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S. J. Knell, National galleries: the art of making nations. London: Routledge, Taylor & Francis Group, 2016 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064
[2]
S. J. Knell, Ed., The contemporary museum: shaping museums for the global now. London: Routledge, 2018 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5583479
[3]
D. Preziosi, The art of art history: a critical anthology, vol. Oxford history of art. Oxford: Oxford University Press, 1998 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=453635
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F. R. Myers, Painting culture: the making of an aboriginal high art, vol. Objects/histories. Durham [N.C.]: Duke University Press, 2002 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1167817
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E. O’Brien, Modern art in Africa, Asia and Latin America: an introduction to global modernisms. Malden, MA: Wiley-Blackwell, 2013.
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E. Clegg, Art, design, and architecture in Central Europe, 1890-1920. New Haven: Yale University Press, 2006.
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S. J. Knell, Museums in the material world, vol. Leicester readers in museum studies. London: Routledge, 2007 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=308699
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S. J. Knell, National galleries: the art of making nations. London: Routledge, Taylor & Francis Group, 2016 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064
[9]
S. J. Knell, Ed., The contemporary museum: shaping museums for the global now. London: Routledge, 2018 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5583479
[10]
J. Barnes, Keeping an eye open : essays on art. London: Jonathan Cape, 2015.
[11]
S. Eisenman, Nineteenth century art: a critical history, New ed. London: Thames and Hudson, 2002.
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C. Prendergast and A.-J. Gros, Napoleon and history painting: Antoine-Jean Gros’s La bataille d’Eylau. Oxford: Clarendon Press, 1997.
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R. R. Brettell, Modern art, 1851-1929: capitalism and representation, vol. Oxford history of art. Oxford: Oxford University Press, 1999.
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E. H. Gombrich, The story of art, 16th ed. London: Phaidon Press, 1995.
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H. Read, A concise history of modern painting, New ed., vol. The world of art library. history of art. London: Thames and Hudson, 1974.
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S. J. Knell, National galleries: the art of making nations. London: Routledge, Taylor & Francis Group, 2016 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064
[17]
D. Ord, The National Gallery of Canada: Ideas Art Architecture. Montrǎl, QC, CAN: McGill-Queen’s University Press, 20030101 [Online]. Available: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662807310002746&institutionId=2746&customerId=2745
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N. Harris, Capital Culture : J. Carter Brown, the National Gallery of Art, and the Reinvention of the Museum Experience. Chicago, IL, USA: University of Chicago Press, 20131001 [Online]. Available: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662807300002746&institutionId=2746&customerId=2745
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A. Burton and Victoria and Albert Museum, Vision and accident: the story of the Victoria and Albert Museum. London: V and A Publications, 1999.
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S. J. Knell, National galleries: the art of making nations. London: Routledge, Taylor & Francis Group, 2016 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064
[21]
C. Klonk, Spaces of experience: art gallery interiors from 1800 to 2000. New Haven, Conn: Yale University Press, 2009.
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N. Serota, Experience or interpretation: the dilemma of museums of modern art. London: Thames & Hudson, 1996.
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C. Paul, Ed., The first modern museums of art: the birth of an institution in 18th- and early-19th-century Europe. Los Angeles: J. Paul Getty Museum, 2012.
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T. W. Gaehtgens, L. Marchesano, and Getty Research Institute, Display and art history: the Dusseldorf gallery and its catalogue. Los Angeles, Calif: Getty Research Institute, 2011.
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G. Waterfield, People’s galleries : art museums and exhibitions in Britain, 1800-1914. New Haven: Yale University Press, 2015.
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P. Bjurström and Nationalmuseum(Stockholm), The genesis of the art museum in the 18th century: papers given at a symposium in Nationalmuseum Stockholm, June 26, 1992, in cooperation with the Royal Academy of Letters, History and Antiquities, vol. Nationalmusei skriftserie. [Stockholm]: Nationalmuseum, 1993.
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J. J. Sheehan, Museums in the German art world from the end of the old regime to the rise of modernism. Oxford: Oxford University Press, 2000 [Online]. Available: http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10269055
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G. Wright and Center for Advanced Study in the Visual Arts (Washington), The formation of national collections of art and archaeology, vol. Studies in the history of art. Washington, D.C.: National Gallery of Art, 1996.
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A. McClellan, The art museum from Boullee to Bilbao. Berkeley, Calif: University of California Press, 2008.
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J. P. Lorente and J. P. Lorente, The museums of contemporary art: notion and development. Farnham, Surrey, U.K., England: Ashgate, 2011 [Online]. Available: http://site.ebrary.com/lib/leicester/Doc?id=10456145
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G. Bazin, The museum age, [1st American ed.]. New York: Universe Books, 1967.
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N. Prior, Museums and modernity: art galleries and the making of modern culture, vol. Leisure, consumption and culture. Oxford: Berg, 2002.
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C. Bischoff and E. Hermann, Kunsthistorisches Museum: history, architecture, decoration. Vienna: Christian Brandstätter, 2010.
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C. Dercon and N. Serota, Eds., Tate Modern: building a museum for the 21st century. London: Tate Publishing, 2016.
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S. J. Knell, National galleries: the art of making nations. London: Routledge, Taylor & Francis Group, 2016 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064
[36]
A. Abykayeva-Tiesenhausen, Central Asia in art: from Soviet orientalism to the new republics. London: I.B. Tauris, 2016.
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P. Lü, A history of art in 20th-century China. Milano: Charta, 2010.
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K. Soriano, Australia. London: Royal Academy of Arts, 2013.
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P. McCaughey, Strange country: why Australian painting matters. Carlton, Vic: Melbourne University Publishing, 2014.
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B. Smith, T. Smith, and C. Heathcote, Australian painting, 1788-2000, 4th ed. South Melbourne, Vic: Oxford University Press, 2001.
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F. R. Myers, Painting culture: the making of an aboriginal high art, vol. Objects/histories. Durham [N.C.]: Duke University Press, 2002 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1167817
[42]
H. Morphy, Becoming art: exploring cross-cultural categories. New York, NY: Berg, 2007.
[43]
B. Altshuler, The avant-garde in exhibition: new art in the 20th century. Berkeley, Calif: University of California Press, 1998.
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B. Altshuler, Salon to Biennial - exhibitions that made art history: Vol.1: 1863-1959. London: Phaidon, 2008.
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B. Altshuler, Ed., Biennials and beyond: exhibitions that made art history, 1962-2002. London: Phaidon Press, 2013.
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J. Hoffmann, Show time: the 50 most influential exhibitions of contemporary art. London: Thames & Hudson, 2014.
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R. Greenberg, B. W. Ferguson, and S. Nairne, Thinking about exhibitions. London: Routledge, 1996 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=242218
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B. Taylor and Barber Institute of Fine Arts, Art for the nation: exhibitions and the London public, 1747-2001, vol. The Barber Institute’s critical perspectives in art history. Manchester: Manchester University Press, 1999.
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D. Carrier, Museum skepticism: a history of the display of art in public galleries. Durham, N.C.: Duke University Press, 2006 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1169313
[50]
C. Whitehead, Interpreting art in museums and galleries. London: Routledge, 2012 [Online]. Available: http://ezproxy.lib.le.ac.uk/login?url=http://www.myilibrary.com?id=343483
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F. Haskell, The ephemeral museum: old master paintings and the rise of the art exhibition. New Haven, Conn: Yale University Press, 2000.
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P. Marincola and Philadelphia Exhibitions Initiative, What makes a great exhibition?, vol. Questions of practice. Philadelphia, Pa: Philadelphia Exhibitions Initiative, Philadelphia Center for Arts and Heritage, 2006.
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E. A. Pergam, The Manchester Art Treasures Exhibition of 1857: entrepreneurs, connoisseurs and the public. Farnham: Ashgate, 2011.
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J. Putnam, Art and artifact: the museum as medium, Rev. paperback ed. London: Thames & Hudson, 2009.
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D. Balzer, Curationism: how curating took over the art world and everything else, vol. Exploded views. Toronto: Coach House Books, 2014 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3386806
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‘The Bias of the World: Curating After Szeemann & Hopps | The Brooklyn Rail’. [Online]. Available: http://brooklynrail.org/2006/12/art/the-bias-of-the-world
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L. Buck, V. Lovell, and D. McClean, Commissioning contemporary art: a handbook for curators and artists. London: Thames & Hudson, 2012.
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C. Thea and T. Micchelli, On curating: interviews with ten international curators. New York, N.Y.: D.A.P./Distributed Art Publishers, 2009.
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H. U. Obrist, A brief history of curating. Zurich: Jrp Ringier, 2008.
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Hans Ulrich Obrist, Ways of Curating. Penguin, 2015.
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T. Smith, Thinking contemporary curating, vol. ICI perspectives in curating. New York: Independent Curators International, 2012.
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H.-U. Obrist, Everything you always wanted to know about curating but were afraid to ask. Berlin: Sternberg, 2011.
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P. O’Neill, The culture of curating and the curating of culture(s). Cambridge, Mass: The MIT Press, 2012.
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Arthur Danto, ‘The Artworld’, The Journal of Philosophy, vol. 61, no. 19, pp. 571–584, 1964 [Online]. Available: http://www.jstor.org/stable/2022937?seq=1#page_scan_tab_contents
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A. C. Danto, The transfiguration of the commonplace: a philosophy of art. Cambridge, Mass: Harvard University Press, 1981.
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M. Rollins, Danto and his critics, 2nd ed., vol. Philosophers and their critics. Chichester, West Sussex, UK: Wiley-Blackwell, 2012 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=821934
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George Dickie, ‘Defining Art’, American Philosophical Quarterly, vol. 6, no. 3, pp. 253–256, 1969 [Online]. Available: http://www.jstor.org/stable/20009315?seq=1#page_scan_tab_contents
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G. Dickie, Art and the aesthetic: an institutional analysis. Ithaca: Cornell University Press, 1974.
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H. S. Becker, Art worlds, 25th anniversary edition, Updated and Expanded. Berkeley, Calif: University of California Press, 2008 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=7021812
[70]
S. Tseng, The art market, collectors and art museums in Taiwan since 1949. Taipei: Sanyi Cultural Enterprise, 2003.
[71]
M. Gee, Dealers, critics, and collectors of modern painting: aspects of the Parisian art market between 1910 and 1930, vol. Outstanding dissertations in the fine arts. New York: Garland Pub, 1981.
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L. Greenfeld, Different worlds: a sociological study of taste, choice and success in art, vol. The Arnold and Caroline Rose monograph series of the American Sociological Association. Cambridge: Cambridge University Press, 1989 [Online]. Available: http://ezproxy.lib.le.ac.uk/login?url=http://dx.doi.org/10.1017/CBO9780511571039
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A. Jyrämä, Structure and practises in contemporary art sector: a comparative study of art galleries in Finland and Sweden, vol. Working Paper / Helsinki School of Economics and Business Administration. Helsinki: Helsinki School of Economics and Business Administration, 1997.
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A. Jyrämä, Can strategy or internationalization theories be applied to pictorial art markets, vol. Working papers / Helsinki School of Economics and Business Administration. Helsinki: Helsinki School of Economics and Business Administration, 1993.
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‘Taste Buds: how to cultivate the art market | Arts Council’. [Online]. Available: https://www.artscouncil.org.uk/sites/default/files/download-file/tastebudssummary-php7xdjde-e9KL-6-2500.pdf
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N. De Marchi and H. J. van Miegroet, Mapping markets for paintings in Europe 1450-1750, vol. Studies in European urban history (1100-1800). Turnhout, Belgium: Brepols, 2006 [Online]. Available: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5206522
[77]
A. D. Robson, Prestige, profit, and pleasure: the market for modern art in New York in the 1940s and 1950s. New York: Garland Publishing, 1995.
[78]
P. Watson, From Manet to Manhattan: the rise of the modern art market. London: Hutchinson, 1992.
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C. W. Smith, Auctions: the social construction of value. Berkeley, Calif: University of California Press, 1989.
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‘Leicester Research Archive: Commercial Galleries in Copenhagen, London and Reykjavik: a comparative study of the formations, contexts and interactions of galleries founded between 1985 and 2002’. [Online]. Available: https://lra.le.ac.uk/handle/2381/9475
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U. Grosenick and R. Stange, International art galleries: post-war to post-millennium : a narrative chronology of the dealers, artists and spaces that have defined modern art. London: Thames & Hudson, 2005.
[82]
L. Buck and J. Greer, Owning art: the contemporary art collector’s handbook. London: Cultureshock Media Ltd, 2006.
[83]
P. Bourdieu and R. Nice, Distinction: a social critique of the judgement of taste, vol. Routledge classics. London: Routledge, 2010 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1433990
[84]
P. Bourdieu and R. Johnson, The field of cultural production: essays on art and literature. Cambridge: Policy Press, 1993.
[85]
P. Bourdieu and R. Nice, Outline of a theory of practice, vol. Cambridge studies in social anthropology. Cambridge: Cambridge University Press, 1977 [Online]. Available: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662807280002746&institutionId=2746&customerId=2745
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E. Wenger, R. A. McDermott, and W. Snyder, Cultivating communities of practice: a guide to managing knowledge. Boston: Harvard Business School Press, 2002 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5181870
[87]
S. E. Fish, Is there a text in this class?: the authority of interpretive communities. Cambridge, Mass: Harvard University Press, 1980.
[88]
T. Smith, Contemporary art: world currents. Upper Saddle River [N.J.]: Prentice Hall, 2011.
[89]
Zentrum für Kunst und Medientechnologie Karlsruhe, The global contemporary and the rise of new art worlds. Cambridge, Massachusetts: MIT Press, 2013.
[90]
T. Smith, What is contemporary art? Chicago, Ill: The University of Chicago Press, 2009.
[91]
S. J. Knell, Ed., The contemporary museum: shaping museums for the global now. London: Routledge, 2018 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5583479
[92]
E. O’Brien, Modern art in Africa, Asia and Latin America: an introduction to global modernisms. Malden, MA: Wiley-Blackwell, 2013.
[93]
J. Elkins, Stories of art. New York: Routledge, 2002.
[94]
Is art history global? London: Routledge, 2007 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=283681
[95]
Sterling and Francine Clark Art Institute and Raqs Media Collective (Organization), Art history in the wake of the global turn. Williamstown, Massachusetts: Sterling and Francine Clark Art Institute, 2014.
[96]
M. Copeland, The Anti-museum: an anthology. Koenig Books, 2017.
[97]
R. Meyer, What was contemporary art? Cambridge, Massachusetts: The MIT Press, 2013.
[98]
T. Smith, What is contemporary art? Chicago, Ill: The University of Chicago Press, 2009.
[99]
P. Osborne, Anywhere or not at all: philosophy of contemporary art. London: Verso, 2013 [Online]. Available: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5177068
[100]
C. Green and A. Gardner, Biennials, triennials, and documenta: the exhibitions that created contemporary art. Chichester, West Sussex, United Kingdom: John Blackwell, 2016 [Online]. Available: http://ezproxy.lib.le.ac.uk/login?url=http://leicester.eblib.com/patron/FullRecord.aspx?p=4451515
[101]
E. Filipovic, M. Van Hal, S. Øvstebø, and Bergen Biennial Conference, The biennial reader. Bergen: Bergen Kunsthall, 2010.
[102]
C. Green and A. Gardner, Biennials, triennials, and documenta: the exhibitions that created contemporary art. Chichester, West Sussex, United Kingdom: John Blackwell, 2016 [Online]. Available: http://ezproxy.lib.le.ac.uk/login?url=http://leicester.eblib.com/patron/FullRecord.aspx?p=4451515
[103]
I. Galliera, ‘Self-Institutionalizing as Political Agency: Contemporary Art Practice in Bucharest and Budapest’, ARTMargins, vol. 5, no. 2, pp. 50–73, Jun. 2016, doi: 10.1162/ARTM_a_00147.
[104]
S. Spieker, The big archive: art from bureaucracy. Cambridge, Mass: MIT, 2008.
[105]
C. A. Jones, The Global Work of Art: World’s Fairs, Biennials, and the Aesthetics of Experience. University of Chicago Press, 2016 [Online]. Available: http://lib.myilibrary.com?id=1004728
[106]
P. Kompatsiaris, The politics of contemporary art biennials: spectacles of critique, theory and art, vol. Routledge advances in art and visual studies. New York: Routledge, 2017 [Online]. Available: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4834177