. http://site.ebrary.com/lib/leicester/Doc?id=10427308
Reimer, M., Ali, N., England, D., & Unrau, M. D. (Eds.). (2014). Seriality and texts for young people: the compulsion to repeat: Vol. Critical approaches to children’s literature. Palgrave Macmillan. http://ezproxy.lib.le.ac.uk/login?url=http://lib.myilibrary.com?id=727927
Reiner, J., Chandler, K., Britton, C., Kitsch, T., Berg, P., & Bissinger, H. G. (2012). Friday night lights: Season 1. Universal Pictures.
Ritchie, G., Downey, R., Law, J., McAdams, R., Strong, M., & Doyle, A. C. (2010). Sherlock Holmes. Warner Bros. Home Entertainment.
Schaeffer, A., & McGowan, J. P. (1932). The Hurricane Express, The John Wayne cliffhanger collection. In The John Wayne cliffhanger collection (Collector’s edition). Passport Video.
Scolari, C. A., Bertetti, P., Freeman, M., & SpringerLink (Online service). (2014). Transmedia Archaeology: Storytelling in the Borderlines of Science Fiction, Comics and Pulp Magazines. Palgrave Macmillan UK. http://dx.doi.org/10.1057/9781137434371
Simon, D., West, D., & Doman, J. (2004). The wire: Season two: A new case begins. HBO Video.
Simon, D., West, D., & Doman, J. (2005a). The Target, pilot episode of The wire: Season one. In The wire: Season one: Listen carefully. HBO Video.
Simon, D., West, D., & Doman, J. (2005b). The wire: Season five: Read between the lines. HBO Video.
Simon, D., West, D., & Doman, J. (2005c). The wire: Season four. HBO Video.
Simon, D., West, D., & Doman, J. (2005d). The wire: Season three. HBO Video.
Singer, B. (1996). Serials, Chapter. In The Oxford history of world cinema (pp. 105–111). Oxford University Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5665538530002746&institutionId=2746&customerId=2745
Singer, B. (2001). Power and Peril in the Serial-Queen Melodrama: Chapter. In Melodrama and modernity: early sensational cinema and its contexts: Vol. Film and culture (pp. 221–262). Columbia University Press.
Spigel, L., & Olsson, J. (2004). Television After TV: Essays on a Medium in Transition. Duke University Press. http://site.ebrary.com/lib/leicester/detail.action?docID=10207685
Stamp, S. (2000). Movie-struck girls: women and motion picture culture after the nickelodeon. Princeton University Press.
Stamp, S. (2004). An Awful Struggle Between Love and Ambition: Serial Heroines, Serial Stars and Their Female Fans: Chapter. In The silent cinema reader (pp. 210–225). Routledge.
Stein, L. E., & Busse, K. (2012). Sherlock and Transmedia Fandom: Essays on the BBC Series. McFarland & Company, Inc., Publishers. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664613360002746&institutionId=2746&customerId=2745
Stephani, F., Crabbe, B., Rogers, J., & Middleton, C. (1999). Flash Gordon: Vol. Flash Gordon. Image Entertainment.
Telotte, J. P. (1995). A Charming Interlude: Of Serials and Hollow Men, Chapter. In Replications: a robotic history of the science fiction film (pp. 91–110). University of Illinois Press.
The Velvet Light Trap-Number 79, Spring 2017. (n.d.). 79. http://librarysearch.le.ac.uk/44UOLE_VU1:default_scope:44UOLE_ALMA51125487220002746
Truffaut, F., Léaud, J.-P., Maurier, C., & Rémy, A. (2006). Les quatre cents coups =: The 400 blows: Vol. François Truffaut-the films. 2 Entertain.
Turnbull, S. (2014). The TV crime drama. Edinburgh University Press.
Tuska, J. (2000). The vanishing legion: a history of Mascot Pictures, 1927-1935: Vol. McFarland classics. McFarland.
Vincent, J. (1919). A Woman in Grey.
Walters, J. (2008). ‘Repeat Viewings: Television Analysis in the DVD Age’. In J. Bennett (Ed.), Film and Television After DVD. Routledge.
Whedon, J., Downey, R., Evans, C., Ruffalo, M., Hemsworth, C., Johansson, S., Renner, J., Hiddleston, T., & Jackson, S. L. (2012). Avengers assemble. Paramount.
White, P., Gasnier, L. J., & MacKenzie, D. (1914). The perils of Pauline. Grapevine Video.
Whitfield, J. (2008). Beginnings and Endings in Films, Film and Film Studies. University of Warwick, 13 June 2008. Screen, 49(4), 471–476. https://doi.org/10.1093/screen/hjn069
Williams, L. (2014). On the Wire. Duke University Press. http://ezproxy.lib.le.ac.uk/login?url=http://lib.myilibrary.com?id=634245
Wolf, M. J. P. (2017). World-Building in Watchmen. Cinema Journal, 56(2), 119–125. https://doi.org/10.1353/cj.2017.0006
