Achar, Deeptha, Shivaji Panikkar, UGC National Seminar on the Issues of Activism: the Artist and the Historian, India. University Grants Commission, and Maharaja Sayajirao University of Baroda. Department of Art History and Aesthetics. 2012. Articulating Resistance: Art and Activism. New Delhi: Tulika Books.
Adesokan, Akinwumi. 2011. Postcolonial Artists and Global Aesthetics. Bloomington: Indiana University Press.
Alexis L. Boylan. 2017. Ashcan Art, Whiteness, and the Unspectacular Man. Bloomsbury Academic.
Allen, Felicity and Whitechapel Art Gallery. 2011. Education. Vol. Documents of contemporary art. London: Whitechapel Gallery.
Altshuler, Bruce, and Bruce Altshuler. 2013. Collecting the New: Museums and Contemporary Art. Princeton: Princeton University Press.
Altshuler, Bruce, and Shamita Sharmacharja. 2009. A Manual for the 21st Century Art Institution. London: Koenig Books.
Ambrose, Tim, and Crispin Paine. 2012. Museum Basics. 3rd ed. London: Routledge.
Anon. n.d.-a. ‘Art without History? Southeast Asian Artists and Their Communities in the Face of Geography - University of Leicester’. Retrieved (https://librarysearch.le.ac.uk/permalink/f/mvjm1g/TN_cdi_webofscience_primary_000294751400003).
Anon. n.d.-b. ‘Contemporary British Women Artists In Their Own Words - University of Leicester’. Retrieved (http://librarysearch.le.ac.uk/primo_library/libweb/action/display.do?tabs=viewOnlineTab&ct=display&fn=search&doc=44UOLE_ALMA51137157280002746&indx=4&recIds=44UOLE_ALMA51137157280002746&recIdxs=3&elementId=3&renderMode=poppedOut&displayMode=full&frbrVersion=2&frbg=&&rfnExcGrp=1&dscnt=0&scp.scps=scope%3A%2844UOLE_SPECCOL%29%2Cscope%3A%2844UOLE_DISSERTATIONS%29%2Cscope%3A%2844UOLE_DSPACE%29%2Cscope%3A%2844UOLE_CALM%29%2Cscope%3A%2844UOLE_ALMA%29%2Cscope%3A%2844UOLE_EXAM%29%2Cscope%3A%2844UOLE_CONTENTDM%29%2Cscope%3A%2844UOLE_OJS%29%2Cprimo_central_multiple_fe&vid=44UOLE_VU1&mode=Basic&mulExcFctN=facet_rtype&fctExcV=reviews&srt=rank&tab=default_tab&dum=true&vl(freeText0)=talking%20art%3A%20interviews%20with%20artists&dstmp=1505407633210).
Anon. n.d.-c. ‘NEW CRITICAL DIRECTIONS: TRANSNATIONALISM AND DIASPORA IN ASIAN AMERICAN ART - University of Leicester’. Retrieved (https://librarysearch.le.ac.uk/permalink/f/mvjm1g/TN_cdi_crossref_primary_10_1086_sou_31_3_23208591).
Anon. n.d.-d. ‘THE BAD BOYS OF ART STILL HAVEN’T GROWN UP; The Artists Dinos Chapman, 51, and His Brother, Jake, 46, Talk about Mutilated Pets, Hitting Each Other with Sticks, and Why They Have Banned Their Parents from Their Exhibition Openings.(Features; Profiles and Interviews) - University of Leicester’. Retrieved (http://librarysearch.le.ac.uk/primo_library/libweb/action/display.do?tabs=viewOnlineTab&ct=display&fn=search&doc=TN_gale_ofa329444933&indx=10&recIds=TN_gale_ofa329444933&recIdxs=9&elementId=9&renderMode=poppedOut&displayMode=full&frbrVersion=3&dscnt=1&mode=Basic&vid=44UOLE_VU1&mulExcFctN=facet_rtype&fctExcV=reviews&tab=default_tab&dstmp=1505407700816&frbg=&frbrVersion=2&rfnExcGrp=1&viewAllItemsClicked=false&scp.scps=scope%3A%2844UOLE_SPECCOL%29%2Cscope%3A%2844UOLE_DISSERTATIONS%29%2Cscope%3A%2844UOLE_DSPACE%29%2Cscope%3A%2844UOLE_CALM%29%2Cscope%3A%2844UOLE_ALMA%29%2Cscope%3A%2844UOLE_EXAM%29%2Cscope%3A%2844UOLE_CONTENTDM%29%2Cscope%3A%2844UOLE_OJS%29%2Cprimo_central_multiple_fe&srt=rank&selectedLocation=&dum=true&vl(freeText0)=talking%20art%3A%20interviews%20with%20artists).
Anon. n.d.-e. ‘The Postcolonial Constellation: Contemporary Art in a State of Permanent Transition - University of Leicester’. Retrieved (https://librarysearch.le.ac.uk/permalink/f/mvjm1g/TN_cdi_gale_lrcgauss_A111013381).
Best, Susan. 2011. Visualizing Feeling: Affect and the Feminine Avant-Garde. London: I.B.Tauris.
Bishop, Claire. 2006. Participation. Vol. Documents of contemporary art. London: Whitechapel.
Bishop, Claire, and Dan Perjovschi. 2013a. Radical Museology, or, What’s Contemporary in Museums of Contemporary Art? Köln: Walther König.
Bishop, Claire, and Dan Perjovschi. 2013b. Radical Museology, or, What’s Contemporary in Museums of Contemporary Art? Köln: Walther König.
Blake, Nayland. 1995. In a Different Light: Visual Culture, Sexual Identity, Queer Practice. San Francisco: City Lights Books.
Bourdieu, Pierre, Alain Darbel, and Dominique Schnapper. 1991. The Love of Art: European Art Museums and Their Public. Cambridge: Polity Press.
Bourdieu, Pierre, and Randal Johnson. 1993. The Field of Cultural Production: Essays on Art and Literature. Cambridge: Policy Press.
Burton, Johanna, Shannon Jackson, and Dominic Willsdon, eds. 2016. Public Servants: Art and the Crisis of the Common Good. Vol. Critical anthologies in art and culture. Cambridge, Massachusetts: The MIT Press.
Butler, Cornelia H. 2012. From Conceptualism to Feminism: Lucy Lippard’s Numbers Shows, 1969-74. Vol. Exhibition histories. London: Afterall.
Cheryl Meszaros. 2008. ‘Un/Familiar’. The Journal of Museum Education 33(3):239–46.
Contemporary Art Society. 2014. The Best Is Not Too Good for You: New Approaches to Public Collections in England. London: Whitechapel Gallery.
Cook, Sarah, ed. 2016. Information. Vol. Documents of contemporary art. London: Whitechapel Gallery, The MIT Press.
Cook, Sarah. n.d.-a. ‘Stop, Drop, and Roll With It: Curating Participatory Media Art’. Pp. 377–95 in Practicable : from participation to interaction in contemporary art /, edited by S. Bianchini and E. Verhagen.
Cook, Sarah. n.d.-b. ‘Stop, Drop, and Roll With It: Curating Participatory Media Art’. Pp. 377–95 in Practicable : from participation to interaction in contemporary art /, edited by S. Bianchini and E. Verhagen.
Demos, T. J. 2013. Return to the Postcolony: Specters of Colonialsim in Contemporary Art. Berlin: Sternberg Press.
Dimitrakaki, Angela, and Lara Perry, eds. 2015. Politics in a Glass Case: Feminism, Exhibition Cultures and Curatorial Transgressions. Vol. Value, art, politics. Liverpool: Liverpool University Press.
Dobson, Kit, and Áine McGlynn, eds. 2013. Transnationalism, Activism, Art. Toronto, [Ontario]: University of Toronto Press.
Duncan, Carol. 1995. Civilizing Rituals. London: Routledge.
Edited by Samuel Bianchini and Erik Verhagen. n.d. Practicable: From Participation to Interaction in Contemporary Art.
Ferguson, Bruce W., Reesa Greenberg, and Sandy Nairne. 1996a. Thinking About Exhibitions. Taylor & Francis Ebooks.
Ferguson, Bruce W., Reesa Greenberg, and Sandy Nairne. 1996b. Thinking About Exhibitions. Taylor & Francis Ebooks.
Finkelpearl, Tom. 20011001. Dialogues in Public Art. Cambridge, MA, USA: MIT Press.
Fritsch, Juliette and Victoria and Albert Museum. Sackler Centre for Arts Education. 2011a. Museum Gallery Interpretation and Material Culture. Vol. Routledge research in museum studies. London: Routledge.
Fritsch, Juliette and Victoria and Albert Museum. Sackler Centre for Arts Education. 2011b. Museum Gallery Interpretation and Material Culture. Vol. Routledge research in museum studies. London: Routledge.
Fromm, Annette B., Per B. Rekdal, and Vivien Golding, eds. 2014a. Museums and Truth. Newcastle upon Tyne: Cambridge Scholars Publishing.
Fromm, Annette B., Per B. Rekdal, and Vivien Golding, eds. 2014b. Museums and Truth. Newcastle upon Tyne: Cambridge Scholars Publishing.
George, Adrian. 2015a. The Curator’s Handbook: Museums, Commercial Galleries, Independent Spaces. London: Thames & Hudson.
George, Adrian. 2015b. The Curator’s Handbook: Museums, Commercial Galleries, Independent Spaces. London: Thames & Hudson.
Golding, Viv. 2013. ‘Museums, Poetics and Affect’. Feminist Review 104(S1):80–99. doi: 10.1057/fr.2013.2.
Golding, Vivien. 2009. Learning at the Museum Frontiers: Identity, Race and Power. Farnham: Ashgate.
Golding, Vivien, and Wayne Modest. 2013. Museums and Communities: Curators, Collections and Collaboration. Oxford: Bloomsbury.
Graham, Beryl, and Sarah Cook. 2010. Rethinking Curating: Art after New Media. Vol. Leonardo. Cambridge, Mass: MIT Press.
Harris, Jonathan. 2011. Globalization and Contemporary Art. Oxford: Wiley-Blackwell.
Hayden, Malin Hedlin, and Jessica Sjöholm. 2010. Feminisms Is Still Our Name: Seven Essays on Historiography and Curatorial Practices. Newcastle upon Tyne: Cambridge Scholars.
Herstatt, Claudia. 2008. Women Gallerists in the 20th and 21st Centuries. Ostfildern: Hatje Cantz.
Hoffmann, Jens. 2014. Show Time: The 50 Most Influential Exhibitions of Contemporary Art. London: Thames & Hudson.
Hoffmann, Jens, ed. 2017. The Exhibitionist: Journal on Exhibition Making - the First Six Years. [United States]: [publisher not identified].
Hospitality - Hosting Relations in Exhibitions (Conference). 2016. Hospitality: Hosting Relations in Exhibitions. Vol. Cultures of the curatorial. edited by B. Meyer-Krahmer and B. von Bismarck. Berlin: Sternberg Press.
Hudek, Antony, ed. 2014. The Object. Vol. Documents of contemporary art. London: Whitechapel Gallery.
Jennings, Gabrielle, ed. 2015. Abstract Video: The Moving Image in Contemporary Art. Berkeley: University of California Press.
Jones, Caroline A., Bill Arning, Mathieu Briand, and Massachusetts Institute of Technology. IT List Visual Arts Center. 2006. Sensorium: Embodied Experience, Technology, and Contemporary Art. Cambridge, Mass: MIT List Visual Arts Center.
Kim, Jihoon. 2016. Between Film, Video, and the Digital: Hybrid Moving Images in the Post-Media Age. Vol. International texts in critical media aesthetics. New York: Bloomsbury Academic.
Knell, Simon J., ed. 2019. The Contemporary Museum: Shaping Museums for the Global Now. London: Routledge, Taylor & Francis Group.
Lange-Berndt, Petra, ed. 2015. Materiality. Vol. Documents of contemporary art. London: Whitechapel Gallery.
Lee, Pamela M. 2017. Forgetting the Art World. Cambridge, Massachusetts: The MIT Press.
Levin, Amy K. 2010. Gender, Sexuality and Museums. London: Routledge.
Ligon, Glenn. 2015. Glenn Ligon: Encounters and Collisions. edited by G. Ligon, A. Farquharson, and F. Manacorda. London: Nottingham Contemporary and Tate.
Malt, Carol. 2005. Women’s Voices in Middle East Museums: Case Studies in Jordan. Vol. Gender, culture, and politics in the Middle East. Syracuse, N.Y.: Syracuse University Press.
Maltz-Leca, Leora. 2017. William Kentridge: Process as Metaphor and Other Doubtful Enterprises. Oakland, California: University of California Press.
Marcia Tucker. 2010. A Short Life of Trouble. Berkeley, Calif: University of California Press.
Marshall, Christopher R. 2011. Sculpture and the Museum. Vol. Subject/object: New studies in sculpture. Farnham: Ashgate.
M.I.T. Press. 2015. Moving Image. Vol. Documents of contemporary art. edited by O. Kholeif. London: Whitechapel Gallery.
Obrist, Hans Ulrich. 2015. Ways of Curating. UK: Penguin Books.
O’Doherty, Brian. 1999. Inside the White Cube: The Ideology of the Gallery Space. Expanded ed. Berkeley, Calif: University of California Press.
O’Doherty, Brian. 20080101. Studio and Cube : On the Relationship Between Where Art Is Made and Where Art Is Displayed. New York, NY, USA: Princeton Architectural Press.
O’Neill, Paul. 2012a. The Culture of Curating and the Curating of Culture(s). Cambridge, Mass: The MIT Press.
O’Neill, Paul. 2012b. The Culture of Curating and the Curating of Culture(s). Cambridge, Mass: The MIT Press.
O’Neill, Paul, Annie Fletcher, and Søren Andreasen. 2011. Curating Subjects. 2nd ed. London: Open Editions.
O’Neill, Paul, Mick Wilson, and Lucy Steeds, eds. 2016. The Curatorial Conundrum: What to Study? What to Research? What to Practice? Cambridge, Massachusetts: The MIT Press.
Petersen, Anne Ring. 2017. MIGRATION INTO ART. Vol. Rethinking Art’s Histories. Manchester: MANCHESTER UNIVERSITY PRESS.
Pollock, Griselda. 2007. Encounters in a Virtual Feminist Museum: Time, Space and the Archive. London: Routledge.
Reiss, Julie H. 1999. From Margin to Center: The Spaces of Installation Art. Cambridge, Mass: MIT Press.
Rugg, Judith, Judith Rugg, and Michèle Sedgwick. 2007. Issues in Curating Contemporary Art and Performance. Bristol, UK: Intellect.
Saunders, Nicholas J. 2003. Trench Art: Materialities and Memories of War. Oxford: Berg.
Schlachetzki, Sarah M. 2012. Fusing Lab and Gallery: Device Art in Japan and International Nano Art. Vol. Image. Bielefeld: Transcript Verlag.
Schubert, Karsten. 2000. The Curator’s Egg: The Evolution of the Museum Concept from the French Revolution to the Present Day. London: One-Off Press.
Serota, Nicholas. 1996. Experience or Interpretation: The Dilemma of Museums of Modern Art. London: Thames & Hudson.
Smith, Terry. 2012. Thinking Contemporary Curating. Vol. 1. New York: Independent Curators International.
Spieker, Sven, ed. 2017. Destruction. Vol. Whitechapel : documents of contemporary art. Cambridge, MA: The MIT Press.
Steeds, Lucy, ed. 2014a. Exhibition. Vol. Whitechapel: documents of contemporary art. Cambridge, Massachusetts: The MIT Press.
Steeds, Lucy, ed. 2014b. Exhibition. Vol. Whitechapel: documents of contemporary art. Cambridge, Massachusetts: The MIT Press.
Steeds, Lucy, ed. 2014c. Exhibition. Vol. Whitechapel: documents of contemporary art. Cambridge, Massachusetts: The MIT Press.
Tamen, Miguel. 2001. Friends of Interpretable Objects. Cambridge, Mass: Harvard University Press.
Voorhies, James Timothy. 2017a. Beyond Objecthood: The Exhibition as a Critical Form since 1968. Cambridge, Massachusetts: The MIT Press.
Voorhies, James Timothy. 2017b. Beyond Objecthood: The Exhibition as a Critical Form since 1968. Cambridge, Massachusetts: The MIT Press.
Wang, Peggy, Wu Hung, and Museum of Modern Art (New York, N.Y.). 2010. Contemporary Chinese Art: Primary Documents. New York, N.Y.: Museum of Modern Art.
Whitehead, Christopher. 2012. Interpreting Art in Museums and Galleries. London: Routledge.
Zabala, Santiago. 2017. Why Only Art Can Save Us: Aesthetics and the Absence of Emergency. New York: Columbia University Press.