Abykayeva-Tiesenhausen, A. (2016). Central Asia in art: from Soviet orientalism to the new republics. I.B. Tauris.
Altshuler, B. (1998). The avant-garde in exhibition: new art in the 20th century. University of California Press.
Altshuler, B. (2008). Salon to Biennial - exhibitions that made art history: Vol.1: 1863-1959. Phaidon.
Altshuler, B. (Ed.). (2013). Biennials and beyond: exhibitions that made art history, 1962-2002. Phaidon Press.
Arthur Danto. (1964). The Artworld. The Journal of Philosophy, 61(19), 571–584. http://www.jstor.org/stable/2022937?seq=1#page_scan_tab_contents
Balzer, D. (2014). Curationism: how curating took over the art world and everything else: Vol. Exploded views. Coach House Books. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3386806
Barnes, J. (2015). Keeping an eye open : essays on art. Jonathan Cape.
Bazin, G. (1967). The museum age ([1st American ed.]). Universe Books.
Becker, H. S. (2008). Art worlds (25th anniversary edition, updated and expanded). University of California Press. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=7021812
Bischoff, C., & Hermann, E. (2010). Kunsthistorisches Museum: history, architecture, decoration. Christian Brandstätter.
Bjurström, P. & Nationalmuseum(Stockholm). (1993). The genesis of the art museum in the 18th century: papers given at a symposium in Nationalmuseum Stockholm, June 26, 1992, in cooperation with the Royal Academy of Letters, History and Antiquities: Vol. Nationalmusei skriftserie. Nationalmuseum.
Bourdieu, P., & Johnson, R. (1993). The field of cultural production: essays on art and literature. Policy Press.
Bourdieu, P., & Nice, R. (1977). Outline of a theory of practice: Vol. Cambridge studies in social anthropology. Cambridge University Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662807280002746&institutionId=2746&customerId=2745
Bourdieu, P., & Nice, R. (2010). Distinction: a social critique of the judgement of taste: Vol. Routledge classics. Routledge. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1433990
Brettell, R. R. (1999). Modern art, 1851-1929: capitalism and representation: Vol. Oxford history of art. Oxford University Press.
Buck, L., & Greer, J. (2006). Owning art: the contemporary art collector’s handbook. Cultureshock Media Ltd.
Buck, L., Lovell, V., & McClean, D. (2012). Commissioning contemporary art: a handbook for curators and artists. Thames & Hudson.
Burton, A. & Victoria and Albert Museum. (1999). Vision and accident: the story of the Victoria and Albert Museum. V and A Publications.
Carrier, D. (2006). Museum skepticism: a history of the display of art in public galleries. Duke University Press. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1169313
Clegg, E. (2006). Art, design, and architecture in Central Europe, 1890-1920. Yale University Press.
Copeland, M. (2017). The Anti-museum: an anthology. Koenig Books.
Danto, A. C. (1981). The transfiguration of the commonplace: a philosophy of art. Harvard University Press.
De Marchi, N., & Miegroet, H. J. van. (2006). Mapping markets for paintings in Europe 1450-1750: Vol. Studies in European urban history (1100-1800). Brepols. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5206522
Dercon, C., & Serota, N. (Eds.). (2016). Tate Modern: building a museum for the 21st century. Tate Publishing.
Dickie, G. (1974). Art and the aesthetic: an institutional analysis. Cornell University Press.
Eisenman, S. (2002). Nineteenth century art: a critical history (New ed). Thames and Hudson.
Elkins, J. (2002). Stories of art. Routledge.
Filipovic, E., Van Hal, M., Øvstebø, S., & Bergen Biennial Conference. (2010). The biennial reader. Bergen Kunsthall.
Fish, S. E. (1980). Is there a text in this class?: the authority of interpretive communities. Harvard University Press.
Gaehtgens, T. W., Marchesano, L., & Getty Research Institute. (2011). Display and art history: the Dusseldorf gallery and its catalogue. Getty Research Institute.
Galliera, I. (2016). Self-Institutionalizing as Political Agency: Contemporary Art Practice in Bucharest and Budapest. ARTMargins, 5(2), 50–73. https://doi.org/10.1162/ARTM_a_00147
Gee, M. (1981). Dealers, critics, and collectors of modern painting: aspects of the Parisian art market between 1910 and 1930: Vol. Outstanding dissertations in the fine arts. Garland Pub.
George Dickie. (1969). Defining Art. American Philosophical Quarterly, 6(3), 253–256. http://www.jstor.org/stable/20009315?seq=1#page_scan_tab_contents
Gombrich, E. H. (1995). The story of art (16th ed). Phaidon Press.
Green, C., & Gardner, A. (2016a). Biennials, triennials, and documenta: the exhibitions that created contemporary art. John Blackwell. http://ezproxy.lib.le.ac.uk/login?url=http://leicester.eblib.com/patron/FullRecord.aspx?p=4451515
Green, C., & Gardner, A. (2016b). Biennials, triennials, and documenta: the exhibitions that created contemporary art. John Blackwell. http://ezproxy.lib.le.ac.uk/login?url=http://leicester.eblib.com/patron/FullRecord.aspx?p=4451515
Greenberg, R., Ferguson, B. W., & Nairne, S. (1996). Thinking about exhibitions. Routledge. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=242218
Greenfeld, L. (1989). Different worlds: a sociological study of taste, choice and success in art: Vol. The Arnold and Caroline Rose monograph series of the American Sociological Association. Cambridge University Press. http://ezproxy.lib.le.ac.uk/login?url=http://dx.doi.org/10.1017/CBO9780511571039
Grosenick, U., & Stange, R. (2005). International art galleries: post-war to post-millennium : a narrative chronology of the dealers, artists and spaces that have defined modern art. Thames & Hudson.
Hans Ulrich Obrist. (2015). Ways of Curating. Penguin.
Harris, N. (20131001). Capital Culture : J. Carter Brown, the National Gallery of Art, and the Reinvention of the Museum Experience. University of Chicago Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662807300002746&institutionId=2746&customerId=2745
Haskell, F. (2000). The ephemeral museum: old master paintings and the rise of the art exhibition. Yale University Press.
Hoffmann, J. (2014). Show time: the 50 most influential exhibitions of contemporary art. Thames & Hudson.
Is art history global? (2007). Routledge. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=283681
Jones, C. A. (2016). The Global Work of Art: World’s Fairs, Biennials, and the Aesthetics of Experience. University of Chicago Press. http://lib.myilibrary.com?id=1004728
Jyrämä, A. (1993). Can strategy or internationalization theories be applied to pictorial art markets: Vol. Working papers / Helsinki School of Economics and Business Administration. Helsinki School of Economics and Business Administration.
Jyrämä, A. (1997). Structure and practises in contemporary art sector: a comparative study of art galleries in Finland and Sweden: Vol. Working Paper / Helsinki School of Economics and Business Administration. Helsinki School of Economics and Business Administration.
Klonk, C. (2009). Spaces of experience: art gallery interiors from 1800 to 2000. Yale University Press.
Knell, S. J. (2007). Museums in the material world: Vol. Leicester readers in museum studies. Routledge. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=308699
Knell, S. J. (2016a). National galleries: the art of making nations. Routledge, Taylor & Francis Group. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064
Knell, S. J. (2016b). National galleries: the art of making nations. Routledge, Taylor & Francis Group. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064
Knell, S. J. (2016c). National galleries: the art of making nations. Routledge, Taylor & Francis Group. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064
Knell, S. J. (2016d). National galleries: the art of making nations. Routledge, Taylor & Francis Group. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064
Knell, S. J. (2016e). National galleries: the art of making nations. Routledge, Taylor & Francis Group. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064
Knell, S. J. (Ed.). (2018a). The contemporary museum: shaping museums for the global now. Routledge. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5583479
Knell, S. J. (Ed.). (2018b). The contemporary museum: shaping museums for the global now. Routledge. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5583479
Knell, S. J. (Ed.). (2018c). The contemporary museum: shaping museums for the global now. Routledge. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5583479
Kompatsiaris, P. (2017). The politics of contemporary art biennials: spectacles of critique, theory and art: Vol. Routledge advances in art and visual studies. Routledge. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4834177
Leicester Research Archive: Commercial Galleries in Copenhagen, London and Reykjavik: a comparative study of the formations, contexts and interactions of galleries founded between 1985 and 2002. (n.d.). https://lra.le.ac.uk/handle/2381/9475
Lorente, J. P., & Lorente, J. P. (2011). The museums of contemporary art: notion and development. Ashgate. http://site.ebrary.com/lib/leicester/Doc?id=10456145
Lü, P. (2010). A history of art in 20th-century China. Charta.
Marincola, P. & Philadelphia Exhibitions Initiative. (2006). What makes a great exhibition? Vol. Questions of practice. Philadelphia Exhibitions Initiative, Philadelphia Center for Arts and Heritage.
McCaughey, P. (2014). Strange country: why Australian painting matters. Melbourne University Publishing.
McClellan, A. (2008). The art museum from Boullee to Bilbao. University of California Press.
Meyer, R. (2013). What was contemporary art? The MIT Press.
Morphy, H. (2007). Becoming art: exploring cross-cultural categories. Berg.
Myers, F. R. (2002a). Painting culture: the making of an aboriginal high art: Vol. Objects/histories. Duke University Press. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1167817
Myers, F. R. (2002b). Painting culture: the making of an aboriginal high art: Vol. Objects/histories. Duke University Press. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1167817
O’Brien, E. (2013a). Modern art in Africa, Asia and Latin America: an introduction to global modernisms. Wiley-Blackwell.
O’Brien, E. (2013b). Modern art in Africa, Asia and Latin America: an introduction to global modernisms. Wiley-Blackwell.
Obrist, H. U. (2008). A brief history of curating. Jrp Ringier.
Obrist, H.-U. (2011). Everything you always wanted to know about curating but were afraid to ask. Sternberg.
O’Neill, P. (2012). The culture of curating and the curating of culture(s). The MIT Press.
Ord, D. (20030101). The National Gallery of Canada: Ideas Art Architecture. McGill-Queen’s University Press. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662807310002746&institutionId=2746&customerId=2745
Osborne, P. (2013). Anywhere or not at all: philosophy of contemporary art. Verso. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5177068
Paul, C. (Ed.). (2012). The first modern museums of art: the birth of an institution in 18th- and early-19th-century Europe. J. Paul Getty Museum.
Pergam, E. A. (2011). The Manchester Art Treasures Exhibition of 1857: entrepreneurs, connoisseurs and the public. Ashgate.
Prendergast, C., & Gros, A.-J. (1997). Napoleon and history painting: Antoine-Jean Gros’s La bataille d’Eylau. Clarendon Press.
Preziosi, D. (1998). The art of art history: a critical anthology: Vol. Oxford history of art. Oxford University Press. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=453635
Prior, N. (2002). Museums and modernity: art galleries and the making of modern culture: Vol. Leisure, consumption and culture. Berg.
Putnam, J. (2009). Art and artifact: the museum as medium (Rev. paperback ed). Thames & Hudson.
Read, H. (1974). A concise history of modern painting: Vol. The world of art library. history of art (New ed). Thames and Hudson.
Robson, A. D. (1995). Prestige, profit, and pleasure: the market for modern art in New York in the 1940s and 1950s. Garland Publishing.
Rollins, M. (2012). Danto and his critics: Vol. Philosophers and their critics (2nd ed). Wiley-Blackwell. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=821934
Serota, N. (1996). Experience or interpretation: the dilemma of museums of modern art. Thames & Hudson.
Sheehan, J. J. (2000). Museums in the German art world from the end of the old regime to the rise of modernism. Oxford University Press. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10269055
Smith, B., Smith, T., & Heathcote, C. (2001). Australian painting, 1788-2000 (4th ed). Oxford University Press.
Smith, C. W. (1989). Auctions: the social construction of value. University of California Press.
Smith, T. (2009a). What is contemporary art? The University of Chicago Press.
Smith, T. (2009b). What is contemporary art? The University of Chicago Press.
Smith, T. (2011). Contemporary art: world currents. Prentice Hall.
Smith, T. (2012). Thinking contemporary curating: Vol. ICI perspectives in curating. Independent Curators International.
Soriano, K. (2013). Australia. Royal Academy of Arts.
Spieker, S. (2008). The big archive: art from bureaucracy. MIT.
Sterling and Francine Clark Art Institute & Raqs Media Collective (Organization). (2014). Art history in the wake of the global turn (J. H. Casid & A. D’Souza, Eds.). Sterling and Francine Clark Art Institute.
Taste Buds: how to cultivate the art market | Arts Council. (n.d.). https://www.artscouncil.org.uk/sites/default/files/download-file/tastebudssummary-php7xdjde-e9KL-6-2500.pdf
Taylor, B. & Barber Institute of Fine Arts. (1999). Art for the nation: exhibitions and the London public, 1747-2001: Vol. The Barber Institute’s critical perspectives in art history. Manchester University Press.
The Bias of the World: Curating After Szeemann & Hopps | The Brooklyn Rail. (n.d.). http://brooklynrail.org/2006/12/art/the-bias-of-the-world
Thea, C., & Micchelli, T. (2009). On curating: interviews with ten international curators. D.A.P./Distributed Art Publishers.
Tseng, S. (2003). The art market, collectors and art museums in Taiwan since 1949. Sanyi Cultural Enterprise.
Waterfield, G. (2015). People’s galleries : art museums and exhibitions in Britain, 1800-1914. Yale University Press.
Watson, P. (1992). From Manet to Manhattan: the rise of the modern art market. Hutchinson.
Wenger, E., McDermott, R. A., & Snyder, W. (2002). Cultivating communities of practice: a guide to managing knowledge. Harvard Business School Press. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5181870
Whitehead, C. (2012). Interpreting art in museums and galleries. Routledge. http://ezproxy.lib.le.ac.uk/login?url=http://www.myilibrary.com?id=343483
Wright, G. & Center for Advanced Study in the Visual Arts (Washington). (1996). The formation of national collections of art and archaeology: Vol. Studies in the history of art. National Gallery of Art.
Zentrum für Kunst und Medientechnologie Karlsruhe. (2013). The global contemporary and the rise of new art worlds (H. Belting, A. Buddensieg, & P. Weibel, Eds.). MIT Press.
