Achar, D., Panikkar, S., UGC National Seminar on the Issues of Activism: the Artist and the Historian, India. University Grants Commission, & Maharaja Sayajirao University of Baroda. Department of Art History and Aesthetics. (2012). Articulating resistance: art and activism. Tulika Books.
Adesokan, A. (2011). Postcolonial artists and global aesthetics. Indiana University Press. https://ebookcentral.proquest.com/lib/leicester/detail.action?pq-origsite=primo&docID=670305
Alexis L. Boylan. (2017). Ashcan Art, Whiteness, and the Unspectacular Man. Bloomsbury Academic. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4815072
Allen, F. & Whitechapel Art Gallery. (2011). Education: Vol. Documents of contemporary art. Whitechapel Gallery.
Altshuler, B., & Altshuler, B. (2013). Collecting the New: Museums and Contemporary Art. Princeton University Press. https://ebookcentral-proquest-com.ezproxy3.lib.le.ac.uk/lib/leicester/detail.action?docID=1422521
Altshuler, B., & Sharmacharja, S. (2009). A manual for the 21st century art institution. Koenig Books.
Ambrose, T., & Paine, C. (2012). Museum basics (3rd ed). Routledge. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=981849
Art without history? Southeast Asian artists and their communities in the face of geography - University of Leicester. (n.d.). https://librarysearch.le.ac.uk/permalink/f/mvjm1g/TN_cdi_webofscience_primary_000294751400003
Best, S. (2011). Visualizing Feeling: Affect and the Feminine Avant-garde. I.B.Tauris. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=784563
Bishop, C. (2006). Participation: Vol. Documents of contemporary art. Whitechapel.
Bishop, C., & Perjovschi, D. (2013a). Radical museology, or, what’s contemporary in museums of contemporary art? Walther König.
Bishop, C., & Perjovschi, D. (2013b). Radical museology, or, what’s contemporary in museums of contemporary art? Walther König.
Blake, N. (1995). In a different light: visual culture, sexual identity, queer practice. City Lights Books.
Bourdieu, P., Darbel, A., & Schnapper, D. (1991). The love of art: European art museums and their public. Polity Press.
Bourdieu, P., & Johnson, R. (1993). The field of cultural production: essays on art and literature. Policy Press.
Burton, J., Jackson, S., & Willsdon, D. (Eds.). (2016). Public servants: art and the crisis of the common good: Vol. Critical anthologies in art and culture. The MIT Press.
Butler, C. H. (2012). From conceptualism to feminism: Lucy Lippard’s numbers shows, 1969-74: Vol. Exhibition histories. Afterall.
Cheryl Meszaros. (2008). Un/Familiar. The Journal of Museum Education, 33(3), 239–246. http://www.jstor.org/stable/40479677?pq-origsite=summon&seq=1#page_scan_tab_contents
Contemporary Art Society. (2014). The best is not too good for you: new approaches to public collections in England. Whitechapel Gallery.
Contemporary British Women Artists In Their Own Words - University of Leicester. (n.d.). http://librarysearch.le.ac.uk/primo_library/libweb/action/display.do?tabs=viewOnlineTab&ct=display&fn=search&doc=44UOLE_ALMA51137157280002746&indx=4&recIds=44UOLE_ALMA51137157280002746&recIdxs=3&elementId=3&renderMode=poppedOut&displayMode=full&frbrVersion=2&frbg=&&rfnExcGrp=1&dscnt=0&scp.scps=scope%3A%2844UOLE_SPECCOL%29%2Cscope%3A%2844UOLE_DISSERTATIONS%29%2Cscope%3A%2844UOLE_DSPACE%29%2Cscope%3A%2844UOLE_CALM%29%2Cscope%3A%2844UOLE_ALMA%29%2Cscope%3A%2844UOLE_EXAM%29%2Cscope%3A%2844UOLE_CONTENTDM%29%2Cscope%3A%2844UOLE_OJS%29%2Cprimo_central_multiple_fe&vid=44UOLE_VU1&mode=Basic&mulExcFctN=facet_rtype&fctExcV=reviews&srt=rank&tab=default_tab&dum=true&vl(freeText0)=talking%20art%3A%20interviews%20with%20artists&dstmp=1505407633210
Cook, S. (n.d.-a). Stop, Drop, and Roll With It: Curating Participatory Media Art. In S. Bianchini & E. Verhagen (Eds.), Practicable : from participation to interaction in contemporary art / (pp. 377–395).
Cook, S. (n.d.-b). Stop, Drop, and Roll With It: Curating Participatory Media Art. In S. Bianchini & E. Verhagen (Eds.), Practicable : from participation to interaction in contemporary art / (pp. 377–395).
Cook, S. (Ed.). (2016). Information: Vol. Documents of contemporary art. Whitechapel Gallery, The MIT Press.
Demos, T. J. (2013). Return to the postcolony: specters of colonialsim in contemporary art. Sternberg Press.
Dimitrakaki, A., & Perry, L. (Eds.). (2015). Politics in a glass case: feminism, exhibition cultures and curatorial transgressions: Vol. Value, art, politics. Liverpool University Press.
Dobson, K., & McGlynn, A. (Eds.). (2013). Transnationalism, activism, art. University of Toronto Press. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4672844
Duncan, C. (1995). Civilizing Rituals. Routledge. http://ezproxy.lib.le.ac.uk/login?url=http://www.tandfebooks.com/doi/view/10.4324/9780203978719
Edited by Samuel Bianchini and Erik Verhagen. (n.d.). Practicable: From Participation to Interaction in Contemporary Art.
Ferguson, B. W., Greenberg, R., & Nairne, S. (1996a). Thinking About Exhibitions. Taylor & Francis Ebooks. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=242218
Ferguson, B. W., Greenberg, R., & Nairne, S. (1996b). Thinking About Exhibitions. Taylor & Francis Ebooks. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=242218
Finkelpearl, T. (20011001). Dialogues in Public Art. MIT Press. https://ebookcentral.proquest.com/lib/leicester/detail.action?pq-origsite=primo&docID=3338874
Fritsch, J. & Victoria and Albert Museum. Sackler Centre for Arts Education. (2011a). Museum gallery interpretation and material culture: Vol. Routledge research in museum studies. Routledge. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1099469
Fritsch, J. & Victoria and Albert Museum. Sackler Centre for Arts Education. (2011b). Museum gallery interpretation and material culture: Vol. Routledge research in museum studies. Routledge. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1099469
Fromm, A. B., Rekdal, P. B., & Golding, V. (Eds.). (2014a). Museums and truth. Cambridge Scholars Publishing. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1819196
Fromm, A. B., Rekdal, P. B., & Golding, V. (Eds.). (2014b). Museums and truth. Cambridge Scholars Publishing. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1819196
George, A. (2015a). The curator’s handbook: museums, commercial galleries, independent spaces. Thames & Hudson. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5878065
George, A. (2015b). The curator’s handbook: museums, commercial galleries, independent spaces. Thames & Hudson. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5878065
Golding, V. (2009). Learning at the museum frontiers: identity, race and power. Ashgate. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5664467100002746&institutionId=2746&customerId=2745
Golding, V. (2013). museums, poetics and affect. Feminist Review, 104(S1), 80–99. https://doi.org/10.1057/fr.2013.2
Golding, V., & Modest, W. (2013). Museums and communities: curators, collections and collaboration. Bloomsbury. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1334381
Graham, B., & Cook, S. (2010). Rethinking curating: art after new media: Vol. Leonardo. MIT Press.
Harris, J. (2011). Globalization and contemporary art. Wiley-Blackwell.
Hayden, M. H., & Sjöholm, J. (2010). Feminisms is still our name: seven essays on historiography and curatorial practices. Cambridge Scholars. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=6211957
Herstatt, C. (2008). Women gallerists in the 20th and 21st centuries. Hatje Cantz.
Hoffmann, J. (2014). Show time: the 50 most influential exhibitions of contemporary art. Thames & Hudson.
Hoffmann, J. (Ed.). (2017). The exhibitionist: journal on exhibition making - the first six years. [publisher not identified].
Hospitality - Hosting Relations in Exhibitions (Conference). (2016). Hospitality: hosting relations in exhibitions: Vol. Cultures of the curatorial (B. Meyer-Krahmer & B. von Bismarck, Eds.). Sternberg Press.
Hudek, A. (Ed.). (2014). The object: Vol. Documents of contemporary art. Whitechapel Gallery.
Jennings, G. (Ed.). (2015). Abstract video: the moving image in contemporary art. University of California Press. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4401375
Jones, C. A., Arning, B., Briand, M., & Massachusetts Institute of Technology. IT List Visual Arts Center. (2006). Sensorium: embodied experience, technology, and contemporary art. MIT List Visual Arts Center.
Kim, J. (2016). Between film, video, and the digital: hybrid moving images in the post-media age: Vol. International texts in critical media aesthetics. Bloomsbury Academic. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4528277
Knell, S. J. (Ed.). (2019). The contemporary museum: shaping museums for the global now. Routledge, Taylor & Francis Group. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5583479
Lange-Berndt, P. (Ed.). (2015). Materiality: Vol. Documents of contemporary art. Whitechapel Gallery.
Lee, P. M. (2017). Forgetting the art world. The MIT Press.
Levin, A. K. (2010). Gender, sexuality and museums. Routledge. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=557304
Ligon, G. (2015). Glenn Ligon: Encounters and collisions (G. Ligon, A. Farquharson, & F. Manacorda, Eds.). Nottingham Contemporary and Tate.
Malt, C. (2005). Women’s voices in Middle East museums: case studies in Jordan: Vol. Gender, culture, and politics in the Middle East. Syracuse University Press.
Maltz-Leca, L. (2017). William Kentridge: process as metaphor and other doubtful enterprises. University of California Press.
Marcia Tucker. (2010). A short life of trouble. University of California Press. http://ezproxy.lib.le.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=306112
Marshall, C. R. (2011). Sculpture and the museum: Vol. Subject/object: New studies in sculpture. Ashgate. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4907028
M.I.T. Press. (2015). Moving image: Vol. Documents of contemporary art (O. Kholeif, Ed.). Whitechapel Gallery.
NEW CRITICAL DIRECTIONS: TRANSNATIONALISM AND DIASPORA IN ASIAN AMERICAN ART - University of Leicester. (n.d.). https://librarysearch.le.ac.uk/permalink/f/mvjm1g/TN_cdi_crossref_primary_10_1086_sou_31_3_23208591
Obrist, H. U. (2015). Ways of curating. Penguin Books.
O’Doherty, B. (1999). Inside the white cube: the ideology of the gallery space (Expanded ed). University of California Press.
O’Doherty, B. (20080101). Studio and Cube : On the Relationship Between Where Art Is Made and Where Art Is Displayed. Princeton Architectural Press. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3387478
O’Neill, P. (2012a). The culture of curating and the curating of culture(s). The MIT Press.
O’Neill, P. (2012b). The culture of curating and the curating of culture(s). The MIT Press.
O’Neill, P., Fletcher, A., & Andreasen, S. (2011). Curating subjects (2nd ed). Open Editions.
O’Neill, P., Wilson, M., & Steeds, L. (Eds.). (2016). The curatorial conundrum: what to study? what to research? what to practice? The MIT Press.
Petersen, A. R. (2017). MIGRATION INTO ART.: Vol. Rethinking Art’s Histories. MANCHESTER UNIVERSITY PRESS.
Pollock, G. (2007). Encounters in a virtual feminist museum: time, space and the archive. Routledge.
Reiss, J. H. (1999). From margin to center: the spaces of installation art. MIT Press. http://www.vlebooks.com/vleweb/product/openreader?id=LeicesterU&isbn=9780262282291
Rugg, J., Rugg, J., & Sedgwick, M. (2007). Issues in curating contemporary art and performance. Intellect.
Saunders, N. J. (2003). Trench art: materialities and memories of war. Berg. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1274749
Schlachetzki, S. M. (2012). Fusing lab and gallery: device art in Japan and international nano art: Vol. Image. Transcript Verlag. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1918223
Schubert, K. (2000). The curator’s egg: the evolution of the museum concept from the French Revolution to the present day. One-Off Press.
Serota, N. (1996). Experience or interpretation: the dilemma of museums of modern art. Thames & Hudson.
Smith, T. (2012). Thinking contemporary curating (Vol. 1). Independent Curators International.
Spieker, S. (Ed.). (2017). Destruction: Vol. Whitechapel : documents of contemporary art. The MIT Press.
Steeds, L. (Ed.). (2014a). Exhibition: Vol. Whitechapel: documents of contemporary art. The MIT Press.
Steeds, L. (Ed.). (2014b). Exhibition: Vol. Whitechapel: documents of contemporary art. The MIT Press.
Steeds, L. (Ed.). (2014c). Exhibition: Vol. Whitechapel: documents of contemporary art. The MIT Press.
Tamen, M. (2001). Friends of interpretable objects. Harvard University Press. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3300357
THE BAD BOYS OF ART STILL HAVEN’T GROWN UP; The artists Dinos Chapman, 51, and his brother, Jake, 46, talk about mutilated pets, hitting each other with sticks, and why they have banned their parents from their exhibition openings.(Features; Profiles and Interviews) - University of Leicester. (n.d.). http://librarysearch.le.ac.uk/primo_library/libweb/action/display.do?tabs=viewOnlineTab&ct=display&fn=search&doc=TN_gale_ofa329444933&indx=10&recIds=TN_gale_ofa329444933&recIdxs=9&elementId=9&renderMode=poppedOut&displayMode=full&frbrVersion=3&dscnt=1&mode=Basic&vid=44UOLE_VU1&mulExcFctN=facet_rtype&fctExcV=reviews&tab=default_tab&dstmp=1505407700816&frbg=&frbrVersion=2&rfnExcGrp=1&viewAllItemsClicked=false&scp.scps=scope%3A%2844UOLE_SPECCOL%29%2Cscope%3A%2844UOLE_DISSERTATIONS%29%2Cscope%3A%2844UOLE_DSPACE%29%2Cscope%3A%2844UOLE_CALM%29%2Cscope%3A%2844UOLE_ALMA%29%2Cscope%3A%2844UOLE_EXAM%29%2Cscope%3A%2844UOLE_CONTENTDM%29%2Cscope%3A%2844UOLE_OJS%29%2Cprimo_central_multiple_fe&srt=rank&selectedLocation=&dum=true&vl(freeText0)=talking%20art%3A%20interviews%20with%20artists
The Postcolonial Constellation: Contemporary Art in a State of Permanent Transition - University of Leicester. (n.d.). https://librarysearch.le.ac.uk/permalink/f/mvjm1g/TN_cdi_gale_lrcgauss_A111013381
Voorhies, J. T. (2017a). Beyond objecthood: the exhibition as a critical form since 1968. The MIT Press.
Voorhies, J. T. (2017b). Beyond objecthood: the exhibition as a critical form since 1968. The MIT Press.
Wang, P., Wu Hung, & Museum of Modern Art (New York, N.Y.). (2010). Contemporary Chinese art: primary documents. Museum of Modern Art.
Whitehead, C. (2012). Interpreting art in museums and galleries. Routledge. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=838179
Zabala, S. (2017). Why only art can save us: aesthetics and the absence of emergency. Columbia University Press.