Bibliography for MU7002 Locating the Art Institution

Abykayeva-Tiesenhausen, Aliya, Central Asia in Art: From Soviet Orientalism to the New Republics (London: I.B. Tauris, 2016)

Altshuler, Bruce, ed., Biennials and beyond: Exhibitions That Made Art History, 1962-2002 (London: Phaidon Press, 2013)

———, Salon to Biennial - Exhibitions That Made Art History: Vol.1: 1863-1959 (London: Phaidon, 2008)

———, The Avant-Garde in Exhibition: New Art in the 20th Century (Berkeley, Calif: University of California Press, 1998)

Arthur Danto, ‘The Artworld’, The Journal of Philosophy, 61.19 (1964), 571–84 <http://www.jstor.org/stable/2022937?seq=1#page_scan_tab_contents>

Balzer, David, Curationism: How Curating Took over the Art World and Everything Else (Toronto: Coach House Books, 2014), Exploded views <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3386806>

Barnes, Julian, Keeping an Eye Open : Essays on Art (London: Jonathan Cape, 2015)

Bazin, Germain, The Museum Age, [1st American ed.] (New York: Universe Books, 1967)

Becker, Howard Saul, Art Worlds, 25th anniversary edition, updated and expanded (Berkeley, Calif: University of California Press, 2008) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=7021812>

Bischoff, Cäcilia, and Elisabeth Hermann, Kunsthistorisches Museum: History, Architecture, Decoration (Vienna: Christian Brandstätter, 2010)

Bjurström, Per and Nationalmuseum(Stockholm), The Genesis of the Art Museum in the 18th Century: Papers given at a Symposium in Nationalmuseum Stockholm, June 26, 1992, in Cooperation with the Royal Academy of Letters, History and Antiquities ([Stockholm]: Nationalmuseum, 1993), Nationalmusei skriftserie

Bourdieu, Pierre, and Randal Johnson, The Field of Cultural Production: Essays on Art and Literature (Cambridge: Policy Press, 1993)

Bourdieu, Pierre, and Richard Nice, Distinction: A Social Critique of the Judgement of Taste (London: Routledge, 2010), Routledge classics <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1433990>

———, Outline of a Theory of Practice (Cambridge: Cambridge University Press, 1977), Cambridge studies in social anthropology <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662807280002746&institutionId=2746&customerId=2745>

Brettell, Richard R., Modern Art, 1851-1929: Capitalism and Representation (Oxford: Oxford University Press, 1999), Oxford history of art

Buck, Louisa, and Judith Greer, Owning Art: The Contemporary Art Collector’s Handbook (London: Cultureshock Media Ltd, 2006)

Buck, Louisa, Vivien Lovell, and Daniel McClean, Commissioning Contemporary Art: A Handbook for Curators and Artists (London: Thames & Hudson, 2012)

Burton, Anthony and Victoria and Albert Museum, Vision and Accident: The Story of the Victoria and Albert Museum (London: V and A Publications, 1999)

Carrier, David, Museum Skepticism: A History of the Display of Art in Public Galleries (Durham, N.C.: Duke University Press, 2006) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1169313>

Clegg, Elizabeth, Art, Design, and Architecture in Central Europe, 1890-1920 (New Haven: Yale University Press, 2006)

Copeland, Mathieu, The Anti-Museum: An Anthology (Koenig Books, 2017)

Danto, Arthur C., The Transfiguration of the Commonplace: A Philosophy of Art (Cambridge, Mass: Harvard University Press, 1981)

De Marchi, Neil, and Hans J. van Miegroet, Mapping Markets for Paintings in Europe 1450-1750 (Turnhout, Belgium: Brepols, 2006), Studies in European urban history (1100-1800) <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5206522>

Dercon, Chris, and Nicholas Serota, eds., Tate Modern: Building a Museum for the 21st Century (London: Tate Publishing, 2016)

Dickie, George, Art and the Aesthetic: An Institutional Analysis (Ithaca: Cornell University Press, 1974)

Eisenman, Stephen, Nineteenth Century Art: A Critical History, New ed (London: Thames and Hudson, 2002)

Elkins, James, Stories of Art (New York: Routledge, 2002)

Filipovic, Elena, Marieke Van Hal, Solveig Øvstebø, and Bergen Biennial Conference, The Biennial Reader (Bergen: Bergen Kunsthall, 2010)

Fish, Stanley Eugene, Is There a Text in This Class?: The Authority of Interpretive Communities (Cambridge, Mass: Harvard University Press, 1980)

Gaehtgens, Thomas W., Louis Marchesano, and Getty Research Institute, Display and Art History: The Dusseldorf Gallery and Its Catalogue (Los Angeles, Calif: Getty Research Institute, 2011)

Galliera, Izabel, ‘Self-Institutionalizing as Political Agency: Contemporary Art Practice in Bucharest and Budapest’, ARTMargins, 5.2 (2016), 50–73 <https://doi.org/10.1162/ARTM_a_00147>

Gee, Malcolm, Dealers, Critics, and Collectors of Modern Painting: Aspects of the Parisian Art Market between 1910 and 1930 (New York: Garland Pub, 1981), Outstanding dissertations in the fine arts

George Dickie, ‘Defining Art’, American Philosophical Quarterly, 6.3 (1969), 253–56 <http://www.jstor.org/stable/20009315?seq=1#page_scan_tab_contents>

Gombrich, E. H., The Story of Art, 16th ed (London: Phaidon Press, 1995)

Green, Charles, and Anthony Gardner, Biennials, Triennials, and Documenta: The Exhibitions That Created Contemporary Art (Chichester, West Sussex, United Kingdom: John Blackwell, 2016) <http://ezproxy.lib.le.ac.uk/login?url=http://leicester.eblib.com/patron/FullRecord.aspx?p=4451515>

———, Biennials, Triennials, and Documenta: The Exhibitions That Created Contemporary Art (Chichester, West Sussex, United Kingdom: John Blackwell, 2016) <http://ezproxy.lib.le.ac.uk/login?url=http://leicester.eblib.com/patron/FullRecord.aspx?p=4451515>

Greenberg, Reesa, Bruce W. Ferguson, and Sandy Nairne, Thinking about Exhibitions (London: Routledge, 1996) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=242218>

Greenfeld, Liah, Different Worlds: A Sociological Study of Taste, Choice and Success in Art (Cambridge: Cambridge University Press, 1989), The Arnold and Caroline Rose monograph series of the American Sociological Association <http://ezproxy.lib.le.ac.uk/login?url=http://dx.doi.org/10.1017/CBO9780511571039>

Grosenick, Uta, and Raimar Stange, International Art Galleries: Post-War to Post-Millennium : A Narrative Chronology of the Dealers, Artists and Spaces That Have Defined Modern Art (London: Thames & Hudson, 2005)

Hans Ulrich Obrist, Ways of Curating (Penguin, 2015)

Harris, Neil, Capital Culture : J. Carter Brown, the National Gallery of Art, and the Reinvention of the Museum Experience (Chicago, IL, USA: University of Chicago Press, 20131001) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662807300002746&institutionId=2746&customerId=2745>

Haskell, Francis, The Ephemeral Museum: Old Master Paintings and the Rise of the Art Exhibition (New Haven, Conn: Yale University Press, 2000)

Hoffmann, Jens, Show Time: The 50 Most Influential Exhibitions of Contemporary Art (London: Thames & Hudson, 2014)

Is Art History Global? (London: Routledge, 2007) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=283681>

Jones, Caroline A, The Global Work of Art: World’s Fairs, Biennials, and the Aesthetics of Experience (University of Chicago Press, 2016) <http://lib.myilibrary.com?id=1004728>

Jyrämä, Annukka, Can Strategy or Internationalization Theories Be Applied to Pictorial Art Markets (Helsinki: Helsinki School of Economics and Business Administration, 1993), Working papers / Helsinki School of Economics and Business Administration

———, Structure and Practises in Contemporary Art Sector: A Comparative Study of Art Galleries in Finland and Sweden (Helsinki: Helsinki School of Economics and Business Administration, 1997), Working Paper / Helsinki School of Economics and Business Administration

Klonk, Charlotte, Spaces of Experience: Art Gallery Interiors from 1800 to 2000 (New Haven, Conn: Yale University Press, 2009)

Knell, Simon J., Museums in the Material World (London: Routledge, 2007), Leicester readers in museum studies <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=308699>

———, National Galleries: The Art of Making Nations (London: Routledge, Taylor & Francis Group, 2016) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064>

———, National Galleries: The Art of Making Nations (London: Routledge, Taylor & Francis Group, 2016) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064>

———, National Galleries: The Art of Making Nations (London: Routledge, Taylor & Francis Group, 2016) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064>

———, National Galleries: The Art of Making Nations (London: Routledge, Taylor & Francis Group, 2016) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064>

———, National Galleries: The Art of Making Nations (London: Routledge, Taylor & Francis Group, 2016) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064>

———, ed., The Contemporary Museum: Shaping Museums for the Global Now (London: Routledge, 2018) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5583479>

———, ed., The Contemporary Museum: Shaping Museums for the Global Now (London: Routledge, 2018) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5583479>

———, ed., The Contemporary Museum: Shaping Museums for the Global Now (London: Routledge, 2018) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5583479>

Kompatsiaris, Panos, The Politics of Contemporary Art Biennials: Spectacles of Critique, Theory and Art (New York: Routledge, 2017), Routledge advances in art and visual studies <http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4834177>

‘Leicester Research Archive: Commercial Galleries in Copenhagen, London and Reykjavik: A Comparative Study of the Formations, Contexts and Interactions of Galleries Founded between 1985 and 2002’ <https://lra.le.ac.uk/handle/2381/9475>

Lorente, Jesús Pedro, and Jesús Pedro Lorente, The Museums of Contemporary Art: Notion and Development (Farnham, Surrey, U.K., England: Ashgate, 2011) <http://site.ebrary.com/lib/leicester/Doc?id=10456145>

Lü, Peng, A History of Art in 20th-Century China (Milano: Charta, 2010)

Marincola, Paula and Philadelphia Exhibitions Initiative, What Makes a Great Exhibition? (Philadelphia, Pa: Philadelphia Exhibitions Initiative, Philadelphia Center for Arts and Heritage, 2006), Questions of practice

McCaughey, Patrick, Strange Country: Why Australian Painting Matters (Carlton, Vic: Melbourne University Publishing, 2014)

McClellan, Andrew, The Art Museum from Boullee to Bilbao (Berkeley, Calif: University of California Press, 2008)

Meyer, Richard, What Was Contemporary Art? (Cambridge, Massachusetts: The MIT Press, 2013)

Morphy, Howard, Becoming Art: Exploring Cross-Cultural Categories (New York, NY: Berg, 2007)

Myers, Fred R., Painting Culture: The Making of an Aboriginal High Art (Durham [N.C.]: Duke University Press, 2002), Objects/histories <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1167817>

———, Painting Culture: The Making of an Aboriginal High Art (Durham [N.C.]: Duke University Press, 2002), Objects/histories <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1167817>

O’Brien, Elaine, Modern Art in Africa, Asia and Latin America: An Introduction to Global Modernisms (Malden, MA: Wiley-Blackwell, 2013)

———, Modern Art in Africa, Asia and Latin America: An Introduction to Global Modernisms (Malden, MA: Wiley-Blackwell, 2013)

Obrist, Hans Ulrich, A Brief History of Curating (Zurich: Jrp Ringier, 2008)

Obrist, Hans-Ulrich, Everything You Always Wanted to Know about Curating but Were Afraid to Ask (Berlin: Sternberg, 2011)

O’Neill, Paul, The Culture of Curating and the Curating of Culture(s) (Cambridge, Mass: The MIT Press, 2012)

Ord, D., The National Gallery of Canada: Ideas Art Architecture (Montrǎl, QC, CAN: McGill-Queen’s University Press, 20030101) <http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662807310002746&institutionId=2746&customerId=2745>

Osborne, Peter, Anywhere or Not at All: Philosophy of Contemporary Art (London: Verso, 2013) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5177068>

Paul, Carole, ed., The First Modern Museums of Art: The Birth of an Institution in 18th- and Early-19th-Century Europe (Los Angeles: J. Paul Getty Museum, 2012)

Pergam, Elizabeth A., The Manchester Art Treasures Exhibition of 1857: Entrepreneurs, Connoisseurs and the Public (Farnham: Ashgate, 2011)

Prendergast, Christopher, and Antoine-Jean Gros, Napoleon and History Painting: Antoine-Jean Gros’s La Bataille d’Eylau (Oxford: Clarendon Press, 1997)

Preziosi, Donald, The Art of Art History: A Critical Anthology (Oxford: Oxford University Press, 1998), Oxford history of art <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=453635>

Prior, Nick, Museums and Modernity: Art Galleries and the Making of Modern Culture (Oxford: Berg, 2002), Leisure, consumption and culture

Putnam, James, Art and Artifact: The Museum as Medium, Rev. paperback ed (London: Thames & Hudson, 2009)

Read, Herbert, A Concise History of Modern Painting, New ed (London: Thames and Hudson, 1974), The world of art library. history of art

Robson, A. Deirdre, Prestige, Profit, and Pleasure: The Market for Modern Art in New York in the 1940s and 1950s (New York: Garland Publishing, 1995)

Rollins, Mark, Danto and His Critics, 2nd ed (Chichester, West Sussex, UK: Wiley-Blackwell, 2012), Philosophers and their critics <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=821934>

Serota, Nicholas, Experience or Interpretation: The Dilemma of Museums of Modern Art (London: Thames & Hudson, 1996)

Sheehan, James J., Museums in the German Art World from the End of the Old Regime to the Rise of Modernism (Oxford: Oxford University Press, 2000) <http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10269055>

Smith, Bernard, Terry Smith, and Christopher Heathcote, Australian Painting, 1788-2000, 4th ed (South Melbourne, Vic: Oxford University Press, 2001)

Smith, Charles W., Auctions: The Social Construction of Value (Berkeley, Calif: University of California Press, 1989)

Smith, Terry, Contemporary Art: World Currents (Upper Saddle River [N.J.]: Prentice Hall, 2011)

———, Thinking Contemporary Curating (New York: Independent Curators International, 2012), ICI perspectives in curating

———, What Is Contemporary Art? (Chicago, Ill: The University of Chicago Press, 2009)

———, What Is Contemporary Art? (Chicago, Ill: The University of Chicago Press, 2009)

Soriano, Kathleen, Australia (London: Royal Academy of Arts, 2013)

Spieker, Sven, The Big Archive: Art from Bureaucracy (Cambridge, Mass: MIT, 2008)

Sterling and Francine Clark Art Institute and Raqs Media Collective (Organization), Art History in the Wake of the Global Turn, ed. by Jill H. Casid and Aruna D’Souza (Williamstown, Massachusetts: Sterling and Francine Clark Art Institute, 2014)

‘Taste Buds: How to Cultivate the Art Market | Arts Council’ <https://www.artscouncil.org.uk/sites/default/files/download-file/tastebudssummary-php7xdjde-e9KL-6-2500.pdf>

Taylor, Brandon and Barber Institute of Fine Arts, Art for the Nation: Exhibitions and the London Public, 1747-2001 (Manchester: Manchester University Press, 1999), The Barber Institute’s critical perspectives in art history

‘The Bias of the World: Curating After Szeemann & Hopps | The Brooklyn Rail’ <http://brooklynrail.org/2006/12/art/the-bias-of-the-world>

Thea, Carolee, and Thomas Micchelli, On Curating: Interviews with Ten International Curators (New York, N.Y.: D.A.P./Distributed Art Publishers, 2009)

Tseng, Suliang, The Art Market, Collectors and Art Museums in Taiwan since 1949 (Taipei: Sanyi Cultural Enterprise, 2003)

Waterfield, Giles, People’s Galleries : Art Museums and Exhibitions in Britain, 1800-1914 (New Haven: Yale University Press, 2015)

Watson, Peter, From Manet to Manhattan: The Rise of the Modern Art Market (London: Hutchinson, 1992)

Wenger, Etienne, Richard A. McDermott, and William Snyder, Cultivating Communities of Practice: A Guide to Managing Knowledge (Boston: Harvard Business School Press, 2002) <https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5181870>

Whitehead, Christopher, Interpreting Art in Museums and Galleries (London: Routledge, 2012) <http://ezproxy.lib.le.ac.uk/login?url=http://www.myilibrary.com?id=343483>

Wright, Gwendoline and Center for Advanced Study in the Visual Arts (Washington), The Formation of National Collections of Art and Archaeology (Washington, D.C.: National Gallery of Art, 1996), Studies in the history of art

Zentrum für Kunst und Medientechnologie Karlsruhe, The Global Contemporary and the Rise of New Art Worlds, ed. by Hans Belting, Andrea Buddensieg, and Peter Weibel (Cambridge, Massachusetts: MIT Press, 2013)

Bibliography for MU7002 Locating the Art Institution BETA