Abykayeva-Tiesenhausen A, Central Asia in Art: From Soviet Orientalism to the New Republics (IB Tauris 2016)
Altshuler B, The Avant-Garde in Exhibition: New Art in the 20th Century (University of California Press 1998)
——, Salon to Biennial - Exhibitions That Made Art History: Vol.1: 1863-1959 (Phaidon 2008)
—— (ed), Biennials and beyond: Exhibitions That Made Art History, 1962-2002 (Phaidon Press 2013)
Arthur Danto, ‘The Artworld’ (1964) 61 The Journal of Philosophy 571 <http://www.jstor.org/stable/2022937?seq=1#page_scan_tab_contents>
Balzer D, Curationism: How Curating Took over the Art World and Everything Else, vol Exploded views (Coach House Books 2014) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3386806>
Barnes J, Keeping an Eye Open : Essays on Art (Jonathan Cape 2015)
Bazin G, The Museum Age ([1st American ed], Universe Books 1967)
Becker HS, Art Worlds (25th anniversary edition, updated and expanded, University of California Press 2008) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=7021812>
Bischoff C and Hermann E, Kunsthistorisches Museum: History, Architecture, Decoration (Christian Brandstätter 2010)
Bjurström P and Nationalmuseum(Stockholm), The Genesis of the Art Museum in the 18th Century: Papers given at a Symposium in Nationalmuseum Stockholm, June 26, 1992, in Cooperation with the Royal Academy of Letters, History and Antiquities, vol Nationalmusei skriftserie (Nationalmuseum 1993)
Bourdieu P and Johnson R, The Field of Cultural Production: Essays on Art and Literature (Policy Press 1993)
Bourdieu P and Nice R, Outline of a Theory of Practice, vol Cambridge studies in social anthropology (Cambridge University Press 1977) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662807280002746&institutionId=2746&customerId=2745>
——, Distinction: A Social Critique of the Judgement of Taste, vol Routledge classics (Routledge 2010) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1433990>
Brettell RR, Modern Art, 1851-1929: Capitalism and Representation, vol Oxford history of art (Oxford University Press 1999)
Buck L and Greer J, Owning Art: The Contemporary Art Collector’s Handbook (Cultureshock Media Ltd 2006)
Buck L, Lovell V and McClean D, Commissioning Contemporary Art: A Handbook for Curators and Artists (Thames & Hudson 2012)
Burton A and Victoria and Albert Museum, Vision and Accident: The Story of the Victoria and Albert Museum (V and A Publications 1999)
Carrier D, Museum Skepticism: A History of the Display of Art in Public Galleries (Duke University Press 2006) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1169313>
Clegg E, Art, Design, and Architecture in Central Europe, 1890-1920 (Yale University Press 2006)
Copeland M, The Anti-Museum: An Anthology (Koenig Books 2017)
Danto AC, The Transfiguration of the Commonplace: A Philosophy of Art (Harvard University Press 1981)
De Marchi N and Miegroet HJ van, Mapping Markets for Paintings in Europe 1450-1750, vol Studies in European urban history (1100-1800) (Brepols 2006) <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5206522>
Dercon C and Serota N (eds), Tate Modern: Building a Museum for the 21st Century (Tate Publishing 2016)
Dickie G, Art and the Aesthetic: An Institutional Analysis (Cornell University Press 1974)
Eisenman S, Nineteenth Century Art: A Critical History (New ed, Thames and Hudson 2002)
Elkins J, Stories of Art (Routledge 2002)
Filipovic E and others, The Biennial Reader (Bergen Kunsthall 2010)
Fish SE, Is There a Text in This Class?: The Authority of Interpretive Communities (Harvard University Press 1980)
Gaehtgens TW, Marchesano L, and Getty Research Institute, Display and Art History: The Dusseldorf Gallery and Its Catalogue (Getty Research Institute 2011)
Galliera I, ‘Self-Institutionalizing as Political Agency: Contemporary Art Practice in Bucharest and Budapest’ (2016) 5 ARTMargins 50
Gee M, Dealers, Critics, and Collectors of Modern Painting: Aspects of the Parisian Art Market between 1910 and 1930, vol Outstanding dissertations in the fine arts (Garland Pub 1981)
George Dickie, ‘Defining Art’ (1969) 6 American Philosophical Quarterly 253 <http://www.jstor.org/stable/20009315?seq=1#page_scan_tab_contents>
Gombrich EH, The Story of Art (16th ed, Phaidon Press 1995)
Green C and Gardner A, Biennials, Triennials, and Documenta: The Exhibitions That Created Contemporary Art (John Blackwell 2016) <http://ezproxy.lib.le.ac.uk/login?url=http://leicester.eblib.com/patron/FullRecord.aspx?p=4451515>
——, Biennials, Triennials, and Documenta: The Exhibitions That Created Contemporary Art (John Blackwell 2016) <http://ezproxy.lib.le.ac.uk/login?url=http://leicester.eblib.com/patron/FullRecord.aspx?p=4451515>
Greenberg R, Ferguson BW and Nairne S, Thinking about Exhibitions (Routledge 1996) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=242218>
Greenfeld L, Different Worlds: A Sociological Study of Taste, Choice and Success in Art, vol The Arnold and Caroline Rose monograph series of the American Sociological Association (Cambridge University Press 1989) <http://ezproxy.lib.le.ac.uk/login?url=http://dx.doi.org/10.1017/CBO9780511571039>
Grosenick U and Stange R, International Art Galleries: Post-War to Post-Millennium : A Narrative Chronology of the Dealers, Artists and Spaces That Have Defined Modern Art (Thames & Hudson 2005)
Hans Ulrich Obrist, Ways of Curating (Penguin 2015)
Harris N, Capital Culture : J. Carter Brown, the National Gallery of Art, and the Reinvention of the Museum Experience (University of Chicago Press 20131001) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662807300002746&institutionId=2746&customerId=2745>
Haskell F, The Ephemeral Museum: Old Master Paintings and the Rise of the Art Exhibition (Yale University Press 2000)
Hoffmann J, Show Time: The 50 Most Influential Exhibitions of Contemporary Art (Thames & Hudson 2014)
Is Art History Global? (Routledge 2007) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=283681>
Jones CA, The Global Work of Art: World’s Fairs, Biennials, and the Aesthetics of Experience (University of Chicago Press 2016) <http://lib.myilibrary.com?id=1004728>
Jyrämä A, Can Strategy or Internationalization Theories Be Applied to Pictorial Art Markets, vol Working papers / Helsinki School of Economics and Business Administration (Helsinki School of Economics and Business Administration 1993)
——, Structure and Practises in Contemporary Art Sector: A Comparative Study of Art Galleries in Finland and Sweden, vol Working Paper / Helsinki School of Economics and Business Administration (Helsinki School of Economics and Business Administration 1997)
Klonk C, Spaces of Experience: Art Gallery Interiors from 1800 to 2000 (Yale University Press 2009)
Knell SJ, Museums in the Material World, vol Leicester readers in museum studies (Routledge 2007) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=308699>
——, National Galleries: The Art of Making Nations (Routledge, Taylor & Francis Group 2016) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064>
——, National Galleries: The Art of Making Nations (Routledge, Taylor & Francis Group 2016) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064>
——, National Galleries: The Art of Making Nations (Routledge, Taylor & Francis Group 2016) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064>
——, National Galleries: The Art of Making Nations (Routledge, Taylor & Francis Group 2016) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064>
——, National Galleries: The Art of Making Nations (Routledge, Taylor & Francis Group 2016) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064>
—— (ed), The Contemporary Museum: Shaping Museums for the Global Now (Routledge 2018) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5583479>
—— (ed), The Contemporary Museum: Shaping Museums for the Global Now (Routledge 2018) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5583479>
—— (ed), The Contemporary Museum: Shaping Museums for the Global Now (Routledge 2018) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5583479>
Kompatsiaris P, The Politics of Contemporary Art Biennials: Spectacles of Critique, Theory and Art, vol Routledge advances in art and visual studies (Routledge 2017) <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4834177>
‘Leicester Research Archive: Commercial Galleries in Copenhagen, London and Reykjavik: A Comparative Study of the Formations, Contexts and Interactions of Galleries Founded between 1985 and 2002’ <https://lra.le.ac.uk/handle/2381/9475>
Lorente JP and Lorente JP, The Museums of Contemporary Art: Notion and Development (Ashgate 2011) <http://site.ebrary.com/lib/leicester/Doc?id=10456145>
Lü P, A History of Art in 20th-Century China (Charta 2010)
Marincola P and Philadelphia Exhibitions Initiative, What Makes a Great Exhibition?, vol Questions of practice (Philadelphia Exhibitions Initiative, Philadelphia Center for Arts and Heritage 2006)
McCaughey P, Strange Country: Why Australian Painting Matters (Melbourne University Publishing 2014)
McClellan A, The Art Museum from Boullee to Bilbao (University of California Press 2008)
Meyer R, What Was Contemporary Art? (The MIT Press 2013)
Morphy H, Becoming Art: Exploring Cross-Cultural Categories (Berg 2007)
Myers FR, Painting Culture: The Making of an Aboriginal High Art, vol Objects/histories (Duke University Press 2002) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1167817>
——, Painting Culture: The Making of an Aboriginal High Art, vol Objects/histories (Duke University Press 2002) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1167817>
O’Brien E, Modern Art in Africa, Asia and Latin America: An Introduction to Global Modernisms (Wiley-Blackwell 2013)
——, Modern Art in Africa, Asia and Latin America: An Introduction to Global Modernisms (Wiley-Blackwell 2013)
Obrist HU, A Brief History of Curating (Jrp Ringier 2008)
Obrist H-U, Everything You Always Wanted to Know about Curating but Were Afraid to Ask (Sternberg 2011)
O’Neill P, The Culture of Curating and the Curating of Culture(s) (The MIT Press 2012)
Ord D, The National Gallery of Canada: Ideas Art Architecture (McGill-Queen’s University Press 20030101) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662807310002746&institutionId=2746&customerId=2745>
Osborne P, Anywhere or Not at All: Philosophy of Contemporary Art (Verso 2013) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5177068>
Paul C (ed), The First Modern Museums of Art: The Birth of an Institution in 18th- and Early-19th-Century Europe (J Paul Getty Museum 2012)
Pergam EA, The Manchester Art Treasures Exhibition of 1857: Entrepreneurs, Connoisseurs and the Public (Ashgate 2011)
Prendergast C and Gros A-J, Napoleon and History Painting: Antoine-Jean Gros’s La Bataille d’Eylau (Clarendon Press 1997)
Preziosi D, The Art of Art History: A Critical Anthology, vol Oxford history of art (Oxford University Press 1998) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=453635>
Prior N, Museums and Modernity: Art Galleries and the Making of Modern Culture, vol Leisure, consumption and culture (Berg 2002)
Putnam J, Art and Artifact: The Museum as Medium (Rev paperback ed, Thames & Hudson 2009)
Read H, A Concise History of Modern Painting, vol The world of art library. history of art (New ed, Thames and Hudson 1974)
Robson AD, Prestige, Profit, and Pleasure: The Market for Modern Art in New York in the 1940s and 1950s (Garland Publishing 1995)
Rollins M, Danto and His Critics, vol Philosophers and their critics (2nd ed, Wiley-Blackwell 2012) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=821934>
Serota N, Experience or Interpretation: The Dilemma of Museums of Modern Art (Thames & Hudson 1996)
Sheehan JJ, Museums in the German Art World from the End of the Old Regime to the Rise of Modernism (Oxford University Press 2000) <http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10269055>
Smith B, Smith T and Heathcote C, Australian Painting, 1788-2000 (4th ed, Oxford University Press 2001)
Smith CW, Auctions: The Social Construction of Value (University of California Press 1989)
Smith T, What Is Contemporary Art? (The University of Chicago Press 2009)
——, What Is Contemporary Art? (The University of Chicago Press 2009)
——, Contemporary Art: World Currents (Prentice Hall 2011)
——, Thinking Contemporary Curating, vol ICI perspectives in curating (Independent Curators International 2012)
Soriano K, Australia (Royal Academy of Arts 2013)
Spieker S, The Big Archive: Art from Bureaucracy (MIT 2008)
Sterling and Francine Clark Art Institute and Raqs Media Collective (Organization), Art History in the Wake of the Global Turn (Jill H Casid and Aruna D’Souza eds, Sterling and Francine Clark Art Institute 2014)
‘Taste Buds: How to Cultivate the Art Market | Arts Council’ <https://www.artscouncil.org.uk/sites/default/files/download-file/tastebudssummary-php7xdjde-e9KL-6-2500.pdf>
Taylor B and Barber Institute of Fine Arts, Art for the Nation: Exhibitions and the London Public, 1747-2001, vol The Barber Institute’s critical perspectives in art history (Manchester University Press 1999)
‘The Bias of the World: Curating After Szeemann & Hopps | The Brooklyn Rail’ <http://brooklynrail.org/2006/12/art/the-bias-of-the-world>
Thea C and Micchelli T, On Curating: Interviews with Ten International Curators (DAP/Distributed Art Publishers 2009)
Tseng S, The Art Market, Collectors and Art Museums in Taiwan since 1949 (Sanyi Cultural Enterprise 2003)
Waterfield G, People’s Galleries : Art Museums and Exhibitions in Britain, 1800-1914 (Yale University Press 2015)
Watson P, From Manet to Manhattan: The Rise of the Modern Art Market (Hutchinson 1992)
Wenger E, McDermott RA and Snyder W, Cultivating Communities of Practice: A Guide to Managing Knowledge (Harvard Business School Press 2002) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5181870>
Whitehead C, Interpreting Art in Museums and Galleries (Routledge 2012) <http://ezproxy.lib.le.ac.uk/login?url=http://www.myilibrary.com?id=343483>
Wright G and Center for Advanced Study in the Visual Arts (Washington), The Formation of National Collections of Art and Archaeology, vol Studies in the history of art (National Gallery of Art 1996)
Zentrum für Kunst und Medientechnologie Karlsruhe, The Global Contemporary and the Rise of New Art Worlds (Hans Belting, Andrea Buddensieg and Peter Weibel eds, MIT Press 2013)
