Achar, Deeptha, Shivaji Panikkar, UGC National Seminar on the Issues of Activism: the Artist and the Historian, India. University Grants Commission, and Maharaja Sayajirao University of Baroda. Department of Art History and Aesthetics, Articulating Resistance: Art and Activism (New Delhi: Tulika Books, 2012)
Adesokan, Akinwumi, Postcolonial Artists and Global Aesthetics (Bloomington: Indiana University Press, 2011) <https://ebookcentral.proquest.com/lib/leicester/detail.action?pq-origsite=primo&docID=670305>
Alexis L. Boylan, Ashcan Art, Whiteness, and the Unspectacular Man (Bloomsbury Academic, 2017) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4815072>
Allen, Felicity and Whitechapel Art Gallery, Education (London: Whitechapel Gallery, 2011), Documents of contemporary art
Altshuler, Bruce, and Bruce Altshuler, Collecting the New: Museums and Contemporary Art (Princeton: Princeton University Press, 2013) <https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/detail.action?docID=1422521>
Altshuler, Bruce, and Shamita Sharmacharja, A Manual for the 21st Century Art Institution (London: Koenig Books, 2009)
Ambrose, Tim, and Crispin Paine, Museum Basics, 3rd ed (London: Routledge, 2012) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=981849>
‘Art without History? Southeast Asian Artists and Their Communities in the Face of Geography - University of Leicester’ <https://librarysearch.le.ac.uk/permalink/f/mvjm1g/TN_cdi_webofscience_primary_000294751400003>
Best, Susan, Visualizing Feeling: Affect and the Feminine Avant-Garde (London: I.B.Tauris, 2011) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=784563>
Bishop, Claire, Participation (London: Whitechapel, 2006), Documents of contemporary art
Bishop, Claire, and Dan Perjovschi, Radical Museology, or, What’s Contemporary in Museums of Contemporary Art? (Köln: Walther König, 2013)
———, Radical Museology, or, What’s Contemporary in Museums of Contemporary Art? (Köln: Walther König, 2013)
Blake, Nayland, In a Different Light: Visual Culture, Sexual Identity, Queer Practice (San Francisco: City Lights Books, 1995)
Bourdieu, Pierre, Alain Darbel, and Dominique Schnapper, The Love of Art: European Art Museums and Their Public (Cambridge: Polity Press, 1991)
Bourdieu, Pierre, and Randal Johnson, The Field of Cultural Production: Essays on Art and Literature (Cambridge: Policy Press, 1993)
Burton, Johanna, Shannon Jackson, and Dominic Willsdon, eds., Public Servants: Art and the Crisis of the Common Good (Cambridge, Massachusetts: The MIT Press, 2016), Critical anthologies in art and culture
Butler, Cornelia H., From Conceptualism to Feminism: Lucy Lippard’s Numbers Shows, 1969-74 (London: Afterall, 2012), Exhibition histories
Cheryl Meszaros, ‘Un/Familiar’, The Journal of Museum Education, 33.3 (2008), 239–46 <http://www.jstor.org/stable/40479677?pq-origsite=summon&seq=1#page_scan_tab_contents>
Contemporary Art Society, The Best Is Not Too Good for You: New Approaches to Public Collections in England (London: Whitechapel Gallery, 2014)
‘Contemporary British Women Artists In Their Own Words - University of Leicester’ <http://librarysearch.le.ac.uk/primo_library/libweb/action/display.do?tabs=viewOnlineTab&ct=display&fn=search&doc=44UOLE_ALMA51137157280002746&indx=4&recIds=44UOLE_ALMA51137157280002746&recIdxs=3&elementId=3&renderMode=poppedOut&displayMode=full&frbrVersion=2&frbg=&&rfnExcGrp=1&dscnt=0&scp.scps=scope%3A%2844UOLE_SPECCOL%29%2Cscope%3A%2844UOLE_DISSERTATIONS%29%2Cscope%3A%2844UOLE_DSPACE%29%2Cscope%3A%2844UOLE_CALM%29%2Cscope%3A%2844UOLE_ALMA%29%2Cscope%3A%2844UOLE_EXAM%29%2Cscope%3A%2844UOLE_CONTENTDM%29%2Cscope%3A%2844UOLE_OJS%29%2Cprimo_central_multiple_fe&vid=44UOLE_VU1&mode=Basic&mulExcFctN=facet_rtype&fctExcV=reviews&srt=rank&tab=default_tab&dum=true&vl(freeText0)=talking%20art%3A%20interviews%20with%20artists&dstmp=1505407633210>
Cook, Sarah, ed., Information (London: Whitechapel Gallery, The MIT Press, 2016), Documents of contemporary art
———, ‘Stop, Drop, and Roll With It: Curating Participatory Media Art’, in Practicable : From Participation to Interaction in Contemporary Art /, ed. by Samuel Bianchini and Erik Verhagen, pp. 377–95
———, ‘Stop, Drop, and Roll With It: Curating Participatory Media Art’, in Practicable : From Participation to Interaction in Contemporary Art /, ed. by Samuel Bianchini and Erik Verhagen, pp. 377–95
Demos, T. J., Return to the Postcolony: Specters of Colonialsim in Contemporary Art (Berlin: Sternberg Press, 2013)
Dimitrakaki, Angela, and Lara Perry, eds., Politics in a Glass Case: Feminism, Exhibition Cultures and Curatorial Transgressions (Liverpool: Liverpool University Press, 2015), Value, art, politics
Dobson, Kit, and Áine McGlynn, eds., Transnationalism, Activism, Art (Toronto, [Ontario]: University of Toronto Press, 2013) <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4672844>
Duncan, Carol, Civilizing Rituals (London: Routledge, 1995) <http://ezproxy.lib.le.ac.uk/login?url=http://www.tandfebooks.com/doi/view/10.4324/9780203978719>
Edited by Samuel Bianchini and Erik Verhagen, Practicable: From Participation to Interaction in Contemporary Art
Ferguson, Bruce W., Reesa Greenberg, and Sandy Nairne, Thinking About Exhibitions (Taylor & Francis Ebooks, 1996) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=242218>
———, Thinking About Exhibitions (Taylor & Francis Ebooks, 1996) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=242218>
Finkelpearl, Tom, Dialogues in Public Art (Cambridge, MA, USA: MIT Press, 20011001) <https://ebookcentral.proquest.com/lib/leicester/detail.action?pq-origsite=primo&docID=3338874>
Fritsch, Juliette and Victoria and Albert Museum. Sackler Centre for Arts Education, Museum Gallery Interpretation and Material Culture (London: Routledge, 2011), Routledge research in museum studies <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1099469>
———, Museum Gallery Interpretation and Material Culture (London: Routledge, 2011), Routledge research in museum studies <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1099469>
Fromm, Annette B., Per B. Rekdal, and Vivien Golding, eds., Museums and Truth (Newcastle upon Tyne: Cambridge Scholars Publishing, 2014) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1819196>
———, eds., Museums and Truth (Newcastle upon Tyne: Cambridge Scholars Publishing, 2014) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1819196>
George, Adrian, The Curator’s Handbook: Museums, Commercial Galleries, Independent Spaces (London: Thames & Hudson, 2015) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5878065>
———, The Curator’s Handbook: Museums, Commercial Galleries, Independent Spaces (London: Thames & Hudson, 2015) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5878065>
Golding, Viv, ‘Museums, Poetics and Affect’, Feminist Review, 104.S1 (2013), 80–99 <https://doi.org/10.1057/fr.2013.2>
Golding, Vivien, Learning at the Museum Frontiers: Identity, Race and Power (Farnham: Ashgate, 2009) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664467100002746&institutionId=2746&customerId=2745>
Golding, Vivien, and Wayne Modest, Museums and Communities: Curators, Collections and Collaboration (Oxford: Bloomsbury, 2013) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1334381>
Graham, Beryl, and Sarah Cook, Rethinking Curating: Art after New Media (Cambridge, Mass: MIT Press, 2010), Leonardo
Harris, Jonathan, Globalization and Contemporary Art (Oxford: Wiley-Blackwell, 2011)
Hayden, Malin Hedlin, and Jessica Sjöholm, Feminisms Is Still Our Name: Seven Essays on Historiography and Curatorial Practices (Newcastle upon Tyne: Cambridge Scholars, 2010) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=6211957>
Herstatt, Claudia, Women Gallerists in the 20th and 21st Centuries (Ostfildern: Hatje Cantz, 2008)
Hoffmann, Jens, Show Time: The 50 Most Influential Exhibitions of Contemporary Art (London: Thames & Hudson, 2014)
———, ed., The Exhibitionist: Journal on Exhibition Making - the First Six Years ([United States]: [publisher not identified], 2017)
Hospitality - Hosting Relations in Exhibitions (Conference), Hospitality: Hosting Relations in Exhibitions, ed. by Benjamin Meyer-Krahmer and Beatrice von Bismarck (Berlin: Sternberg Press, 2016), Cultures of the curatorial
Hudek, Antony, ed., The Object (London: Whitechapel Gallery, 2014), Documents of contemporary art
Jennings, Gabrielle, ed., Abstract Video: The Moving Image in Contemporary Art (Berkeley: University of California Press, 2015) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4401375>
Jones, Caroline A., Bill Arning, Mathieu Briand, and Massachusetts Institute of Technology. IT List Visual Arts Center, Sensorium: Embodied Experience, Technology, and Contemporary Art (Cambridge, Mass: MIT List Visual Arts Center, 2006)
Kim, Jihoon, Between Film, Video, and the Digital: Hybrid Moving Images in the Post-Media Age (New York: Bloomsbury Academic, 2016), International texts in critical media aesthetics <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4528277>
Knell, Simon J., ed., The Contemporary Museum: Shaping Museums for the Global Now (London: Routledge, Taylor & Francis Group, 2019) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5583479>
Lange-Berndt, Petra, ed., Materiality (London: Whitechapel Gallery, 2015), Documents of contemporary art
Lee, Pamela M., Forgetting the Art World (Cambridge, Massachusetts: The MIT Press, 2017)
Levin, Amy K., Gender, Sexuality and Museums (London: Routledge, 2010) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=557304>
Ligon, Glenn, Glenn Ligon: Encounters and Collisions, ed. by Glenn Ligon, Alex Farquharson, and Francesco Manacorda (London: Nottingham Contemporary and Tate, 2015)
Malt, Carol, Women’s Voices in Middle East Museums: Case Studies in Jordan (Syracuse, N.Y.: Syracuse University Press, 2005), Gender, culture, and politics in the Middle East
Maltz-Leca, Leora, William Kentridge: Process as Metaphor and Other Doubtful Enterprises (Oakland, California: University of California Press, 2017)
Marcia Tucker, A Short Life of Trouble (Berkeley, Calif: University of California Press, 2010) <http://ezproxy.lib.le.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=306112>
Marshall, Christopher R., Sculpture and the Museum (Farnham: Ashgate, 2011), Subject/object: New studies in sculpture <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4907028>
M.I.T. Press, Moving Image, ed. by Omar Kholeif (London: Whitechapel Gallery, 2015), Documents of contemporary art
‘NEW CRITICAL DIRECTIONS: TRANSNATIONALISM AND DIASPORA IN ASIAN AMERICAN ART - University of Leicester’ <https://librarysearch.le.ac.uk/permalink/f/mvjm1g/TN_cdi_crossref_primary_10_1086_sou_31_3_23208591>
Obrist, Hans Ulrich, Ways of Curating (UK: Penguin Books, 2015)
O’Doherty, Brian, Inside the White Cube: The Ideology of the Gallery Space, Expanded ed (Berkeley, Calif: University of California Press, 1999)
———, Studio and Cube : On the Relationship Between Where Art Is Made and Where Art Is Displayed (New York, NY, USA: Princeton Architectural Press, 20080101) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3387478>
O’Neill, Paul, The Culture of Curating and the Curating of Culture(s) (Cambridge, Mass: The MIT Press, 2012)
———, The Culture of Curating and the Curating of Culture(s) (Cambridge, Mass: The MIT Press, 2012)
O’Neill, Paul, Annie Fletcher, and Søren Andreasen, Curating Subjects, 2nd ed (London: Open Editions, 2011)
O’Neill, Paul, Mick Wilson, and Lucy Steeds, eds., The Curatorial Conundrum: What to Study? What to Research? What to Practice? (Cambridge, Massachusetts: The MIT Press, 2016)
Petersen, Anne Ring, MIGRATION INTO ART. (Manchester: MANCHESTER UNIVERSITY PRESS, 2017), Rethinking Art’s Histories
Pollock, Griselda, Encounters in a Virtual Feminist Museum: Time, Space and the Archive (London: Routledge, 2007)
Reiss, Julie H., From Margin to Center: The Spaces of Installation Art (Cambridge, Mass: MIT Press, 1999) <http://www.vlebooks.com/vleweb/product/openreader?id=LeicesterU&isbn=9780262282291>
Rugg, Judith, Judith Rugg, and Michèle Sedgwick, Issues in Curating Contemporary Art and Performance (Bristol, UK: Intellect, 2007)
Saunders, Nicholas J., Trench Art: Materialities and Memories of War (Oxford: Berg, 2003) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1274749>
Schlachetzki, Sarah M., Fusing Lab and Gallery: Device Art in Japan and International Nano Art (Bielefeld: Transcript Verlag, 2012), Image <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1918223>
Schubert, Karsten, The Curator’s Egg: The Evolution of the Museum Concept from the French Revolution to the Present Day (London: One-Off Press, 2000)
Serota, Nicholas, Experience or Interpretation: The Dilemma of Museums of Modern Art (London: Thames & Hudson, 1996)
Smith, Terry, Thinking Contemporary Curating (New York: Independent Curators International, 2012), i
Spieker, Sven, ed., Destruction (Cambridge, MA: The MIT Press, 2017), Whitechapel : documents of contemporary art
Steeds, Lucy, ed., Exhibition (Cambridge, Massachusetts: The MIT Press, 2014), Whitechapel: documents of contemporary art
———, ed., Exhibition (Cambridge, Massachusetts: The MIT Press, 2014), Whitechapel: documents of contemporary art
———, ed., Exhibition (Cambridge, Massachusetts: The MIT Press, 2014), Whitechapel: documents of contemporary art
Tamen, Miguel, Friends of Interpretable Objects (Cambridge, Mass: Harvard University Press, 2001) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3300357>
‘THE BAD BOYS OF ART STILL HAVEN’T GROWN UP; The Artists Dinos Chapman, 51, and His Brother, Jake, 46, Talk about Mutilated Pets, Hitting Each Other with Sticks, and Why They Have Banned Their Parents from Their Exhibition Openings.(Features; Profiles and Interviews) - University of Leicester’ <http://librarysearch.le.ac.uk/primo_library/libweb/action/display.do?tabs=viewOnlineTab&ct=display&fn=search&doc=TN_gale_ofa329444933&indx=10&recIds=TN_gale_ofa329444933&recIdxs=9&elementId=9&renderMode=poppedOut&displayMode=full&frbrVersion=3&dscnt=1&mode=Basic&vid=44UOLE_VU1&mulExcFctN=facet_rtype&fctExcV=reviews&tab=default_tab&dstmp=1505407700816&frbg=&frbrVersion=2&rfnExcGrp=1&viewAllItemsClicked=false&scp.scps=scope%3A%2844UOLE_SPECCOL%29%2Cscope%3A%2844UOLE_DISSERTATIONS%29%2Cscope%3A%2844UOLE_DSPACE%29%2Cscope%3A%2844UOLE_CALM%29%2Cscope%3A%2844UOLE_ALMA%29%2Cscope%3A%2844UOLE_EXAM%29%2Cscope%3A%2844UOLE_CONTENTDM%29%2Cscope%3A%2844UOLE_OJS%29%2Cprimo_central_multiple_fe&srt=rank&selectedLocation=&dum=true&vl(freeText0)=talking%20art%3A%20interviews%20with%20artists>
‘The Postcolonial Constellation: Contemporary Art in a State of Permanent Transition - University of Leicester’ <https://librarysearch.le.ac.uk/permalink/f/mvjm1g/TN_cdi_gale_lrcgauss_A111013381>
Voorhies, James Timothy, Beyond Objecthood: The Exhibition as a Critical Form since 1968 (Cambridge, Massachusetts: The MIT Press, 2017)
———, Beyond Objecthood: The Exhibition as a Critical Form since 1968 (Cambridge, Massachusetts: The MIT Press, 2017)
Wang, Peggy, Wu Hung, and Museum of Modern Art (New York, N.Y.), Contemporary Chinese Art: Primary Documents (New York, N.Y.: Museum of Modern Art, 2010)
Whitehead, Christopher, Interpreting Art in Museums and Galleries (London: Routledge, 2012) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=838179>
Zabala, Santiago, Why Only Art Can Save Us: Aesthetics and the Absence of Emergency (New York: Columbia University Press, 2017)
