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Steeds L, ed. Exhibition. Vol Whitechapel: documents of contemporary art. The MIT Press; 2014.
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Knell SJ, ed. The Contemporary Museum: Shaping Museums for the Global Now. Routledge, Taylor & Francis Group; 2019. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5583479
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George A. The Curator’s Handbook: Museums, Commercial Galleries, Independent Spaces. Thames & Hudson; 2015. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5878065
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O’Neill P. The Culture of Curating and the Curating of Culture(s). The MIT Press; 2012.
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Cook S. Stop, Drop, and Roll With It: Curating Participatory Media Art. In: Bianchini S, Verhagen E, eds. Practicable : From Participation to Interaction in Contemporary Art /. ; :377-395.
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Steeds L, ed. Exhibition. Vol Whitechapel: documents of contemporary art. The MIT Press; 2014.
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George A. The Curator’s Handbook: Museums, Commercial Galleries, Independent Spaces. Thames & Hudson; 2015. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5878065
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Cook S. Stop, Drop, and Roll With It: Curating Participatory Media Art. In: Bianchini S, Verhagen E, eds. Practicable : From Participation to Interaction in Contemporary Art /. ; :377-395.
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The Postcolonial Constellation: Contemporary Art in a State of Permanent Transition - University of Leicester. https://librarysearch.le.ac.uk/permalink/f/mvjm1g/TN_cdi_gale_lrcgauss_A111013381
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Blake N. In a Different Light: Visual Culture, Sexual Identity, Queer Practice. City Lights Books; 1995.
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Herstatt C. Women Gallerists in the 20th and 21st Centuries. Hatje Cantz; 2008.
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Dimitrakaki A, Perry L, eds. Politics in a Glass Case: Feminism, Exhibition Cultures and Curatorial Transgressions. Vol Value, art, politics. Liverpool University Press; 2015.
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Jones CA, Arning B, Briand M, Massachusetts Institute of Technology. IT List Visual Arts Center. Sensorium: Embodied Experience, Technology, and Contemporary Art. MIT List Visual Arts Center; 2006.
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Malt C. Women’s Voices in Middle East Museums: Case Studies in Jordan. Vol Gender, culture, and politics in the Middle East. Syracuse University Press; 2005.
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Wang P, Wu Hung, Museum of Modern Art (New York, N.Y.). Contemporary Chinese Art: Primary Documents. Museum of Modern Art; 2010.
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Ferguson BW, Greenberg R, Nairne S. Thinking About Exhibitions. Taylor & Francis Ebooks; 1996. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=242218
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Duncan C. Civilizing Rituals. Routledge; 1995. http://ezproxy.lib.le.ac.uk/login?url=http://www.tandfebooks.com/doi/view/10.4324/9780203978719
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O’Doherty B. Studio and Cube : On the Relationship Between Where Art Is Made and Where Art Is Displayed. Princeton Architectural Press; 20080101. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3387478
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O’Neill P. The Culture of Curating and the Curating of Culture(s). The MIT Press; 2012.
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Altshuler B, Sharmacharja S. A Manual for the 21st Century Art Institution. Koenig Books; 2009.
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Hoffmann J. Show Time: The 50 Most Influential Exhibitions of Contemporary Art. Thames & Hudson; 2014.
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Marshall CR. Sculpture and the Museum. Vol Subject/object: New studies in sculpture. Ashgate; 2011. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4907028
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Ambrose T, Paine C. Museum Basics. 3rd ed. Routledge; 2012. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=981849
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Hospitality - Hosting Relations in Exhibitions (Conference). Hospitality: Hosting Relations in Exhibitions. Vol Cultures of the curatorial. (Meyer-Krahmer B, Bismarck B von, eds.). Sternberg Press; 2016.
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Bishop C, Perjovschi D. Radical Museology, or, What’s Contemporary in Museums of Contemporary Art? Walther König; 2013.
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Dobson K, McGlynn A, eds. Transnationalism, Activism, Art. University of Toronto Press; 2013. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4672844
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Lee PM. Forgetting the Art World. The MIT Press; 2017.
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Demos TJ. Return to the Postcolony: Specters of Colonialsim in Contemporary Art. Sternberg Press; 2013.
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THE BAD BOYS OF ART STILL HAVEN’T GROWN UP; The artists Dinos Chapman, 51, and his brother, Jake, 46, talk about mutilated pets, hitting each other with sticks, and why they have banned their parents from their exhibition openings.(Features; Profiles and Interviews) - University of Leicester. http://librarysearch.le.ac.uk/primo_library/libweb/action/display.do?tabs=viewOnlineTab&ct=display&fn=search&doc=TN_gale_ofa329444933&indx=10&recIds=TN_gale_ofa329444933&recIdxs=9&elementId=9&renderMode=poppedOut&displayMode=full&frbrVersion=3&dscnt=1&mode=Basic&vid=44UOLE_VU1&mulExcFctN=facet_rtype&fctExcV=reviews&tab=default_tab&dstmp=1505407700816&frbg=&frbrVersion=2&rfnExcGrp=1&viewAllItemsClicked=false&scp.scps=scope%3A%2844UOLE_SPECCOL%29%2Cscope%3A%2844UOLE_DISSERTATIONS%29%2Cscope%3A%2844UOLE_DSPACE%29%2Cscope%3A%2844UOLE_CALM%29%2Cscope%3A%2844UOLE_ALMA%29%2Cscope%3A%2844UOLE_EXAM%29%2Cscope%3A%2844UOLE_CONTENTDM%29%2Cscope%3A%2844UOLE_OJS%29%2Cprimo_central_multiple_fe&srt=rank&selectedLocation=&dum=true&vl(freeText0)=talking%20art%3A%20interviews%20with%20artists
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Ligon G. Glenn Ligon: Encounters and Collisions. (Ligon G, Farquharson A, Manacorda F, eds.). Nottingham Contemporary and Tate; 2015.
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Adesokan A. Postcolonial Artists and Global Aesthetics. Indiana University Press; 2011. https://ebookcentral.proquest.com/lib/leicester/detail.action?pq-origsite=primo&docID=670305
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Burton J, Jackson S, Willsdon D, eds. Public Servants: Art and the Crisis of the Common Good. Vol Critical anthologies in art and culture. The MIT Press; 2016.
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Jennings G, ed. Abstract Video: The Moving Image in Contemporary Art. University of California Press; 2015. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4401375
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M.I.T. Press. Moving Image. Vol Documents of contemporary art. (Kholeif O, ed.). Whitechapel Gallery; 2015.
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Cook S, ed. Information. Vol Documents of contemporary art. Whitechapel Gallery, The MIT Press; 2016.
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Fromm AB, Rekdal PB, Golding V, eds. Museums and Truth. Cambridge Scholars Publishing; 2014. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1819196
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Alexis L. Boylan. Ashcan Art, Whiteness, and the Unspectacular Man. Bloomsbury Academic; 2017. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4815072
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Kim J. Between Film, Video, and the Digital: Hybrid Moving Images in the Post-Media Age. Vol International texts in critical media aesthetics. Bloomsbury Academic; 2016. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4528277
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Graham B, Cook S. Rethinking Curating: Art after New Media. Vol Leonardo. MIT Press; 2010.
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Zabala S. Why Only Art Can Save Us: Aesthetics and the Absence of Emergency. Columbia University Press; 2017.
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Maltz-Leca L. William Kentridge: Process as Metaphor and Other Doubtful Enterprises. University of California Press; 2017.
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Schlachetzki SM. Fusing Lab and Gallery: Device Art in Japan and International Nano Art. Vol Image. Transcript Verlag; 2012. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1918223
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Petersen AR. MIGRATION INTO ART. Vol Rethinking Art’s Histories. MANCHESTER UNIVERSITY PRESS; 2017.
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Achar D, Panikkar S, UGC National Seminar on the Issues of Activism: the Artist and the Historian, India. University Grants Commission, Maharaja Sayajirao University of Baroda. Department of Art History and Aesthetics. Articulating Resistance: Art and Activism. Tulika Books; 2012.
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Steeds L, ed. Exhibition. Vol Whitechapel: documents of contemporary art. The MIT Press; 2014.
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Golding V, Modest W. Museums and Communities: Curators, Collections and Collaboration. Bloomsbury; 2013. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1334381
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Fromm AB, Rekdal PB, Golding V, eds. Museums and Truth. Cambridge Scholars Publishing; 2014. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1819196
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Golding V. Learning at the Museum Frontiers: Identity, Race and Power. Ashgate; 2009. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664467100002746&institutionId=2746&customerId=2745
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Golding V. museums, poetics and affect. Feminist Review. 2013;104(S1):80-99. doi:10.1057/fr.2013.2
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Altshuler B, Altshuler B. Collecting the New: Museums and Contemporary Art. Princeton University Press; 2013. https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/detail.action?docID=1422521
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Allen F, Whitechapel Art Gallery. Education. Vol Documents of contemporary art. Whitechapel Gallery; 2011.
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Finkelpearl T. Dialogues in Public Art. MIT Press; 20011001. https://ebookcentral.proquest.com/lib/leicester/detail.action?pq-origsite=primo&docID=3338874
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Art without history? Southeast Asian artists and their communities in the face of geography - University of Leicester. https://librarysearch.le.ac.uk/permalink/f/mvjm1g/TN_cdi_webofscience_primary_000294751400003
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Cheryl Meszaros. Un/Familiar. The Journal of Museum Education. 2008;33(3):239-246. http://www.jstor.org/stable/40479677?pq-origsite=summon&seq=1#page_scan_tab_contents
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Whitehead C. Interpreting Art in Museums and Galleries. Routledge; 2012. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=838179
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Serota N. Experience or Interpretation: The Dilemma of Museums of Modern Art. Thames & Hudson; 1996.
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Fritsch J, Victoria and Albert Museum. Sackler Centre for Arts Education. Museum Gallery Interpretation and Material Culture. Vol Routledge research in museum studies. Routledge; 2011. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1099469
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Tamen M. Friends of Interpretable Objects. Harvard University Press; 2001. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3300357
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Spieker S, ed. Destruction. Vol Whitechapel : documents of contemporary art. The MIT Press; 2017.