1.
Walpole H. The castle of Otranto [Internet]. Vol. 9. London: Penguin; 2010. Available from: http://ezproxy.lib.le.ac.uk/login?url=https://www.proquest.com/lion/docview/2138576892/Z000047333
2.
Lewis MG. The monk: a romance [Internet]. London: Gibbings; 1913. Available from: https://literature.proquest.com/toc.do?sourceId=Z000033186&action=new&area=prose&divLevel=0&queryId=&mapping=toc#scroll&DurUrl=Yes
3.
Austen J. Northanger Abbey [Internet]. Rockville, Maryland: Arc Manor; 2008. Available from: https://ebookcentral.proquest.com/lib/leicester/detail.action?pq-origsite=primo&docID=5443970
4.
Shelley MW, Hunter JP. Frankenstein: the 1818 text, contexts, nineteenth-century responses, modern criticism. New York: W.W. Norton; 1996.
5.
Brontë E, Stoneman P. Wuthering Heights [Internet]. Oxford: Oxford University Press; 1995. Available from: http://ezproxy.lib.le.ac.uk/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=55835&site=ehost-live
6.
Carter A. The bloody chamber and other stories. London: Vintage; 2006.
7.
Bürger GA. Lenore [Internet]. 1796. Available from: https://literature.proquest.com/searchFulltext.do?id=Z200478605&childSectionId=Z200478605&divLevel=2&queryId=3087837989573&trailId=166DE3F7C88&area=poetry&forward=textsFT&queryType=findWork
8.
Lewis, Matthew Gregory. Alonzo the Brave and Fair Imogine [Internet]. 1796. Available from: https://literature.proquest.com/searchFulltext.do?id=Z200415826&childSectionId=Z200415826&divLevel=2&queryId=3087838336243&trailId=166DE422250&area=poetry&forward=textsFT&queryType=findWork
9.
Coleridge, Samuel Taylor. Christabel [Internet]. Available from: https://literature.proquest.com/searchFulltext.do?id=Z300317143&childSectionId=Z300317143&divLevel=3&queryId=3087837824172&trailId=166DE3E395E&area=poetry&forward=textsFT&queryType=findWork
10.
Radcliffe AW, Dobrée B, Garber F. The mysteries of Udolpho [Internet]. Oxford: Oxford University Press; 1980. Available from: https://ebooks.adelaide.edu.au/r/radcliffe/ann/udolpho/
11.
Radcliffe A. The Italian [Internet]. 1797. Available from: http://find.gale.com.ezproxy3.lib.le.ac.uk/ecco/infomark.do?action=interpret&docType=ECCOArticles&source=gale&tabID=T001&prodId=ECCO&userGroupName=leicester&bookId=0247200301&type=getFullCitation&contentSet=ECCOArticles&version=1.0&finalAuth=true
12.
Clery EJ, Miles R. Gothic documents: a sourcebook, 1700-1820. Manchester: Manchester University Press; 2000.
13.
Armitt L. Twentieth-century gothic [Internet]. Cardiff, Wales: University of Wales Press; 2011. Available from: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=819776
14.
Bloom C. Gothic horror: a reader’s guide from Poe to King and beyond. Basingstoke: Macmillan; 1998.
15.
Botting F. Gothic. London: Routledge; 1996.
16.
Botting F. Gothic, The. Essays and Studies 2001 [Internet]. Vol. v.Volume 54. Cambridge: Boydell & Brewer Ltd; 2001. Available from: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4949420
17.
Botting F. Limits of horror: technology, bodies, Gothic [Internet]. Manchester: Manchester University Press; 2008. Available from: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1069700
18.
Bruhm S. Gothic bodies: the politics of pain in romantic fiction. Philadelphia: University of Pennsylvania Press; 1994.
19.
Castle T. The female thermometer: eighteenth-century culture and the invention of the uncanny. New York: Oxford University Press; 1995.
20.
Byron G, Punter D. Spectral readings: towards a Gothic geography. Basingstoke: Macmillan; 1999.
21.
Clery EJ. The Politics of the Gothic Heroine in the 1790s. In: Reviewing Romanticism. Basingstoke: Macmillan; 1992.
22.
Clery EJ. The rise of supernatural fiction, 1762-1800. Vol. 12. Cambridge: Cambridge University Press; 1995.
23.
Clery EJ, British Council. Women’s gothic: from Clara Reeve to Mary Shelley. 2nd ed. Tavistock: Northcote House; 2004.
24.
Davison CM. Gothic literature 1764-1824 [Internet]. Cardiff, [Wales]: University of Wales Press; 2009. Available from: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=496654
25.
Day WP. In the circles of fear and desire: a study of gothic fantasy. Chicago: University of Chicago; 1985.
26.
DeLamotte EC. Perils of the night: a feminist study of nineteenth-century Gothic. New York: Oxford University Press; 1990.
27.
Burwick F. Shakespearean Gothic [Internet]. Desmet C, Williams A, editors. Cardiff, [Wales]: University of Wales Press; 2009. Available from: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=496650
28.
Duncan I. Modern romance and transformations of the novel: the Gothic, Scott, and Dickens. Cambridge: Cambridge University Press; 1992.
29.
Ellis KF. The contested castle: Gothic novels and the subversion of domestic ideology. Urbana: University of Illinois Press; 1989.
30.
Ellis M. The history of gothic fiction. Edinburgh: Edinburgh University Press; 2000.
31.
Fleenor JE. The female Gothic. Montréal: Eden Press; 1983.
32.
Franklin C. Longman Anthology of Gothic Verse, The [Internet]. 1st ed. Milton: Taylor & Francis Group; 2010. Available from: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4977177
33.
Freud S, Strachey J, Freud A, Strachey A, Tyson A. The Uncanny. In: The standard edition of the complete psychological works of Sigmund Freud: Vol 17: (1917-1919) An infantile neurosis and other works. London: Vintage; 2001. p. 217–56.
34.
Gamer M. Romanticism and the Gothic: genre, reception, and canon formation [Internet]. Vol. 40. Cambridge [England]: Cambridge University Press; 2000. Available from: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=144769
35.
Garside P. Romantic Gothic. In: Literature of the romantic period: a bibliographical guide. Oxford: Clarendon Press; 1998. p. 315–40.
36.
Georgieva M. The Gothic Child [Internet]. New York: Palgrave Macmillan; 2013. Available from: http://ezproxy.lib.le.ac.uk/login?url=https://link.springer.com/book/10.1057%2F9781137306074#toc
37.
Graham KW. Gothic fictions: prohibition/transgression. Vol. no. 5. New York: AMS press; 1989.
38.
Hoeveler DL. Gothic feminism: the professionalization of gender from Charlotte Smith to the Brontës. Liverpool: Liverpool University Press; 1998.
39.
Hogle JE. The Cambridge companion to gothic fiction [Internet]. Cambridge: Cambridge University Press; 2006. Available from: http://ezproxy.lib.le.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521791243
40.
Hogle JE, editor. The Cambridge companion to the modern gothic [Internet]. Cambridge, United Kingdom: Cambridge University Press; 2014. Available from: http://ezproxy.lib.le.ac.uk/login?url=https://www.cambridge.org/core/books/cambridge-companion-to-the-modern-gothic/135CFDEF5784BF30A9FBBEA7A18EE8AD
41.
Howard J. Reading Gothic fiction: a Bakhtinian approach. Oxford: Clarendon Press; 1994.
42.
Howells CA. Love, mystery, and misery: feeling in Gothic fiction. London: Bloomsbury Academic; 2013.
43.
Killeen J. Gothic literature 1825-1914. Cardiff, Wales: University of Wales Press; 2009.
44.
Kahane C. The Gothic Mirror. In: The (m)other tongue: essays in feminist psychoanalytic interpretation. Ithaca, N.Y.: Cornell University Press; 1985. p. 334–51.
45.
Kelly G. English fiction of the Romantic period, 1789-1830. London: Longman; 1989.
46.
Kilgour M. The rise of the Gothic novel. London: Routledge; 1995.
47.
Miles R. Gothic writing, 1750-1820: a genealogy. 2nd ed. Manchester: Manchester University Press; 2002.
48.
Women’s writing: The Elizabethan to Victorian period.
49.
Moers E. Literary Women. In: Literary women. London: W.H. Allen; 1977. p. 90–110.
50.
Norton R. Gothic readings: the first wave, 1764-1840. New York: Leicester University Press; 2000.
51.
Palmer P. The queer uncanny: new perspectives on the Gothic [Internet]. Cardiff: University of Wales Press; 2012. Available from: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1889097
52.
Paulson R. Gothic Fiction and the French Revolution. ELH. 1981 Autumn;48(3).
53.
Paulson R. Representations of revolution, (1789-1820). New Haven, Conn: Yale University Press; 1983.
54.
Peschier D. Nineteenth-Century Anti-Catholic Discourses: The Case of Charlotte Brontë [Internet]. London: Palgrave Macmillan Limited; 2005. Available from: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=257976
55.
Punter D. The literature of terror: a history of gothic fictions from 1765 to the present day, Vol.1: The gothic tradition. 2nd ed. London: Longman; 1996.
56.
Punter D. The literature of terror: a history of gothic fictions from 1765 to the present day, Vol.2: The modern gothic. 2nd ed. London: Longman; 1996.
57.
Punter D. A new companion to the Gothic [Internet]. Vol. 79. Malden, Mass: Wiley-Blackwell; 2012. Available from: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=843409
58.
Ranger P, Society for Theatre Research. ‘Terror and pity reign in every breast’: Gothic drama in the London patent theatres, 1750-1820. London: Society for Theatre Reasearch; 1991.
59.
Castle T. The Gothic novel. In: The Cambridge History of English Literature, 1660-1780 [Internet]. Cambridge: Cambridge University Press; 2005. p. 673–706. Available from: https://www.cambridge.org/core/product/identifier/CBO9781139053877A035/type/book_part
60.
Roberts BB. The Gothic romance, its appeal to women writers and readers in late eighteenth-century England. New York: Arno Press; 1980.
61.
Mulvey Roberts M. The handbook to Gothic literature. Basingstoke: Macmillan; 1998.
62.
Salter D. "This demon in the garb of a monk”: Shakespeare, the Gothic and the discourse of anti-Catholicism. Shakespeare. 2009 Apr;5(1):52–67.
63.
Sedgwick EK. The coherence of Gothic conventions. Vol. 930. New York: Methuen; 1986.
64.
Sedgwick EK. The Character in the Veil: Imagery of the Surface in the Gothic Novel. PMLA. 1981 Mar;96(2).
65.
Smith A. Gothic literature [Internet]. 2nd ed. Edinburgh: Edinburgh University Press; 2013. Available from: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1183044
66.
Spooner C. Contemporary Gothic [Internet]. London: Reaktion Books, Limited; 2012. Available from: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=420814
67.
Spooner C, McEvoy E. The Routledge companion to Gothic [Internet]. London: Routledge; 2007. Available from: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=325063
68.
Stevens D. The gothic tradition. Cambridge: Cambridge University Press; 2000.
69.
Todorov T. The fantastic: a structural approach to a literary genre ; translated from the French by Richard Howard ; with a foreword by Robert Scholes. Ithaca, N.Y: Cornell University Press; 1975.
70.
Wallace D, Smith A. The Female Gothic [Internet]. London: Palgrave/MacMillan; 2009. Available from: https://link.springer.com/book/10.1057%2F9780230245457
71.
Baudot L. "Nothing Really in It”: Gothic Interiors and the Externals of the Courtship Plot in Northanger Abbey. Eighteenth-Century Fiction. 2011;24(2):325–52.
72.
Beard M. ‘Visions of romance—Anxieties of common life’—Jane Austen’s Gothic novel: A reading of Northanger Abbey. English Academy Review. 1998 Dec;15(1):130–8.
73.
Blakemore S. Matthew Lewis’s Black Mass: sexual, religious inversion in ‘The Monk’. Studies in the Novel [Internet]. 1998;30(4). Available from: https://www.jstor.org/stable/29533296?seq=1#metadata_info_tab_contents
74.
Butler M. Jane Austen and the war of ideas. New ed. Oxford: Clarendon Press; 1987.
75.
Emma Clery J. Horace Walpole, the Strawberry Hill Press, and the Emergence of the Gothic Genre. Ars & Humanitas [Internet]. 2010;4(1–2):93–111. Available from: https://revije.ff.uni-lj.si/arshumanitas/article/view/310
76.
Cottom D. The civilized imagination: a study of Ann Radcliffe, Jane Austen, and Sir Walter Scott. Cambridge: Cambridge University Press; 1985.
77.
Drury J. Twilight of the Virgin Idols: Iconoclash in The Monk. The Eighteenth Century. 2016;57(2):217–33.
78.
Graham KW. Gothic fictions: prohibition/transgression. Vol. no. 5. New York: AMS press; 1989.
79.
Ingham P, editor. The Brontës [Internet]. Oxfordshire, [England]: Routledge; 2014. Available from: http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1710656
80.
Jones W. Stories of Desire in the Monk. ELH. 1990 Spring;57(1).
81.
Mary Kaiser. Fairy tale as sexual allegory: intertextuality in Angela Carter’s ‘The Bloody Chamber.’ (Angela Carter). The Review of Contemporary Fiction [Internet]. Available from: http://go.galegroup.com/ps/retrieve.do?tabID=T002&resultListType=RESULT_LIST&searchResultsType=SingleTab&searchType=AdvancedSearchForm&currentPosition=1&docId=GALE%7CA15906135&docType=Article&sort=RELEVANCE&contentSegment=&prodId=EAIM&contentSet=GALE%7CA15906135&searchId=R2&userGroupName=leicester&inPS=true
82.
Kavanagh JH. Emily Brontë. Oxford: Blackwell; 1985.
83.
Ruth Mack. Horace Walpole and the Objects of Literary History. ELH [Internet]. 2008;75(2). Available from: https://www.jstor.org/stable/27654616?seq=1#metadata_info_tab_contents
84.
Makinen M. Angela Carter’s ‘The Bloody Chamber’ and the Decolonization of Feminine Sexuality. Feminist Review. 1992 Autumn;(42).
85.
Mellor AK. Mary Shelley: Her Life, Her Fiction, Her Monsters [Internet]. London: Taylor & Francis Group; 2012. Available from: https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=995708
86.
Miles R. Ann Radcliffe: the great enchantress. Manchester: Manchester University Press; 1995.
87.
Miller CR. Chapter 6: Northanger Abbey and Gothic Perception. In: Surprise: the poetics of the unexpected from Milton to Austen [Internet]. Ithaca: Cornell University; 2015. Available from: https://ebookcentral.proquest.com/lib/leicester/reader.action?docID=3138737&ppg=152
88.
Mowl T. Horace Walpole: the great outsider. London: Murray; 1996.
89.
Myburgh A. Cathy’s Subversive ‘Black Art’ in Emily Brontë’s. English Academy Review. 2018 Jan 2;35(1):61–72.
90.
Norton R. Mistress of Adolpho: the life of Ann Radcliffe. London: Leicester University Press; 1999.
91.
MARY POOVEY. Ideology and ‘The Mysteries of Udolpho’. Criticism [Internet]. 1979;21(4). Available from: https://www.jstor.org/stable/23102716?seq=1#metadata_info_tab_contents
92.
Sedgwick EK. The coherence of Gothic conventions. Vol. 930. New York: Methuen; 1986.
93.
Shapira Y. Where the Bodies Are Hidden: Ann Radcliffe’s ‘Delicate’ Gothic. Eighteenth Century Fiction. 2006;18(4):453–76.
94.
Robin Ann Sheets. Pornography, Fairy Tales, and Feminism: Angela Carter’s ‘The Bloody Chamber’. Journal of the History of Sexuality [Internet]. 1991;1(4). Available from: https://www.jstor.org/stable/3704419?seq=1#metadata_info_tab_contents
95.
Spongberg M. History, fiction, and anachronism:                              , the Tudor ‘past’ and the ‘Gothic’ present. Textual Practice. 2012 Aug;26(4):631–48.
96.
Maja-Lisa von Sneidern. Wuthering Heights and the Liverpool Slave Trade. ELH [Internet]. 1995;62(1). Available from: https://www.jstor.org/stable/30030265?seq=1#metadata_info_tab_contents
97.
Schama S. Citizens: a chronicle of the French Revolution. London: Penguin; 1989.