Achar D and others, Articulating Resistance: Art and Activism (Tulika Books 2012)
Adesokan A, Postcolonial Artists and Global Aesthetics (Indiana University Press 2011) <https://ebookcentral.proquest.com/lib/leicester/detail.action?pq-origsite=primo&docID=670305>
Alexis L. Boylan, Ashcan Art, Whiteness, and the Unspectacular Man (Bloomsbury Academic 2017) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4815072>
Allen F and Whitechapel Art Gallery, Education, vol Documents of contemporary art (Whitechapel Gallery 2011)
Altshuler B and Altshuler B, Collecting the New: Museums and Contemporary Art (Princeton University Press 2013) <https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/detail.action?docID=1422521>
Altshuler B and Sharmacharja S, A Manual for the 21st Century Art Institution (Koenig Books 2009)
Ambrose T and Paine C, Museum Basics (3rd ed, Routledge 2012) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=981849>
‘Art without History? Southeast Asian Artists and Their Communities in the Face of Geography - University of Leicester’ <https://librarysearch.le.ac.uk/permalink/f/mvjm1g/TN_cdi_webofscience_primary_000294751400003>
Best S, Visualizing Feeling: Affect and the Feminine Avant-Garde (IBTauris 2011) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=784563>
Bishop C, Participation, vol Documents of contemporary art (Whitechapel 2006)
Bishop C and Perjovschi D, Radical Museology, or, What’s Contemporary in Museums of Contemporary Art? (Walther König 2013)
——, Radical Museology, or, What’s Contemporary in Museums of Contemporary Art? (Walther König 2013)
Blake N, In a Different Light: Visual Culture, Sexual Identity, Queer Practice (City Lights Books 1995)
Bourdieu P, Darbel A and Schnapper D, The Love of Art: European Art Museums and Their Public (Polity Press 1991)
Bourdieu P and Johnson R, The Field of Cultural Production: Essays on Art and Literature (Policy Press 1993)
Burton J, Jackson S and Willsdon D (eds), Public Servants: Art and the Crisis of the Common Good, vol Critical anthologies in art and culture (The MIT Press 2016)
Butler CH, From Conceptualism to Feminism: Lucy Lippard’s Numbers Shows, 1969-74, vol Exhibition histories (Afterall 2012)
Cheryl Meszaros, ‘Un/Familiar’ (2008) 33 The Journal of Museum Education 239 <http://www.jstor.org/stable/40479677?pq-origsite=summon&seq=1#page_scan_tab_contents>
Contemporary Art Society, The Best Is Not Too Good for You: New Approaches to Public Collections in England (Whitechapel Gallery 2014)
‘Contemporary British Women Artists In Their Own Words - University of Leicester’ <http://librarysearch.le.ac.uk/primo_library/libweb/action/display.do?tabs=viewOnlineTab&ct=display&fn=search&doc=44UOLE_ALMA51137157280002746&indx=4&recIds=44UOLE_ALMA51137157280002746&recIdxs=3&elementId=3&renderMode=poppedOut&displayMode=full&frbrVersion=2&frbg=&&rfnExcGrp=1&dscnt=0&scp.scps=scope%3A%2844UOLE_SPECCOL%29%2Cscope%3A%2844UOLE_DISSERTATIONS%29%2Cscope%3A%2844UOLE_DSPACE%29%2Cscope%3A%2844UOLE_CALM%29%2Cscope%3A%2844UOLE_ALMA%29%2Cscope%3A%2844UOLE_EXAM%29%2Cscope%3A%2844UOLE_CONTENTDM%29%2Cscope%3A%2844UOLE_OJS%29%2Cprimo_central_multiple_fe&vid=44UOLE_VU1&mode=Basic&mulExcFctN=facet_rtype&fctExcV=reviews&srt=rank&tab=default_tab&dum=true&vl(freeText0)=talking%20art%3A%20interviews%20with%20artists&dstmp=1505407633210>
Cook S (ed), Information, vol Documents of contemporary art (Whitechapel Gallery, The MIT Press 2016)
——, ‘Stop, Drop, and Roll With It: Curating Participatory Media Art’ in Samuel Bianchini and Erik Verhagen (eds), Practicable : from participation to interaction in contemporary art /
——, ‘Stop, Drop, and Roll With It: Curating Participatory Media Art’ in Samuel Bianchini and Erik Verhagen (eds), Practicable : from participation to interaction in contemporary art /
Demos TJ, Return to the Postcolony: Specters of Colonialsim in Contemporary Art (Sternberg Press 2013)
Dimitrakaki A and Perry L (eds), Politics in a Glass Case: Feminism, Exhibition Cultures and Curatorial Transgressions, vol Value, art, politics (Liverpool University Press 2015)
Dobson K and McGlynn A (eds), Transnationalism, Activism, Art (University of Toronto Press 2013) <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4672844>
Duncan C, Civilizing Rituals (Routledge 1995) <http://ezproxy.lib.le.ac.uk/login?url=http://www.tandfebooks.com/doi/view/10.4324/9780203978719>
Edited by Samuel Bianchini and Erik Verhagen, Practicable: From Participation to Interaction in Contemporary Art
Ferguson BW, Greenberg R and Nairne S, Thinking About Exhibitions (Taylor & Francis Ebooks 1996) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=242218>
——, Thinking About Exhibitions (Taylor & Francis Ebooks 1996) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=242218>
Finkelpearl T, Dialogues in Public Art (MIT Press 20011001) <https://ebookcentral.proquest.com/lib/leicester/detail.action?pq-origsite=primo&docID=3338874>
Fritsch J and Victoria and Albert Museum. Sackler Centre for Arts Education, Museum Gallery Interpretation and Material Culture, vol Routledge research in museum studies (Routledge 2011) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1099469>
——, Museum Gallery Interpretation and Material Culture, vol Routledge research in museum studies (Routledge 2011) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1099469>
Fromm AB, Rekdal PB and Golding V (eds), Museums and Truth (Cambridge Scholars Publishing 2014) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1819196>
—— (eds), Museums and Truth (Cambridge Scholars Publishing 2014) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1819196>
George A, The Curator’s Handbook: Museums, Commercial Galleries, Independent Spaces (Thames & Hudson 2015) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5878065>
——, The Curator’s Handbook: Museums, Commercial Galleries, Independent Spaces (Thames & Hudson 2015) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5878065>
Golding V, Learning at the Museum Frontiers: Identity, Race and Power (Ashgate 2009) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664467100002746&institutionId=2746&customerId=2745>
Golding V, ‘Museums, Poetics and Affect’ (2013) 104 Feminist Review 80
Golding V and Modest W, Museums and Communities: Curators, Collections and Collaboration (Bloomsbury 2013) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1334381>
Graham B and Cook S, Rethinking Curating: Art after New Media, vol Leonardo (MIT Press 2010)
Harris J, Globalization and Contemporary Art (Wiley-Blackwell 2011)
Hayden MH and Sjöholm J, Feminisms Is Still Our Name: Seven Essays on Historiography and Curatorial Practices (Cambridge Scholars 2010) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=6211957>
Herstatt C, Women Gallerists in the 20th and 21st Centuries (Hatje Cantz 2008)
Hoffmann J, Show Time: The 50 Most Influential Exhibitions of Contemporary Art (Thames & Hudson 2014)
—— (ed), The Exhibitionist: Journal on Exhibition Making - the First Six Years ([publisher not identified] 2017)
Hospitality - Hosting Relations in Exhibitions (Conference), Hospitality: Hosting Relations in Exhibitions, vol Cultures of the curatorial (Benjamin Meyer-Krahmer and Beatrice von Bismarck eds, Sternberg Press 2016)
Hudek A (ed), The Object, vol Documents of contemporary art (Whitechapel Gallery 2014)
Jennings G (ed), Abstract Video: The Moving Image in Contemporary Art (University of California Press 2015) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4401375>
Jones CA and others, Sensorium: Embodied Experience, Technology, and Contemporary Art (MIT List Visual Arts Center 2006)
Kim J, Between Film, Video, and the Digital: Hybrid Moving Images in the Post-Media Age, vol International texts in critical media aesthetics (Bloomsbury Academic 2016) <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4528277>
Knell SJ (ed), The Contemporary Museum: Shaping Museums for the Global Now (Routledge, Taylor & Francis Group 2019) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5583479>
Lange-Berndt P (ed), Materiality, vol Documents of contemporary art (Whitechapel Gallery 2015)
Lee PM, Forgetting the Art World (The MIT Press 2017)
Levin AK, Gender, Sexuality and Museums (Routledge 2010) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=557304>
Ligon G, Glenn Ligon: Encounters and Collisions (Glenn Ligon, Alex Farquharson and Francesco Manacorda eds, Nottingham Contemporary and Tate 2015)
Malt C, Women’s Voices in Middle East Museums: Case Studies in Jordan, vol Gender, culture, and politics in the Middle East (Syracuse University Press 2005)
Maltz-Leca L, William Kentridge: Process as Metaphor and Other Doubtful Enterprises (University of California Press 2017)
Marcia Tucker, A Short Life of Trouble (University of California Press 2010) <http://ezproxy.lib.le.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=306112>
Marshall CR, Sculpture and the Museum, vol Subject/object: New studies in sculpture (Ashgate 2011) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4907028>
M.I.T. Press, Moving Image, vol Documents of contemporary art (Omar Kholeif ed, Whitechapel Gallery 2015)
‘NEW CRITICAL DIRECTIONS: TRANSNATIONALISM AND DIASPORA IN ASIAN AMERICAN ART - University of Leicester’ <https://librarysearch.le.ac.uk/permalink/f/mvjm1g/TN_cdi_crossref_primary_10_1086_sou_31_3_23208591>
Obrist HU, Ways of Curating (Penguin Books 2015)
O’Doherty B, Inside the White Cube: The Ideology of the Gallery Space (Expanded ed, University of California Press 1999)
——, Studio and Cube : On the Relationship Between Where Art Is Made and Where Art Is Displayed (Princeton Architectural Press 20080101) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3387478>
O’Neill P, The Culture of Curating and the Curating of Culture(s) (The MIT Press 2012)
——, The Culture of Curating and the Curating of Culture(s) (The MIT Press 2012)
O’Neill P, Fletcher A and Andreasen S, Curating Subjects (2nd ed, Open Editions 2011)
O’Neill P, Wilson M and Steeds L (eds), The Curatorial Conundrum: What to Study? What to Research? What to Practice? (The MIT Press 2016)
Petersen AR, MIGRATION INTO ART., vol Rethinking Art’s Histories (MANCHESTER UNIVERSITY PRESS 2017)
Pollock G, Encounters in a Virtual Feminist Museum: Time, Space and the Archive (Routledge 2007)
Reiss JH, From Margin to Center: The Spaces of Installation Art (MIT Press 1999) <http://www.vlebooks.com/vleweb/product/openreader?id=LeicesterU&isbn=9780262282291>
Rugg J, Rugg J and Sedgwick M, Issues in Curating Contemporary Art and Performance (Intellect 2007)
Saunders NJ, Trench Art: Materialities and Memories of War (Berg 2003) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1274749>
Schlachetzki SM, Fusing Lab and Gallery: Device Art in Japan and International Nano Art, vol Image (Transcript Verlag 2012) <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1918223>
Schubert K, The Curator’s Egg: The Evolution of the Museum Concept from the French Revolution to the Present Day (One-Off Press 2000)
Serota N, Experience or Interpretation: The Dilemma of Museums of Modern Art (Thames & Hudson 1996)
Smith T, Thinking Contemporary Curating, vol 1 (Independent Curators International 2012)
Spieker S (ed), Destruction, vol Whitechapel : documents of contemporary art (The MIT Press 2017)
Steeds L (ed), Exhibition, vol Whitechapel: documents of contemporary art (The MIT Press 2014)
—— (ed), Exhibition, vol Whitechapel: documents of contemporary art (The MIT Press 2014)
—— (ed), Exhibition, vol Whitechapel: documents of contemporary art (The MIT Press 2014)
Tamen M, Friends of Interpretable Objects (Harvard University Press 2001) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3300357>
‘THE BAD BOYS OF ART STILL HAVEN’T GROWN UP; The Artists Dinos Chapman, 51, and His Brother, Jake, 46, Talk about Mutilated Pets, Hitting Each Other with Sticks, and Why They Have Banned Their Parents from Their Exhibition Openings.(Features; Profiles and Interviews) - University of Leicester’ <http://librarysearch.le.ac.uk/primo_library/libweb/action/display.do?tabs=viewOnlineTab&ct=display&fn=search&doc=TN_gale_ofa329444933&indx=10&recIds=TN_gale_ofa329444933&recIdxs=9&elementId=9&renderMode=poppedOut&displayMode=full&frbrVersion=3&dscnt=1&mode=Basic&vid=44UOLE_VU1&mulExcFctN=facet_rtype&fctExcV=reviews&tab=default_tab&dstmp=1505407700816&frbg=&frbrVersion=2&rfnExcGrp=1&viewAllItemsClicked=false&scp.scps=scope%3A%2844UOLE_SPECCOL%29%2Cscope%3A%2844UOLE_DISSERTATIONS%29%2Cscope%3A%2844UOLE_DSPACE%29%2Cscope%3A%2844UOLE_CALM%29%2Cscope%3A%2844UOLE_ALMA%29%2Cscope%3A%2844UOLE_EXAM%29%2Cscope%3A%2844UOLE_CONTENTDM%29%2Cscope%3A%2844UOLE_OJS%29%2Cprimo_central_multiple_fe&srt=rank&selectedLocation=&dum=true&vl(freeText0)=talking%20art%3A%20interviews%20with%20artists>
‘The Postcolonial Constellation: Contemporary Art in a State of Permanent Transition - University of Leicester’ <https://librarysearch.le.ac.uk/permalink/f/mvjm1g/TN_cdi_gale_lrcgauss_A111013381>
Voorhies JT, Beyond Objecthood: The Exhibition as a Critical Form since 1968 (The MIT Press 2017)
——, Beyond Objecthood: The Exhibition as a Critical Form since 1968 (The MIT Press 2017)
Wang P, Wu Hung, and Museum of Modern Art (New York, N.Y.), Contemporary Chinese Art: Primary Documents (Museum of Modern Art 2010)
Whitehead C, Interpreting Art in Museums and Galleries (Routledge 2012) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=838179>
Zabala S, Why Only Art Can Save Us: Aesthetics and the Absence of Emergency (Columbia University Press 2017)
