Bibliography for MU7004 Curating Now BETA

Achar, Deeptha et al. Articulating Resistance: Art and Activism. New Delhi: Tulika Books, 2012. Print.

Adesokan, Akinwumi. Postcolonial Artists and Global Aesthetics. Bloomington: Indiana University Press, 2011. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?pq-origsite=primo&docID=670305>.

Alexis L. Boylan. Ashcan Art, Whiteness, and the Unspectacular Man. Bloomsbury Academic, 2017. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4815072>.

Allen, Felicity and Whitechapel Art Gallery. Education. Documents of contemporary art. London: Whitechapel Gallery, 2011. Print.

Altshuler, Bruce, and Bruce Altshuler. Collecting the New: Museums and Contemporary Art. Princeton: Princeton University Press, 2013. Web. <https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/detail.action?docID=1422521>.

Altshuler, Bruce, and Shamita Sharmacharja. A Manual for the 21st Century Art Institution. London: Koenig Books, 2009. Print.

Ambrose, Tim, and Crispin Paine. Museum Basics. 3rd ed. London: Routledge, 2012. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=981849>.

‘Art without History? Southeast Asian Artists and Their Communities in the Face of Geography - University of Leicester’. N.p., n.d. Web. <https://librarysearch.le.ac.uk/permalink/f/mvjm1g/TN_cdi_webofscience_primary_000294751400003>.

Best, Susan. Visualizing Feeling: Affect and the Feminine Avant-Garde. London: I.B.Tauris, 2011. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=784563>.

Bishop, Claire. Participation. Documents of contemporary art. London: Whitechapel, 2006. Print.

Bishop, Claire, and Dan Perjovschi. Radical Museology, or, What’s Contemporary in Museums of Contemporary Art? Köln: Walther König, 2013. Print.

---. Radical Museology, or, What’s Contemporary in Museums of Contemporary Art? Köln: Walther König, 2013. Print.

Blake, Nayland. In a Different Light: Visual Culture, Sexual Identity, Queer Practice. San Francisco: City Lights Books, 1995. Print.

Bourdieu, Pierre, Alain Darbel, and Dominique Schnapper. The Love of Art: European Art Museums and Their Public. Cambridge: Polity Press, 1991. Print.

Bourdieu, Pierre, and Randal Johnson. The Field of Cultural Production: Essays on Art and Literature. Cambridge: Policy Press, 1993. Print.

Burton, Johanna, Shannon Jackson, and Dominic Willsdon, eds. Public Servants: Art and the Crisis of the Common Good. Critical anthologies in art and culture. Cambridge, Massachusetts: The MIT Press, 2016. Print.

Butler, Cornelia H. From Conceptualism to Feminism: Lucy Lippard’s Numbers Shows, 1969-74. Exhibition histories. London: Afterall, 2012. Print.

Cheryl Meszaros. ‘Un/Familiar’. The Journal of Museum Education 33.3 (2008): 239–246. Web. <http://www.jstor.org/stable/40479677?pq-origsite=summon&amp;seq=1#page_scan_tab_contents>.

Contemporary Art Society. The Best Is Not Too Good for You: New Approaches to Public Collections in England. London: Whitechapel Gallery, 2014. Print.

‘Contemporary British Women Artists In Their Own Words - University of Leicester’. N.p., n.d. Web. <http://librarysearch.le.ac.uk/primo_library/libweb/action/display.do?tabs=viewOnlineTab&amp;ct=display&amp;fn=search&amp;doc=44UOLE_ALMA51137157280002746&amp;indx=4&amp;recIds=44UOLE_ALMA51137157280002746&amp;recIdxs=3&amp;elementId=3&amp;renderMode=poppedOut&amp;displayMode=full&amp;frbrVersion=2&amp;frbg=&amp;&amp;rfnExcGrp=1&amp;dscnt=0&amp;scp.scps=scope%3A%2844UOLE_SPECCOL%29%2Cscope%3A%2844UOLE_DISSERTATIONS%29%2Cscope%3A%2844UOLE_DSPACE%29%2Cscope%3A%2844UOLE_CALM%29%2Cscope%3A%2844UOLE_ALMA%29%2Cscope%3A%2844UOLE_EXAM%29%2Cscope%3A%2844UOLE_CONTENTDM%29%2Cscope%3A%2844UOLE_OJS%29%2Cprimo_central_multiple_fe&amp;vid=44UOLE_VU1&amp;mode=Basic&amp;mulExcFctN=facet_rtype&amp;fctExcV=reviews&amp;srt=rank&amp;tab=default_tab&amp;dum=true&amp;vl(freeText0)=talking%20art%3A%20interviews%20with%20artists&amp;dstmp=1505407633210>.

Cook, Sarah, ed. Information. Documents of contemporary art. London: Whitechapel Gallery, The MIT Press, 2016. Print.

---. ‘Stop, Drop, and Roll With It: Curating Participatory Media Art’. Practicable : From Participation to Interaction in Contemporary Art /. Ed. Samuel Bianchini and Erik Verhagen. N.p. 377–395. Print.

---. ‘Stop, Drop, and Roll With It: Curating Participatory Media Art’. Practicable : From Participation to Interaction in Contemporary Art /. Ed. Samuel Bianchini and Erik Verhagen. N.p. 377–395. Print.

Demos, T. J. Return to the Postcolony: Specters of Colonialsim in Contemporary Art. Berlin: Sternberg Press, 2013. Print.

Dimitrakaki, Angela, and Lara Perry, eds. Politics in a Glass Case: Feminism, Exhibition Cultures and Curatorial Transgressions. Value, art, politics. Liverpool: Liverpool University Press, 2015. Print.

Dobson, Kit, and Áine McGlynn, eds. Transnationalism, Activism, Art. Toronto, [Ontario]: University of Toronto Press, 2013. Web. <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4672844>.

Duncan, Carol. Civilizing Rituals. London: Routledge, 1995. Web. <http://ezproxy.lib.le.ac.uk/login?url=http://www.tandfebooks.com/doi/view/10.4324/9780203978719>.

Edited by Samuel Bianchini and Erik Verhagen. Practicable: From Participation to Interaction in Contemporary Art. N.p. Print.

Ferguson, Bruce W., Reesa Greenberg, and Sandy Nairne. Thinking About Exhibitions. Taylor & Francis Ebooks, 1996. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=242218>.

---. Thinking About Exhibitions. Taylor & Francis Ebooks, 1996. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=242218>.

Finkelpearl, Tom. Dialogues in Public Art. Cambridge, MA, USA: MIT Press, 20011001. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?pq-origsite=primo&amp;docID=3338874>.

Fritsch, Juliette and Victoria and Albert Museum. Sackler Centre for Arts Education. Museum Gallery Interpretation and Material Culture. Routledge research in museum studies. London: Routledge, 2011. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1099469>.

---. Museum Gallery Interpretation and Material Culture. Routledge research in museum studies. London: Routledge, 2011. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1099469>.

Fromm, Annette B., Per B. Rekdal, and Vivien Golding, eds. Museums and Truth. Newcastle upon Tyne: Cambridge Scholars Publishing, 2014. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1819196>.

---, eds. Museums and Truth. Newcastle upon Tyne: Cambridge Scholars Publishing, 2014. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1819196>.

George, Adrian. The Curator’s Handbook: Museums, Commercial Galleries, Independent Spaces. London: Thames & Hudson, 2015. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5878065>.

---. The Curator’s Handbook: Museums, Commercial Galleries, Independent Spaces. London: Thames & Hudson, 2015. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5878065>.

Golding, Viv. ‘Museums, Poetics and Affect’. Feminist Review 104.S1 (2013): 80–99. Web.

Golding, Vivien. Learning at the Museum Frontiers: Identity, Race and Power. Farnham: Ashgate, 2009. Web. <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664467100002746&institutionId=2746&customerId=2745>.

Golding, Vivien, and Wayne Modest. Museums and Communities: Curators, Collections and Collaboration. Oxford: Bloomsbury, 2013. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1334381>.

Graham, Beryl, and Sarah Cook. Rethinking Curating: Art after New Media. Leonardo. Cambridge, Mass: MIT Press, 2010. Print.

Harris, Jonathan. Globalization and Contemporary Art. Oxford: Wiley-Blackwell, 2011. Print.

Hayden, Malin Hedlin, and Jessica Sjöholm. Feminisms Is Still Our Name: Seven Essays on Historiography and Curatorial Practices. Newcastle upon Tyne: Cambridge Scholars, 2010. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=6211957>.

Herstatt, Claudia. Women Gallerists in the 20th and 21st Centuries. Ostfildern: Hatje Cantz, 2008. Print.

Hoffmann, Jens. Show Time: The 50 Most Influential Exhibitions of Contemporary Art. London: Thames & Hudson, 2014. Print.

---, ed. The Exhibitionist: Journal on Exhibition Making - the First Six Years. [United States]: [publisher not identified], 2017. Print.

Hospitality - Hosting Relations in Exhibitions (Conference). Hospitality: Hosting Relations in Exhibitions. Ed. Benjamin Meyer-Krahmer and Beatrice von Bismarck. Cultures of the curatorial. Berlin: Sternberg Press, 2016. Print.

Hudek, Antony, ed. The Object. Documents of contemporary art. London: Whitechapel Gallery, 2014. Print.

Jennings, Gabrielle, ed. Abstract Video: The Moving Image in Contemporary Art. Berkeley: University of California Press, 2015. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4401375>.

Jones, Caroline A. et al. Sensorium: Embodied Experience, Technology, and Contemporary Art. Cambridge, Mass: MIT List Visual Arts Center, 2006. Print.

Kim, Jihoon. Between Film, Video, and the Digital: Hybrid Moving Images in the Post-Media Age. International texts in critical media aesthetics. New York: Bloomsbury Academic, 2016. Web. <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4528277>.

Knell, Simon J., ed. The Contemporary Museum: Shaping Museums for the Global Now. London: Routledge, Taylor & Francis Group, 2019. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5583479>.

Lange-Berndt, Petra, ed. Materiality. Documents of contemporary art. London: Whitechapel Gallery, 2015. Print.

Lee, Pamela M. Forgetting the Art World. Cambridge, Massachusetts: The MIT Press, 2017. Print.

Levin, Amy K. Gender, Sexuality and Museums. London: Routledge, 2010. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=557304>.

Ligon, Glenn. Glenn Ligon: Encounters and Collisions. Ed. Glenn Ligon, Alex Farquharson, and Francesco Manacorda. London: Nottingham Contemporary and Tate, 2015. Print.

Malt, Carol. Women’s Voices in Middle East Museums: Case Studies in Jordan. Gender, culture, and politics in the Middle East. Syracuse, N.Y.: Syracuse University Press, 2005. Print.

Maltz-Leca, Leora. William Kentridge: Process as Metaphor and Other Doubtful Enterprises. Oakland, California: University of California Press, 2017. Print.

Marcia Tucker. A Short Life of Trouble. Berkeley, Calif: University of California Press, 2010. Web. <http://ezproxy.lib.le.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&amp;scope=site&amp;db=nlebk&amp;db=nlabk&amp;AN=306112>.

Marshall, Christopher R. Sculpture and the Museum. Subject/object: New studies in sculpture. Farnham: Ashgate, 2011. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4907028>.

M.I.T. Press. Moving Image. Ed. Omar Kholeif. Documents of contemporary art. London: Whitechapel Gallery, 2015. Print.

‘NEW CRITICAL DIRECTIONS: TRANSNATIONALISM AND DIASPORA IN ASIAN AMERICAN ART - University of Leicester’. N.p., n.d. Web. <https://librarysearch.le.ac.uk/permalink/f/mvjm1g/TN_cdi_crossref_primary_10_1086_sou_31_3_23208591>.

Obrist, Hans Ulrich. Ways of Curating. UK: Penguin Books, 2015. Print.

O’Doherty, Brian. Inside the White Cube: The Ideology of the Gallery Space. Expanded ed. Berkeley, Calif: University of California Press, 1999. Print.

---. Studio and Cube : On the Relationship Between Where Art Is Made and Where Art Is Displayed. New York, NY, USA: Princeton Architectural Press, 20080101. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3387478>.

O’Neill, Paul. The Culture of Curating and the Curating of Culture(s). Cambridge, Mass: The MIT Press, 2012. Print.

---. The Culture of Curating and the Curating of Culture(s). Cambridge, Mass: The MIT Press, 2012. Print.

O’Neill, Paul, Annie Fletcher, and Søren Andreasen. Curating Subjects. 2nd ed. London: Open Editions, 2011. Print.

O’Neill, Paul, Mick Wilson, and Lucy Steeds, eds. The Curatorial Conundrum: What to Study? What to Research? What to Practice? Cambridge, Massachusetts: The MIT Press, 2016. Print.

Petersen, Anne Ring. MIGRATION INTO ART. Rethinking Art’s Histories. Manchester: MANCHESTER UNIVERSITY PRESS, 2017. Print.

Pollock, Griselda. Encounters in a Virtual Feminist Museum: Time, Space and the Archive. London: Routledge, 2007. Print.

Reiss, Julie H. From Margin to Center: The Spaces of Installation Art. Cambridge, Mass: MIT Press, 1999. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=LeicesterU&amp;isbn=9780262282291>.

Rugg, Judith, Judith Rugg, and Michèle Sedgwick. Issues in Curating Contemporary Art and Performance. Bristol, UK: Intellect, 2007. Print.

Saunders, Nicholas J. Trench Art: Materialities and Memories of War. Oxford: Berg, 2003. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1274749>.

Schlachetzki, Sarah M. Fusing Lab and Gallery: Device Art in Japan and International Nano Art. Image. Bielefeld: Transcript Verlag, 2012. Web. <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1918223>.

Schubert, Karsten. The Curator’s Egg: The Evolution of the Museum Concept from the French Revolution to the Present Day. London: One-Off Press, 2000. Print.

Serota, Nicholas. Experience or Interpretation: The Dilemma of Museums of Modern Art. London: Thames & Hudson, 1996. Print.

Smith, Terry. Thinking Contemporary Curating. Vol. 1. New York: Independent Curators International, 2012. Print.

Spieker, Sven, ed. Destruction. Whitechapel : documents of contemporary art. Cambridge, MA: The MIT Press, 2017. Print.

Steeds, Lucy, ed. Exhibition. Whitechapel: documents of contemporary art. Cambridge, Massachusetts: The MIT Press, 2014. Print.

---, ed. Exhibition. Whitechapel: documents of contemporary art. Cambridge, Massachusetts: The MIT Press, 2014. Print.

---, ed. Exhibition. Whitechapel: documents of contemporary art. Cambridge, Massachusetts: The MIT Press, 2014. Print.

Tamen, Miguel. Friends of Interpretable Objects. Cambridge, Mass: Harvard University Press, 2001. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3300357>.

‘THE BAD BOYS OF ART STILL HAVEN’T GROWN UP; The Artists Dinos Chapman, 51, and His Brother, Jake, 46, Talk about Mutilated Pets, Hitting Each Other with Sticks, and Why They Have Banned Their Parents from Their Exhibition Openings.(Features; Profiles and Interviews) - University of Leicester’. N.p., n.d. Web. <http://librarysearch.le.ac.uk/primo_library/libweb/action/display.do?tabs=viewOnlineTab&amp;ct=display&amp;fn=search&amp;doc=TN_gale_ofa329444933&amp;indx=10&amp;recIds=TN_gale_ofa329444933&amp;recIdxs=9&amp;elementId=9&amp;renderMode=poppedOut&amp;displayMode=full&amp;frbrVersion=3&amp;dscnt=1&amp;mode=Basic&amp;vid=44UOLE_VU1&amp;mulExcFctN=facet_rtype&amp;fctExcV=reviews&amp;tab=default_tab&amp;dstmp=1505407700816&amp;frbg=&amp;frbrVersion=2&amp;rfnExcGrp=1&amp;viewAllItemsClicked=false&amp;scp.scps=scope%3A%2844UOLE_SPECCOL%29%2Cscope%3A%2844UOLE_DISSERTATIONS%29%2Cscope%3A%2844UOLE_DSPACE%29%2Cscope%3A%2844UOLE_CALM%29%2Cscope%3A%2844UOLE_ALMA%29%2Cscope%3A%2844UOLE_EXAM%29%2Cscope%3A%2844UOLE_CONTENTDM%29%2Cscope%3A%2844UOLE_OJS%29%2Cprimo_central_multiple_fe&amp;srt=rank&amp;selectedLocation=&amp;dum=true&amp;vl(freeText0)=talking%20art%3A%20interviews%20with%20artists>.

‘The Postcolonial Constellation: Contemporary Art in a State of Permanent Transition - University of Leicester’. N.p., n.d. Web. <https://librarysearch.le.ac.uk/permalink/f/mvjm1g/TN_cdi_gale_lrcgauss_A111013381>.

Voorhies, James Timothy. Beyond Objecthood: The Exhibition as a Critical Form since 1968. Cambridge, Massachusetts: The MIT Press, 2017. Print.

---. Beyond Objecthood: The Exhibition as a Critical Form since 1968. Cambridge, Massachusetts: The MIT Press, 2017. Print.

Wang, Peggy, Wu Hung, and Museum of Modern Art (New York, N.Y.). Contemporary Chinese Art: Primary Documents. New York, N.Y.: Museum of Modern Art, 2010. Print.

Whitehead, Christopher. Interpreting Art in Museums and Galleries. London: Routledge, 2012. Web. <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=838179>.

Zabala, Santiago. Why Only Art Can Save Us: Aesthetics and the Absence of Emergency. New York: Columbia University Press, 2017. Print.