1
Knell SJ. National galleries: the art of making nations. London: : Routledge, Taylor & Francis Group 2016. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064
2
Knell SJ, editor. The contemporary museum: shaping museums for the global now. London: : Routledge 2018. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5583479
3
Preziosi D. The art of art history: a critical anthology. Oxford: : Oxford University Press 1998. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=453635
4
Myers FR. Painting culture: the making of an aboriginal high art. Durham [N.C.]: : Duke University Press 2002. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1167817
5
O’Brien E. Modern art in Africa, Asia and Latin America: an introduction to global modernisms. Malden, MA: : Wiley-Blackwell 2013.
6
Clegg E. Art, design, and architecture in Central Europe, 1890-1920. New Haven: : Yale University Press 2006.
7
Knell SJ. Museums in the material world. London: : Routledge 2007. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=308699
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Knell SJ. National galleries: the art of making nations. London: : Routledge, Taylor & Francis Group 2016. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064
9
Knell SJ, editor. The contemporary museum: shaping museums for the global now. London: : Routledge 2018. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5583479
10
Barnes J. Keeping an eye open : essays on art. London: : Jonathan Cape 2015.
11
Eisenman S. Nineteenth century art: a critical history. New ed. London: : Thames and Hudson 2002.
12
Prendergast C, Gros A-J. Napoleon and history painting: Antoine-Jean Gros’s La bataille d’Eylau. Oxford: : Clarendon Press 1997.
13
Brettell RR. Modern art, 1851-1929: capitalism and representation. Oxford: : Oxford University Press 1999.
14
Gombrich EH. The story of art. 16th ed. London: : Phaidon Press 1995.
15
Read H. A concise history of modern painting. New ed. London: : Thames and Hudson 1974.
16
Knell SJ. National galleries: the art of making nations. London: : Routledge, Taylor & Francis Group 2016. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064
17
Ord D. The National Gallery of Canada: Ideas Art Architecture. Montrǎl, QC, CAN: : McGill-Queen’s University Press 20030101. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662807310002746&institutionId=2746&customerId=2745
18
Harris N. Capital Culture : J. Carter Brown, the National Gallery of Art, and the Reinvention of the Museum Experience. Chicago, IL, USA: : University of Chicago Press 20131001. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662807300002746&institutionId=2746&customerId=2745
19
Burton A, Victoria and Albert Museum. Vision and accident: the story of the Victoria and Albert Museum. London: : V and A Publications 1999.
20
Knell SJ. National galleries: the art of making nations. London: : Routledge, Taylor & Francis Group 2016. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064
21
Klonk C. Spaces of experience: art gallery interiors from 1800 to 2000. New Haven, Conn: : Yale University Press 2009.
22
Serota N. Experience or interpretation: the dilemma of museums of modern art. London: : Thames & Hudson 1996.
23
Paul C, editor. The first modern museums of art: the birth of an institution in 18th- and early-19th-century Europe. Los Angeles: : J. Paul Getty Museum 2012.
24
Gaehtgens TW, Marchesano L, Getty Research Institute. Display and art history: the Dusseldorf gallery and its catalogue. Los Angeles, Calif: : Getty Research Institute 2011.
25
Waterfield G. People’s galleries : art museums and exhibitions in Britain, 1800-1914. New Haven: : Yale University Press 2015.
26
Bjurström P, Nationalmuseum(Stockholm). The genesis of the art museum in the 18th century: papers given at a symposium in Nationalmuseum Stockholm, June 26, 1992, in cooperation with the Royal Academy of Letters, History and Antiquities. [Stockholm]: : Nationalmuseum 1993.
27
Sheehan JJ. Museums in the German art world from the end of the old regime to the rise of modernism. Oxford: : Oxford University Press 2000. http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10269055
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Wright G, Center for Advanced Study in the Visual Arts (Washington). The formation of national collections of art and archaeology. Washington, D.C.: : National Gallery of Art 1996.
29
McClellan A. The art museum from Boullee to Bilbao. Berkeley, Calif: : University of California Press 2008.
30
Lorente JP, Lorente JP. The museums of contemporary art: notion and development. Farnham, Surrey, U.K., England: : Ashgate 2011. http://site.ebrary.com/lib/leicester/Doc?id=10456145
31
Bazin G. The museum age. [1st American ed.]. New York: : Universe Books 1967.
32
Prior N. Museums and modernity: art galleries and the making of modern culture. Oxford: : Berg 2002.
33
Bischoff C, Hermann E. Kunsthistorisches Museum: history, architecture, decoration. Vienna: : Christian Brandstätter 2010.
34
Dercon C, Serota N, editors. Tate Modern: building a museum for the 21st century. London: : Tate Publishing 2016.
35
Knell SJ. National galleries: the art of making nations. London: : Routledge, Taylor & Francis Group 2016. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064
36
Abykayeva-Tiesenhausen A. Central Asia in art: from Soviet orientalism to the new republics. London: : I.B. Tauris 2016.
37
Lü P. A history of art in 20th-century China. Milano: : Charta 2010.
38
Soriano K. Australia. London: : Royal Academy of Arts 2013.
39
McCaughey P. Strange country: why Australian painting matters. Carlton, Vic: : Melbourne University Publishing 2014.
40
Smith B, Smith T, Heathcote C. Australian painting, 1788-2000. 4th ed. South Melbourne, Vic: : Oxford University Press 2001.
41
Myers FR. Painting culture: the making of an aboriginal high art. Durham [N.C.]: : Duke University Press 2002. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1167817
42
Morphy H. Becoming art: exploring cross-cultural categories. New York, NY: : Berg 2007.
43
Altshuler B. The avant-garde in exhibition: new art in the 20th century. Berkeley, Calif: : University of California Press 1998.
44
Altshuler B. Salon to Biennial - exhibitions that made art history: Vol.1: 1863-1959. London: : Phaidon 2008.
45
Altshuler B, editor. Biennials and beyond: exhibitions that made art history, 1962-2002. London: : Phaidon Press 2013.
46
Hoffmann J. Show time: the 50 most influential exhibitions of contemporary art. London: : Thames & Hudson 2014.
47
Greenberg R, Ferguson BW, Nairne S. Thinking about exhibitions. London: : Routledge 1996. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=242218
48
Taylor B, Barber Institute of Fine Arts. Art for the nation: exhibitions and the London public, 1747-2001. Manchester: : Manchester University Press 1999.
49
Carrier D. Museum skepticism: a history of the display of art in public galleries. Durham, N.C.: : Duke University Press 2006. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1169313
50
Whitehead C. Interpreting art in museums and galleries. London: : Routledge 2012. http://ezproxy.lib.le.ac.uk/login?url=http://www.myilibrary.com?id=343483
51
Haskell F. The ephemeral museum: old master paintings and the rise of the art exhibition. New Haven, Conn: : Yale University Press 2000.
52
Marincola P, Philadelphia Exhibitions Initiative. What makes a great exhibition? Philadelphia, Pa: : Philadelphia Exhibitions Initiative, Philadelphia Center for Arts and Heritage 2006.
53
Pergam EA. The Manchester Art Treasures Exhibition of 1857: entrepreneurs, connoisseurs and the public. Farnham: : Ashgate 2011.
54
Putnam J. Art and artifact: the museum as medium. Rev. paperback ed. London: : Thames & Hudson 2009.
55
Balzer D. Curationism: how curating took over the art world and everything else. Toronto: : Coach House Books 2014. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3386806
56
The Bias of the World: Curating After Szeemann & Hopps | The Brooklyn Rail. http://brooklynrail.org/2006/12/art/the-bias-of-the-world
57
Buck L, Lovell V, McClean D. Commissioning contemporary art: a handbook for curators and artists. London: : Thames & Hudson 2012.
58
Thea C, Micchelli T. On curating: interviews with ten international curators. New York, N.Y.: : D.A.P./Distributed Art Publishers 2009.
59
Obrist HU. A brief history of curating. Zurich: : Jrp Ringier 2008.
60
Hans Ulrich Obrist. Ways of Curating. Penguin 2015.
61
Smith T. Thinking contemporary curating. New York: : Independent Curators International 2012.
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Obrist H-U. Everything you always wanted to know about curating but were afraid to ask. Berlin: : Sternberg 2011.
63
O’Neill P. The culture of curating and the curating of culture(s). Cambridge, Mass: : The MIT Press 2012.
64
Arthur Danto. The Artworld. The Journal of Philosophy 1964;61:571–84.http://www.jstor.org/stable/2022937?seq=1#page_scan_tab_contents
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Danto AC. The transfiguration of the commonplace: a philosophy of art. Cambridge, Mass: : Harvard University Press 1981.
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Rollins M. Danto and his critics. 2nd ed. Chichester, West Sussex, UK: : Wiley-Blackwell 2012. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=821934
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George Dickie. Defining Art. American Philosophical Quarterly 1969;6:253–6.http://www.jstor.org/stable/20009315?seq=1#page_scan_tab_contents
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Dickie G. Art and the aesthetic: an institutional analysis. Ithaca: : Cornell University Press 1974.
69
Becker HS. Art worlds. 25th anniversary edition, updated and expanded. Berkeley, Calif: : University of California Press 2008. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=7021812
70
Tseng S. The art market, collectors and art museums in Taiwan since 1949. Taipei: : Sanyi Cultural Enterprise 2003.
71
Gee M. Dealers, critics, and collectors of modern painting: aspects of the Parisian art market between 1910 and 1930. New York: : Garland Pub 1981.
72
Greenfeld L. Different worlds: a sociological study of taste, choice and success in art. Cambridge: : Cambridge University Press 1989. http://ezproxy.lib.le.ac.uk/login?url=http://dx.doi.org/10.1017/CBO9780511571039
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Jyrämä A. Structure and practises in contemporary art sector: a comparative study of art galleries in Finland and Sweden. Helsinki: : Helsinki School of Economics and Business Administration 1997.
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Jyrämä A. Can strategy or internationalization theories be applied to pictorial art markets. Helsinki: : Helsinki School of Economics and Business Administration 1993.
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Taste Buds: how to cultivate the art market | Arts Council. https://www.artscouncil.org.uk/sites/default/files/download-file/tastebudssummary-php7xdjde-e9KL-6-2500.pdf
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De Marchi N, Miegroet HJ van. Mapping markets for paintings in Europe 1450-1750. Turnhout, Belgium: : Brepols 2006. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5206522
77
Robson AD. Prestige, profit, and pleasure: the market for modern art in New York in the 1940s and 1950s. New York: : Garland Publishing 1995.
78
Watson P. From Manet to Manhattan: the rise of the modern art market. London: : Hutchinson 1992.
79
Smith CW. Auctions: the social construction of value. Berkeley, Calif: : University of California Press 1989.
80
Leicester Research Archive: Commercial Galleries in Copenhagen, London and Reykjavik: a comparative study of the formations, contexts and interactions of galleries founded between 1985 and 2002. https://lra.le.ac.uk/handle/2381/9475
81
Grosenick U, Stange R. International art galleries: post-war to post-millennium : a narrative chronology of the dealers, artists and spaces that have defined modern art. London: : Thames & Hudson 2005.
82
Buck L, Greer J. Owning art: the contemporary art collector’s handbook. London: : Cultureshock Media Ltd 2006.
83
Bourdieu P, Nice R. Distinction: a social critique of the judgement of taste. London: : Routledge 2010. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1433990
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Bourdieu P, Johnson R. The field of cultural production: essays on art and literature. Cambridge: : Policy Press 1993.
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Bourdieu P, Nice R. Outline of a theory of practice. Cambridge: : Cambridge University Press 1977. http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662807280002746&institutionId=2746&customerId=2745
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Wenger E, McDermott RA, Snyder W. Cultivating communities of practice: a guide to managing knowledge. Boston: : Harvard Business School Press 2002. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5181870
87
Fish SE. Is there a text in this class?: the authority of interpretive communities. Cambridge, Mass: : Harvard University Press 1980.
88
Smith T. Contemporary art: world currents. Upper Saddle River [N.J.]: : Prentice Hall 2011.
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Zentrum für Kunst und Medientechnologie Karlsruhe. The global contemporary and the rise of new art worlds. Cambridge, Massachusetts: : MIT Press 2013.
90
Smith T. What is contemporary art? Chicago, Ill: : The University of Chicago Press 2009.
91
Knell SJ, editor. The contemporary museum: shaping museums for the global now. London: : Routledge 2018. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5583479
92
O’Brien E. Modern art in Africa, Asia and Latin America: an introduction to global modernisms. Malden, MA: : Wiley-Blackwell 2013.
93
Elkins J. Stories of art. New York: : Routledge 2002.
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Is art history global? London: : Routledge 2007. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=283681
95
Sterling and Francine Clark Art Institute, Raqs Media Collective (Organization). Art history in the wake of the global turn. Williamstown, Massachusetts: : Sterling and Francine Clark Art Institute 2014.
96
Copeland M. The Anti-museum: an anthology. Koenig Books 2017.
97
Meyer R. What was contemporary art? Cambridge, Massachusetts: : The MIT Press 2013.
98
Smith T. What is contemporary art? Chicago, Ill: : The University of Chicago Press 2009.
99
Osborne P. Anywhere or not at all: philosophy of contemporary art. London: : Verso 2013. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5177068
100
Green C, Gardner A. Biennials, triennials, and documenta: the exhibitions that created contemporary art. Chichester, West Sussex, United Kingdom: : John Blackwell 2016. http://ezproxy.lib.le.ac.uk/login?url=http://leicester.eblib.com/patron/FullRecord.aspx?p=4451515
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Filipovic E, Van Hal M, Øvstebø S, et al. The biennial reader. Bergen: : Bergen Kunsthall 2010.
102
Green C, Gardner A. Biennials, triennials, and documenta: the exhibitions that created contemporary art. Chichester, West Sussex, United Kingdom: : John Blackwell 2016. http://ezproxy.lib.le.ac.uk/login?url=http://leicester.eblib.com/patron/FullRecord.aspx?p=4451515
103
Galliera I. Self-Institutionalizing as Political Agency: Contemporary Art Practice in Bucharest and Budapest. ARTMargins 2016;5:50–73. doi:10.1162/ARTM_a_00147
104
Spieker S. The big archive: art from bureaucracy. Cambridge, Mass: : MIT 2008.
105
Jones CA. The Global Work of Art: World’s Fairs, Biennials, and the Aesthetics of Experience. University of Chicago Press 2016. http://lib.myilibrary.com?id=1004728
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Kompatsiaris P. The politics of contemporary art biennials: spectacles of critique, theory and art. New York: : Routledge 2017. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4834177