Armitt, L. (2011). Twentieth-century gothic. University of Wales Press. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=819776
Austen, J. (2008). Northanger Abbey. Arc Manor. https://ebookcentral.proquest.com/lib/leicester/detail.action?pq-origsite=primo&docID=5443970
Baudot, L. (2011). "Nothing Really in It”: Gothic Interiors and the Externals of the Courtship Plot in Northanger Abbey. Eighteenth-Century Fiction, 24(2), 325–352. https://doi.org/10.1353/ecf.2011.0055
Beard, M. (1998). ‘Visions of romance—Anxieties of common life’—Jane Austen’s Gothic novel: A reading of Northanger Abbey. English Academy Review, 15(1), 130–138. https://doi.org/10.1080/10131759885310131
Blakemore, S. (1998). Matthew Lewis’s Black Mass: sexual, religious inversion in ‘The Monk’. Studies in the Novel, 30(4). https://www.jstor.org/stable/29533296?seq=1#metadata_info_tab_contents
Bloom, C. (1998). Gothic horror: a reader’s guide from Poe to King and beyond. Macmillan.
Botting, F. (1996). Gothic. Routledge.
Botting, F. (2001). Gothic, The. Essays and Studies 2001: Vol. v.Volume 54. Boydell & Brewer Ltd. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4949420
Botting, F. (2008). Limits of horror: technology, bodies, Gothic. Manchester University Press. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1069700
Brontë, E., & Stoneman, P. (1995). Wuthering Heights. Oxford University Press. http://ezproxy.lib.le.ac.uk/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=55835&site=ehost-live
Bruhm, S. (1994). Gothic bodies: the politics of pain in romantic fiction. University of Pennsylvania Press.
Bürger, G. A. (1796). Lenore. https://literature.proquest.com/searchFulltext.do?id=Z200478605&childSectionId=Z200478605&divLevel=2&queryId=3087837989573&trailId=166DE3F7C88&area=poetry&forward=textsFT&queryType=findWork
Burwick, F. (2009). Shakespearean Gothic (C. Desmet & A. Williams, Eds.). University of Wales Press. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=496650
Butler, M. (1987). Jane Austen and the war of ideas (New ed). Clarendon Press.
Byron, G., & Punter, D. (1999). Spectral readings: towards a Gothic geography. Macmillan.
Carter, A. (2006). The bloody chamber and other stories. Vintage.
Castle, T. (1995). The female thermometer: eighteenth-century culture and the invention of the uncanny. Oxford University Press.
Castle, T. (2005). The Gothic novel. In The Cambridge History of English Literature, 1660-1780 (pp. 673–706). Cambridge University Press. https://doi.org/10.1017/CHOL9780521781442.028
Clery, E. J. (1992). The Politics of the Gothic Heroine in the 1790s. In Reviewing Romanticism. Macmillan.
Clery, E. J. (1995). The rise of supernatural fiction, 1762-1800 (Vol. 12). Cambridge University Press.
Clery, E. J. & British Council. (2004). Women’s gothic: from Clara Reeve to Mary Shelley (2nd ed). Northcote House.
Clery, E. J., & Miles, R. (2000). Gothic documents: a sourcebook, 1700-1820. Manchester University Press.
Coleridge, Samuel Taylor. (n.d.). Christabel. https://literature.proquest.com/searchFulltext.do?id=Z300317143&childSectionId=Z300317143&divLevel=3&queryId=3087837824172&trailId=166DE3E395E&area=poetry&forward=textsFT&queryType=findWork
Cottom, D. (1985). The civilized imagination: a study of Ann Radcliffe, Jane Austen, and Sir Walter Scott. Cambridge University Press.
Davison, C. M. (2009). Gothic literature 1764-1824. University of Wales Press. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=496654
Day, W. P. (1985). In the circles of fear and desire: a study of gothic fantasy. University of Chicago.
DeLamotte, E. C. (1990). Perils of the night: a feminist study of nineteenth-century Gothic. Oxford University Press.
Drury, J. (2016). Twilight of the Virgin Idols: Iconoclash in The Monk. The Eighteenth Century, 57(2), 217–233. https://doi.org/10.1353/ecy.2016.0014
Duncan, I. (1992). Modern romance and transformations of the novel: the Gothic, Scott, and Dickens. Cambridge University Press.
Ellis, K. F. (1989). The contested castle: Gothic novels and the subversion of domestic ideology. University of Illinois Press.
Ellis, M. (2000). The history of gothic fiction. Edinburgh University Press.
Emma Clery J. (2010). Horace Walpole, the Strawberry Hill Press, and the Emergence of the Gothic Genre. Ars & Humanitas, 4(1–2), 93–111. https://doi.org/https://doi.org/10.4312/ah.4.1-2.93-111
Fleenor, J. E. (1983). The female Gothic. Eden Press.
Franklin, C. (2010). Longman Anthology of Gothic Verse, The (1st ed). Taylor & Francis Group. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=4977177
Freud, S., Strachey, J., Freud, A., Strachey, A., & Tyson, A. (2001). The Uncanny. In The standard edition of the complete psychological works of Sigmund Freud: Vol. 17: (1917-1919). An infantile neurosis and other works (pp. 217–256). Vintage.
Gamer, M. (2000). Romanticism and the Gothic: genre, reception, and canon formation (Vol. 40). Cambridge University Press. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=144769
Garside, P. (1998). Romantic Gothic. In Literature of the romantic period: a bibliographical guide (pp. 315–340). Clarendon Press.
Georgieva, M. (2013). The Gothic Child. Palgrave Macmillan. http://ezproxy.lib.le.ac.uk/login?url=https://link.springer.com/book/10.1057%2F9781137306074#toc
Graham, K. W. (1989a). Gothic fictions: prohibition/transgression: Vol. no. 5. AMS press.
Graham, K. W. (1989b). Gothic fictions: prohibition/transgression: Vol. no. 5. AMS press.
Hoeveler, D. L. (1998). Gothic feminism: the professionalization of gender from Charlotte Smith to the Brontës. Liverpool University Press.
Hogle, J. E. (2006). The Cambridge companion to gothic fiction. Cambridge University Press. http://ezproxy.lib.le.ac.uk/login?url=http://dx.doi.org/10.1017/CCOL0521791243
Hogle, J. E. (Ed.). (2014). The Cambridge companion to the modern gothic. Cambridge University Press. http://ezproxy.lib.le.ac.uk/login?url=https://www.cambridge.org/core/books/cambridge-companion-to-the-modern-gothic/135CFDEF5784BF30A9FBBEA7A18EE8AD
Howard, J. (1994). Reading Gothic fiction: a Bakhtinian approach. Clarendon Press.
Howells, C. A. (2013). Love, mystery, and misery: feeling in Gothic fiction. Bloomsbury Academic.
Ingham, P. (Ed.). (2014). The Brontës. Routledge. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1710656
Jones, W. (1990). Stories of Desire in the Monk. ELH, 57(1). https://doi.org/10.2307/2873248
Kahane, C. (1985). The Gothic Mirror. In The (m)other tongue: essays in feminist psychoanalytic interpretation (pp. 334–351). Cornell University Press.
Kavanagh, J. H. (1985). Emily Brontë. Blackwell.
Kelly, G. (1989). English fiction of the Romantic period, 1789-1830. Longman.
Kilgour, M. (1995). The rise of the Gothic novel. Routledge.
Killeen, J. (2009). Gothic literature 1825-1914. University of Wales Press.
Lewis, M. G. (1913). The monk: a romance. Gibbings. https://literature.proquest.com/toc.do?sourceId=Z000033186&action=new&area=prose&divLevel=0&queryId=&mapping=toc#scroll&DurUrl=Yes
Lewis, Matthew Gregory. (1796). Alonzo the Brave and Fair Imogine. https://literature.proquest.com/searchFulltext.do?id=Z200415826&childSectionId=Z200415826&divLevel=2&queryId=3087838336243&trailId=166DE422250&area=poetry&forward=textsFT&queryType=findWork
Maja-Lisa von Sneidern. (1995). Wuthering Heights and the Liverpool Slave Trade. ELH, 62(1). https://www.jstor.org/stable/30030265?seq=1#metadata_info_tab_contents
Makinen, M. (1992). Angela Carter’s ‘The Bloody Chamber’ and the Decolonization of Feminine Sexuality. Feminist Review, 42. https://doi.org/10.2307/1395125
Mary Kaiser. (n.d.). Fairy tale as sexual allegory: intertextuality in Angela Carter’s ‘The Bloody Chamber.’ (Angela Carter). The Review of Contemporary Fiction. http://go.galegroup.com/ps/retrieve.do?tabID=T002&resultListType=RESULT_LIST&searchResultsType=SingleTab&searchType=AdvancedSearchForm&currentPosition=1&docId=GALE%7CA15906135&docType=Article&sort=RELEVANCE&contentSegment=&prodId=EAIM&contentSet=GALE%7CA15906135&searchId=R2&userGroupName=leicester&inPS=true
MARY POOVEY. (1979). Ideology and ‘The Mysteries of Udolpho’. Criticism, 21(4). https://www.jstor.org/stable/23102716?seq=1#metadata_info_tab_contents
Mellor, A. K. (2012). Mary Shelley: Her Life, Her Fiction, Her Monsters. Taylor & Francis Group. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=995708
Miles, R. (1995). Ann Radcliffe: the great enchantress. Manchester University Press.
Miles, R. (2002). Gothic writing, 1750-1820: a genealogy (2nd ed). Manchester University Press.
Miller, C. R. (2015). Chapter 6: Northanger Abbey and Gothic Perception. In Surprise: the poetics of the unexpected from Milton to Austen. Cornell University. https://ebookcentral.proquest.com/lib/leicester/reader.action?docID=3138737&ppg=152
Moers, E. (1977). Literary Women. In Literary women (pp. 90–110). W.H. Allen.
Mowl, T. (1996). Horace Walpole: the great outsider. Murray.
Mulvey Roberts, M. (1998). The handbook to Gothic literature. Macmillan.
Myburgh, A. (2018). Cathy’s Subversive ‘Black Art’ in Emily Brontë’s. English Academy Review, 35(1), 61–72. https://doi.org/10.1080/10131752.2018.1474623
Norton, R. (1999). Mistress of Adolpho: the life of Ann Radcliffe. Leicester University Press.
Norton, R. (2000). Gothic readings: the first wave, 1764-1840. Leicester University Press.
Palmer, P. (2012). The queer uncanny: new perspectives on the Gothic. University of Wales Press. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1889097
Paulson, R. (1981). Gothic Fiction and the French Revolution. ELH, 48(3). https://doi.org/10.2307/2872912
Paulson, R. (1983). Representations of revolution, (1789-1820). Yale University Press.
Peschier, D. (2005). Nineteenth-Century Anti-Catholic Discourses: The Case of Charlotte Brontë. Palgrave Macmillan Limited. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=257976
Punter, D. (1996a). The literature of terror: a history of gothic fictions from 1765 to the present day, Vol.1: The gothic tradition (2nd ed). Longman.
Punter, D. (1996b). The literature of terror: a history of gothic fictions from 1765 to the present day, Vol.2: The modern gothic (2nd ed). Longman.
Punter, D. (2012). A new companion to the Gothic (Vol. 79). Wiley-Blackwell. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=843409
Radcliffe, A. (1797). The Italian. http://find.gale.com.ezproxy3.lib.le.ac.uk/ecco/infomark.do?action=interpret&docType=ECCOArticles&source=gale&tabID=T001&prodId=ECCO&userGroupName=leicester&bookId=0247200301&type=getFullCitation&contentSet=ECCOArticles&version=1.0&finalAuth=true
Radcliffe, A. W., Dobrée, B., & Garber, F. (1980). The mysteries of Udolpho. Oxford University Press. https://ebooks.adelaide.edu.au/r/radcliffe/ann/udolpho/
Ranger, P. & Society for Theatre Research. (1991). ‘Terror and pity reign in every breast’: Gothic drama in the London patent theatres, 1750-1820. Society for Theatre Reasearch.
Roberts, B. B. (1980). The Gothic romance, its appeal to women writers and readers in late eighteenth-century England. Arno Press.
Robin Ann Sheets. (1991). Pornography, Fairy Tales, and Feminism: Angela Carter’s ‘The Bloody Chamber’. Journal of the History of Sexuality, 1(4). https://www.jstor.org/stable/3704419?seq=1#metadata_info_tab_contents
Ruth Mack. (2008). Horace Walpole and the Objects of Literary History. ELH, 75(2). https://www.jstor.org/stable/27654616?seq=1#metadata_info_tab_contents
Salter, D. (2009). "This demon in the garb of a monk”: Shakespeare, the Gothic and the discourse of anti-Catholicism. Shakespeare, 5(1), 52–67. https://doi.org/10.1080/17450910902764298
Schama, S. (1989). Citizens: a chronicle of the French Revolution. Penguin.
Sedgwick, E. K. (1981). The Character in the Veil: Imagery of the Surface in the Gothic Novel. PMLA, 96(2). https://doi.org/10.2307/461992
Sedgwick, E. K. (1986a). The coherence of Gothic conventions (Vol. 930). Methuen.
Sedgwick, E. K. (1986b). The coherence of Gothic conventions (Vol. 930). Methuen.
Shapira, Y. (2006). Where the Bodies Are Hidden: Ann Radcliffe’s ‘Delicate’ Gothic. Eighteenth Century Fiction, 18(4), 453–476. https://doi.org/10.1353/ecf.2006.0068
Shelley, M. W., & Hunter, J. P. (1996). Frankenstein: the 1818 text, contexts, nineteenth-century responses, modern criticism. W.W. Norton.
Smith, A. (2013). Gothic literature (2nd ed). Edinburgh University Press. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=1183044
Spongberg, M. (2012). History, fiction, and anachronism:                              , the Tudor ‘past’ and the ‘Gothic’ present. Textual Practice, 26(4), 631–648. https://doi.org/10.1080/0950236X.2012.696487
Spooner, C. (2012). Contemporary Gothic. Reaktion Books, Limited. https://ebookcentral.proquest.com/lib/leicester/detail.action?docID=420814
Spooner, C., & McEvoy, E. (2007). The Routledge companion to Gothic. Routledge. http://ebookcentral.proquest.com/lib/leicester/detail.action?docID=325063
Stevens, D. (2000). The gothic tradition. Cambridge University Press.
Todorov, T. (1975). The fantastic: a structural approach to a literary genre ; translated from the French by Richard Howard ; with a foreword by Robert Scholes. Cornell University Press.
Wallace, D., & Smith, A. (2009). The Female Gothic. Palgrave/MacMillan. https://link.springer.com/book/10.1057%2F9780230245457
Walpole, H. (2010). The castle of Otranto (Vol. 9). Penguin. http://ezproxy.lib.le.ac.uk/login?url=https://www.proquest.com/lion/docview/2138576892/Z000047333
Women’s writing: The Elizabethan to Victorian period. (n.d.).