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Knell SJ. National galleries: the art of making nations [Internet]. London: Routledge, Taylor & Francis Group; 2016. Available from: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064
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Knell SJ, editor. The contemporary museum: shaping museums for the global now [Internet]. London: Routledge; 2018. Available from: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5583479
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Preziosi D. The art of art history: a critical anthology [Internet]. Oxford: Oxford University Press; 1998. Available from: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=453635
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Myers FR. Painting culture: the making of an aboriginal high art [Internet]. Durham [N.C.]: Duke University Press; 2002. Available from: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1167817
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O’Brien E. Modern art in Africa, Asia and Latin America: an introduction to global modernisms. Malden, MA: Wiley-Blackwell; 2013.
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Clegg E. Art, design, and architecture in Central Europe, 1890-1920. New Haven: Yale University Press; 2006.
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Knell SJ. Museums in the material world [Internet]. London: Routledge; 2007. Available from: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=308699
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Knell SJ. National galleries: the art of making nations [Internet]. London: Routledge, Taylor & Francis Group; 2016. Available from: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064
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Knell SJ, editor. The contemporary museum: shaping museums for the global now [Internet]. London: Routledge; 2018. Available from: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5583479
10.
Barnes J. Keeping an eye open : essays on art. London: Jonathan Cape; 2015.
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Eisenman S. Nineteenth century art: a critical history. New ed. London: Thames and Hudson; 2002.
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Read H. A concise history of modern painting. New ed. London: Thames and Hudson; 1974.
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Knell SJ. National galleries: the art of making nations [Internet]. London: Routledge, Taylor & Francis Group; 2016. Available from: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064
17.
Ord D. The National Gallery of Canada: Ideas Art Architecture [Internet]. Montrǎl, QC, CAN: McGill-Queen’s University Press; 20030101. Available from: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662807310002746&institutionId=2746&customerId=2745
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Harris N. Capital Culture : J. Carter Brown, the National Gallery of Art, and the Reinvention of the Museum Experience [Internet]. Chicago, IL, USA: University of Chicago Press; 20131001. Available from: http://le.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&package_service_id=5662807300002746&institutionId=2746&customerId=2745
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Knell SJ. National galleries: the art of making nations [Internet]. London: Routledge, Taylor & Francis Group; 2016. Available from: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064
21.
Klonk C. Spaces of experience: art gallery interiors from 1800 to 2000. New Haven, Conn: Yale University Press; 2009.
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Serota N. Experience or interpretation: the dilemma of museums of modern art. London: Thames & Hudson; 1996.
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Sheehan JJ. Museums in the German art world from the end of the old regime to the rise of modernism [Internet]. Oxford: Oxford University Press; 2000. Available from: http://ezproxy.lib.le.ac.uk/login?url=http://site.ebrary.com/lib/leicester/Doc?id=10269055
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Knell SJ. National galleries: the art of making nations [Internet]. London: Routledge, Taylor & Francis Group; 2016. Available from: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4355064
36.
Abykayeva-Tiesenhausen A. Central Asia in art: from Soviet orientalism to the new republics. London: I.B. Tauris; 2016.
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Lü P. A history of art in 20th-century China. Milano: Charta; 2010.
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Morphy H. Becoming art: exploring cross-cultural categories. New York, NY: Berg; 2007.
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Altshuler B. The avant-garde in exhibition: new art in the 20th century. Berkeley, Calif: University of California Press; 1998.
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Altshuler B, editor. Biennials and beyond: exhibitions that made art history, 1962-2002. London: Phaidon Press; 2013.
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Hoffmann J. Show time: the 50 most influential exhibitions of contemporary art. London: Thames & Hudson; 2014.
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Taylor B, Barber Institute of Fine Arts. Art for the nation: exhibitions and the London public, 1747-2001. Manchester: Manchester University Press; 1999.
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Carrier D. Museum skepticism: a history of the display of art in public galleries [Internet]. Durham, N.C.: Duke University Press; 2006. Available from: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1169313
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Whitehead C. Interpreting art in museums and galleries [Internet]. London: Routledge; 2012. Available from: http://ezproxy.lib.le.ac.uk/login?url=http://www.myilibrary.com?id=343483
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Haskell F. The ephemeral museum: old master paintings and the rise of the art exhibition. New Haven, Conn: Yale University Press; 2000.
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Marincola P, Philadelphia Exhibitions Initiative. What makes a great exhibition? Philadelphia, Pa: Philadelphia Exhibitions Initiative, Philadelphia Center for Arts and Heritage; 2006.
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Pergam EA. The Manchester Art Treasures Exhibition of 1857: entrepreneurs, connoisseurs and the public. Farnham: Ashgate; 2011.
54.
Putnam J. Art and artifact: the museum as medium. Rev. paperback ed. London: Thames & Hudson; 2009.
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Balzer D. Curationism: how curating took over the art world and everything else [Internet]. Toronto: Coach House Books; 2014. Available from: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=3386806
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The Bias of the World: Curating After Szeemann & Hopps | The Brooklyn Rail [Internet]. Available from: http://brooklynrail.org/2006/12/art/the-bias-of-the-world
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Buck L, Lovell V, McClean D. Commissioning contemporary art: a handbook for curators and artists. London: Thames & Hudson; 2012.
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Danto AC. The transfiguration of the commonplace: a philosophy of art. Cambridge, Mass: Harvard University Press; 1981.
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George Dickie. Defining Art. American Philosophical Quarterly [Internet]. 1969;6(3):253–256. Available from: http://www.jstor.org/stable/20009315?seq=1#page_scan_tab_contents
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Dickie G. Art and the aesthetic: an institutional analysis. Ithaca: Cornell University Press; 1974.
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Becker HS. Art worlds [Internet]. 25th anniversary edition, updated and expanded. Berkeley, Calif: University of California Press; 2008. Available from: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=7021812
70.
Tseng S. The art market, collectors and art museums in Taiwan since 1949. Taipei: Sanyi Cultural Enterprise; 2003.
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Gee M. Dealers, critics, and collectors of modern painting: aspects of the Parisian art market between 1910 and 1930. New York: Garland Pub; 1981.
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Greenfeld L. Different worlds: a sociological study of taste, choice and success in art [Internet]. Cambridge: Cambridge University Press; 1989. Available from: http://ezproxy.lib.le.ac.uk/login?url=http://dx.doi.org/10.1017/CBO9780511571039
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Jyrämä A. Structure and practises in contemporary art sector: a comparative study of art galleries in Finland and Sweden. Helsinki: Helsinki School of Economics and Business Administration; 1997.
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De Marchi N, Miegroet HJ van. Mapping markets for paintings in Europe 1450-1750 [Internet]. Turnhout, Belgium: Brepols; 2006. Available from: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5206522
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Robson AD. Prestige, profit, and pleasure: the market for modern art in New York in the 1940s and 1950s. New York: Garland Publishing; 1995.
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Bourdieu P, Johnson R. The field of cultural production: essays on art and literature. Cambridge: Policy Press; 1993.
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Wenger E, McDermott RA, Snyder W. Cultivating communities of practice: a guide to managing knowledge [Internet]. Boston: Harvard Business School Press; 2002. Available from: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5181870
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Fish SE. Is there a text in this class?: the authority of interpretive communities. Cambridge, Mass: Harvard University Press; 1980.
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Smith T. Contemporary art: world currents. Upper Saddle River [N.J.]: Prentice Hall; 2011.
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Zentrum für Kunst und Medientechnologie Karlsruhe. The global contemporary and the rise of new art worlds. Belting H, Buddensieg A, Weibel P, editors. Cambridge, Massachusetts: MIT Press; 2013.
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Knell SJ, editor. The contemporary museum: shaping museums for the global now [Internet]. London: Routledge; 2018. Available from: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=5583479
92.
O’Brien E. Modern art in Africa, Asia and Latin America: an introduction to global modernisms. Malden, MA: Wiley-Blackwell; 2013.
93.
Elkins J. Stories of art. New York: Routledge; 2002.
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Sterling and Francine Clark Art Institute, Raqs Media Collective (Organization). Art history in the wake of the global turn. Casid JH, D’Souza A, editors. Williamstown, Massachusetts: Sterling and Francine Clark Art Institute; 2014.
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Green C, Gardner A. Biennials, triennials, and documenta: the exhibitions that created contemporary art [Internet]. Chichester, West Sussex, United Kingdom: John Blackwell; 2016. Available from: http://ezproxy.lib.le.ac.uk/login?url=http://leicester.eblib.com/patron/FullRecord.aspx?p=4451515
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Filipovic E, Van Hal M, Øvstebø S, Bergen Biennial Conference. The biennial reader. Bergen: Bergen Kunsthall; 2010.
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Green C, Gardner A. Biennials, triennials, and documenta: the exhibitions that created contemporary art [Internet]. Chichester, West Sussex, United Kingdom: John Blackwell; 2016. Available from: http://ezproxy.lib.le.ac.uk/login?url=http://leicester.eblib.com/patron/FullRecord.aspx?p=4451515
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Galliera I. Self-Institutionalizing as Political Agency: Contemporary Art Practice in Bucharest and Budapest. ARTMargins. 2016 Jun;5(2):50–73.
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Kompatsiaris P. The politics of contemporary art biennials: spectacles of critique, theory and art [Internet]. New York: Routledge; 2017. Available from: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4834177
