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L. Steeds, Ed., Exhibition, vol. Whitechapel: documents of contemporary art. Cambridge, Massachusetts: The MIT Press, 2014.
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S. J. Knell, Ed., The contemporary museum: shaping museums for the global now. London: Routledge, Taylor & Francis Group, 2019 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5583479
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A. George, The curator’s handbook: museums, commercial galleries, independent spaces. London: Thames & Hudson, 2015 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5878065
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C. Bishop and D. Perjovschi, Radical museology, or, what’s contemporary in museums of contemporary art? Köln: Walther König, 2013.
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T. Smith, Thinking contemporary curating, vol. 1. New York: Independent Curators International, 2012.
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J. Fritsch and Victoria and Albert Museum. Sackler Centre for Arts Education, Museum gallery interpretation and material culture, vol. Routledge research in museum studies. London: Routledge, 2011 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1099469
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P. O’Neill, The culture of curating and the curating of culture(s). Cambridge, Mass: The MIT Press, 2012.
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S. Cook, ‘Stop, Drop, and Roll With It: Curating Participatory Media Art’, in Practicable : from participation to interaction in contemporary art /, S. Bianchini and E. Verhagen, Eds. pp. 377–395.
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J. Rugg, J. Rugg, and M. Sedgwick, Issues in curating contemporary art and performance. Bristol, UK: Intellect, 2007.
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J. T. Voorhies, Beyond objecthood: the exhibition as a critical form since 1968. Cambridge, Massachusetts: The MIT Press, 2017.
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P. Bourdieu, A. Darbel, and D. Schnapper, The love of art: European art museums and their public. Cambridge: Polity Press, 1991.
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L. Steeds, Ed., Exhibition, vol. Whitechapel: documents of contemporary art. Cambridge, Massachusetts: The MIT Press, 2014.
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A. George, The curator’s handbook: museums, commercial galleries, independent spaces. London: Thames & Hudson, 2015 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5878065
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P. Bourdieu and R. Johnson, The field of cultural production: essays on art and literature. Cambridge: Policy Press, 1993.
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S. Cook, ‘Stop, Drop, and Roll With It: Curating Participatory Media Art’, in Practicable : from participation to interaction in contemporary art /, S. Bianchini and E. Verhagen, Eds. pp. 377–395.
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Edited by Samuel Bianchini and Erik Verhagen, Practicable: From Participation to Interaction in Contemporary Art. .
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P. Lange-Berndt, Ed., Materiality, vol. Documents of contemporary art. London: Whitechapel Gallery, 2015.
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A. Hudek, Ed., The object, vol. Documents of contemporary art. London: Whitechapel Gallery, 2014.
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J. T. Voorhies, Beyond objecthood: the exhibition as a critical form since 1968. Cambridge, Massachusetts: The MIT Press, 2017.
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C. Bishop, Participation, vol. Documents of contemporary art. London: Whitechapel, 2006.
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J. H. Reiss, From margin to center: the spaces of installation art. Cambridge, Mass: MIT Press, 1999 [Online]. Available: http://www.vlebooks.com/vleweb/product/openreader?id=LeicesterU&isbn=9780262282291
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‘The Postcolonial Constellation: Contemporary Art in a State of Permanent Transition - University of Leicester’. [Online]. Available: https://librarysearch.le.ac.uk/permalink/f/mvjm1g/TN_cdi_gale_lrcgauss_A111013381
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J. Harris, Globalization and contemporary art. Oxford: Wiley-Blackwell, 2011.
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‘NEW CRITICAL DIRECTIONS: TRANSNATIONALISM AND DIASPORA IN ASIAN AMERICAN ART - University of Leicester’. [Online]. Available: https://librarysearch.le.ac.uk/permalink/f/mvjm1g/TN_cdi_crossref_primary_10_1086_sou_31_3_23208591
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C. H. Butler, From conceptualism to feminism: Lucy Lippard’s numbers shows, 1969-74, vol. Exhibition histories. London: Afterall, 2012.
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M. H. Hayden and J. Sjöholm, Feminisms is still our name: seven essays on historiography and curatorial practices. Newcastle upon Tyne: Cambridge Scholars, 2010 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=6211957
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N. Blake, In a different light: visual culture, sexual identity, queer practice. San Francisco: City Lights Books, 1995.
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C. Herstatt, Women gallerists in the 20th and 21st centuries. Ostfildern: Hatje Cantz, 2008.
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A. K. Levin, Gender, sexuality and museums. London: Routledge, 2010 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=557304
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A. Dimitrakaki and L. Perry, Eds., Politics in a glass case: feminism, exhibition cultures and curatorial transgressions, vol. Value, art, politics. Liverpool: Liverpool University Press, 2015.
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C. A. Jones, B. Arning, M. Briand, and Massachusetts Institute of Technology. IT List Visual Arts Center, Sensorium: embodied experience, technology, and contemporary art. Cambridge, Mass: MIT List Visual Arts Center, 2006.
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G. Pollock, Encounters in a virtual feminist museum: time, space and the archive. London: Routledge, 2007.
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S. Best, Visualizing Feeling: Affect and the Feminine Avant-garde. London: I.B.Tauris, 2011 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=784563
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C. Malt, Women’s voices in Middle East museums: case studies in Jordan, vol. Gender, culture, and politics in the Middle East. Syracuse, N.Y.: Syracuse University Press, 2005.
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N. J. Saunders, Trench art: materialities and memories of war. Oxford: Berg, 2003 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1274749
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P. Wang, Wu Hung, and Museum of Modern Art (New York, N.Y.), Contemporary Chinese art: primary documents. New York, N.Y.: Museum of Modern Art, 2010.
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P. O’Neill, A. Fletcher, and S. Andreasen, Curating subjects, 2nd ed. London: Open Editions, 2011.
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H. U. Obrist, Ways of curating. UK: Penguin Books, 2015.
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B. W. Ferguson, R. Greenberg, and S. Nairne, Thinking About Exhibitions. Taylor & Francis Ebooks, 1996 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=242218
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C. Duncan, Civilizing Rituals. London: Routledge, 1995 [Online]. Available: http://ezproxy.lib.le.ac.uk/login?url=http://www.tandfebooks.com/doi/view/10.4324/9780203978719
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B. O’Doherty, Inside the white cube: the ideology of the gallery space, Expanded ed. Berkeley, Calif: University of California Press, 1999.
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B. O’Doherty, Studio and Cube : On the Relationship Between Where Art Is Made and Where Art Is Displayed. New York, NY, USA: Princeton Architectural Press, 20080101 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3387478
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P. O’Neill, The culture of curating and the curating of culture(s). Cambridge, Mass: The MIT Press, 2012.
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B. Altshuler and S. Sharmacharja, A manual for the 21st century art institution. London: Koenig Books, 2009.
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K. Schubert, The curator’s egg: the evolution of the museum concept from the French Revolution to the present day. London: One-Off Press, 2000.
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J. Hoffmann, Show time: the 50 most influential exhibitions of contemporary art. London: Thames & Hudson, 2014.
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C. R. Marshall, Sculpture and the museum, vol. Subject/object: New studies in sculpture. Farnham: Ashgate, 2011 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4907028
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T. Ambrose and C. Paine, Museum basics, 3rd ed. London: Routledge, 2012 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=981849
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Hospitality - Hosting Relations in Exhibitions (Conference), Hospitality: hosting relations in exhibitions, vol. Cultures of the curatorial. Berlin: Sternberg Press, 2016.
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C. Bishop and D. Perjovschi, Radical museology, or, what’s contemporary in museums of contemporary art? Köln: Walther König, 2013.
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K. Dobson and A. McGlynn, Eds., Transnationalism, activism, art. Toronto, [Ontario]: University of Toronto Press, 2013 [Online]. Available: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4672844
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P. M. Lee, Forgetting the art world. Cambridge, Massachusetts: The MIT Press, 2017.
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T. J. Demos, Return to the postcolony: specters of colonialsim in contemporary art. Berlin: Sternberg Press, 2013.
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Contemporary Art Society, The best is not too good for you: new approaches to public collections in England. London: Whitechapel Gallery, 2014.
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‘Contemporary British Women Artists In Their Own Words - University of Leicester’. [Online]. Available: http://librarysearch.le.ac.uk/primo_library/libweb/action/display.do?tabs=viewOnlineTab&ct=display&fn=search&doc=44UOLE_ALMA51137157280002746&indx=4&recIds=44UOLE_ALMA51137157280002746&recIdxs=3&elementId=3&renderMode=poppedOut&displayMode=full&frbrVersion=2&frbg=&&rfnExcGrp=1&dscnt=0&scp.scps=scope%3A%2844UOLE_SPECCOL%29%2Cscope%3A%2844UOLE_DISSERTATIONS%29%2Cscope%3A%2844UOLE_DSPACE%29%2Cscope%3A%2844UOLE_CALM%29%2Cscope%3A%2844UOLE_ALMA%29%2Cscope%3A%2844UOLE_EXAM%29%2Cscope%3A%2844UOLE_CONTENTDM%29%2Cscope%3A%2844UOLE_OJS%29%2Cprimo_central_multiple_fe&vid=44UOLE_VU1&mode=Basic&mulExcFctN=facet_rtype&fctExcV=reviews&srt=rank&tab=default_tab&dum=true&vl(freeText0)=talking%20art%3A%20interviews%20with%20artists&dstmp=1505407633210
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‘THE BAD BOYS OF ART STILL HAVEN’T GROWN UP; The artists Dinos Chapman, 51, and his brother, Jake, 46, talk about mutilated pets, hitting each other with sticks, and why they have banned their parents from their exhibition openings.(Features; Profiles and Interviews) - University of Leicester’. [Online]. Available: http://librarysearch.le.ac.uk/primo_library/libweb/action/display.do?tabs=viewOnlineTab&ct=display&fn=search&doc=TN_gale_ofa329444933&indx=10&recIds=TN_gale_ofa329444933&recIdxs=9&elementId=9&renderMode=poppedOut&displayMode=full&frbrVersion=3&dscnt=1&mode=Basic&vid=44UOLE_VU1&mulExcFctN=facet_rtype&fctExcV=reviews&tab=default_tab&dstmp=1505407700816&frbg=&frbrVersion=2&rfnExcGrp=1&viewAllItemsClicked=false&scp.scps=scope%3A%2844UOLE_SPECCOL%29%2Cscope%3A%2844UOLE_DISSERTATIONS%29%2Cscope%3A%2844UOLE_DSPACE%29%2Cscope%3A%2844UOLE_CALM%29%2Cscope%3A%2844UOLE_ALMA%29%2Cscope%3A%2844UOLE_EXAM%29%2Cscope%3A%2844UOLE_CONTENTDM%29%2Cscope%3A%2844UOLE_OJS%29%2Cprimo_central_multiple_fe&srt=rank&selectedLocation=&dum=true&vl(freeText0)=talking%20art%3A%20interviews%20with%20artists
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J. Hoffmann, Ed., The exhibitionist: journal on exhibition making - the first six years. [United States]: [publisher not identified], 2017.
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G. Ligon, Glenn Ligon: Encounters and collisions. London: Nottingham Contemporary and Tate, 2015.
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A. Adesokan, Postcolonial artists and global aesthetics. Bloomington: Indiana University Press, 2011 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?pq-origsite=primo&docID=670305
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J. Burton, S. Jackson, and D. Willsdon, Eds., Public servants: art and the crisis of the common good, vol. Critical anthologies in art and culture. Cambridge, Massachusetts: The MIT Press, 2016.
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P. O’Neill, M. Wilson, and L. Steeds, Eds., The curatorial conundrum: what to study? what to research? what to practice? Cambridge, Massachusetts: The MIT Press, 2016.
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G. Jennings, Ed., Abstract video: the moving image in contemporary art. Berkeley: University of California Press, 2015 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4401375
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M.I.T. Press, Moving image, vol. Documents of contemporary art. London: Whitechapel Gallery, 2015.
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S. Cook, Ed., Information, vol. Documents of contemporary art. London: Whitechapel Gallery, The MIT Press, 2016.
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A. B. Fromm, P. B. Rekdal, and V. Golding, Eds., Museums and truth. Newcastle upon Tyne: Cambridge Scholars Publishing, 2014 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1819196
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Alexis L. Boylan, Ashcan Art, Whiteness, and the Unspectacular Man. Bloomsbury Academic, 2017 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4815072
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J. Kim, Between film, video, and the digital: hybrid moving images in the post-media age, vol. International texts in critical media aesthetics. New York: Bloomsbury Academic, 2016 [Online]. Available: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4528277
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B. Graham and S. Cook, Rethinking curating: art after new media, vol. Leonardo. Cambridge, Mass: MIT Press, 2010.
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S. Zabala, Why only art can save us: aesthetics and the absence of emergency. New York: Columbia University Press, 2017.
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L. Maltz-Leca, William Kentridge: process as metaphor and other doubtful enterprises. Oakland, California: University of California Press, 2017.
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S. M. Schlachetzki, Fusing lab and gallery: device art in Japan and international nano art, vol. Image. Bielefeld: Transcript Verlag, 2012 [Online]. Available: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1918223
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A. R. Petersen, MIGRATION INTO ART., vol. Rethinking Art’s Histories. Manchester: MANCHESTER UNIVERSITY PRESS, 2017.
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D. Achar, S. Panikkar, UGC National Seminar on the Issues of Activism: the Artist and the Historian, India. University Grants Commission, and Maharaja Sayajirao University of Baroda. Department of Art History and Aesthetics, Articulating resistance: art and activism. New Delhi: Tulika Books, 2012.
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L. Steeds, Ed., Exhibition, vol. Whitechapel: documents of contemporary art. Cambridge, Massachusetts: The MIT Press, 2014.
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B. W. Ferguson, R. Greenberg, and S. Nairne, Thinking About Exhibitions. Taylor & Francis Ebooks, 1996 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=242218
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V. Golding and W. Modest, Museums and communities: curators, collections and collaboration. Oxford: Bloomsbury, 2013 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1334381
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A. B. Fromm, P. B. Rekdal, and V. Golding, Eds., Museums and truth. Newcastle upon Tyne: Cambridge Scholars Publishing, 2014 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1819196
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V. Golding, Learning at the museum frontiers: identity, race and power. Farnham: Ashgate, 2009 [Online]. Available: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664467100002746&institutionId=2746&customerId=2745
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V. Golding, ‘museums, poetics and affect’, Feminist Review, vol. 104, no. S1, pp. 80–99, Jul. 2013, doi: 10.1057/fr.2013.2.
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B. Altshuler and B. Altshuler, Collecting the New: Museums and Contemporary Art. Princeton: Princeton University Press, 2013 [Online]. Available: https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/detail.action?docID=1422521
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F. Allen and Whitechapel Art Gallery, Education, vol. Documents of contemporary art. London: Whitechapel Gallery, 2011.
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T. Finkelpearl, Dialogues in Public Art. Cambridge, MA, USA: MIT Press, 20011001 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?pq-origsite=primo&docID=3338874
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‘Art without history? Southeast Asian artists and their communities in the face of geography - University of Leicester’. [Online]. Available: https://librarysearch.le.ac.uk/permalink/f/mvjm1g/TN_cdi_webofscience_primary_000294751400003
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Cheryl Meszaros, ‘Un/Familiar’, The Journal of Museum Education, vol. 33, no. 3, pp. 239–246, 2008 [Online]. Available: http://www.jstor.org/stable/40479677?pq-origsite=summon&seq=1#page_scan_tab_contents
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C. Whitehead, Interpreting art in museums and galleries. London: Routledge, 2012 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=838179
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N. Serota, Experience or interpretation: the dilemma of museums of modern art. London: Thames & Hudson, 1996.
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J. Fritsch and Victoria and Albert Museum. Sackler Centre for Arts Education, Museum gallery interpretation and material culture, vol. Routledge research in museum studies. London: Routledge, 2011 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1099469
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M. Tamen, Friends of interpretable objects. Cambridge, Mass: Harvard University Press, 2001 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3300357
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S. Spieker, Ed., Destruction, vol. Whitechapel : documents of contemporary art. Cambridge, MA: The MIT Press, 2017.