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Knell SJ. National Galleries: The Art of Making Nations. Routledge, Taylor & Francis Group; 2016. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064
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Knell SJ, ed. The Contemporary Museum: Shaping Museums for the Global Now. Routledge; 2018. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5583479
3.
Preziosi D. The Art of Art History: A Critical Anthology. Vol Oxford history of art. Oxford University Press; 1998. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=453635
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Myers FR. Painting Culture: The Making of an Aboriginal High Art. Vol Objects/histories. Duke University Press; 2002. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1167817
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O’Brien E. Modern Art in Africa, Asia and Latin America: An Introduction to Global Modernisms. Wiley-Blackwell; 2013.
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Clegg E. Art, Design, and Architecture in Central Europe, 1890-1920. Yale University Press; 2006.
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Knell SJ. Museums in the Material World. Vol Leicester readers in museum studies. Routledge; 2007. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=308699
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Knell SJ. National Galleries: The Art of Making Nations. Routledge, Taylor & Francis Group; 2016. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064
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Knell SJ, ed. The Contemporary Museum: Shaping Museums for the Global Now. Routledge; 2018. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5583479
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Barnes J. Keeping an Eye Open : Essays on Art. Jonathan Cape; 2015.
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Eisenman S. Nineteenth Century Art: A Critical History. New ed. Thames and Hudson; 2002.
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Prendergast C, Gros AJ. Napoleon and History Painting: Antoine-Jean Gros’s La Bataille d’Eylau. Clarendon Press; 1997.
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Brettell RR. Modern Art, 1851-1929: Capitalism and Representation. Vol Oxford history of art. Oxford University Press; 1999.
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Gombrich EH. The Story of Art. 16th ed. Phaidon Press; 1995.
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Read H. A Concise History of Modern Painting. Vol The world of art library. history of art. New ed. Thames and Hudson; 1974.
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Knell SJ. National Galleries: The Art of Making Nations. Routledge, Taylor & Francis Group; 2016. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064
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Ord D. The National Gallery of Canada: Ideas Art Architecture. McGill-Queen’s University Press; 20030101. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662807310002746&institutionId=2746&customerId=2745
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Harris N. Capital Culture : J. Carter Brown, the National Gallery of Art, and the Reinvention of the Museum Experience. University of Chicago Press; 20131001. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662807300002746&institutionId=2746&customerId=2745
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Burton A, Victoria and Albert Museum. Vision and Accident: The Story of the Victoria and Albert Museum. V and A Publications; 1999.
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Knell SJ. National Galleries: The Art of Making Nations. Routledge, Taylor & Francis Group; 2016. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064
21.
Klonk C. Spaces of Experience: Art Gallery Interiors from 1800 to 2000. Yale University Press; 2009.
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Serota N. Experience or Interpretation: The Dilemma of Museums of Modern Art. Thames & Hudson; 1996.
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Paul C, ed. The First Modern Museums of Art: The Birth of an Institution in 18th- and Early-19th-Century Europe. J. Paul Getty Museum; 2012.
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Bjurström P, Nationalmuseum(Stockholm). The Genesis of the Art Museum in the 18th Century: Papers given at a Symposium in Nationalmuseum Stockholm, June 26, 1992, in Cooperation with the Royal Academy of Letters, History and Antiquities. Vol Nationalmusei skriftserie. Nationalmuseum; 1993.
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Sheehan JJ. Museums in the German Art World from the End of the Old Regime to the Rise of Modernism. Oxford University Press; 2000. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10269055
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Wright G, Center for Advanced Study in the Visual Arts (Washington). The Formation of National Collections of Art and Archaeology. Vol Studies in the history of art. National Gallery of Art; 1996.
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McClellan A. The Art Museum from Boullee to Bilbao. University of California Press; 2008.
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Lorente JP, Lorente JP. The Museums of Contemporary Art: Notion and Development. Ashgate; 2011. http://site.ebrary.com/lib/leicester/Doc?id=10456145
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Prior N. Museums and Modernity: Art Galleries and the Making of Modern Culture. Vol Leisure, consumption and culture. Berg; 2002.
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Bischoff C, Hermann E. Kunsthistorisches Museum: History, Architecture, Decoration. Christian Brandstätter; 2010.
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Dercon C, Serota N, eds. Tate Modern: Building a Museum for the 21st Century. Tate Publishing; 2016.
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Knell SJ. National Galleries: The Art of Making Nations. Routledge, Taylor & Francis Group; 2016. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064
36.
Abykayeva-Tiesenhausen A. Central Asia in Art: From Soviet Orientalism to the New Republics. I.B. Tauris; 2016.
37.
Lü P. A History of Art in 20th-Century China. Charta; 2010.
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Soriano K. Australia. Royal Academy of Arts; 2013.
39.
McCaughey P. Strange Country: Why Australian Painting Matters. Melbourne University Publishing; 2014.
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Smith B, Smith T, Heathcote C. Australian Painting, 1788-2000. 4th ed. Oxford University Press; 2001.
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Myers FR. Painting Culture: The Making of an Aboriginal High Art. Vol Objects/histories. Duke University Press; 2002. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1167817
42.
Morphy H. Becoming Art: Exploring Cross-Cultural Categories. Berg; 2007.
43.
Altshuler B. The Avant-Garde in Exhibition: New Art in the 20th Century. University of California Press; 1998.
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Altshuler B. Salon to Biennial - Exhibitions That Made Art History: Vol.1: 1863-1959. Phaidon; 2008.
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Altshuler B, ed. Biennials and beyond: Exhibitions That Made Art History, 1962-2002. Phaidon Press; 2013.
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Hoffmann J. Show Time: The 50 Most Influential Exhibitions of Contemporary Art. Thames & Hudson; 2014.
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Greenberg R, Ferguson BW, Nairne S. Thinking about Exhibitions. Routledge; 1996. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=242218
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Taylor B, Barber Institute of Fine Arts. Art for the Nation: Exhibitions and the London Public, 1747-2001. Vol The Barber Institute’s critical perspectives in art history. Manchester University Press; 1999.
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Carrier D. Museum Skepticism: A History of the Display of Art in Public Galleries. Duke University Press; 2006. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1169313
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Whitehead C. Interpreting Art in Museums and Galleries. Routledge; 2012. http://ezproxy.lib.le.ac.uk/login?url=http://www.myilibrary.com?id=343483
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Haskell F. The Ephemeral Museum: Old Master Paintings and the Rise of the Art Exhibition. Yale University Press; 2000.
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Marincola P, Philadelphia Exhibitions Initiative. What Makes a Great Exhibition? Vol Questions of practice. Philadelphia Exhibitions Initiative, Philadelphia Center for Arts and Heritage; 2006.
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Pergam EA. The Manchester Art Treasures Exhibition of 1857: Entrepreneurs, Connoisseurs and the Public. Ashgate; 2011.
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Putnam J. Art and Artifact: The Museum as Medium. Rev. paperback ed. Thames & Hudson; 2009.
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Balzer D. Curationism: How Curating Took over the Art World and Everything Else. Vol Exploded views. Coach House Books; 2014. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3386806
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The Bias of the World: Curating After Szeemann & Hopps | The Brooklyn Rail. http://brooklynrail.org/2006/12/art/the-bias-of-the-world
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Buck L, Lovell V, McClean D. Commissioning Contemporary Art: A Handbook for Curators and Artists. Thames & Hudson; 2012.
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Thea C, Micchelli T. On Curating: Interviews with Ten International Curators. D.A.P./Distributed Art Publishers; 2009.
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Obrist HU. A Brief History of Curating. Jrp Ringier; 2008.
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Hans Ulrich Obrist. Ways of Curating. Penguin; 2015.
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Smith T. Thinking Contemporary Curating. Vol ICI perspectives in curating. Independent Curators International; 2012.
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Obrist HU. Everything You Always Wanted to Know about Curating but Were Afraid to Ask. Sternberg; 2011.
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O’Neill P. The Culture of Curating and the Curating of Culture(s). The MIT Press; 2012.
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Arthur Danto. The Artworld. The Journal of Philosophy. 1964;61(19):571-584. http://www.jstor.org/stable/2022937?seq=1#page_scan_tab_contents
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Danto AC. The Transfiguration of the Commonplace: A Philosophy of Art. Harvard University Press; 1981.
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Rollins M. Danto and His Critics. Vol Philosophers and their critics. 2nd ed. Wiley-Blackwell; 2012. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=821934
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George Dickie. Defining Art. American Philosophical Quarterly. 1969;6(3):253-256. http://www.jstor.org/stable/20009315?seq=1#page_scan_tab_contents
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Dickie G. Art and the Aesthetic: An Institutional Analysis. Cornell University Press; 1974.
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Becker HS. Art Worlds. 25th anniversary edition, updated and expanded. University of California Press; 2008. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=7021812
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Tseng S. The Art Market, Collectors and Art Museums in Taiwan since 1949. Sanyi Cultural Enterprise; 2003.
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Gee M. Dealers, Critics, and Collectors of Modern Painting: Aspects of the Parisian Art Market between 1910 and 1930. Vol Outstanding dissertations in the fine arts. Garland Pub; 1981.
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Greenfeld L. Different Worlds: A Sociological Study of Taste, Choice and Success in Art. Vol The Arnold and Caroline Rose monograph series of the American Sociological Association. Cambridge University Press; 1989. http://ezproxy.lib.le.ac.uk/login?url=http://dx.doi.org/10.1017/CBO9780511571039
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Jyrämä A. Structure and Practises in Contemporary Art Sector: A Comparative Study of Art Galleries in Finland and Sweden. Vol Working Paper / Helsinki School of Economics and Business Administration. Helsinki School of Economics and Business Administration; 1997.
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Jyrämä A. Can Strategy or Internationalization Theories Be Applied to Pictorial Art Markets. Vol Working papers / Helsinki School of Economics and Business Administration. Helsinki School of Economics and Business Administration; 1993.
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Taste Buds: how to cultivate the art market | Arts Council. https://www.artscouncil.org.uk/sites/default/files/download-file/tastebudssummary-php7xdjde-e9KL-6-2500.pdf
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De Marchi N, Miegroet HJ van. Mapping Markets for Paintings in Europe 1450-1750. Vol Studies in European urban history (1100-1800). Brepols; 2006. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5206522
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Robson AD. Prestige, Profit, and Pleasure: The Market for Modern Art in New York in the 1940s and 1950s. Garland Publishing; 1995.
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Watson P. From Manet to Manhattan: The Rise of the Modern Art Market. Hutchinson; 1992.
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Smith CW. Auctions: The Social Construction of Value. University of California Press; 1989.
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Grosenick U, Stange R. International Art Galleries: Post-War to Post-Millennium : A Narrative Chronology of the Dealers, Artists and Spaces That Have Defined Modern Art. Thames & Hudson; 2005.
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Buck L, Greer J. Owning Art: The Contemporary Art Collector’s Handbook. Cultureshock Media Ltd; 2006.
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Bourdieu P, Nice R. Distinction: A Social Critique of the Judgement of Taste. Vol Routledge classics. Routledge; 2010. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1433990
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Bourdieu P, Johnson R. The Field of Cultural Production: Essays on Art and Literature. Policy Press; 1993.
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Bourdieu P, Nice R. Outline of a Theory of Practice. Vol Cambridge studies in social anthropology. Cambridge University Press; 1977. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662807280002746&institutionId=2746&customerId=2745
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Wenger E, McDermott RA, Snyder W. Cultivating Communities of Practice: A Guide to Managing Knowledge. Harvard Business School Press; 2002. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5181870
87.
Fish SE. Is There a Text in This Class?: The Authority of Interpretive Communities. Harvard University Press; 1980.
88.
Smith T. Contemporary Art: World Currents. Prentice Hall; 2011.
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Zentrum für Kunst und Medientechnologie Karlsruhe. The Global Contemporary and the Rise of New Art Worlds. (Belting H, Buddensieg A, Weibel P, eds.). MIT Press; 2013.
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Smith T. What Is Contemporary Art? The University of Chicago Press; 2009.
91.
Knell SJ, ed. The Contemporary Museum: Shaping Museums for the Global Now. Routledge; 2018. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5583479
92.
O’Brien E. Modern Art in Africa, Asia and Latin America: An Introduction to Global Modernisms. Wiley-Blackwell; 2013.
93.
Elkins J. Stories of Art. Routledge; 2002.
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Is Art History Global? Routledge; 2007. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=283681
95.
Sterling and Francine Clark Art Institute, Raqs Media Collective (Organization). Art History in the Wake of the Global Turn. (Casid JH, D’Souza A, eds.). Sterling and Francine Clark Art Institute; 2014.
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Copeland M. The Anti-Museum: An Anthology. Koenig Books; 2017.
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Meyer R. What Was Contemporary Art? The MIT Press; 2013.
98.
Smith T. What Is Contemporary Art? The University of Chicago Press; 2009.
99.
Osborne P. Anywhere or Not at All: Philosophy of Contemporary Art. Verso; 2013. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5177068
100.
Green C, Gardner A. Biennials, Triennials, and Documenta: The Exhibitions That Created Contemporary Art. John Blackwell; 2016. http://ezproxy.lib.le.ac.uk/login?url=http://leicester.eblib.com/patron/FullRecord.aspx?p=4451515
101.
Filipovic E, Van Hal M, Øvstebø S, Bergen Biennial Conference. The Biennial Reader. Bergen Kunsthall; 2010.
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Green C, Gardner A. Biennials, Triennials, and Documenta: The Exhibitions That Created Contemporary Art. John Blackwell; 2016. http://ezproxy.lib.le.ac.uk/login?url=http://leicester.eblib.com/patron/FullRecord.aspx?p=4451515
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Galliera I. Self-Institutionalizing as Political Agency: Contemporary Art Practice in Bucharest and Budapest. ARTMargins. 2016;5(2):50-73. doi:10.1162/ARTM_a_00147
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Spieker S. The Big Archive: Art from Bureaucracy. MIT; 2008.
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Jones CA. The Global Work of Art: World’s Fairs, Biennials, and the Aesthetics of Experience. University of Chicago Press; 2016. http://lib.myilibrary.com?id=1004728
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Kompatsiaris P. The Politics of Contemporary Art Biennials: Spectacles of Critique, Theory and Art. Vol Routledge advances in art and visual studies. Routledge; 2017. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4834177
