1.
Walpole H. The Castle of Otranto. Vol 9. Penguin; 2010. http://ezproxy.lib.le.ac.uk/login?url=https://www.proquest.com/lion/docview/2138576892/Z000047333
2.
Lewis MG. The Monk: A Romance. Gibbings; 1913. https://literature.proquest.com/toc.do?sourceId=Z000033186&action=new&area=prose&divLevel=0&queryId=&mapping=toc#scroll&DurUrl=Yes
3.
Austen J. Northanger Abbey. Arc Manor; 2008. https://ebookcentral.proquest.com/lib/leicester/detail.action?pq-origsite=primo&docID=5443970
4.
Shelley MW, Hunter JP. Frankenstein: The 1818 Text, Contexts, Nineteenth-Century Responses, Modern Criticism. W.W. Norton; 1996.
5.
Brontë E, Stoneman P. Wuthering Heights. Oxford University Press; 1995. http://ezproxy.lib.le.ac.uk/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=55835&site=ehost-live
6.
Carter A. The Bloody Chamber and Other Stories. Vintage; 2006.
7.
Bürger GA. Lenore. Published online 1796. https://literature.proquest.com/searchFulltext.do?id=Z200478605&childSectionId=Z200478605&divLevel=2&queryId=3087837989573&trailId=166DE3F7C88&area=poetry&forward=textsFT&queryType=findWork
8.
Lewis, Matthew Gregory. Alonzo the Brave and Fair Imogine. Published online 1796. https://literature.proquest.com/searchFulltext.do?id=Z200415826&childSectionId=Z200415826&divLevel=2&queryId=3087838336243&trailId=166DE422250&area=poetry&forward=textsFT&queryType=findWork
9.
Coleridge, Samuel Taylor. Christabel. https://literature.proquest.com/searchFulltext.do?id=Z300317143&childSectionId=Z300317143&divLevel=3&queryId=3087837824172&trailId=166DE3E395E&area=poetry&forward=textsFT&queryType=findWork
10.
Radcliffe AW, Dobrée B, Garber F. The Mysteries of Udolpho. Oxford University Press; 1980. https://ebooks.adelaide.edu.au/r/radcliffe/ann/udolpho/
11.
Radcliffe A. The Italian.; 1797. http://find.gale.com.ezproxy3.lib.le.ac.uk/ecco/infomark.do?action=interpret&docType=ECCOArticles&source=gale&tabID=T001&prodId=ECCO&userGroupName=leicester&bookId=0247200301&type=getFullCitation&contentSet=ECCOArticles&version=1.0&finalAuth=true
12.
Clery EJ, Miles R. Gothic Documents: A Sourcebook, 1700-1820. Manchester University Press; 2000.
13.
Armitt L. Twentieth-Century Gothic. University of Wales Press; 2011. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=819776
14.
Bloom C. Gothic Horror: A Reader’s Guide from Poe to King and Beyond. Macmillan; 1998.
15.
Botting F. Gothic. Routledge; 1996.
16.
Botting F. Gothic, The. Essays and Studies 2001. Vol v.Volume 54. Boydell & Brewer Ltd; 2001. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4949420
17.
Botting F. Limits of Horror: Technology, Bodies, Gothic. Manchester University Press; 2008. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1069700
18.
Bruhm S. Gothic Bodies: The Politics of Pain in Romantic Fiction. University of Pennsylvania Press; 1994.
19.
Castle T. The Female Thermometer: Eighteenth-Century Culture and the Invention of the Uncanny. Oxford University Press; 1995.
20.
Byron G, Punter D. Spectral Readings: Towards a Gothic Geography. Macmillan; 1999.
21.
Clery EJ. The Politics of the Gothic Heroine in the 1790s. In: Reviewing Romanticism. Macmillan; 1992.
22.
Clery EJ. The Rise of Supernatural Fiction, 1762-1800. Vol 12. Cambridge University Press; 1995.
23.
Clery EJ, British Council. Women’s Gothic: From Clara Reeve to Mary Shelley. 2nd ed. Northcote House; 2004.
24.
Davison CM. Gothic Literature 1764-1824. University of Wales Press; 2009. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=496654
25.
Day WP. In the Circles of Fear and Desire: A Study of Gothic Fantasy. University of Chicago; 1985.
26.
DeLamotte EC. Perils of the Night: A Feminist Study of Nineteenth-Century Gothic. Oxford University Press; 1990.
27.
Burwick F. Shakespearean Gothic. (Desmet C, Williams A, eds.). University of Wales Press; 2009. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=496650
28.
Duncan I. Modern Romance and Transformations of the Novel: The Gothic, Scott, and Dickens. Cambridge University Press; 1992.
29.
Ellis KF. The Contested Castle: Gothic Novels and the Subversion of Domestic Ideology. University of Illinois Press; 1989.
30.
Ellis M. The History of Gothic Fiction. Edinburgh University Press; 2000.
31.
Fleenor JE. The Female Gothic. Eden Press; 1983.
32.
Franklin C. Longman Anthology of Gothic Verse, The. 1st ed. Taylor & Francis Group; 2010. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4977177
33.
Freud S, Strachey J, Freud A, Strachey A, Tyson A. The Uncanny. In: The Standard Edition of the Complete Psychological Works of Sigmund Freud: Vol. 17: (1917-1919). An Infantile Neurosis and Other Works. Vintage; 2001:217-256.
34.
Gamer M. Romanticism and the Gothic: Genre, Reception, and Canon Formation. Vol 40. Cambridge University Press; 2000. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=144769
35.
Garside P. Romantic Gothic. In: Literature of the Romantic Period: A Bibliographical Guide. Clarendon Press; 1998:315-340.
36.
Georgieva M. The Gothic Child. Palgrave Macmillan; 2013. http://ezproxy.lib.le.ac.uk/login?url=https://link.springer.com/book/10.1057%2F9781137306074#toc
37.
Graham KW. Gothic Fictions: Prohibition/Transgression. Vol no. 5. AMS press; 1989.
38.
Hoeveler DL. Gothic Feminism: The Professionalization of Gender from Charlotte Smith to the Brontës. Liverpool University Press; 1998.
39.
Hogle JE. The Cambridge Companion to Gothic Fiction. Cambridge University Press; 2006. http://ezproxy.lib.le.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521791243
40.
Hogle JE, ed. The Cambridge Companion to the Modern Gothic. Cambridge University Press; 2014. http://ezproxy.lib.le.ac.uk/login?url=https://www.cambridge.org/core/books/cambridge-companion-to-the-modern-gothic/135CFDEF5784BF30A9FBBEA7A18EE8AD
41.
Howard J. Reading Gothic Fiction: A Bakhtinian Approach. Clarendon Press; 1994.
42.
Howells CA. Love, Mystery, and Misery: Feeling in Gothic Fiction. Bloomsbury Academic; 2013.
43.
Killeen J. Gothic Literature 1825-1914. University of Wales Press; 2009.
44.
Kahane C. The Gothic Mirror. In: The (m)Other Tongue: Essays in Feminist Psychoanalytic Interpretation. Cornell University Press; 1985:334-351.
45.
Kelly G. English Fiction of the Romantic Period, 1789-1830. Longman; 1989.
46.
Kilgour M. The Rise of the Gothic Novel. Routledge; 1995.
47.
Miles R. Gothic Writing, 1750-1820: A Genealogy. 2nd ed. Manchester University Press; 2002.
48.
Women’s writing: The Elizabethan to Victorian period.
49.
Moers E. Literary Women. In: Literary Women. W.H. Allen; 1977:90-110.
50.
Norton R. Gothic Readings: The First Wave, 1764-1840. Leicester University Press; 2000.
51.
Palmer P. The Queer Uncanny: New Perspectives on the Gothic. University of Wales Press; 2012. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1889097
52.
Paulson R. Gothic Fiction and the French Revolution. ELH. 1981;48(3). doi:10.2307/2872912
53.
Paulson R. Representations of Revolution, (1789-1820). Yale University Press; 1983.
54.
Peschier D. Nineteenth-Century Anti-Catholic Discourses: The Case of Charlotte Brontë. Palgrave Macmillan Limited; 2005. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=257976
55.
Punter D. The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day, Vol.1: The Gothic Tradition. 2nd ed. Longman; 1996.
56.
Punter D. The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day, Vol.2: The Modern Gothic. 2nd ed. Longman; 1996.
57.
Punter D. A New Companion to the Gothic. Vol 79. Wiley-Blackwell; 2012. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=843409
58.
Ranger P, Society for Theatre Research. ‘Terror and Pity Reign in Every Breast’: Gothic Drama in the London Patent Theatres, 1750-1820. Society for Theatre Reasearch; 1991.
59.
Castle T. The Gothic novel. In: The Cambridge History of English Literature, 1660-1780. Cambridge University Press; 2005:673-706. doi:10.1017/CHOL9780521781442.028
60.
Roberts BB. The Gothic Romance, Its Appeal to Women Writers and Readers in Late Eighteenth-Century England. Arno Press; 1980.
61.
Mulvey Roberts M. The Handbook to Gothic Literature. Macmillan; 1998.
62.
Salter D. "This demon in the garb of a monk”: Shakespeare, the Gothic and the discourse of anti-Catholicism. Shakespeare. 2009;5(1):52-67. doi:10.1080/17450910902764298
63.
Sedgwick EK. The Coherence of Gothic Conventions. Vol 930. Methuen; 1986.
64.
Sedgwick EK. The Character in the Veil: Imagery of the Surface in the Gothic Novel. PMLA. 1981;96(2). doi:10.2307/461992
65.
Smith A. Gothic Literature. 2nd ed. Edinburgh University Press; 2013. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1183044
66.
Spooner C. Contemporary Gothic. Reaktion Books, Limited; 2012. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=420814
67.
Spooner C, McEvoy E. The Routledge Companion to Gothic. Routledge; 2007. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=325063
68.
Stevens D. The Gothic Tradition. Cambridge University Press; 2000.
69.
Todorov T. The Fantastic: A Structural Approach to a Literary Genre ; Translated from the French by Richard Howard ; with a Foreword by Robert Scholes. Cornell University Press; 1975.
70.
Wallace D, Smith A. The Female Gothic. Palgrave/MacMillan; 2009. https://link.springer.com/book/10.1057%2F9780230245457
71.
Baudot L. "Nothing Really in It”: Gothic Interiors and the Externals of the Courtship Plot in Northanger Abbey. Eighteenth-Century Fiction. 2011;24(2):325-352. doi:10.1353/ecf.2011.0055
72.
Beard M. ‘Visions of romance—Anxieties of common life’—Jane Austen’s Gothic novel: A reading of Northanger Abbey. English Academy Review. 1998;15(1):130-138. doi:10.1080/10131759885310131
73.
Blakemore S. Matthew Lewis’s Black Mass: sexual, religious inversion in ‘The Monk’. Studies in the Novel. 1998;30(4). https://www.jstor.org/stable/29533296?seq=1#metadata_info_tab_contents
74.
Butler M. Jane Austen and the War of Ideas. New ed. Clarendon Press; 1987.
75.
Emma Clery J. Horace Walpole, the Strawberry Hill Press, and the Emergence of the Gothic Genre. Ars & Humanitas. 2010;4(1-2):93-111. doi:https://doi.org/10.4312/ah.4.1-2.93-111
76.
Cottom D. The Civilized Imagination: A Study of Ann Radcliffe, Jane Austen, and Sir Walter Scott. Cambridge University Press; 1985.
77.
Drury J. Twilight of the Virgin Idols: Iconoclash in The Monk. The Eighteenth Century. 2016;57(2):217-233. doi:10.1353/ecy.2016.0014
78.
Graham KW. Gothic Fictions: Prohibition/Transgression. Vol no. 5. AMS press; 1989.
79.
Ingham P, ed. The Brontës. Routledge; 2014. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1710656
80.
Jones W. Stories of Desire in the Monk. ELH. 1990;57(1). doi:10.2307/2873248
81.
Mary Kaiser. Fairy tale as sexual allegory: intertextuality in Angela Carter’s ‘The Bloody Chamber.’ (Angela Carter). The Review of Contemporary Fiction. http://go.galegroup.com/ps/retrieve.do?tabID=T002&resultListType=RESULT_LIST&searchResultsType=SingleTab&searchType=AdvancedSearchForm&currentPosition=1&docId=GALE%7CA15906135&docType=Article&sort=RELEVANCE&contentSegment=&prodId=EAIM&contentSet=GALE%7CA15906135&searchId=R2&userGroupName=leicester&inPS=true
82.
Kavanagh JH. Emily Brontë. Blackwell; 1985.
83.
Ruth Mack. Horace Walpole and the Objects of Literary History. ELH. 2008;75(2). https://www.jstor.org/stable/27654616?seq=1#metadata_info_tab_contents
84.
Makinen M. Angela Carter’s ‘The Bloody Chamber’ and the Decolonization of Feminine Sexuality. Feminist Review. 1992;(42). doi:10.2307/1395125
85.
Mellor AK. Mary Shelley: Her Life, Her Fiction, Her Monsters. Taylor & Francis Group; 2012. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=995708
86.
Miles R. Ann Radcliffe: The Great Enchantress. Manchester University Press; 1995.
87.
Miller CR. Chapter 6: Northanger Abbey and Gothic Perception. In: Surprise: The Poetics of the Unexpected from Milton to Austen. Cornell University; 2015. https://ebookcentral.proquest.com/lib/leicester/reader.action?docID=3138737&ppg=152
88.
Mowl T. Horace Walpole: The Great Outsider. Murray; 1996.
89.
Myburgh A. Cathy’s Subversive ‘Black Art’ in Emily Brontë’s. English Academy Review. 2018;35(1):61-72. doi:10.1080/10131752.2018.1474623
90.
Norton R. Mistress of Adolpho: The Life of Ann Radcliffe. Leicester University Press; 1999.
91.
MARY POOVEY. Ideology and ‘The Mysteries of Udolpho’. Criticism. 1979;21(4). https://www.jstor.org/stable/23102716?seq=1#metadata_info_tab_contents
92.
Sedgwick EK. The Coherence of Gothic Conventions. Vol 930. Methuen; 1986.
93.
Shapira Y. Where the Bodies Are Hidden: Ann Radcliffe’s ‘Delicate’ Gothic. Eighteenth Century Fiction. 2006;18(4):453-476. doi:10.1353/ecf.2006.0068
94.
Robin Ann Sheets. Pornography, Fairy Tales, and Feminism: Angela Carter’s ‘The Bloody Chamber’. Journal of the History of Sexuality. 1991;1(4). https://www.jstor.org/stable/3704419?seq=1#metadata_info_tab_contents
95.
Spongberg M. History, fiction, and anachronism:                              , the Tudor ‘past’ and the ‘Gothic’ present. Textual Practice. 2012;26(4):631-648. doi:10.1080/0950236X.2012.696487
96.
Maja-Lisa von Sneidern. Wuthering Heights and the Liverpool Slave Trade. ELH. 1995;62(1). https://www.jstor.org/stable/30030265?seq=1#metadata_info_tab_contents
97.
Schama S. Citizens: A Chronicle of the French Revolution. Penguin; 1989.